The items here range from unbelievably giant masks, to carved stone and wooden statues, to personal adornments, to very elaborate and intricate textile designs from more than a dozen different groups.
A landmark survey of the formative years of American studio ceramics and the constellation of people, institutions, and events that propelled it from craft to fine art
Study of the Gospel according to Philip, an important gnostic Christian text, has been hampered by unresolved questions about the unity, genre, and sectarian contexts of the work. This book argues that terms of self-designation, use of controversial vocabulary, style, hermeneutic strategies, and theological commitments together present persuasive evidence of derivation from multiple sectarian milieux. The document's organizing principles are found to be in accord with the excerpting and collection practices of Late Antiquity. The coherence of the text lies in its compiler's distinctive interests and choices, not in the uniformity of its materials. The persuasive case made by this book will help to advance research on this significant document of early Christianity.
This investigation focuses on C.S. Lewis's and J.R.R. Tolkien's contrasting views of art and imagination, which are key to understanding and interpreting their fantasy works, providing insight into their goals, themes, and techniques, as well as an appreciation of the value and impact of their mythologies. Most scholarship about J.R.R. Tolkien and C. S. Lewis describes their shared faith and academic interests or analyzes each writer's fantasy works. War of the Fantasy Worlds: C.S. Lewis and J.R.R. Tolkien on Art and Imagination is the first to focus solely on their contrasting concepts of fantasy. The authors' views of art and imagination, the book shows, are not only central to understanding the themes, value, and relevance of their fantasy fiction, but are also strikingly different. Understanding the authors' thoughts about fantasy helps us better understand and appreciate their works. Yet, this book is not a critical analysis of The Lord of the Rings or The Chronicles of Narnia. Rather, it examines only elements of Tolkien's and Lewis's books that relate to their views about art, fantasy, and creativity, or the implementation of their theories. The result is a unique and altogether fascinating perspective on two of the most revered fantasy authors of all time.
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