“A wonderful introduction to Duberman’s writing but is also a fitting tribute to a man who has devoted his life to promoting social change” (Publishers Weekly). For the past fifty years, prize-winning historian Martin Duberman’s groundbreaking writings have established him as one of our preeminent public intellectuals. Founder of the first graduate program in LGBT studies in the country, he is perhaps best known for his biographies of Paul Robeson, Lincoln Kirstein, and Howard Zinn—works that have been hailed as “magnificent” (USA Today), “enthralling” (The Washington Post), “splendid” and “definitive” (Studs Terkel, Chicago Sun-Times), and “refreshing and inspiring” (The New York Times). Duberman is also an equally gifted playwright and essayist, whose piercingly honest memoirs Cures: A Gay Man’s Odyssey and Midlife Queer have been called “witty and searingly candid” (Publishers Weekly), “wrenchingly eloquent” (Newsday), and “a moving chronicle” (The Nation). His writings have explored the shocking attempts by the medical establishment to “cure” homosexuality; Stonewall, before and after; the age of AIDS; the struggle for civil rights; the fight for economic and racial justice; and Duberman’s vision for reclaiming a radical queer past from the creeping centrism of the gay movement. The Martin Duberman Reader assembles the core of Duberman’s most important writings, offering a wonderfully comprehensive overview of our lives and times—and giving us a crucial touchstone for a new generation of activists, scholars, and readers. “A deeply moral and reflective man who has engaged the greatest struggles of our times with an unflinching nerve, a wise heart, and a brilliant intellect.” —Jonathan Kozol
Martin Duberman, one of the LGBTQ+ community's maverick thinkers and historians, looks back on ninety years of life, his history in the movement, and what he's learned. In the early Sixties, Martin Duberman published a path-breaking article defending the Abolitionists against the then-standard view of them as "misguided fanatics." In 1964, his documentary play, In White America, which reread the history of racist oppression in this country, toured the country—most notably during Freedom Summer—and became an international hit. Duberman then took on the profession of history for failing to admit the inherent subjectivity of all re-creations of the past. He radically democratized his own seminars at Princeton, for which he was excoriated by powerful professors in his own department, leading him to renounce his tenured full professorship and to join the faculty of the CUNY Graduate School. At CUNY, too, he was initially blocked from offering a pioneering set of seminars on the history of gender and sexuality, but after a fifteen-year struggle succeeded in establishing the Center for Gay and Lesbian Studies—which became a beacon for emerging scholars in that new field. By the early Seventies, Duberman had broadened his struggle against injustice by becoming active in protesting the war in Vietnam and in playing a central role in forming the National Lesbian and Gay Task Force and Queers for Economic Justice. Down to the present-day he continues through his writing to champion those working for a more equitable society.
Howard Zinn was perhaps the best-known and most widely celebrated popular interpreter of American history in the twentieth century, renowned as a bestselling author, a political activist, a lecturer, and one of America’s most recognizable and admired progressive voices. His rich, complicated, and fascinating life placed Zinn at the heart of the signal events of modern American history—from the battlefields of World War II to the McCarthy era, the civil rights and the antiwar movements, and beyond. A bombardier who later renounced war, a son of working-class parents who earned a doctorate at Columbia, a white professor who taught at the historically black Spelman College in Atlanta, a committed scholar who will be forever remembered as a devoted “people’s historian”—Howard Zinn blazed a bold, iconoclastic path through the turbulent second half of the twentieth century. For the millions who were moved by Zinn’s personal example of political engagement and by his inspiring “bottom up” history, here is an authoritative biography of this towering figure—by Martin Duberman, recipient of the American Historical Association’s 2007 Lifetime Achievement Award. Given exclusive access to the previously closed Zinn archives, Duberman’s impeccably researched biography is illustrated with never-before-published photos from the Zinn family collection. Howard Zinn: A Life on the Left is a major publishing event that brings to life one of the most inspiring figures of our time.
