In this exploration of the 20th-century civil rights and black power eras, Martin uses cultural politics as a lens through which to understand the African-American freedom struggle. In freedom songs, in the exuberance of an Aretha Franklin concert, in Faith Ringgold's exploration of race and sexuality, the personal and social became the political.
Syntheses of the geology of major areas of the Earth's crust are increasingly needed in order that the features of, and the problems associated with, the secular evolution of the continents can be understood by a wide audience. Southern Africa is fortunate in having a remarkable variety of geological environments developed without many breaks over 3. 8 Ga, and many of the rock groups are household names throughout the geological world. In one respect the geology of Southern Africa is particularly important: cratonization clearly began as early as 3. 0 Ga ago, in contrast to about 2. 5 Ga in most other continental areas such as North America. This book documents very well the remarkable change in tectonic conditions that took place between the Early and Mid-Precambrian; we have here evidence of the very earliest development of rigid lithospheric plates. This book is a tribute to the multitudes of scientists who have worked out the geology of Southern Africa over many years and decades. Whatever their discipline, each provided a step in the construction of this fascinating story of 3. 8 Ga of crustal development. In the book the reader will find a detailed review of the factual data, together with a balanced account of interpretative models without the indulgence of undue speculation. One of its attractions is its multidisciplinary approach which provides a stimulating challenge to the reader.
This chronicle of an armored division’s bravery during the Battle of the Bulge sheds new light on the legendary Siege of Bastogne in WWII. Before the 101st Airborne Division’s famous Siege of Bastogne, there was already a US unit holding the town when they arrived. This unit—the 10th Armored Division—continued to play a major role in its defense through the German onslaught. The Tigers of Bastogne offers a detailed chronicle of the young armored division that withstood the full brunt of Manteuffel’s Fifth Panzer Army in the Ardennes. The 10th Armored had only arrived in Europe that September as part of Patton’s Third Army. They soon faced the onslaught of Nazi panzers bursting across no-man’s-land on December 16. But they earned their nickname, “The Tiger Division,” as they went on the defensive at Bastogne, surrounded by an entire German army. Gen. Anthony McAuliffe of the 101st Airborne said, “It seems regrettable to me that Combat Command B of the 10th Armored Division didn’t get the credit it deserved at the Battle of Bastogne. All the newspaper and radio talk was about the paratroopers. Actually the 10th Armored Division was in there a day before we were and had some very hard fighting before we ever got into it.” Fortunately, in this book, the historical record is finally corrected.
Myth, Masculinity & Me By: David M. Martin In today’s gender revolution we often hear people identifying as “more or less masculine” or “more or less feminine.” But do we really know what masculinity is? Is it a concrete and definable category or something that is more ambiguous and mutable? In this book, the author takes the reader along with him on his personal journey exploring his relationship with and growing understanding of masculinity. Along the way the reader will hear about both healthy and unhealthy, or “toxic,” masculinity. The way is perilous and strewn with personal landmines and pathogenic beliefs inherited from culture, family and institutions. This book utilizes an archetypal and mytho-poetic framework to analyze, experience and form a new relationship to “masculinity” and the innermost self. Through the story of Peter Pan, the author analyzes archetypal masculinity from infancy through childhood. Next the author takes the reader through The Strange Case of Dr. Jekyll and Mr. Hyde to discuss the major split most men face between their inner reality, exterior persona and the shadow that lurks behind them. Finally, the author takes a bold leap into the story of Beowulf to battle the dragons of cultural stereotypes, falsely imposed limitations and dangerous self beliefs that affect the individual, not just as a man, but as a human. This is one man’s story. It is about learning and taking responsibility for the kind of life we ultimately want to lead, as well as the kind of world we want to leave behind to those who follow.
Romancing the Bard offers a look at the Stratford Festival in its first fifty years as it developed from a bold venture driven by vision of a handful of eager enthusiasts to its present status as a multi-million dollar cultural and commercial enterprise. With profiles of Stratford personalities from founder Tyrone Guthrie to current artistic director Richard Monette, it provides glimpses of intrigue and conflict both offstage and on. The book traces the development of a distinctive Canadian acting style, the soaring costs of production and design, the conflict between artists and moneymen, the external image promoted by publicists or imposed by critics and the changing mandate as the Festival assumes an increasingly populist character. This is a celebration of a uniquely successful artistic enterprise, and focuses on some of the Festival’s finest productions. Illustrated with photographs from the Festival archives.
