An accomplished writer and ardent activist, Martha Stephens has never been afraid to ruffle feathers, whether it's marching with Occupy protests or exposing an unethical human radiation study. Her memoir, Me and the Grandmas of Baghdad, is an examination of the human spirit and a meditation on the many injustices of the world. Her prose will take you from her girlhood in Waycross, Georgia, to her garden in Cincinnati, Ohio, and her winters spent in Las Cruces, New Mexico. But no matter where this grandma roams, she is always thinking, writing and reflecting on how her life is so different - and yet not so different - from those of the grandmas of Baghdad. Martha Stephens is a professor emerita of the University of Cincinnati's English department and the author of Cast a Wistful Eye, Children of the World, Women and Men and the Spaces In Between and The Treatment: The Story of Those Who Died in the Cincinnati Radiation Tests.
Finalist for the American Bar Association's 2022 Silver Gavel Award A groundbreaking exploration of sexual violence by one of our most celebrated experts in law and philosophy. In this essential philosophical and practical reckoning, Martha C. Nussbaum, renowned for her eloquence and clarity of moral vision, shows how sexual abuse and harassment derive from using people as things to one’s own benefit—like other forms of exploitation, they are rooted in the ugly emotion of pride. She exposes three “Citadels of Pride” and the men who hoard power at the apex of each. In the judiciary, the arts, and sports, Nussbaum analyzes how pride perpetuates systemic sexual abuse, narcissism, and toxic masculinity. The courage of many has brought about some reforms, but justice is still elusive—warped sometimes by money, power, or inertia; sometimes by a collective desire for revenge. By analyzing the effects of law and public policy on our ever-evolving definitions of sexual violence, Nussbaum clarifies how gaps in U.S. law allow this violence to proliferate; why criminal laws dealing with sexual assault and Title VII, the federal law that is the basis for sexual harassment doctrine, need to be complemented by an understanding of the distorted emotions that breed abuse; and why anger and vengeance rarely achieve lasting change. Citadels of Pride offers a damning indictment of the culture of male power that insulates high-profile abusers from accountability. Yet Nussbaum offers a hopeful way forward, envisioning a future in which, as survivors mobilize to tell their stories and institutions pursue fair and nuanced reform, we might fully recognize the equal dignity of all people.
From the earliest records relating to Virginia, we learn the basics about many of these original colonists: their origins, the names of the ships they sailed on, the names of the "hundreds" and "plantations" they inhabited, the names of their spouses and children, their occupations and their position in the colony, their relationships with fellow colonists and Indian neighbors, their living conditions as far as can be ascertained from documentary sources, their ownership of land, the dates and circumstances of their death, and a host of fascinating, sometimes incidental details about their personal lives, all gathered together in the handy format of a biographical dictionary" -- publisher website (January 2008).
Winner of the 2019 Eisner Award for the Best Comics-Related Book Published in partnership with the Library of Congress, Drawn to Purpose: American Women Illustrators and Cartoonists presents an overarching survey of women in American illustration, from the late nineteenth into the twenty-first century. Martha H. Kennedy brings special attention to forms that have heretofore received scant notice—cover designs, editorial illustrations, and political cartoons—and reveals the contributions of acclaimed cartoonists and illustrators, along with many whose work has been overlooked. Featuring over 250 color illustrations, including eye-catching original art from the collections of the Library of Congress, Drawn to Purpose provides insight into the personal and professional experiences of eighty women who created these works. Included are artists Roz Chast, Lynda Barry, Lynn Johnston, and Jillian Tamaki. The artists' stories, shaped by their access to artistic training, the impact of marriage and children on careers, and experiences of gender bias in the marketplace, serve as vivid reminders of social change during a period in which the roles and interests of women broadened from the private to the public sphere. The vast, often neglected, body of artistic achievement by women remains an important part of our visual culture. The lives and work of the women responsible for it merit much further attention than they have received thus far. For readers who care about cartooning and illustration, Drawn to Purpose provides valuable insight into this rich heritage.
