In a series of dialogues with Martin Meyer, Brendel speaks about his life, the development of his career, his music-making, his travels, his poems and essays; about his childhood in Zagreb, adolescence in Graz, and experiences as a young man in Vienna ("I was in Vienna, but I was never a 'genuine' Viennese"); about literature, painting, architecture, and kitsch.".
In these dialogues, Alfred Brendel speaks about his life, the development of his career, his music-making, his travels, his poems and essays; about his childhood in Zagreb, adolescence in Graz, and experiences as a young man in Vienna.
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In a series of dialogues with Martin Meyer, Brendel speaks about his life, the development of his career, his music-making, his travels, his poems and essays; about his childhood in Zagreb, adolescence in Graz, and experiences as a young man in Vienna ("I was in Vienna, but I was never a 'genuine' Viennese"); about literature, painting, architecture, and kitsch.".
“California!” raps a voice in this echoing band of novellas. “California, that land where the fruits of Modern Times have been plucked on such a scale that we seem to find in its ripest form what old tradition has prized – Freedom! ah, Freedom… And what is the nature of this eternal mirage?” Many quests are pursued through these five interlinked tales, which travel from London to L.A., Southwest City to Araby, real to unreal landscapes where the Anglo has thrived, in license or pathos, until he or she begins to seem a vanishing breed. Kerouacian bodhisattvas, soap-opera plutocrats, shape-shifting femme fatales, redemptive spirits ready to lay down and die on a beach – through realms of materialism, erotic longing and anomie, a cast of personae from a receding past plays out its epic melodrama. The end of the road is at once gorgeous, grotesque, transcendental and aesthetically haunting.
THE present volume, as its title imports, relates a complicated series of conflicts of which the origin or the pretext has for the most part to be sought in the great religious schism of Christianity. But the cause of the restoration of Catholic unity in the West was, in the minds of both the supporters and the opponents of that cause, inextricably interwoven with the purposes of dynastic ambition, and powerfully affected by influences traceable to the rapid advance of the monarchical principle and to the gradual growth of the conception of the modern national State. Although in graver peril than ever before from the persistent advance of the Ottoman Power, Europe no longer finds a real unifying force in either Papacy or Empire. The spiritual ardor of the Catholic Reaction, which might have served to strengthen the resistance to the general enemy of Christendom, is expended largely on internecine conflicts. It allies itself with the settled resolution of Philip of Spain to control the destinies of Western Europe; and thus there is not a phase of the religious and political struggle here described which remains unconnected with the rest. The Religious Wars of France, with an account of which this volume opens, furnish the most complete instance of the constant intersection of native and foreign influences; but it is illustrated by almost every portion of the narrative. Since, therefore, the story of no European country or group of countries in this troubled period admits of being told as detached from the contemporary history of its neighbors, allies, or adversaries, the same series of events must necessarily appear more than once in these pages as forming an organic part of the history of several countries, but treated in each case from a distinct point of view...
#1 NEW YORK TIMES BESTSELLER • THE BOOK BEHIND THE FIFTH SEASON OF THE ACCLAIMED HBO SERIES GAME OF THRONES Don’t miss the thrilling sneak peek of George R. R. Martin’s A Song of Ice and Fire: Book Six, The Winds of Winter Dubbed “the American Tolkien” by Time magazine, George R. R. Martin has earned international acclaim for his monumental cycle of epic fantasy. Now the #1 New York Times bestselling author delivers the fifth book in his landmark series—as both familiar faces and surprising new forces vie for a foothold in a fragmented empire. A DANCE WITH DRAGONS In the aftermath of a colossal battle, the future of the Seven Kingdoms hangs in the balance—beset by newly emerging threats from every direction. In the east, Daenerys Targaryen, the last scion of House Targaryen, rules with her three dragons as queen of a city built on dust and death. But Daenerys has thousands of enemies, and many have set out to find her. As they gather, one young man embarks upon his own quest for the queen, with an entirely different goal in mind. Fleeing from Westeros with a price on his head, Tyrion Lannister, too, is making his way to Daenerys. But his newest allies in this quest are not the rag-tag band they seem, and at their heart lies one who could undo Daenerys’s claim to Westeros forever. Meanwhile, to the north lies the mammoth Wall of ice and stone—a structure only as strong as those guarding it. There, Jon Snow, 998th Lord Commander of the Night’s Watch, will face his greatest challenge. For he has powerful foes not only within the Watch but also beyond, in the land of the creatures of ice. From all corners, bitter conflicts reignite, intimate betrayals are perpetrated, and a grand cast of outlaws and priests, soldiers and skinchangers, nobles and slaves, will face seemingly insurmountable obstacles. Some will fail, others will grow in the strength of darkness. But in a time of rising restlessness, the tides of destiny and politics will lead inevitably to the greatest dance of all. Praise for A Dance with Dragons “Filled with vividly rendered set pieces, unexpected turnings, assorted cliffhangers and moments of appalling cruelty, A Dance with Dragons is epic fantasy as it should be written: passionate, compelling, convincingly detailed and thoroughly imagined.”—The Washington Post “Long live George Martin . . . a literary dervish, enthralled by complicated characters and vivid language, and bursting with the wild vision of the very best tale tellers.”—The New York Times
Robert Schumann (1810-56) is one of the most important and representative composers of the Romantic era. Here acclaimed biographer martin Geck tells the story of this multifaceted genius, set in the context of the political and social revolutions of his time.