A rich and revelatory biography of one of the crucial cultural figures of the twentieth century. Lincoln Kirstein’s contributions to the nation’s life, as both an intellectual force and advocate of the arts, were unparalleled. While still an undergraduate, he started the innovative literary journal Hound and Horn, as well as the modernist Harvard Society for Contemporary Art—forerunner of the Museum of Modern Art. He brought George Balanchine to the United States, and in service to the great choreographer’s talent, persisted, against heavy odds, in creating both the New York City Ballet and the School of American Ballet. Among much else, Kirstein helped create Lincoln Center in New York, and the American Shakespeare Festival in Stratford, Connecticut; established the pathbreaking Dance Index and the country’s first dance archives; and in some fifteen books proved himself a brilliant critic of art, photography, film, and dance. But behind this remarkably accomplished and renowned public face lay a complex, contradictory, often tortured human being. Kirstein suffered for decades from bipolar disorder, which frequently strained his relationships with his family and friends, a circle that included many notables, from W. H. Auden to Nelson Rockefeller. And despite being married for more than fifty years to a woman whom he deeply loved, Kirstein had a wide range of homosexual relationships throughout the course of his life. This stunning biography, filled with fascinating perceptions and incidents, is a major act of historical reclamation. Utilizing an enormous amount of previously unavailable primary sources, including Kirstein’s untapped diaries, Martin Duberman has rendered accessible for the first time a towering figure of immense complexity and achievement.
The inspiring life and legacy of vocal artist and civil rights icon Paul Robeson--one of the most important public figures in the twentieth century--adapted for young adults by the acclaimed Robeson biographer "As an artist I come to sing, but as a citizen, I will always speak for peace, and no one can silence me in this." --Paul Robeson Paul Robeson was destined for greatness. The son of an ex-slave who upon his college graduation ranked first in his class, Robeson was proclaimed the future "leader of the colored race in America." Although a graduate of Columbia Law School, he abandoned his law career (and the racism he encountered there) and began a hugely successful career as an internationally celebrated actor and singer. The predictions seemed to have been correct--Paul Robeson's triumphs on the stage earned him esteem among white and Black Americans across the country, although his daring and principled activism eventually made him an outcast from the entertainment industry, and his radical views made many consider him a public enemy. With the original biography lavishly praised in the Washington Post as "enthralling . . . a marvelous story marvelously told," this will be a thrilling new addition to the young adult canon. Featuring contextualizing sidebars, explanations of key terms, and photographs from Paul Robeson's life and times, Paul Robeson: No One Can Silence Me will introduce readers in middle and high school to the inspiring and complicated life of one of America's most fascinating figures, whose story of artistry, heroism, conviction, and conflict is newly relevant today.
On the night of May 4, 1886, during a peaceful demonstration of labor activists in Haymarket Square in Chicago, a dynamite bomb was thrown into the ranks of police -trying to disperse the crowd. The officers immediately opened fire, killing a number of protestors and wounding some two hundred others. Albert Parsons was the best-known of those hanged; Haymarket is his story. Parsons, humanist and autodidact, was an ex-Confederate soldier who grew up in Texas in the 1870s, and fell in love with Lucy Gonzalez, a vibrant, outspoken black woman who preferred to describe herself as of Spanish and Creole descent. The novel tells the story of their lives together, of their growing political involvement, of the formation of a colorful circle of "co-conspirators"-immigrants, radical intellectuals, journalists, advocates of the working class-and of the events culminating in bloodshed. More than just a moving story of love and human struggle, more than a faithful account of a watershed event in United States history, Haymarket presents a layered and dynamic revelation of late nineteenth-century Chicago, and of the lives of a handful of remarkable individuals who were willing to risk their lives for the promise of social change.
Martin Duberman is a national treasure." —Masha Gessen, The New Yorker Roger Casement was an internationally renowned figure at the beginning of the 20th century, famous for exposing the widespread atrocities against the indigenous people in King Leopold's Congo and his subsequent exposure—for which he was knighted in 1911—of the brutal conditions of enslaved labor in Peru. An Irish nationalist of profound conviction, he attempted, at the outbreak of World War I, to obtain German support and weapons for an armed rebellion against British rule. Apprehended and convicted of treason in a notorious trial that captured worldwide attention, Casement was sentenced to die on the gallows. A powerful petition drive for the commutation of his sentence was inaugurated by George Bernard Shaw and a host of other influential figures. A gay man, Casement kept detailed diaries of his sexual escapades, and the British government, upon discovering the diaries, circulated its pages to public figures, thereby crippling what had been a mounting petition for clemency. In 1916, he was hanged. In this gripping reimagining, acclaimed historian Martin Duberman paints a full portrait of the man for the first time. Tracing his evolution from servant of the empire to his work as a humanitarian activist and anti-imperialist, Duberman resurrects and recognizes all facets—from the professional to the personal—of the fantastic life of this pioneer for human rights.