While now long-forgotten, King Farouk of Egypt loomed large in British culture in the 1940s and 1950s. Farouk was of interest and importance, not just to British imperial policy makers, but to a wider public that was exposed to his extravagant lifestyle and colourful private life through gossip columns, comedy sketches, cartoons, song lyrics and novels. This book explores how the narratives and representations of King Farouk found in British official and popular culture dramatized the retreat from empire, the rise of celebrity journalism, changing conceptions of masculinity and sexuality, ambivalent attitudes towards monarchy, postcolonial exile, the growth of mass tourism, and the post-war transition from austerity to abundance. By considering diplomatic history in tandem with histories of popular culture and celebrity, Francis presents a more holistic understanding of British culture during the era of decolonization. The varied cultural and social features of post-war Britain and the reconstitution of British identity in the aftermath of empire - sexual liberalization, 'Americanization', consumer affluence, increased interaction with Europe, new forms of mass leisure and the emergence of celebrity culture - did not take place independently of the dismantling of imperial rule. Studying Farouk therefore sheds new light on the multiple and complex ways in which Britain emerged as a postcolonial nation.
The young Lucian Freud was described by his friend Stephen Spender as totally alive, like something not entirely human, a leprechaun, a changeling child, or, if there is a male opposite, a witch. All that magnetism and brilliance is displayed in the letters assembled here, many published for the first time. From schoolboy messages to his parents, though letters to friends, lovers, and confidants, to correspondence with patrons and associates as he became established as a professional painter, they are peppered with wit, affection and irreverence. Collectively, they provide a powerful insight into his early life and art. Co-authored by David Dawson, Freuds longstanding personal assistant and now Director of the Lucian Freud Archive, and Martin Gayford, author, critic, and friend of the artist, this is the first published collection of Freuds correspondence. Reproduced in facsimile alongside reproductions of Freuds artwork, the letters are linked by a narrative that weaves them into the story of his life and relationships through his formative first three decades.
This special bundle contains seven books that detail Canada’s long and storied history in the performing arts. We learn about Canada’s early Hollywood celebrity movie stars; Canadians’ vast contributions to successful international stage musicals; the story of The Grand, a famous theatre in London, Ontario; reminiscences from the early days of radio; the history of the renowned Stratford Festival; and a lavish history of the famous National Ballet of Canada. Canada’s performing artists blossomed in the twentieth century, and you can learn all about it here. Includes Broadway North Let’s Go to The Grand! Once Upon a Time in Paradise Passion to Dance Sky Train Romancing the Bard Stardust and Shadows
As cities from Cape Town to La Paz face acute water shortages, citizens need to know how urban water systems evolved to understand their vulnerabilities and alternatives. This volume sheds light on the challenges of water management in Australian cities drawing on environmental, urban and economy history.
Do you dream of wicked rakes, gorgeous Highlanders and muscled Viking warriors? Harlequin® Historical brings you three new full-length titles in one collection! This box set includes: HER HIGHLANDER FOR ONE NIGHT (Medieval) A Highland Feuding • by Terri Brisbin When Glynnis had to make a noble marriage, Iain Mackenzie Cameron’s illegitimacy stood in the way. Now she’s returned a widow, and Iain is an assured warrior, the chieftain’s heir! A PRETEND MATCH FOR THE VISCOUNT (Regency) Matchmade Marriages • by Laura Martin Scandalously compromised during her first season, Eliza Stanley can’t help being intrigued by the brooding viscount who prevents her disgrace—but falling for him means giving up all she loves… MAY THE BEST DUKE WIN (Victorian) by Paulia Belgado American heiress Kate Mason’s father is demanding she marry an English aristocrat! She plans to accept any noble who’ll allow her to pursue her railway ambitions—until she kisses Sebastian, Duke of Mabury!
