An anthology spanning six decades of on-the-scene journalism from “one of the most eloquent witnesses of the twentieth century” (Bill Buford, Granta). For nearly sixty years, Martha Gellhorn traveled the globe to report on the tumult and extremity of life in the twentieth century. The View from the Ground, as Gellhorn explains, “is a selection of articles written during six decades; peace-time reporting. That is to say, the countries in the background were at peace at the moment of writing; not that there was peace on earth.” Included here are accounts of America during the Depression, Israel and Palestine in the 1950s, post-Franco Spain, protests at the White House, domestic life in Africa, and Gellhorn’s return to Cuba after a forty-one-year absence—among many other topics. Informed by the horrors of fascism in Spain and Germany, the modern terror in Central America, and by the courage of those who stand up to the thugs both in an out of government, The View from the Ground is a singular act of testimony that, like its companion volume, The Face of War, is “an eloquent, unforgettable history of a chaotic century” (San Francisco Chronicle).
This book brings together the closely observed development of Simone (from birth to three) and the perceptive comments of Martha (or Mattie) Harris, who was such an influential figure in the development of the Observational Studies Course at the Tavistock. Romana Negri's pioneering work on neonatal intensive care units is informed both by infant observation and by psychoanalysis. She presents in this volume the transcribed tapes of her detailed observation of a normally developing infant, whom Martha Harris supervised for three years. Other chapters present observations of children in hospital that formed part of their diagnostic assessment, and the book includes commentaries by Donald Meltzer and Martha Harris together. This book will be of outstanding interest to all readers whether parents, teachers, or mental health professionals who wish to deepen their understanding of the roots of mental life.
“A literary landmark” that spans the author’s complex life and career—“Gellhorn’s prose . . . is at its finest in the letter form” (Francine du Plessix Gray, The New York Times Book Review). Martha Gellhorn’s reporting brought her to the front lines of virtually every significant conflict from the Spanish Civil War to the end of the cold war. While Gellhorn’s wartime dispatches rank among the best of the twentieth century, her personal letters are their equal: as vivid and fascinating as her reporting was trenchant. Gellhorn’s correspondence introduces us to the woman behind the often-inscrutable journalist, chronicling her friendships with world-famous luminaries as well as her tempestuous marriage to Ernest Hemingway. Caroline Moorehead, Gellhorn’s critically acclaimed biographer, was granted exclusive access to the letters. This expertly edited volume contextualizes Gellhorn’s correspondence within the arc of her entire life; the result is an intimate portrait of one of the most accomplished women of modern times. A Washington Post Best Nonfiction Book of 2006 A Slate Best Book of 2006 A Kansas City Star Noteworthy Book of 2006
Follows the inimitable Scotland Yard Superintendent's investigation into a cold-case involving a vertigo sufferer's fatal accident after a young girl's death in the same house.
In Politics and Verbal Play Martha LaFollette Miller traces the evolution of the poetry of Angel Gonzalez from his early existential and social period through later works that draw heavily on verbal and conceptual play for their effect.
You've created a STEAM program in your library, but how do you work literacy into the curriculum? With this collection of resource recommendations, direction for program development, and activities, you'll have students reading proficiently in no time. Many schools and libraries are implementing STEAM programs in the school library makerspace to promote problem solving by allowing students to create their own solutions to a problem through trial and error. In order to enhance literacy development in the STEAM program, however, they need resources for integrating literature into the curriculum. In this collection of resources for doing just that, veteran education professionals and practiced coauthors Liz Knowles and Martha Smith bring readers over eight hundred recommended and annotated books and web resources, selected based on research on successfully integrating STEAM and literacy programs and organized by the five STEAM areas. Titles are complemented by discussion questions and problem-solving activities that will aid educators in both adding and using the best literature to their STEAM programs for encouraging learning. In addition to promoting literacy, these resources will help to develop creativity, lateral thinking skills, and confidence in students.
Behind the fa ade of unity, the French intelligentsia was riven by the same fundamental divisions that had characterized it before the war. For example, the Republican Left argued that German nationalism and militarism began after Kant, with Fichte or Hegel, while the Catholic and nationalistic reactionary Right denounced Kant as the evil inspiration of France's liberal democracy and public school system. The heated rhetoric of the war and the unbearable loss of young lives, says Hanna, lent weight to a redefinition of French culture in national terms--and this, ironically, ended in the cultural conservatism of Vichy France. This is the first study of the power of French pens and words during and after the Great War. It is a contribution to French and European history as well as to intellectual history.
