If you have tattoos, who owns the rights to the imagery inked on your body? What about the photos you just shared on Instagram? And what if you are an artist, responding to the surrounding landscape of preexisting cultural forms? Most people go about their days without thinking much about intellectual property, but it shapes all aspects of contemporary life. It is a constantly moving target, articulated through a web of laws that are different from country to country, sometimes contradictory, often contested. Some protections are necessary—not only to benefit creators and inventors but also to support activities that contribute to the culture at large—yet overly broad ownership rights stifle innovation. Is It Ours? takes a fresh look at issues of artistic expression and creative protection as they relate to contemporary law. Exploring intellectual property, particularly copyrights, Martha Buskirk draws connections between current challenges and early debates about how something intangible could be defined as property. She examines bonds between artist and artwork, including the ways that artists or their heirs retain control over time. The text engages with fundamental questions about the interplay between authorship and ownership and the degree to which all expressions and inventions develop in response to innovations by others. Most importantly, this book argues for the necessity of sustaining a vital cultural commons.
Beginning with Lost Highway, director David Lynch “swerved” in a new direction, one in which very disorienting images of the physical world take center stage in his films. Seeking to understand this unusual emphasis in his work, noted Lynch scholar Martha Nochimson engaged Lynch in a long conversation of unprecedented openness, during which he shared his vision of the physical world as an uncertain place that masks important universal realities. He described how he derives this vision from the Holy Vedas of the Hindu religion, as well as from his layman’s fascination with modern physics. With this deep insight, Nochimson forges a startlingly original template for analyzing Lynch’s later films—the seemingly unlikely combination of the spiritual landscape envisioned in the Holy Vedas and the material landscape evoked by quantum mechanics and relativity. In David Lynch Swerves, Nochimson navigates the complexities of Lost Highway, The Straight Story, Mulholland Drive, and Inland Empire with uncanny skill, shedding light on the beauty of their organic compositions; their thematic critiques of the immense dangers of modern materialism; and their hopeful conceptions of human potential. She concludes with excerpts from the wide-ranging interview in which Lynch discussed his vision with her, as well as an interview with Columbia University physicist David Albert, who was one of Nochimson’s principal tutors in the discipline of quantum physics.
Holly Moss starts out by living with her uncle near her place of work The Ticket Factory. When he gets into trouble with the law she runs away to a cabin. There she stays away from her troubled uncle until they meet again. In this story she stays safe and tries for her own happy ending.
Marty, a young reporter during World War II, just out of Smith College, wants to investigate a mysterious fire in the shipyard and impress the editor. But the editor is becoming much too friendly even though she is engaged to a Marine fighter pilot stationed in the Pacific. Worse yet, the editor is annoyed women are taking over men’s jobs and he admires another new reporter Ben.
Hosea Ballou Morse (1855-1934) sailed to China in 1874, and for the next thirty-five years he labored loyally in the Imperial Chinese Maritime Customs Service, becoming one of its most able commissioners and acquiring a deep knowledge of China's economy and foreign relations. After his retirement in 1909, Morse devoted himself to scholarship. He pioneered in the Western study of China's foreign relations, weaving from the tangled threads of the Ch'ing dynasty's foreign affairs several seminal interpretive histories, most notably his three-volume magnum opus, The International Relations of the Chinese Empire (1910-18). At the time of his death, Morse was considered the major historian of modern China in the English-speaking world, and his works played a profound role in shaping the contours of Western scholarship on China. Begun as a labor of love by his protégé, John King Fairbank, this lively biography based primarily on Morse's vast collection of personal papers sheds light on many crucial events in modern Chinese history, as well as on the multifaceted Western role in late imperial China, and provides new insights into the beginnings of modern China studies in this country. Half-finished when Fairbank died, the project was completed by his colleagues, Martha Henderson Coolidge and Richard J. Smith.
Recovered in the mid-1990s from the attic of a Turnbull family descendant, Martha Turnbull's garden diary offers the most extensive surviving first-hand account of nineteenth-century plantation life and gardening in the Deep South. Landscape architecture professor and preservationist Suzanne Turner spent fifteen years transcribing and annotating the original manuscript, making it accessible to twenty-first-century gardening enthusiasts. The resulting dialogue between Turnbull's diary entries and Turner's illuminating notes demonstrates the pivotal role that kitchen and pleasure gardens held in the lives of planter families. In addition, the diary documents the relationship between the mistress and the enslaved whose labor made her vast gardens possible. Turner's exquisite interpretation reveals not only an energetic gardener but also a well-read one, eager to experiment with the newest gardening trends. Illustrated with engravings from period books, journals, and nursery catalogs, Turner's annotations provide the reader with a deeper understanding of American horticultural history. The diary, spanning the years 1836 through 1894, reveals the portrait of a courageous and resilient woman. After the tragic loss of her two sons and husband prior to the Civil War, Martha assumed full responsibility for her family and the plantation. She endured living under siege during the war and persevered during Reconstruction by growing and selling food as a truck farmer. By working daily in her ornamental garden and faithfully maintaining her diary for nearly sixty years, she found the solace and peace to look forward to the future.
