Told through the stories, journals and personal letters of the women of the powerful Fox family, Wives and Daughters is a window into the daily lives and experiences of women of eighteenth-century aristocratic society and the country houses that symbolized the power and taste of eighteenth-century Britain. Combining personality with historical setting and detail, Joanna Martin traces the lives of fifteen individual women in their four country houses through several generations, in society and at home. Taking an intimate and personal look at courtship, marriage, childbirth, education, houses and gardens, reading, hobbies, travel and health, this book is an engrossing account of woman's lives in this fascinating time.
Work on Ben Jonson has long been dominated by the 11-volume Oxford text of his Works , edited by C.H. Herford, Percy Simpson and Evelyn Simpson (1925-52). In this monumental edition, Jonson seems a remote and forbidding figure, an author of formidable learning and literariness. This collection of essays by twelve leading scholars, editors, historians and bibliographers explores ways in which modern understanding of Jonson's texts has undermined the emphasis of the Oxford edition, and generated a Jonson whose Works and career look quite different. Addressing the competing needs of future readers, teachers and performers, it asks how this reconceptualized Jonson might best be transmitted into the next century. The volume also includes a new Jonson text, The Entertainment at Britain's Burse , written in 1609 to celebrate the royal opening of the Earl of Salisbury's commercial development in the Strand. Discovered in 1996, it is the most significant addition to Jonson's canon this century, and is here printed for the first time.
In some hands, history can be an inspirational and rewarding subject, yet in others it can seem dry and of little relevance. The aim of this textbook is to enable student teachers to learn to teach history in a way that pupils will find interesting, enjoyable and purposeful. It incorporates a wide range of ideas about the teaching of history with practical suggestions for classroom practice. This is the third edition of a textbook that has established itself as the leading text for student teachers of history. It has been thoroughly updated, with a revised chapter on the use of ICT in history teaching and major new sections in the areas of inclusion, resources, assessment and professional development. It provides an array of references and materials that give a sound theoretical foundation for the teaching of history, including weblinks to further resources. A range of tasks enable students to put their learning into practice in the classroom. The book also provides reference and access to a wide range of recent and relevant research in the field of history education, which will be of use to student teachers pursuing courses that have a Masters Level component. In all, it is an invaluable resource for student and beginning history teachers.
As voyeuristic and prurient as today's tabloid newspapers, early modern crime pamphlets and broadside ballads about women murderers tell of furtive love affairs and domestic poisonings, of battered wives who kill their abusive husbands, and of troubled mothers who murder their children. On first acquaintance, many pamphlets leave an impression of shallow sensationalism yoked to idealised repentance, and for that reason modern critics and historians have often discounted their importance as culturally significant artifacts. This volume presents a selection of over forty texts and is intended to encourage a reconsideration of these views. In his Introductory Note to the volume, Randall Martin discusses the narrative content and social commentary of these ballads, pamphlets and trial reports, and the contribution that they make to the discursive construction of the early modern female murderer through their representational strategies and evolving legal and gender contexts.
This book argues that Walton's practice, in his Lives, was crucial in shaping modern expectations of biography: how it should be organised, how it should treat evidence, how seriously it should regard narrative coherence, and most particularly in the modern expectation of an intimaterelationship between author, reader, and subject. Dr Martin considers Walton's biographical ethics in relation to the tributary genres influencing him as they emerged from post-Reformation commendatory practice after 1546, most particularly classical funeral oratory and the emergent Protestantfuneral sermon, the Plutarchan parallel, the didactic Character, martyrological narrative, and finally Walton's direct model, the exemplary biographical commemoration of the conformist minister.Dr Martin considers how Walton develops his literary inheritance, arguing that his lay status required him to initiate a different kind of mediation between reader and subject from the straightforwardly imitative. Walton presents himself as a channel for the words and acts of an authoritativesubject, a preference implicitly followed both in his stress on personal connections with his subjects (which spectacularly particularizes his portraits) and in his very extensive use of their own writings. His Lives attempt posthumous autobiography. They are also considered as prominent andaccomplished examples of the many politically intended narratives which exploit a consensual interpretation of private virtue to support, without having to argue for, a sectarian interpretation of public rectitude.
The late Edward Said remains one of the most influential critics and public intellectuals of our time, with lasting contributions to many disciplines. Much of his reputation derives from the phenomenal multidisciplinary influence of his 1978 book Orientalism. Said's seminal polemic analyzes novels, travelogues, and academic texts to argue that a dominant discourse of West over East has warped virtually all past European and American representation of the Near East. But despite the book's wide acclaim, no systematic critical survey of the rhetoric in Said's representation of Orientalism and the resulting impact on intellectual culture has appeared until today. Drawing on the extensive discussion of Said's work in more than 600 bibliographic entries, Daniel Martin Varisco has written an ambitious intellectual history of the debates that Said's work has sparked in several disciplines, highlighting in particular its reception among Arab and European scholars. While pointing out Said's tendency to essentialize and privilege certain texts at the expense of those that do not comfortably it his theoretical framework, Varisco analyzes the extensive commentary the book has engendered in Oriental studies, literary and cultural studies, feminist scholarship, history, political science, and anthropology. He employs "critical satire" to parody the exaggerated and pedantic aspects of post-colonial discourse, including Said's profound underappreciation of the role of irony and reform in many of the texts he cites. The end result is a companion volume to Orientalism and the vast research it inspired. Rather than contribute to dueling essentialisms, Varisco provides a path to move beyond the binary of East versus West and the polemics of blame. Reading Orientalism is the most comprehensive survey of Said's writing and thinking to date. It will be of strong interest to scholars of Middle East studies, anthropology, history, cultural studies, post-colonial studies, and literary studies.
This study closely analyses sonnets to bring out what they can tell us of different kinds of love, particularly self-love, the relation of these to the world of natural growth and temporal succession, and finally the ways in which art can properly be defined as a form of love.
A People's History of Tottenham Hotspur is the story of how fans helped create the identity of a world-famous club and tells a story from a perspective rarely acknowledged. Drawing on social history, contemporary press reports and first-hand interviews with the fans themselves, authors Martin Cloake and Alan Fisher trace the club's development from being the team of the suburbs and the rising south, through the glory years and the arrival of mass, popular culture, and into the modern era of the game. It is not a tale of trophies won and lost, of players bought and sold. Instead, it is the story of how one of the game's oldest and most famous teams was formed and established by its fans and how its identity was created by them. It evaluates how the fans' relationship with the club has evolved, as the game has changed: from those bygone days, when a club was at the heart of a local community, to the modern era, where the world's leading football clubs have to compete as multinational 'brands', appealing to fans on a global scale, stretching much further and wider than the north London footprint than the club's founders would have ever imagined.
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