In her latest Richard Jury adventure, Martha Grimes takes us to Ashdown Dean, a little English village where animals are dying in a series of seemingly innocuous accidents. While the puzzling deaths of village pets may raise some idle gossip over a pint or two at the Deer Leap, the village pub, this hardly seems a case for Superintendent Jury of Scotland yard. Nor does it seem much of a challenge for the combined deductive powers of Jury and Melrose, the affable former Earl of Caverness. It is his mystery-writing, amethyst-eyed friend, Polly Praed, who drags Plant and Jury to Ashdown Dean. The impatient Polly, having yanked open a call box in the pouring rain, is ill-prepared for what lands at her feet. The now-deadly case is cause for calling in Scotland Yard.
Here are the best ideas for the holiday season, culled from the pages of "Martha Stewart Living" magazine. Step-by-step, detailed instructions for creating paper crafts, gifts and ornaments, wrap, ribbons, and more accompany ideas for entertaining and parties, table settings, and directions for making the perfect standing rib roast or turkey. A bonus calendar helps guide readers to planning the perfect Christmas. Color photos.
A portrait of Stephanie von Hohenlohe (1891-1972), notorious as a secret go-between and even a professional blackmailer. Despite her Jewish roots, Stephanie always claimed to be of pure Aryan descent. Soon enough, Hitler would begin to employ her on secret diplomatic missions.
This groundbreaking study explores feminist theory and literary criticism embedded in seventeen works by Hispanic American authors and Latina writers in the United States. The books bring out women's philosophic and historic concepts of becoming a woman politically in the public sphere of society. Philosophers like Luce Irigaray and Deleuze and Guattari have realized that woman's representation in philosophic discursions are missing. The universal "mankind" or the omnipresent "self" can no longer ignore that women have different experiences than man in both the private and public realm. Each aesthetic work whether novel, poem or short story brings a woman-centered concern written by a woman author. The first fourteen lie in diversity; historic, national, cultural and ethnic experiences that Hispanic women undergo daily or during times of social upheaval, mainly dictatorships. How they write imparts experience and action in her trials of becoming multiple selves or subjectivities which theorists and female critics alike identify is missing from two thousand years of Western Philosophy. The stories are unique as the introduction underlines the basis of the concept of becoming which women may embrace in writing themselves politically in literature. The last four works by U.S. Latinas is further problematized through the process of immigration. Hispanic women on their way to becoming Americans have many factors to consider: race, gender, ethnicity, education and social class, which applies to all the main woman characters in each selective work. The criterion is set in the Introduction and applied to work which inspired it. Written from a multicultural standpoint draws from an interdisciplinary perspective whether, psychology, economics, feminist theories, philosophy and history. The study intends to look at ways of thinking the woman question and how she defines herself in the process.
Following a passionate and troubled love affair with a pretty widow named Jane Holdsworth, Jury finds himself, unaccountably, a suspect in a murder investigation. Detained in London, Jury sends his friend Melrose Plant, former Earl of Caverness, to the Holdsworth family’s Lake District home to pose as an eccentric librarian. Plant discovers that his catalogue cards contain less data on Wordsworth, Coleridge, and Southey than they do on tantalizing questions about the Holdsworths: What happened to Crabbe Holdsworth’s first wife? What happened to his son, Graham? What happened to the cook, Annie? And what might happen to the two children, favorites of rich old Adam Holdworth, who prefers the ambience of a swank retirement home, Castle Howe, where he and the elegant Lady Cray can drive the staff crazy? Jury and Sergeant Wiggins finally join Melrose at the Old Contemptibles pub, where they arrive at a solution that Jury detests, for no matter what he does, innocence will suffer.
