This book explores an overlooked area in Hegel studies: his use of ‘individuality’ (Individualität). Hegel joined a lively conversation, from Leibniz to Romanticism and beyond, about this novel concept/phenomenon. Successive chapters track Hegel’s engagement, in such texts as the Phenomenology, Encyclopedia, and Aesthetics. Hegel’s system tends to follow a syllogistic logic (universal, particular, singular), but ‘individuality’ departs from the norm. The category enacts a certain pragmatics (as against semantics or syntactics) regarding tacit assumptions at work or implicit terms of address, which requires active participation by a thinking subject charged with discerning individuality (which bars resort to explicit rules). The category reflexively implicates the user even in presuming an objective context. ‘Individuality’ should not be confused with ‘individualism,’ wholly distinct in origin. Moreover, Hegel’s Aesthetics embraces a paradoxical anachronism. Like ‘art’ itself, ‘individuality’ emerged as an essentially modern category, though one transferred to the past and to distant cultures.
This book explores an overlooked area in Hegel studies: his use of ‘individuality’ (Individualität). Hegel joined a lively conversation, from Leibniz to Romanticism and beyond, about this novel concept/phenomenon. Successive chapters track Hegel’s engagement, in such texts as the Phenomenology, Encyclopedia, and Aesthetics. Hegel’s system tends to follow a syllogistic logic (universal, particular, singular), but ‘individuality’ departs from the norm. The category enacts a certain pragmatics (as against semantics or syntactics) regarding tacit assumptions at work or implicit terms of address, which requires active participation by a thinking subject charged with discerning individuality (which bars resort to explicit rules). The category reflexively implicates the user even in presuming an objective context. ‘Individuality’ should not be confused with ‘individualism,’ wholly distinct in origin. Moreover, Hegel’s Aesthetics embraces a paradoxical anachronism. Like ‘art’ itself, ‘individuality’ emerged as an essentially modern category, though one transferred to the past and to distant cultures.
In Listening to the Future, Bill Martin sets the scene for the emergence of progressive rock and examines the most important groups, from the famous to the obscure. He also surveys the pathbreaking albums and provides resources for readers to explore the music further. "Written with the insights of an academic, the authority of a musicologist, and—best of all—the passion of a true fan. Martin charts topographic oceans, courts crimson kings, does some brain salad surgery, and generally rocks out in 7/8 time." —Jim DeRogatis Sun-Times music critic
This study is concerned with the different interpretations of Greek tragedy proposed by G.W.F. Hegel. While Hegel's philosophical interest in tragedy as an art form is well known, the motivation for his preoccupation with this art form needs to be further explored. Indeed, why would Hegel, a pivotal figure of German idealism, be inclined to concern himself with a form of poetry that reached its peak in the 5th century B.C.' Precisely this question forms the core of this book. It articulates what the primary stakes are and thereby develop and defend the thesis that Hegel's examination of Greece and tragedy is one that has a direct bearing on the "fate" of politics in the modern world.
In this original, yet highly accessible work, Martin aims to recover the radicality of Sartre's political project by examining his political interventions, including the debate concerning the Soviet Union during the Stalin period, the question of electoral politics during May 1968 and its aftermath. Looking closely at a number of Sartre's texts, including Materialism and Revolution, The Critique of Dialectical Reason, What is Literature, and journalistic works and interviews, Martin seeks to reveal Sartre's continuing contribution to philosophy in the wake of postmodern, post-socialist and poststructuralist movements.
A New History of Ireland is the largest scholarly project in modern Irish history. In 9 volumes, it provides a comprehensive new synthesis of modern scholarship on every aspect of Irish history and prehistory, from the earliest geological and archaeological evidence, through the Middle Ages, down to the present day. The third volume opens with a character study of early modern Ireland and a panoramic survey of Ireland in 1534, followed by twelve chapters of narrative history. There are further chapters on the economy, the coinage, languages and literature, and the Irish abroad. Two surveys, `Land and People', c.1600 and c.1685, are included.
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