This fascinating cultural and intellectual history focuses on education as practiced by the imperial age Romans, looking at what they considered the value of education and its effect on children. W. Martin Bloomer details the processes, exercises, claims, and contexts of liberal education from the late first century b.c.e. to the third century c.e., the epoch of rhetorical education. He examines the adaptation of Greek institutions, methods, and texts by the Romans and traces the Romans’ own history of education. Bloomer argues that whereas Rome’s enduring educational legacy includes the seven liberal arts and a canon of school texts, its practice of competitive displays of reading, writing, and reciting were intended to instill in the young social as well as intellectual ideas.
Mouldmade terracotta heads of men, women and children were being produced in Italy from the fourth century BC. This book not only discusses the production, chronology, distribution, style and chemical composition of these heads, but also includes a large catalogue of examples from Tessennanno near Vulci in southern Etruria. Taking examples dating from c.300BC to 100BC, S�derlind argues that the heads were being mass-produced, most probably at Tuscania and not in Tessennano itself, and that through time a degeneration in quality can be seen due to the re-use of old archetypes and worn-out moulds and a lack of new investment in production.
In his new book, Professor Martin Robertson - author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981) - draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the 'red-figure' technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. The book is intended as a companion volume to Sir John Beazley's The Development of Attic Black-figure (originally published in 1951 by California University Press), and as an examination and defence of Beazley's methods and achievements. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject - whether scholar, student, curator, collector or amateur - will find it essential reading.
#1 NEW YORK TIMES BESTSELLER • THE BOOK BEHIND THE FIFTH SEASON OF THE ACCLAIMED HBO SERIES GAME OF THRONES Don’t miss the thrilling sneak peek of George R. R. Martin’s A Song of Ice and Fire: Book Six, The Winds of Winter Dubbed “the American Tolkien” by Time magazine, George R. R. Martin has earned international acclaim for his monumental cycle of epic fantasy. Now the #1 New York Times bestselling author delivers the fifth book in his landmark series—as both familiar faces and surprising new forces vie for a foothold in a fragmented empire. A DANCE WITH DRAGONS A SONG OF ICE AND FIRE: BOOK FIVE In the aftermath of a colossal battle, the future of the Seven Kingdoms hangs in the balance—beset by newly emerging threats from every direction. In the east, Daenerys Targaryen, the last scion of House Targaryen, rules with her three dragons as queen of a city built on dust and death. But Daenerys has thousands of enemies, and many have set out to find her. As they gather, one young man embarks upon his own quest for the queen, with an entirely different goal in mind. Fleeing from Westeros with a price on his head, Tyrion Lannister, too, is making his way to Daenerys. But his newest allies in this quest are not the rag-tag band they seem, and at their heart lies one who could undo Daenerys’s claim to Westeros forever. Meanwhile, to the north lies the mammoth Wall of ice and stone—a structure only as strong as those guarding it. There, Jon Snow, 998th Lord Commander of the Night’s Watch, will face his greatest challenge. For he has powerful foes not only within the Watch but also beyond, in the land of the creatures of ice. From all corners, bitter conflicts reignite, intimate betrayals are perpetrated, and a grand cast of outlaws and priests, soldiers and skinchangers, nobles and slaves, will face seemingly insurmountable obstacles. Some will fail, others will grow in the strength of darkness. But in a time of rising restlessness, the tides of destiny and politics will lead inevitably to the greatest dance of all. Praise for A Dance with Dragons “Filled with vividly rendered set pieces, unexpected turnings, assorted cliffhangers and moments of appalling cruelty, A Dance with Dragons is epic fantasy as it should be written: passionate, compelling, convincingly detailed and thoroughly imagined.”—The Washington Post “Long live George Martin . . . a literary dervish, enthralled by complicated characters and vivid language, and bursting with the wild vision of the very best tale tellers.”—The New York Times “One of the best series in the history of fantasy.”—Los Angeles Times
UNRAVELLING AERIAL MYSTERIES OF THE PAST Charles Fort published his first and most influential book, The Book of the Damned, a century ago in 1919, collecting together many historical reports of strange aerial phenomena. Since the birth of the UFO controversy in 1947 Fort’s writings have been cited in countless books and web pages. Yet this is the first time in a hundred years that researchers have systematically verified the sources and content of every one of these oft-recycled stories, correcting many errors, placing each case in its historical context, and submitting it to a careful scientific investigation in an attempt to find a conventional answer. What were these reported phenomena? Is it possible to find non-exotic explanations? With the advantage of modern knowledge, methods, and resources, in most cases the answer proves to be yes. Some of the solutions found may shock the general reader and surprise even specialists. Yet in the end a few well-documented events remain unexplained.