Reflecting times of untrammeled faith and religious values, Martha Dickson's Anchors of Faith gives a pictorial overview of 145 mostly late-nineteenth century wooden churches located in southern Alabama, Mississippi, and throughout Florida. The churches featured, which span over a hundred years of history, embody the indomitable religious spirit of their builders. Anchors of Faith is more than just a pictorial encyclopedia, however. The author's descriptions and photos provide detailed information about both the architecture of these houses of worship and the related history, from the founding of these institutions to their current state. Among the jewels featured in Anchors of Faith, Dickson traces the Presbyterian Church of Union Church, Mississippi all the way back to its Gaelic-speaking Scottish Presbyterian immigrants from North Carolina. The author tells the story of the modest start of the East Hill Baptist Church Chapel in Tallahassee, whose congregation formed itself by meeting in one another's houses due to World War II. The distinctive details of the unusual "house of cards"-like facade of Hatchechubbee United Methodist Church in Hatchechubbee, Alabama, and the Carpenter Gothic style of St. Luke's Episcopal Church in Merritt Island, Florida reveal the architectural uniqueness of some Southern places of worship. From Greek Revival to Victorian Gothic, Dickson helps add to the understanding of religious faith in the rural South through the architecture and history of its many surviving wooden churches.
The untold human story of a massacre of Korean civilians by American soldiers in the early days of the Korean War, by the Pulitzer Prize-winning journalists who uncovered it. In the fall of 1999, a team of Associated Press investigative reporters broke the news that U.S. troops had massacred a large group of South Korean civilians early in the Korean War. On the eve of that pivotal war's 50th anniversary, their reports brought to light a story that had been suppressed for decades, confirming allegations the U.S. military had sought to dismiss. It made headlines around the world. In The Bridge at No Gun Ri, the team tells the larger, human story behind the incident through the eyes of the people who survived it: on the American side, the green recruits of the "good time" U.S. occupation army in Japan made up of teenagers who viewed unarmed farmers as enemies and generals who had never led men into battle; on the Korean side, the peasant families forced to flee their ancestral village caught between the invading North Koreans and the U.S. Army. The narrative looks at victims both Korean and American; at the ordinary lives and high-level decisions that led to the fatal encounter; at the terror of the three-day slaughter; at the memories and ghosts that forever haunted the survivors. The story of No Gun Ri also illuminates the larger story of the Korean War-also known as the Forgotten War-and how an arbitrary decision to divide the country in 1945 led to the first armed conflict of the Cold War.
The artist/educators in this book invite you to come with them on a journey of discovery into the meaning of teaching for aesthetic experience. With learning as their art, they create educational encounters with passion and feeling, and leave their students with vivid impressions, growth, and change. Each author engages in aesthetic experience from an individual perspective - as poet, dancer, visual artist, or musician - and each of them engages as an educator who brings art into his or her classroom, no matter what the subject. Inspired by the words of philosopher Maxine Greene, the contributors transform the theoretical into the practical, urging students to look to the arts and nature for simple beauty, and awaken their minds to new possibilities of creative learning.
An accomplished writer and ardent activist, Martha Stephens has never been afraid to ruffle feathers, whether it's marching with Occupy protests or exposing an unethical human radiation study. Her memoir, Me and the Grandmas of Baghdad, is an examination of the human spirit and a meditation on the many injustices of the world. Her prose will take you from her girlhood in Waycross, Georgia, to her garden in Cincinnati, Ohio, and her winters spent in Las Cruces, New Mexico. But no matter where this grandma roams, she is always thinking, writing and reflecting on how her life is so different - and yet not so different - from those of the grandmas of Baghdad. Martha Stephens is a professor emerita of the University of Cincinnati's English department and the author of Cast a Wistful Eye, Children of the World, Women and Men and the Spaces In Between and The Treatment: The Story of Those Who Died in the Cincinnati Radiation Tests.
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