If you haven't yet discovered Martin Edwards' books, you are in for a treat...I am a huge fan!" — Louise Penny "I want you to solve my murder," said the woman in white. Rachel Savernake gave a sardonic smile. "Quite a challenge." The woman in white—surreal artist Damaris Gethin—has invited a select group to the opening of her exhibit "Artist in Crime," held in the eerie subterranean Hades Gallery. As costumed models reenact famously violent deaths, the artist herself portrays Marie Antoinette on the day of her execution, complete with a guillotine on the stage. It's not a prop; within ten minutes of Rachel's promise to solve Damaris's future murder, the artist slips her neck into the collar of the device and the very real blade sends her head rolling at the feet of her horrified audience. As everyone reels from the shock, Rachel quickly learns that Damaris herself accomplished the deed with the push of a button—a suicide. So then why did she ask Rachel to solve her "murder?" Keen for the hunt, Rachel begins sniffing around the other invited guests, including a former lover with shady financial dealings, his widowed sister-in-law, and her has-been songwriter friend. Meanwhile, crime reporter Jacob Flint—also in attendance, in hopes of meeting celebrated French beauty Kiki de Villiers, allows his fascination with her to endanger his own life when a ruthless gangster returns to London, looking to take back what's his. Equal parts thriller and whodunit, THE HOUSE ON GRAVEYARD LANE leads Rachel and Jacob into a viper's pit of suspects, each sneakier and more venomous than the last.
All too frequently, humans are involved only in seeing religion from either an academic or a proselytising point of view; we forget the human side, the faith and belief, the wonder that is the driving force behind religion. Launching Oneworld's series of "Beginner's Guides" - introductory titles with a twist - this study probes to the heart of religion, examining a range of issues with clarity and concision. From the origins of religious belief to the role of festivals and the life beyond this one, this incisive little volume draws on history, theology, philosophy and the words of great thinkers old and new to introduce the timeless truths behind our common spiritual quests.
From the days of pirate raids on the Chesapeake to swift-boat actions in Vietnam, the Staffords and their traditional rivals, the Parrishes, struggle with foreign enemies and each other to build a navy and a nation. They march across the deserts of Tripoli, sail into the South Seas to battle the British and dally with the native girls, fight aboard the Merrimac and the Monitor, fly into the battle of Midway, and look into the living faces of all four men on Mount Rushmore. When Stafford descendant Susan Browne sets out to film a documentary about her famous ancestry, her work sweeps her into the past, to celebrate Stafford victories, mourn their losses, and confront their secrets. Annapolis is William Martin's most ambitious novel, a tale of romance and courage, honor and patriotism, an ode to the men and women who have made the proud traditions of the United States Navy. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The Story of One of the Most Remarkable Trials in All History! Sensational trials--the Menendez brothers, the Rodney King case, the Preppie Murder--are not unique to the age of television. The year 1900 saw one of the most dramatic criminal trials in American history, described by one newspaper at the time as America's most remarkable murder case. When William Marsh Rice, the founder of Rice University, was found dead in the New York City quarters he shared with his only servant, suspicion immediately fell on Albert Patrick, a young lawyer. Rice, whose fortune was pledged to Rice Institute (later Rice University), had, it seemed, been killed by chloroform poisoning and his will forged to give Patrick his vast estate. Patrick was immediately arrested and, in a spectacular trial, tried for first-degree murder, a crime then punishable by execution. In this combination murder mystery and murder history, Martin Friedland recounts the events leading up to the trial and the case as it played itself out in court. Skillfully guiding the reader through the trial and its outcome, Friedland sheds new light on the events, casting doubt on what, at first glance, seems an ironclad case. Provocatively illustrated with over 60 photographs that capture the circumstances of the trial and the mood of New York City at the turn of the century, The Death of Old Man Rice is not only a gripping tale of murder and intrigue, but a timely window onto many aspects of criminal justice in America. Touching on issues of great contemporary relevance-- such as the influence of the popular press; the purchase of expert witnesses; the problems of multiple appeals; the inadequacy of penal institutions; and the advantages of wealth--Friedland combines scholarship with suspense in his trademark who done it style. A murder mystery, a historical study, and a fascinating window into the world of forensic science, The Death of Old Man Rice is that rare book that can engage any reader.