Previously published as Caress of Fire SHE GOT WHAT SHE WANTED Lisette Keller has always dreamed of opening up a millinery shop in Chicago. But first she has to get there. Taking a job as a cook on a cattle drive certainly wasn’t part of her dream, but then so wasn’t the iron-jawed rancher running the whole operation. Maybe it’s the way he wears his Stetson or the steely gaze underneath the brim drinking her in, but when he touches her, it’s like a dream she never wants to end . . . HE FOUND WHAT HE NEEDED When the spirited beauty applied for the cook opening, Gil McLoughlin was doubtful she could handle the long hot trail from Texas to Abilene. But he was also tempted by thoughts of what she could handle. Against his better judgment, he not only hires Lisette, but soon enough, under a starry night sky, he gives in to every temptation she lights up inside him. From that point on, where they’re heading no longer matters. Home had found them in their lasting embrace . . .
These twelve essays analyze the complex pleasures and problems of engaging with James Joyce for subsequent writers, discussing Joyce's textual, stylistic, formal, generic, and biographical influence on an intriguing selection of Irish, British, American, and postcolonial writers from the 1940s to the twenty-first century.
This book continues the overview of early pianos begun in Clinkscale's Makers of the Piano 1700-1820 (OUP, 1993). Although a few of the biographies overlap, the majority of the makers are completely new. Approximately 2,400 makers and manufacturers and about 2,200 pianos are listed. Of this total, about 645 are English, the majority of whom were active in London; more than 200 of the London makers have not been discussed in previous publications.
A coming-of-age story of two young girls--or is it two sides of the same girl?--caught between the onslaught of U.S. consumer culture and the evolving Marxist ideologies of the Cuban revolution, this story reflects the loss of any sense of identity as the girls move toward adulthood.
America's portland cement industry began in the Lehigh Valley. The rich deposit of limestone known as the Jacksonburg Formation arcs through the valley from Berks County, Pennsylvania, to Warren County, New Jersey, and today it still provides the raw material for the Lehigh district's famous high-quality portland cement. Cement from the Lehigh Valley built America's skyscrapers, dams, and highways. The Lehigh Valley Cement Industry documents not only the quarries and cement mills but also the dozens of companies that sprang up to supply and support the industry. The photographs also tell the stories of the people who formed the cement communities—the entrepreneurs, executives, engineers, and immigrants whose legacies live on in the five multinational companies still making cement in the valley.
“This is the best book on David Lynch that has yet been published. Nochimson’s book is essential reading for anyone interested in contemporary cinema.” —Brian Henderson, former chair of the Department of Media Study, State University of New York at Buffalo Filmmaker David Lynch asserts that when he is directing, ninety percent of the time he doesn’t know what he is doing. To understand Lynch’s films, Martha Nochimson believes, requires a similar method of being open to the subconscious, of resisting the logical reductiveness of language. In this innovative book, she draws on these strategies to offer close readings of Lynch’s films, informed by unprecedented, in-depth interviews with Lynch himself. Nochimson begins with a look at Lynch’s visual influences—Jackson Pollock, Francis Bacon, and Edward Hopper—and his links to Alfred Hitchcock and Orson Welles, then moves into the heart of her study, in-depth analyses of Lynch’s films and television productions. These include Twin Peaks: Fire Walk with Me, Wild at Heart, Twin Peaks, Blue Velvet, Dune, The Elephant Man, Eraserhead, The Grandmother, The Alphabet, and Lynch’s most recent, Lost Highway. Nochimson’s interpretations explode previous misconceptions of Lynch as a deviant filmmaker and misogynist. Instead, she shows how he subverts traditional Hollywood gender roles to offer an optimistic view that love and human connection are really possible. “Nochimson deftly deploys a mixture of feminist criticism, the Bakhtinian notion of the carnivalesque, and an intriguing blend of Jungian and Freudian concepts to make one of our most complex filmmakers seem quite accessible after all.” —J. P. Telotte, Film Quarterly
Mrs. Martha J. Lamb, formerly the editor of "The American Historical Magazine," and one of the best informed historical writers of our times, left a great legacy at her death, especially to the citizens of New York, in her masterful effort "The History of the City of New York." This work has an increasing value with each succeeding year, and, as the late Hon. Thurlow Weed wrote, "No library is complete without it". Everything about New York, from the first day of its settlement until today, that is worth knowing, is between the pages of this valuable volume. This book is widely conceived as "the" authority on the first two centuries of New York City, forever. This is volume two out of two.