This key textbook explores how good social work practice draws upon relevant and current research to ensure that interventions are as effective as possible. Social workers are increasingly required to demonstrate their knowledge of the research and evidence that underpin the daily decisions they make and actions they take and it is therefore vital that they are not only up to date with the latest research, but that they have the tools and understanding to successfully apply this to their practice. Written by leading experts in the field, this text book provides a step-by-step guide to implementing research in to every day social work practice. This is essential reading for any one taking a research module on Social Work programmes, at undergraduate and postgraduate level, or practitioners wishing to advance their own practise and deliver the best possible service they can.
This title was first published in 2002.Christian Language in the Secular City offers a series of meditations by the internationally renowned sociologist, David Martin. Martin presents a distinctive angle of vision on key issues of Christian faith, dividing the book into three clear sections: the Liturgical Year; the Christian agenda, including prophecy, justification, sacred places and spaces, wisdom, providence, peace and war, angelic and demonic; and Emergent Occasions such as the fall of the Berlin Wall, the 900th anniversary of Winchester Cathedral, commemoration of poets and of martyrs, and more. With its uniquely lyrical presentation, David Martin's book transposes central issues of theology and Christian faith into a new key. This work complements David Martin's theoretical book focusing on Christian Language and its Mutations, published in Ashgate's Religion and Theology in Interdisciplinary Perspective series. David Martin is Honorary Professor in the Department of Religious Studies, Lancaster University, and Emeritus Professor of Sociology at the London School of Economics, UK. He is the author of some two dozen books, including Divinity in a Grain of Bread, and many landmark titles in the sociology of religion.
Germany is considered a lauded land of music: outstanding composers, celebrated performers and famous orchestras exert great international appeal. Since the 19th century, the foundation of this reputation has been the broad mass of musicians who sat in orchestra pits, played in ensembles for dances or provided the musical background in silent movie theatres. Martin Rempe traces their lives and working worlds, including their struggle for economic improvement and societal recognition. His detailed portrait of the profession ‘from below’ sheds new light on German musical life in the modern era.
Wild Socialism examines the rise, development, and decline of revolutionary councils of industrial workers in Berlin at the end of the First World War. This popular movement spread throughout Germany, and was without precedent in either the theory or practice of the Social Democratic party and the trade unions allied to it. These workers councils were most highly developed in Berlin, within its particular industrial, political, and cultural milieu. The Berlin Shop Stewards group provided a hard core of militant revolutionaries within the movement, many of whose adherents were more moderate or ambiguous in their views. Externally, the councilists faced a hostile Social Democratic-trade union bureaucracy who characterized council rule as “wilde Sozialismus,” a reconstituted and repressive state power, and a revolutionary rival in the rise of German Bolshevism. This work considers the experience of the Berlin councils as alternative institutions outside of traditional union, party, and governmental structures.
This volume presents two plays written for Deutsches Schauspielhaus Hamburg and not yet staged in English.The Rest Will Be Familiar to You from Cinema rewrites Euripides' Phoenician Women. As Thebes braces itself for civil war, a group of terrifying young women wrest control of the action from the power-players of Greek myth. 'A brilliant new interpretation of Euripides' ancient drama.' Süddeutsche Zeitung'Innovative and gripping theatre.' Hamburger AbendblattThe Rest Will Be Familiar to You from Cinema was voted Best Foreign Play 2013 by Theatre heute magazine. In Men Asleep, the late-night arrival of a younger couple at Julia and Paul's tasteful townhouse apartment exposes the fault line between generations and probes our assumptions about gender and power. 'A mysterious and disquieting "nocturne" about human relationships.' Die Welt'Martin Crimp is less interested in deconstructing the bourgeoisie than in investigating the altered relations between men and women . . . The ending of his intelligent and entertaining play is ambiguous and potentially terrifying.' Der Freitag
Colorado has some great ghost stories, and this book contains spirits, spooks, and sprites that are a colorful lot of characters. MaryJoy Martin brings them vividly into focus as she describes the San Juans marvelous mix of cultures, from ancient Puebolans, migratory gold seekers to the hungry immigrants straight off the boat. Woof and warp, these tales weave a unique tapestry that matches the mystery and majesty of the mountains. The majority of the tales originated before the 1920s, most going back to the gold rush days and earlier.
In this book David Martin brings together a coherent summary of his many years of ground-breaking academic work on the sociology of religion. Covering key and contentious areas from the last half-century such as secularisation, religion and violence, and the global rise of Pentecostalism, it presents a critical recuperation of these themes, some of them first initiated by the author, and a review of their reception history. It then reviews that reception history in a way that discusses not only the subjects themselves, but also the academic practices that have surrounded them. As such, this collection is vital reading for all academics with an interest in David Martin’s work, as well as those involved with the sociology of religion and the study of secularisation more generally.
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