Many factors--political, economic, sociological--contributed to the United States' westward expansion across the continent. But the role that sex played has largely been unexplored by scholars. This is the first book-length study to examine such topics as Thomas Jefferson's interest in the sex lives of American Indians, white's fear of Indians raping white women, Christian missionary beliefs that Native American sexual practices needed to be altered in order to save Indian souls, and the desire of Mormons to practice polygamy. These and other sex-related dynamics all combined to play a role in America's extension from the Atlantic to the Pacific.
Why are readers who are generally at home with narrative and discursive prose, and even readily responsive to poetry, far less confident and intuitive when it comes to plays? The complication lies in the twofold character of the play as it exists on the page - as a script or score to be realized, and as literature. Martin Meisel's engaging account of how we read play plays on the page shows that the path to the fullest imaginative response is an understanding of how plays work. What is entailed is something like learning a language - vocabulary, grammar, syntax - but learning also how the language operates in those concrete situations where it is deployed. Meisel begins with a look at matters often taken for granted in coding and convention, and then - under 'Beginnings' - at what is entailed in establishing and entering the invented world of the play. Each succeeding chapter is a gesture at enlarging the scope: 'Seeing and Hearing', 'The Uses of Place', 'The Role of the Audience', 'The Shape of the Action', and 'The Action of Words'. The final chapters, 'Reading Meanings' and 'Primal Attractions', explore ways in which both the drive for significant understanding and the appetite for wonder can and do find satisfaction and delight. Cultivated in tone and jargon-free, How Plays Work is illuminated by dozens of judiciously chosen examples from western drama - from classical Greek dramatists to contemporary playwrights, both canonical and relatively obscure. It will appeal as much to the serious student of the theatre as to the playgoer who likes to read a play before seeing it performed.
FINALIST FOR THE KIRKUS PRIZE FOR NONFICTION • ONE OF TIME'S 100 MUST-READ BOOKS OF THE YEAR • ONE OF THE NEW YORK TIMES BOOK REVIEW'S CRITICS' PICKS • ONE OF THE BOSTON GLOBE’S 55 BOOKS WE LOVED THIS YEAR • ONE OF KIRKUS’S BEST NONFICTION BOOKS OF THE YEAR• An intimate, insightful, at times even humorous blend of memoir and philosophy that examines why the thought of death is so compulsive for some while demonstrating that there’s always another solution—from the acclaimed writer and philosophy professor, based on his viral essay, “I’m Still Here.” “A deep meditation that searches through Martin’s past looking for answers about why he is the way he is, while also examining the role suicide has played in our culture for centuries, how it has evolved, and how philosophers have examined it.” —Esquire “A rock for people who’ve been troubled by suicidal ideation, or have someone in their lives who is.” —The New York Times “If you’re going to write a book about suicide, you have to be willing to say the true things, the scary things, the humiliating things. Because everybody who is being honest with themselves knows at least a little bit about the subject. If you lie or if you fudge, the reader will know.” The last time Clancy Martin tried to kill himself was in his basement with a dog leash. It was one of over ten attempts throughout the course of his life. But he didn’t die, and like many who consider taking their own lives, he hid the attempt from his wife, family, coworkers, and students, slipping back into his daily life with a hoarse voice, a raw neck, and series of vague explanations. In How Not to Kill Yourself, Martin chronicles his multiple suicide attempts in an intimate depiction of the mindset of someone obsessed with self-destruction. He argues that, for the vast majority of suicides, an attempt does not just come out of the blue, nor is it merely a violent reaction to a particular crisis or failure, but is the culmination of a host of long-standing issues. He also looks at the thinking of a number of great writers who have attempted suicide and detailed their experiences (such as David Foster Wallace, Yiyun Li, Akutagawa, Nelly Arcan, and others), at what the history of philosophy has to say both for and against suicide, and at the experiences of those who have reached out to him across the years to share their own struggles. The result combines memoir with critical inquiry to powerfully give voice to what for many has long been incomprehensible, while showing those presently grappling with suicidal thoughts that they are not alone, and that the desire to kill oneself—like other self-destructive desires—is almost always temporary and avoidable.
