From Martha Gellhorn's critically acclaimed biographer, the first collected letters of this defining figure of the twentieth-century Martha Gellhorn's heroic career as a reporter brought her to the front lines of virtually every significant international conflict between the Spanish Civil War and the end of the Cold War. While Gellhorn's wartime dispatches rank among the best of the century, her personal letters are their equal: as vivid and fascinating as anything she ever published. Gellhorn's correspondence from 1930 to 1996—chronicling friendships with figures as diverse as Eleanor Roosevelt, Leonard Bernstein, and H. G. Wells, as well as her tempestuous marriage to Ernest Hemingway—paint a vivid picture of the twentieth century as she lived it. Caroline Moorehead, who was granted exclusive access to the letters, has expertly edited this fascinating volume, providing prefatory and interstitial material that contextualizes Gellhorn's correspondence within the arc of her entire life. The letters introduce us to the woman behind the correspondent—a writer of wit, charm, and vulnerability. The result is an exhilarating, intimate portrait of one of the most accomplished women of modern times.
An anthology spanning six decades of on-the-scene journalism from “one of the most eloquent witnesses of the twentieth century” (Bill Buford, Granta). For nearly sixty years, Martha Gellhorn traveled the globe to report on the tumult and extremity of life in the twentieth century. The View from the Ground, as Gellhorn explains, “is a selection of articles written during six decades; peace-time reporting. That is to say, the countries in the background were at peace at the moment of writing; not that there was peace on earth.” Included here are accounts of America during the Depression, Israel and Palestine in the 1950s, post-Franco Spain, protests at the White House, domestic life in Africa, and Gellhorn’s return to Cuba after a forty-one-year absence—among many other topics. Informed by the horrors of fascism in Spain and Germany, the modern terror in Central America, and by the courage of those who stand up to the thugs both in an out of government, The View from the Ground is a singular act of testimony that, like its companion volume, The Face of War, is “an eloquent, unforgettable history of a chaotic century” (San Francisco Chronicle).
Now including a foreward by Bill Buford and photographs of Gellhorn with Hemingway, Dorothy Parker, Madame Chiang Kai-shek, Gary Cooper, and others, this new edition rediscovers the voice of an extraordinary woman and brings back into print an irresistibly entertaining classic. "Martha Gellhorn was so fearless in a male way, and yet utterly capable of making men melt," writes New Yorker literary editor Bill Buford. As a journalist, Gellhorn covered every military conflict from the Spanish Civil War to Vietnam and Nicaragua. She also bewitched Eleanor Roosevelt's secret love and enraptured Ernest Hemingway with her courage as they dodged shell fire together. Hemingway is, of course, the unnamed "other" in the title of this tart memoir, first published in 1979, in which Gellhorn describes her globe-spanning adventures, both accompanied and alone. With razor-sharp humor and exceptional insight into place and character, she tells of a tense week spent among dissidents in Moscow; long days whiled away in a disused water tank with hippies clustered at Eilat on the Red Sea; and her journeys by sampan and horse to the interior of China during the Sino-Japanese War.
A US soldier confronts the horrors of the Holocaust in this New York Times–bestselling novel from acclaimed WWII correspondent Martha Gellhorn. Growing up in St. Louis, Missouri, Jacob Levy is a typical American boy. He never gives much thought to world affairs—or to his Jewish heritage. But when the United States joins the Allied effort to stop Hitler, Jacob’s life and sense of identity are on course to change forever. As a soldier in the last months of World War II, Jacob lives through the Battle of the Bulge and the discovery of Nazi concentration camps. Witnessing the liberation of Dachau, he confronts a level of cruelty beyond his own imaginings, and the shock transforms him in ways he never thought possible. One of the first female war correspondents of the twentieth century, Martha Gellhorn visited Dachau a week after its discovery by American soldiers. A New York Times bestseller when it was first published, this powerful novel grapples with the horrors of war and dilemmas of moral responsibility that are just as relevant today. This ebook features an afterword by the author.
From Martha Gellhorn's critically acclaimed biographer, the first collected letters of this defining figure of the twentieth-century Martha Gellhorn's heroic career as a reporter brought her to the front lines of virtually every significant international conflict between the Spanish Civil War and the end of the Cold War. While Gellhorn's wartime dispatches rank among the best of the century, her personal letters are their equal: as vivid and fascinating as anything she ever published. Gellhorn's correspondence from 1930 to 1996—chronicling friendships with figures as diverse as Eleanor Roosevelt, Leonard Bernstein, and H. G. Wells, as well as her tempestuous marriage to Ernest Hemingway—paint a vivid picture of the twentieth century as she lived it. Caroline Moorehead, who was granted exclusive access to the letters, has expertly edited this fascinating volume, providing prefatory and interstitial material that contextualizes Gellhorn's correspondence within the arc of her entire life. The letters introduce us to the woman behind the correspondent—a writer of wit, charm, and vulnerability. The result is an exhilarating, intimate portrait of one of the most accomplished women of modern times.
