William Godwin has long been known for his literary connections as the husband of Mary Wollstonecraft, the father of Mary Shelley, the friend of Coleridge, Lamb, and Hazlitt, the mentor of the young Wordsworth, Southey, and Shelley, and the opponent of Malthus. Godwin has been recently recognized, however, as the most capable exponent of philosophical anarchism, an original moral thinker, a pioneer in socialist economics and progressive education, and a novelist of great skill. His long life straddled two centuries. Not only did he live at the center of radical and intellectual London during the French Revolution, he also commented on some of the most significant changes in British history. Shaped by the Enlightenment, he became a key figure in English Romanticism. Basing his work on extensive published and unpublished materials, Peter Marshall has written a comprehensive study of this flamboyant and fascinating figure. Marshall places Godwin firmly in his social, political, and historical context; he traces chronologically the origin and development of Godwin’s ideas and themes; and he offers a critical estimate of his works, recognizing the equal value of his philosophy and literature and their mutual illumination. The picture of Godwin that emerges is one of a complex man and a subtle and revolutionary thinker, one whose influence was far greater than is usually assumed. In the final analysis, Godwin stands forth not only as a rare example of a man who excelled in both philosophy and literature but as one of the great humanists in the Western tradition.
Through readings of works by Marivaux, Diderot, Rousseau, and Mary Shelley, David Marshall provides a new interpretation of the eighteenth-century preoccupation with theatricality and sympathy. Sympathy is seen not as an instance of sensibility or natural benevolence but rather as an aesthetic and epistemological problem that must be understood in relation to the problem of theatricality. Placing novels in the context of eighteenth-century writing about theater, fiction, and painting, Marshall argues that an unusual variety of authors and texts were concerned with the possibility of entering into someone else's thoughts and feelings. He shows how key eighteenth-century works reflect on the problem of how to move, touch, and secure the sympathy of readers and beholders in the realm of both "art" and "life." Marshall discusses the demands placed upon novels to achieve certain effects, the ambivalence of writers and readers about those effects, and the ways in which these texts can be read as philosophical meditations on the differences and analogies between the experiences of reading a novel, watching a play, beholding a painting, and witnessing the spectacle of someone suffering. The Surprising Effects of Sympathy traces the interaction of sympathy and theater and the artistic and philosophical problems that these terms represent in dialogues about aesthetics, moral philosophy, epistemology, psychology, autobiography, the novel, and society.
Combining queer theory with theories of affect, psychoanalysis, and Foucauldian genealogy, Romanticism, Gender, and Violence: Blake to George Sodini theorizes performative melancholia, a condition where, regardless of sexual orientation, overinvestment in gender norms causes subjects who are unable to embody those norms to experience socially expected (‘normal’) gender as something unattainable or lost. This perceived loss causes an ambivalence within the subject that can lead to self-inflicted violence (masochism, suicide) or violence toward others (sadism, murder). Reading a range of Romantic poetry and novels between 1790-1820, but ultimately moving beyond the period to show its contemporary cultural relevance through readings of Eliot’s The Mill on the Floss, Virginia Woolf’s Mrs. Dalloway, Andrew Holleran’s Dancer from the Dance, and George Sodini’s 2009 murder-suicide case, this study argues that we need to move beyond focusing on bullying, teens, and LGBT students and look at our cultural investment in gender normativity itself. Doing so allows us to recognize that the relationship between non-normative gender performance and violence is not simply a gay problem; it is a human problem that can affect people of any sex, sexuality, age, race, or ethnicity and one that we can trace back to the Romantic period. Bringing late 18th-century novels into conversation with both canonical and lesser-known Romantic poetry, allows us to see that, as people whose performance of gender occasionally exceeds the normal, we too often internalize these norms and punish ourselves or others for our inability to adhere to them. Contrasting paired chapters by male and female authors and including sections on failed romantic coupling, melancholic femininities, melancholic masculinities, failed gender performance and madness, and ending with a section titled After Romanticism, this study works on multiple levels to complicate previous understandings of gender and violence in Romanticism while also offering a model for contemporary issues relating to gender and violence among people who ‘fail’ to perform gender according to social norms.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