When you play in the big league, you might just lose it all. I’ve learned that the hard way. I’ve paid a high price wanting to get lost in the club’s darkness. I will never be the same again. Being the president’s daughter is everything but a blessing. All the Wild Crows’ loved ones live with a target on their back, including the kids. Horror is knocking at our door. In this race against time, hardships bring wounded souls together. There’s no room for reason anymore. The only things left are this raw and intense emotion, and these eyes I get lost into… Flying away with ravens is an exhilarating thing. Each moment of happiness is as intense as it is fleeting, so we live every single one of them to its fullest. ________________ VOLUME 2 / 5 Slow burn Romance Triggers : violence ________________ "Always wild crows... So there, I am literally amazed, captivated by this second volume. Then throw yourself on this incredible sequel. Well done Blandine P. Martin!" Emilie "A second volume that I devoured in just a few days, immersed in history like never before! It was a pleasure to find these characters, despite the hazards they face! Big crush on the evolution of the love story!"Elodie "It's a crush! In general, I don't really like stories with bikers. Still, I love the Wild Crows. This volume overwhelmed, amazed and moved me."Catarina "The best biker book of all time!"Neige "What a rollercoaster of emotions!"Anny "If you like your MC books more on the gritty side these books are for you. The story line is heart breaking at times but it will drawl you in and keep you reading. The characters are interesting and you get a real feel for who they really are." Danena
Ten Nobodies (and their somebodies Here are narratives by "nobodies" who were privileged (or, in some cases, not) to be employed by or otherwise to have served famous people. They include corpulent Horatio, who serves as "a sort of muse" to a grieving William Shakespeare; Mose, a runaway slave who serves as a masseur and bedtime reader to Anne Bonny, the fierce but nervous pirate; and Parson, a spiritual advisor to Davy Crockett. There's Buffalo Hump Woman, a hairstylist to General Custer; ten-year-old Mimsy, a tea party assistant to aged Lewis Carroll; pretty Antoinette, who serves as a maid for Gertrude Stein and Alice B. Toklas; and Louie, a press aide to President William Howard Taft, whose endeavor is to mislead the press as to Taft's true weight. There's burnt-out Jean, a fortuneteller for Marilyn Monroe; and Percy, a spy for temperamental Vince Lombardi. And Solly, who serves as a trivia research assistant to retired gangster Meyer Lansky in Miami Beach. Martin Drapkin Ten Nobodies (and their somebodies) is Marty Drapkin's second published work of fiction. His first was Now and at the Hour (Dog Ear Publishing, 2009). He's written and published nonfiction books and articles in his professional field, having to do with county jail operations. He is a selfdescribed faceless bureaucrat laboring unappreciated for an obscure state government agency-the proverbial man in the gray flannel suit, leading a life of quiet desperation. He is also a photographer, specializing in black-and-white portraits of mothers and daughters. Marty and his wife, Erica, live in Cross Plains, Wisconsin, with a motley crew of dogs and cats, all of whom have issues. He has a grown daughter who lives in Seattle and doesn't mind the rain.
The Roman author Pliny the Younger characterizes Christianity as “contagious superstition”; two centuries later the Christian writer Eusebius vigorously denounces Greek and Roman religions as vain and impotent “superstitions.” The term of abuse is the same, yet the two writers suggest entirely different things by “superstition.” Dale Martin provides the first detailed genealogy of the idea of superstition, its history over eight centuries, from classical Greece to the Christianized Roman Empire of the fourth century C.E. With illuminating reference to the writings of philosophers, historians, and medical teachers he demonstrates that the concept of superstition was invented by Greek intellectuals to condemn popular religious practices and beliefs, especially the belief that gods or other superhuman beings would harm people or cause disease. Tracing the social, political, and cultural influences that informed classical thinking about piety and superstition, nature and the divine, Inventing Superstition exposes the manipulation of the label of superstition in arguments between Greek and Roman intellectuals on the one hand and Christians on the other, and the purposeful alteration of the idea by Neoplatonic philosophers and Christian apologists in late antiquity. Inventing Superstition weaves a powerfully coherent argument that will transform our understanding of religion in Greek and Roman culture and the wider ancient Mediterranean world.
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