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Martin Thomas takes the reader on a journey through a compelling study of culture, landscape and mythology. For both Aboriginal people and their colonisers, the rugged landscape of the Blue Mountains has stood as an intriguing riddle and a stimulus to the imagination. The author evokes this dramatic and bewildering landscape and leads his readers through the cultural history of the locality in order to probe the 'dreamwork of imperialism'.
Edward of Caernarfon is best known today for his disastrous military defeat in 1314 at Bannockburn, where his English army was defeated by a vastly inferior Scottish force led by Robert the Bruce, leading to Scottish Independence. This catastrophe was one of many in a disastrous career marked by indolence, vengefulness, vacillation in relationships with France, deranged policies at home, and constitutional wrangling, ultimately brought to an end by a minor insurgency led by his vindictive wife and her paramour, a disaffected baron.
One of Britain's most acclaimed historians presents the experiences and ramifications of the last day of World War II in Europe May 8, 1945, 23:30 hours: With war still raging in the Pacific, peace comes at last to Europe as the German High Command in Berlin signs the final instrument of surrender. After five years and eight months, the war in Europe is officially over. This is the story of that single day and of the days leading up to it. Hour by hour, place by place, this masterly history recounts the final spasms of a continent in turmoil. Here are the stories of combat soldiers and ordinary civilians, collaborators and resistance fighters, statesmen and war criminals, all recounted in vivid, dramatic detail. But this is more than a moment-by-moment account, for Sir Martin Gilbert uses every event as a point of departure, linking each to its long-term consequences over the following half century. In our attempts to understand the world we inherited in 1945, there is no better starting point than The Day the War Ended.
This book joins a growing trend toward transnational literary studies and revives a venerable tradition of Anglo-Italian scholarship centering on John Milton. Correcting misperceptions that have diminished the international dimensions of his life and work, it broadly surveys Milton’s Italianate studies, travels, poetics, politics, and religious convictions. While his debts to Machiavelli and other classical republicans are often noted, few contemporary critics have explored the Italian sources of his anti-papal, anti-episcopal, and anti-formalist religious outlook. Relying on Milton’s own testimony, this book explores its roots in Dante, Petrarch, Ariosto, and that great "Venetian enemy of the pope," Paolo Sarpi, thereby correcting a recent tendency to make native English contexts dominate his development. This tendency is partly due to a mistaken belief that Italy was in steep decline during and after Milton’s travels of 1638-1639, the period immediately before he produced his prose critiques of the English Church, its canon law, and its censorship. Yet these were also fundamentally "Italian" issues that he skillfully adapted to meet contemporary English needs, a practice enabled by his extraordinarily positive experience of the Italian language, cities, academies, and music, the latter of which ultimately influenced Milton’s "operatic" drama, Samson Agonistes. Besides republicanism and theology (radical doctrines of free grace and free will), equally strong influences treated here include Italian Neoplatonism, cosmology, and romance epic. By making these traditions his own, Milton became what John Steadman once described as an "Italianate Englishman" whose classical "literary tastes and critical orientation...were...to a considerable extent" molded by Italian critics (1976), a view that is fully credited and updated here.
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