By the time their paths first crossed in the 1960s, Barbara Deming and David McReynolds had each charted a unique course through the political and social worlds of the American left. Deming, a feminist, journalist, and political activist with an abiding belief in nonviolence, had been an out lesbian since the age of sixteen. The first openly gay man to run for president of the United States, on the Socialist Party ticket, McReynolds was also a longtime opponent of the Vietnam War—he was among the first activists to publicly burn a draft card after this became a felony—and friend to leading activists and artists from Bayard Rustin to Quentin Crisp. In this remarkable dual biography, the prize-winning historian Martin Duberman reveals a vital historical milieu of activism, radical ideas, and coming to terms with homosexuality when the gay rights movement was still in its nascent stages. With a cast of characters that includes intellectuals, artists, and activists from the critic Edmund White and the writer Mary McCarthy to the young Alvin Ailey and Allen Ginsberg, A Saving Remnant is a brilliant achievement from one of our most important historians.
The remarkable life of Paul Robeson, quintessential Harlem Renaissance man: scholar, all-American, actor, activist, and firebrand Born the son of an ex-slave in New Jersey in 1898, Paul Robeson, endowed with multiple gifts, seemed destined for fame. In his youth, he was as tenacious in the classroom as he was on the football field. After graduating from Rutgers with high honors, he went on to earn a law degree at Columbia. Soon after, he began a stage and film career that made him one of the country’s most celebrated figures. But it was not to last. Robeson became increasingly vocal about defending black civil rights and criticizing Western imperialism, and his radical views ran counter to the country’s evermore conservative posture. During the McCarthy period, Robeson’s passport was lifted, he was denounced as a traitor, and his career was destroyed. Yet he refused to bow. His powerful and tragic story is emblematic of the major themes of twentieth-century history. Martin Duberman’s exhaustive biography is the result of years of research and interviews, and paints a portrait worthy of its incredible subject and his improbable story. Duberman uses primary documents to take us deep into Robeson’s life, giving Robeson the due that he so richly deserves.
The inspiring life and legacy of vocal artist and civil rights icon Paul Robeson—one of the most important public figures in the twentieth century—adapted for young adults by the acclaimed Robeson biographer "As an artist I come to sing, but as a citizen, I will always speak for peace, and no one can silence me in this." —Paul Robeson Paul Robeson was destined for greatness. The son of an ex-slave who upon his college graduation ranked first in his class, Robeson was proclaimed the future "leader of the colored race in America." Although a graduate of Columbia Law School, he abandoned his law career (and the racism he encountered there) and began a hugely successful career as an internationally celebrated actor and singer. The predictions seemed to have been correct—Paul Robeson's triumphs on the stage earned him esteem among white and Black Americans across the country, although his daring and principled activism eventually made him an outcast from the entertainment industry, and his radical views made many consider him a public enemy. With the original biography lavishly praised in the Washington Post as "enthralling . . . a marvelous story marvelously told," this will be a thrilling new addition to the young adult canon. Featuring contextualizing sidebars, explanations of key terms, and photographs from Paul Robeson's life and times, Paul Robeson: No One Can Silence Me will introduce readers in middle and high school to the inspiring and complicated life of one of America's most fascinating figures, whose story of artistry, heroism, conviction, and conflict is newly relevant today.