Political and literary journalist Austin Harrison became editor of the English Review in 1910. While holding that chair, he expanded the publication's literary scope by publishing articles on such issues as women's suffrage, parliamentary reform, the German threat, and Irish home rule. But although he edited the Review far longer than did its celebrated founder, Ford Madox Ford, history has long confined him to the shadows of not only his predecessor but also his father, the English Positivist Frederic Harrison. This first scholarly assessment of Harrison's tenure at the English Review from 1910 to 1923 shows him courting controversy, establishing reputations, winning and losing authors, and pushing the limits of the publishable as he made his "Great Adult Review" the most consistently intelligent and challenging monthly of its day. Martha Vogeler offers a compelling personal and family narrative and a new perspective on British literary culture and political journalism in the years just before, during, and after the First World War. Vogeler provides a revealing account of Harrison the editor his writings and opinions, his public life and relations as she also traces the complex relationship between a son and his famous father. Balancing a scholar's attention to detail and a fine writer's eye for style, she relates Harrison's improbable friendships with the notorious Frank Harris and the outrageous Aleister Crowley. And she has mined Harrison's correspondence to lend insight into the careers of such writers as Ford Madox Ford, D. H. Lawrence, H. G. Wells, Joseph Conrad, John Masefield, Bernard Shaw, Arnold Bennett, and Marie Stopes. Other figures such as George Gissing, Bertrand Russell, Lord Northcliffe, and important Irish revolutionaries appear in new contexts. Ranging widely across literature, foreign relations, national politics, the women's movement, censorship, and sexuality, Vogeler captures the themes of Harrison's era. She describes his transformation from Germanophobe before and during World War I to an outspoken critic of the punitive measures against Germany in the Treaty of Versailles. She explores the ambiguities in his engagement with modernist aesthetics and in his attempt to escape the shadow of his father while benefiting from his family's wealth and connections. Vogeler's assessment of Harrison's books further sharpens our understanding of his ideas about Germany, women, education, and Victorian family life notably his underappreciated tribute/rebuke to his father, Frederic Harrison: Thoughts and Memories. This account of Austin Harrison's career allows us to observe a journalist making his way in a highly competitive world and opens up a new window on Britain in the era of the Great War.
Detective Richard Jury is back in the 16th novel in Martha Grimes' extraordinary New York Times bestselling series--now enmeshed in a series of strange crimes and disappearances, and an age-old tragedy that consumes his sidekick Melrose Plant....
The Dirty Duck is a pub in Shakespeare’s beloved Stratford, and in this pub Miss Gwendolyn Bracegirdle of Sarasota, Florida, fresh from a performance of As You Like It, takes her last drink. A few minutes later she is slashed ear to ear, the only clue: two lines from an unknown poem printed across a theater program. The razor-happy murderer, it seems is stalking a group of rich American tourists. And Scotland Yard Superintendent Richard Jury, just passing through Stratford for a glimpse of the intriguing Lady Kennington, instead takes a crash course in the bloodier side of Elizabethan verse.
Descendants of Waverley examines contemporary novelists’ combination of historical authority and narrative art to create authentic and accessible depictions of the past. This technique, the “romance of history,” challenges conventional theories that the novel as a genre erased the romance. Individual chapters establish the critical framework, analyze the strategies that authors use to romance history, and demonstrate the subgenres that exist in current historical fiction. While the author does not consider Walter Scott to be the inventor of historical fiction, she demonstrates the ways in which contemporary fiction’s techniques reflect the form of the genre that Scott both developed and theorized in the Waverley novels (1814–1832). In writing his “historical romances,” Scott drew on the forms of the fictions that preceded his work, especially Gothic fiction, and was influenced by the fluid definitions of “romance” that permeated the theorizing of the novel and its development in the eighteenth century, where fiction was described as evolving from and replacing romances and referred to as “romances” themselves. She begins by tracing this history and moves on to discuss contemporary fiction, both as technique, in the uses of intertextuality, and in as form, in the increasing hybridity of contemporary fiction. This hybridity is reflected in such forms as the historical detective novel, the embedded narrative, and the biographical novel; the pedagogical elements inherent in the historical novel before Scott’s oeuvre continue into the present. The book ends with the recent phenomenon of historical fantasy; in this subgenre, the traits of more conventional historical fiction, such as intertextuality and the tension between the familiar and strange, combine with a playful form of fantasy that releases revenants among the Luddites and wizards into the Battle of Waterloo. John Frow’s theory of the slipperiness of genre is a critical component for explicating the most recent metamorphoses of historical fiction. The critical framework also develops from recent and eighteenth-century histories of the novel, twentieth- and twenty-first-century theories of Scott’s influence, and contemporary writers’ own reflections on what they do when they write historical novels.