An anthology spanning six decades of on-the-scene journalism from “one of the most eloquent witnesses of the twentieth century” (Bill Buford, Granta). For nearly sixty years, Martha Gellhorn traveled the globe to report on the tumult and extremity of life in the twentieth century. The View from the Ground, as Gellhorn explains, “is a selection of articles written during six decades; peace-time reporting. That is to say, the countries in the background were at peace at the moment of writing; not that there was peace on earth.” Included here are accounts of America during the Depression, Israel and Palestine in the 1950s, post-Franco Spain, protests at the White House, domestic life in Africa, and Gellhorn’s return to Cuba after a forty-one-year absence—among many other topics. Informed by the horrors of fascism in Spain and Germany, the modern terror in Central America, and by the courage of those who stand up to the thugs both in an out of government, The View from the Ground is a singular act of testimony that, like its companion volume, The Face of War, is “an eloquent, unforgettable history of a chaotic century” (San Francisco Chronicle).
Written immediately after the war, Love Goes to Press opened in London in June 1946 and in New York in January 1947. Then a relief for the survivors of Blitzkrieg and ration cards, it is now a devilishly entertaining portrayal of the Battle of the Sexes. This romantic farce, published here for the first time, is set on the Italian front in World War II, where two women war correspondents—smart, sexy, and famous for scooping their male competitors—struggle to balance their professional lives with their love lives. The American literary tradition is rife with stories of “men without women,” but in Love Goes to Press Gellhorn and Cowles have created a world of “women without men.” The plot focuses on a pair of daring, quick-witted female buddies in bold pursuit of accomplishment and adventure while narrowly eluding the entanglements of marriage and domesticity. In her six-decade career as a war correspondent, Martha Gellhorn has covered the Spanish Civil War, World War II, and wars in Vietnam, the Middle East, and Central America. (In 1990, at the age of 81, she interrupted a snorkeling trip to Belize to witness the aftermath of the U.S. invasion of Panama; her report appeared in Granta.) Gellhorn has published fifteen books, including eight novels, short fiction, and two collections of journalistic articles.
Now including a foreward by Bill Buford and photographs of Gellhorn with Hemingway, Dorothy Parker, Madame Chiang Kai-shek, Gary Cooper, and others, this new edition rediscovers the voice of an extraordinary woman and brings back into print an irresistibly entertaining classic. "Martha Gellhorn was so fearless in a male way, and yet utterly capable of making men melt," writes New Yorker literary editor Bill Buford. As a journalist, Gellhorn covered every military conflict from the Spanish Civil War to Vietnam and Nicaragua. She also bewitched Eleanor Roosevelt's secret love and enraptured Ernest Hemingway with her courage as they dodged shell fire together. Hemingway is, of course, the unnamed "other" in the title of this tart memoir, first published in 1979, in which Gellhorn describes her globe-spanning adventures, both accompanied and alone. With razor-sharp humor and exceptional insight into place and character, she tells of a tense week spent among dissidents in Moscow; long days whiled away in a disused water tank with hippies clustered at Eilat on the Red Sea; and her journeys by sampan and horse to the interior of China during the Sino-Japanese War.
When the justices of the Supreme Court ruled the legislative veto unconstitutional in the 1983 case of "Immigration and Naturalization Service versus Chadha", they removed a device that had allowed Congress to delegate policymaking authority to the executive while retaining oversight over the ultimate use of that authority. In this book, the autho
Through a tumultuous 20th-century period of revolution and foreign wars, Vietnam's public health system was praised by international observers as a “bright light in an epidemiologically dark world,” standing out for its accomplishments in infectious disease control. Since the country's transition to a “market economy with socialist orientation” in the mid-1980s, however, some of these achievements have been reversed as the “renovation” of national systems for welfare and health leaves gaps in the social safety net. A series of cholera outbreaks that spread through Northern Vietnam in 2007-2010 revealed the paradoxes, contradictions, and challenges that Vietnam faces in its post-transition period. This book presents an anthropological analysis of the political, economic, and infrastructural inputs to these epidemics and suggests how the most commonly repeated accounts of disease spread misdirected public attention and suppressed awareness of risk factors in Vietnam's capital. Drawing a parallel to the experience of novel coronavirus in Asia and beyond, this book reflects on how political priorities, economic forces, and cultural struggles influence the experience and the epidemiology of infectious disease.