Dynamic Embodiment of the Sun Salutation®: Pathways to Balancing the Chakras and the Neuroendocrine System guides you to do the Sun Salutation with more ease by integrating awareness of glandular and chakral embodiment cues and neuro-developmental movement. Everything in this book can be applied to your personal practice and overall health, or to teaching others. It offers a soft, organic yet powerful approach to being in the poses and transitioning between them. What you will learn is effective and surprising. There is tangible mystery in accessing this ability, which we all have, to embody the endocrine system and the related energy fields. By working with the endocrine system and their correlations with the chakras we are grounding the subtle within the physical body. Learn about the dynamic combination of the specific electrical and systemic circulatory nature of the neuroendocrine system. Discover how the anatomical placement of the glands and the spatial tensions (or tensegrity) surrounding them are the natural bridge to activating the energy needed for a fulfilling life. One access route to these dynamic stimuli is through Body Mind Centering's developmental approach, conveyed through the lens of Dynamic Embodiment by BMC® Master teacher Dr Martha Eddy. This approach includes an understanding of careful skeletal positioning, brain-activating movement and hormonal balancing as well as integrating broader social somatic contexts such as the impact of lifestyle, cultural and intergenerational influences. In an age when, most likely, at least one person you know is struggling with thyroid, adrenal, or reproductive glandular imbalance, this book will provide information on the physical, emotional and spiritual impact of attuning with the glands and early childhood development imprints while practising the Sun Salutation. It includes clues for what to do when yoga or endocrine work brings on chaos - from trauma triggers, kundalini overwhelm, to basic life confusion. It gives you the tools to help ground yourself and others, and to take centered action in a dynamic world.
Luceta By: Martha Dietz Luceta married seven times. The first husband was a bigamist and an embezzler. The second was a speakeasy owner in Chicago during Prohibition in the Roaring Twenties. The fifth husband, who also became number seven, had her committed to a mental hospital. In a story that spans most of the twentieth century, traveling from New Mexico to Panama to New Orleans and Chicago, Luceta follows one woman’s wild life, defined by successes and tragedies, and by a complicated relationship with her show-business family. Based on real-world stories heard by the author during her years in Chicago, Luceta is a fictional biography of a singular woman, a compelling read from the first page to the last.
The social life of New York at this period was invested with a peculiar charm. Wealth and refinement, money-making and good-breeding, were blended as never before. -from Chapter XLVI: The Final Struggle From the exuberance of post-Revolutionary Manhattan to the great debate over incorporating the independent municipality of Brooklyn into the City of New York, this final volume of an extraordinary three-volume history of New York remains an informative and entertaining resource today. Volume 3 relates tales of social elegance and bustling commerce, of the founding of Alexander Hamilton's newspaper and Broadway theaters, of grand civic projects of park creation and library building... of the modern foundations of one of the planet's most influential cities. Numerous captivating illustrations depict: .Fifth Avenue at Madison Square .bird's eye view looking south from General Grant's tomb .police parade .Cathedral of St. John the Divine .the Plaza Hotel and Metropolitan Club .bridge at Canal Street in 1800 .Washington Arch .and dozens more. Originally published from 1877 to 1881, this is a delight to browse-for history buffs and lovers of the grand metropolis alike. Also available from Cosimo Classics: Martha J. Lamb's Wall Street in History. American historian MARTHA J. LAMB (d. circa 1892) was a prolific author, publishing children's books, novels, short stories, and magazine articles, as well as serving as editor of the Magazine of American History. Active in charitable organizations, she founded Chicago's Home for Friendless and Half-Orphan Asylum, and was secretary of the city's first Sanitary Fair in 1863. MRS. BURTON HARRISON, ne Constance Cary (1843-1920), was the wife of BurtonNovell Harrison, personal secretary to Jefferson Davis. Recollections Grave and Gay (1911), her autobiography, relates her childhood in pre-Civil War Virginia and her experience as a young adult there during the war.
When Matthew Fielding, the four-year-old son of a San Diego telecommunications mogul, turns up missing, the psychic skills of P.I. Elizabeth Chase are requested. The stakes are raised soon after Elizabeth begins her investigation when a wildfire breaks out in Rancho Santa Fe, the secluded community where Matthew and his family-and Elizabeth's own parents-live. Aided and abetted by the Santa Ana winds, flames rage out of control, consuming thousands of acres and dozens of homes. Before the ashes can be cleared away, another fire blazes through everything in its path. Are the kidnapper and arsonist one and the same? Will Elizabeth be able to find the clues she needs in the dying embers around her? It's a race against time itself as man and nature combine to wreak destruction on Elizabeth's community and keep a little boy lost forever. In the fifth installment of a series Sue Grafton referred to as "a natural...and a supernatural as well," Martha C. Lawrence once again combines the quirky and the familiar as her smart, resilient and endearing heroine uses her psychic ability and incomparable detecting skills to hunt down a killer.
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