In the tenth murderous case for Richard Jury, the New Scotland Yard superintendent witnesses a killing in a West Yorkshire inn called the Old Silent, while his highborn, amateur colleague, Melrose Plant wishes to he could perform one as he drives his impossible Aunt Agatha to the Old Swan in Harrogate. Caught up in a triple murder, Jury would go to any lengths to help Nell Healey, the lovely widow of one of the victims. But Nell Healey remains silent as the Yorkshire moors, quiet as the grave, while the scope of the mystery widens.
Martha’s parents were both extraordinary people living in extraordinary times. Ralph was a brilliant, poor Jew from the East End. Edith, also Jewish from a bourgeois family in Central Europe was a gifted pianist. They met as students in Paris in 1937 and were separated by the war. Their intimate, emotional and sometimes humorous correspondence throughout the war led to marriage in 1945. Each bore scars. She, from escaping the Nazis, he from childhood tragedy. Overshadowing them both was a secret that burdened Ralph for most of his life. After the war he became the world expert on Jean-Jacques Rousseau and Edith devoted herself to her piano, performing and teaching. Invisible Ink is a compassionate, astute and ultimately uplifting portrait of their relationship. The author has also unearthed many other stories: her uncle’s heroism and pioneering work in medicine, her grandmother and cousin’s miraculous escapes from the holocaust. These are threads entwined in the greater tapestry of social and political history of the twentieth century. In discovering the truth about her family, Martha has also taken an inner journey towards understanding herself.
This timely reference book places the growing 20th century phenomenon of terrorism in an historical context. Starting with the use of assassination in Ancient Greece and including the recent bombing of the American military complex in Dhahran, Saudi Arabia, this encyclopedia covers the globe in its presentation of all aspects of terrorism: history, theories of, types of, and responses to, as well methods and techniques. There is a chronology of major terrorist events from 1945, an A to Z listing of terrorist groups and leaders, a select bibliography, and indexes (general, name, and geographical).
Written with a focus on the English Language Arts Common Core Standards, this book provides a complete plan for developing a literacy program that focuses on boys pre-K through grade 12. Despite the fact that reading and literacy among boys has been an area of concern for years, this issue remains unresolved today. Additionally, the emphasis and focus have changed due to the implementation of the English Language Arts Common Core Standards. How can educators best encourage male students to read, and what new technologies and techniques can serve this objective? The Common Core Approach to Building Literacy in Boys is an essential resource and reference for teachers, librarians, and parents seeking to encourage reading in boys from preschool to 12th grade. Providing a wide array of useful, up-to-date information that emphasizes the English Language Arts Common Core Standards, the bibliographies and descriptions of effective strategies in this book will enable you to boost reading interest and performance in boys. The chapters cover 16 different topics of interest to boys, all accompanied by a complete bibliography for each subject area, discussion questions, writing connections, and annotated new and classic nonfiction titles. Information on specific magazines, annotated professional titles, books made into film, websites, and apps that will help you get boys interested in reading is also included.
The definitive guide to women's reproductive health from conception to old age. Obstetrics and Gynaecology: an evidence-based guide is the ideal resource for anyone working in the field of women's health, including medical students, junior doctors, midwives, nurses and general practitioners. Expertly written and packed with the most relevant, up-to date evidence; this obstetrics and gynaecology textbook covers all aspects of women's health from conception to puberty and from pregnancy to old age. Obstetrics and Gynaecology: an evidence-based guide addresses common areas of everyday practice. It details how to take an obstetric or gynaecological history, manage abnormal uterine bleeding and provide antenatal care. In addition, it highlights less common but equally important issues in women's health, such as gynaecological malignancies and managing multiple pregnancies. Written by an editorial team comprising an obstetrician, gynaecologist and sonographer, the content in this obstetrics and gynaecology textbook is balanced and chronologically arranged from from birth to end of life. - Provides guidance in applying evidence to medical care. - Obstetrics and gynaecology OSCEs with a detailed answer guide. - Multiple-choice questions aligned to chapters and practice OSCEs featuring scenario, suggested history, examination and management.