A rich and revelatory biography of one of the crucial cultural figures of the twentieth century. Lincoln Kirstein’s contributions to the nation’s life, as both an intellectual force and advocate of the arts, were unparalleled. While still an undergraduate, he started the innovative literary journal Hound and Horn, as well as the modernist Harvard Society for Contemporary Art—forerunner of the Museum of Modern Art. He brought George Balanchine to the United States, and in service to the great choreographer’s talent, persisted, against heavy odds, in creating both the New York City Ballet and the School of American Ballet. Among much else, Kirstein helped create Lincoln Center in New York, and the American Shakespeare Festival in Stratford, Connecticut; established the pathbreaking Dance Index and the country’s first dance archives; and in some fifteen books proved himself a brilliant critic of art, photography, film, and dance. But behind this remarkably accomplished and renowned public face lay a complex, contradictory, often tortured human being. Kirstein suffered for decades from bipolar disorder, which frequently strained his relationships with his family and friends, a circle that included many notables, from W. H. Auden to Nelson Rockefeller. And despite being married for more than fifty years to a woman whom he deeply loved, Kirstein had a wide range of homosexual relationships throughout the course of his life. This stunning biography, filled with fascinating perceptions and incidents, is a major act of historical reclamation. Utilizing an enormous amount of previously unavailable primary sources, including Kirstein’s untapped diaries, Martin Duberman has rendered accessible for the first time a towering figure of immense complexity and achievement.
A child is one hundred times more likely to be abused or killed by a stepparent than by a genetic parent, say two scientists in this startling book. Martin Daly and Margo Wilson show that the mistreatment of stepchildren, long a staple of folk tales, has a solid basis in fact; Daly and Wilson apply the perspective of evolutionary psychology to investigate why stepparenthood is different from genetic parenthood and why steprelationships succeed or fail.
In a pathbreaking new assessment of the shaping of black male identity in the early twentieth century, Martin Summers explores how middle-class African American and African Caribbean immigrant men constructed a gendered sense of self through organizational life, work, leisure, and cultural production. Examining both the public and private aspects of gender formation, Summers challenges the current trajectory of masculinity studies by treating black men as historical agents in their own identity formation, rather than as screens on which white men projected their own racial and gender anxieties and desires. Manliness and Its Discontents focuses on four distinct yet overlapping social milieus: the fraternal order of Prince Hall Freemasonry; the black nationalist Universal Negro Improvement Association, or the Garvey movement; the modernist circles of the Harlem Renaissance; and the campuses of historically black Howard and Fisk Universities. Between 1900 and 1930, Summers argues, dominant notions of what it meant to be a man within the black middle class changed from a Victorian ideal of manliness--characterized by the importance of producer values, respectability, and patriarchy--to a modern ethos of masculinity, which was shaped more by consumption, physicality, and sexuality. Summers evaluates the relationships between black men and black women as well as relationships among black men themselves, broadening our understanding of the way that gender works along with class, sexuality, and age to shape identities and produce relationships of power.
This book proposes a new way to consider theatre and performance that claims a special relationship to reality, truth and authenticity. It documents innovations in devising and staging theatre and performance that takes reality as its subject, cultural shifts that have generated theatre of the real, some of its problems and some possibilities.
Martin Duberman, one of the LGBTQ+ community's maverick thinkers and historians, looks back on ninety years of life, his history in the movement, and what he's learned. In the early Sixties, Martin Duberman published a path-breaking article defending the Abolitionists against the then-standard view of them as "misguided fanatics." In 1964, his documentary play, In White America, which reread the history of racist oppression in this country, toured the country—most notably during Freedom Summer—and became an international hit. Duberman then took on the profession of history for failing to admit the inherent subjectivity of all re-creations of the past. He radically democratized his own seminars at Princeton, for which he was excoriated by powerful professors in his own department, leading him to renounce his tenured full professorship and to join the faculty of the CUNY Graduate School. At CUNY, too, he was initially blocked from offering a pioneering set of seminars on the history of gender and sexuality, but after a fifteen-year struggle succeeded in establishing the Center for Gay and Lesbian Studies—which became a beacon for emerging scholars in that new field. By the early Seventies, Duberman had broadened his struggle against injustice by becoming active in protesting the war in Vietnam and in playing a central role in forming the National Lesbian and Gay Task Force and Queers for Economic Justice. Down to the present-day he continues through his writing to champion those working for a more equitable society.