In this novel, which is based on the popular television series, "Touched by and Angel," a Pulitzer Prize winning journalist is aided by an angel to surrender to the internal battle raging within. The war could cost her a future with her daughter and granddaughter. Will it take a casualty before this war is over? Will Elizabeth lose what means the most to her? Monica and Tess have more on their minds than helping Elizabeth make the bestseller list.
Made Up exposes the multibillion-dollar beauty industry that promotes unrealistic beauty standards through a market basket of advertising tricks, techniques, and technologies. Cosmetics magnate Charles Revson, a founder of Revlon, was quoted as saying, "In the factory, we make cosmetics. In the store, we sell hope." This pioneering entrepreneur, who built an empire on the foundation of nail polish, captured the unvarnished truth about the beauty business in a single metaphor: hope in a jar. Made Up: How the Beauty Industry Manipulates Consumers, Preys on Women’s Insecurities, and Promotes Unattainable Beauty Standards is a thorough examination of innovative, and often controversial, advertising practices used by beauty companies to persuade consumers, mainly women, to buy discretionary goods like cosmetics and scents. These approaches are clearly working: the average American woman will spend around $300,000 on facial products alone during her lifetime. This revealing book traces the evolution of the global beauty industry, discovers what makes beauty consumers tick, explores the persistence and pervasiveness of the feminine beauty ideal, and investigates the myth-making power of beauty advertising. It also examines stereotypical portrayals of women in beauty ads, looks at celebrity beauty endorsements, and dissects the “looks industry.” Made Upuncovers the reality behind an Elysian world of fantasy and romance created by beauty brands that won’t tell women the truth about beauty.
Martha Gellhorn was one of the first—and most widely read—female war correspondents of the twentieth century. She is best known for her fearless reporting in Europe before and during WWII and for her brief marriage to Ernest Hemingway, but she was also an acclaimed novelist. In 1938, before the Munich pact, Gellhorn visited Prague and witnessed its transformation from a proud democracy preparing to battle Hitler to a country occupied by the German army. Born out of this experience, A Stricken Field follows a journalist who returns to Prague after its annexation and finds her efforts to obtain help for the refugees and to convey the shocking state of the country both frustrating and futile. A convincing account of a people under the brutal oppression of the Gestapo, A Stricken Field is Gellhorn’s most powerful work of fiction. “[A] brave, final novel. Its writing is quick with movement and with sympathy; its people alive with death, if one can put it that way. It leaves one with aching heart and questing mind.”—New York Herald Tribune “The translation of [Gellhorn’s] personal testimony into the form of a novel has . . . force and point.”—Times Literary Supplement
Originally published in 1948, this powerful novel follows a U.S. Army infantry battalion in Europe through the last months of the Second World War—through the Battle of the Bulge, the Allied sweep across Germany, and the discovery of the Nazi death camps. Jacob Levy, a young soldier from St. Louis, has never given much thought to politics, world affairs, or his own Jewish heritage, but after the liberation of Dachau, he confronts the horror of the Holocaust and takes his own violent revenge. Jolted into a new understanding of humanity’s connectedness, he comes to terms with his own Jewish identity and grapples with questions of individual moral responsibility that are still contemporary fifty years later. In her afterword, Martha Gellhorn traces the roots of the novel in her own experience as a war correspondent who first heard of the Nazi concentration camps during the Spanish Civil War and herself got to Dachau a week after American soldiers discovered the camp at the end of a village street.
Written immediately after the war, Love Goes to Press opened in London in June 1946 and in New York in January 1947. Then a relief for the survivors of Blitzkrieg and ration cards, it is now a devilishly entertaining portrayal of the Battle of the Sexes. This romantic farce, published here for the first time, is set on the Italian front in World War II, where two women war correspondents—smart, sexy, and famous for scooping their male competitors—struggle to balance their professional lives with their love lives. The American literary tradition is rife with stories of “men without women,” but in Love Goes to Press Gellhorn and Cowles have created a world of “women without men.” The plot focuses on a pair of daring, quick-witted female buddies in bold pursuit of accomplishment and adventure while narrowly eluding the entanglements of marriage and domesticity. In her six-decade career as a war correspondent, Martha Gellhorn has covered the Spanish Civil War, World War II, and wars in Vietnam, the Middle East, and Central America. (In 1990, at the age of 81, she interrupted a snorkeling trip to Belize to witness the aftermath of the U.S. invasion of Panama; her report appeared in Granta.) Gellhorn has published fifteen books, including eight novels, short fiction, and two collections of journalistic articles.
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