The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato’s comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy—involving teachers, patrons, colleagues, and relatives—whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers—from Cavalli and Pergolesi to Handel, Mozart, and Rossini—were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise.
A collection of “first-rate frontline journalism” from the Spanish Civil War to US actions in Central America “by a woman singularly unafraid of guns” (Vanity Fair). For nearly sixty years, Martha Gellhorn’s fearless war correspondence made her a leading journalistic voice of her generation. From the Spanish Civil War in 1937 through the Central American wars of the mid-eighties, Gellhorn’s candid reporting reflected her deep empathy for people regardless of their political ideology. Collecting the best of Gellhorn’s writing on foreign conflicts, and now with a new introduction by Lauren Elkin, The Face of War is a classic of frontline journalism by “the premier war correspondent of the twentieth century” (Ward Just, The New York Times Magazine). Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. “I wrote very fast, as I had to,” she says, “afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place.” As Merle Rubin noted in his review of this volume for The Christian ScienceMonitor, “Martha Gellhorn’s courageous, independent-minded reportage breaks through geopolitical abstractions and ideological propaganda to take the reader straight to the scene of the event.”
This is the first volume to comprehensively and systematically study, describe, and theorize the financial obligation created and governed by public international law. Legal globalization has given rise to a number of financial issues in international law in areas as diverse as development financing, investment protection, compensation of human rights victims, and sovereign debt crises. The claims resulting from the proliferation of financial activity are not limited to those primarily involving financial obligation (e.g. loans and grants) but include secondary obligation resulting from the law on international responsibility. Among the many instances of financial obligation covered in this study, the reader will find inter-State financial transactions, inter-State sale of goods, transnational services such as telecommunications and post, the financial operations of multilateral institutions, loans, grants and guarantees provided by the various international financial institutions, certain financial relations between non-State actors (including natural persons) and States, intergovernmental organizations or other international legal actors, and government loans to international organizations. Rich in historical detail and systematic in its coverage of contemporary law, this book will be valued by all practitioners and scholars with an interest in the nature of international financial obligation.
Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.
Now including a foreward by Bill Buford and photographs of Gellhorn with Hemingway, Dorothy Parker, Madame Chiang Kai-shek, Gary Cooper, and others, this new edition rediscovers the voice of an extraordinary woman and brings back into print an irresistibly entertaining classic. "Martha Gellhorn was so fearless in a male way, and yet utterly capable of making men melt," writes New Yorker literary editor Bill Buford. As a journalist, Gellhorn covered every military conflict from the Spanish Civil War to Vietnam and Nicaragua. She also bewitched Eleanor Roosevelt's secret love and enraptured Ernest Hemingway with her courage as they dodged shell fire together. Hemingway is, of course, the unnamed "other" in the title of this tart memoir, first published in 1979, in which Gellhorn describes her globe-spanning adventures, both accompanied and alone. With razor-sharp humor and exceptional insight into place and character, she tells of a tense week spent among dissidents in Moscow; long days whiled away in a disused water tank with hippies clustered at Eilat on the Red Sea; and her journeys by sampan and horse to the interior of China during the Sino-Japanese War.
In the face of unparalleled growth and a truly global audience, the popularity of contemporary art has clearly become a double-edged affair. Today, an unprecedented number of museums, galleries, biennial-style exhibitions, and art fairs display new work in all its variety, while art schools continue to inject fresh talent onto the scene at an accelerated rate. In the process, however, contemporary art has become deeply embedded not only in an expanding art industry, but also the larger cultures of fashion and entertainment. Buskirk argues that understanding the dynamics of art itself cannot be separated from the business of presenting art to the public. As strategies of institutional critique have given way to various forms of collaboration or accommodation, both art and museum conventions have been profoundly altered by their ongoing relationship. The escalating market for contemporary art is another driving force. Even as art remains an idealized activity, it is also understood as a profession, and in increasingly obvious ways a business, particularly as practiced by star artists who preside over branded art product lines.
Kaplan's guide includes: * 2 full-length practice tests * Diagnostic test to target areas for score imporvement * Detailed answer explanation * Powerful strategies to help you score higher * Glossary of key terms and concepts * Sample Document-Based Questions and Free-Response questions
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