By the time their paths first crossed in the 1960s, Barbara Deming and David McReynolds had each charted a unique course through the political and social worlds of the American left. Deming, a feminist, journalist, and political activist with an abiding belief in nonviolence, had been an out lesbian since the age of sixteen. The first openly gay man to run for president of the United States, on the Socialist Party ticket, McReynolds was also a longtime opponent of the Vietnam War—he was among the first activists to publicly burn a draft card after this became a felony—and friend to leading activists and artists from Bayard Rustin to Quentin Crisp. In this remarkable dual biography, the prize-winning historian Martin Duberman reveals a vital historical milieu of activism, radical ideas, and coming to terms with homosexuality when the gay rights movement was still in its nascent stages. With a cast of characters that includes intellectuals, artists, and activists from the critic Edmund White and the writer Mary McCarthy to the young Alvin Ailey and Allen Ginsberg, A Saving Remnant is a brilliant achievement from one of our most important historians.
On the night of May 4, 1886, during a peaceful demonstration of labor activists in Haymarket Square in Chicago, a dynamite bomb was thrown into the ranks of police -trying to disperse the crowd. The officers immediately opened fire, killing a number of protestors and wounding some two hundred others. Albert Parsons was the best-known of those hanged; Haymarket is his story. Parsons, humanist and autodidact, was an ex-Confederate soldier who grew up in Texas in the 1870s, and fell in love with Lucy Gonzalez, a vibrant, outspoken black woman who preferred to describe herself as of Spanish and Creole descent. The novel tells the story of their lives together, of their growing political involvement, of the formation of a colorful circle of "co-conspirators"-immigrants, radical intellectuals, journalists, advocates of the working class-and of the events culminating in bloodshed. More than just a moving story of love and human struggle, more than a faithful account of a watershed event in United States history, Haymarket presents a layered and dynamic revelation of late nineteenth-century Chicago, and of the lives of a handful of remarkable individuals who were willing to risk their lives for the promise of social change.
The human race spends a disproportionate amount of attention, money, and expertise in solving, trying, and reporting homicides, as compared to other social problems. The public avidly consumes accounts of real-life homicide cases, and murder fiction is more popular still. Nevertheless, we have only the most rudimentary scientific understanding of who is likely to kill whom and why. Martin Daly and Margo Wilson apply contemporary evolutionary theory to analysis of human motives and perceptions of self-interest, considering where and why individual interests conflict, using well-documented murder cases. This book attempts to understand normal social motives in murder as products of the process of evolution by natural selection. They note that the implications for psychology are many and profound, touching on such matters as parental affection and rejection, sibling rivalry, sex differences in interests and inclinations, social comparison and achievement motives, our sense of justice, lifespan developmental changes in attitudes, and the phenomenology of the self. This is the first volume of its kind to analyze homicides in the light of a theory of interpersonal conflict. Before this study, no one had compared an observed distribution of victim-killer relationships to "expected" distribution, nor asked about the patterns of killer-victim age disparities in familial killings. This evolutionary psychological approach affords a deeper view and understanding of homicidal violence.
This encyclopedia defines and contextualizes the Baby Boomer generation and the wide-reaching contributions of its members throughout modern American history. Comprising some 80 million Americans born between 1946 and 1965, the Baby Boomers have significantly changed every aspect of American history and culture. The members of this generation experienced some of the most tumultuous times in American history; indeed, the Boomers helped create these pivotal eras. From the advent of rock and roll to disco and rap, from the sexual revolution to the arrival of AIDS, and from race riots to the election of a black president, Baby Boomers have seen it all. Through nearly 100 alphabetically arranged entries, this encyclopedia gives later generations insight into the contributions of the Baby Boomers, and it helps members of that generation better contextualize their own experiences. Included entries are written in a clear and engaging manner, covering politics and activism, entertainment, the economy, gender roles, arts, pop culture, sports, religion, drug and alcohol use, and many other subject areas.
John Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Martin Iddon's book is the first volume to collect the complete extant correspondence between the composer and pianist David Tudor, one of Cage's most provocative and significant musical collaborators. The book presents their partnership from working together in New York in the early 1950s, through periods on tour in Europe, until the late stages of their work from the 1960s onwards, carried out almost exclusively within the frame of the Merce Cunningham Dance Company. Tackling the question of how much creative flexibility Tudor was granted, Iddon includes detailed examples of the ways in which Tudor realised Cage's work, especially focusing on Music of Changes to Variations II, to show how composer and pianist influenced one another's methods and styles.
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