This eBook features the unabridged text of ‘The Life and Letters of Mary Wollstonecraft Shelley by Florence A. Thomas Marshall by Mary Shelley - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Mary Shelley’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Shelley includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Life and Letters of Mary Wollstonecraft Shelley by Florence A. Thomas Marshall by Mary Shelley - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Shelley’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
“An essential read for any true seeker."—Eben Alexander, MD, Neurosurgeon, author of Proof of Heaven and Living in a Mindful Universe When Paul Marshall began to pay attention to his dreams, he could not have anticipated the transformative experience that would follow. A tremendous expansion of consciousness exposed the insignificance of his everyday self but also revealed unsuspected depths of mind and hinted at a deeper self that holds the universe within. In The Shape of the Soul, Marshall—now a mysticism scholar—draws on personal experiences, along with a wealth of religious, philosophical, and scientific ideas, to explore this deeper self, sometimes experienced in mystical and near-death states as spherical in form. Drawing inspiration from the philosophers Plotinus and Leibniz, Marshall takes mind to be more fundamental than matter and views the basic units of nature as perceptual beings. We ourselves are such beings, striving for fulfilment in a long evolutionary journey of soul-making. Bringing together mysticism, philosophy, biology, and even some physics, The Shape of the Soul offers a deeply integrated vision of the self and the universe. Addressing the mind–body problem, the origin of the world, evolution, reincarnation, suffering, and the nature of God, Marshall delivers what will surely prove an intellectual classic.
NYPD Red is a special task force charged with protecting the interests of Manhattan's wealthiest and most powerful citizens. Discover the first three books in the New York Times bestselling detective series, from the world's #1 writer. NYPD Red 1 introduces Detectives First Grade Zach Jordan and Kylie MacDonald, new task-force partners and recent romantic exes. Their first assignment is to cover a Manhattan film festival called Hollywood on the Hudson. A Molotov cocktail explodes at a movie premiere, announcing the presence of a killer lurking on "set," scripting an explosive finale that will level New York and Hollywood. Zach and Kylie are called in NYPD Red 2 to Central Park, where a carousel is spinning a murder victim, a woman of vast wealth and even greater connections. Her death is the fourth in a string of shocking murders that has the city on edge, and political and personal secrets of the highest order hanging in the resolution of these scandalous crimes. NYPD Red 3 opens in the townhouse garage of Hunter Alden Jr., where the billionaire businessman makes a grisly discovery. When Alden's teenage son goes missing soon afterward, and his father seems oddly reluctant to find him, Detectives Zach Jordan and Kylie MacDonald find themselves behind the closed doors of New York high society and in the depths of depravity.
NYPD Red's finest detectives are about to investigate a brutal crime scene in Central Park . . . but even their training can't prepare them for the biggest case of their careers. When NYPD Red arrives at a crime scene, everyone takes notice. Known as the protectors of the rich, famous, and connected, NYPD Red is the elite task force called in only for New York City's most high-profile crimes. And Detective Zach Jordan is the best of the best, a brilliant and relentless pursuer of justice. He puts professionalism above all, ignoring his feelings for his partner, Detective Kylie MacDonald, the woman who broke his heart when they first met in the academy. But even with their top-notch training, Zach and Kylie aren't prepared for what they see when they're called to a crime scene in the heart of Central Park. They arrive to find a carousel spinning round and round, its painted horses grinning eerily in the early morning dark. There is only one rider: a brutally slaughtered woman, her body tied up and dressed in a Hazmat suit, on display for the world to see. The victim, a woman of vast wealth and even greater connections, is the fourth in a string of shocking murders that have hit the city. As the public pressure mounts, and political and personal secrets of the highest order hang in the balance, Zach and Kylie must find out what's really behind the murderer's rampage. But Kylie has been acting strange recently-and Zach knows whatever she's hiding could threaten the biggest case of their careers. NYPD Red 2 is the next outstanding novel in James Patterson's newest series, a thriller that careens through New York City and deep into the psyche of a depraved killer you've never seen before.
Tracing the use of legal themes in the gothic novel, Bridget M. Marshall shows these devices reflect an outpouring of anxiety about the nature of justice. On both sides of the Atlantic, novelists like William Godwin, Mary Shelley, Charles Brockden Brown, and Hannah Crafts question the foundations of the Anglo-American justice system through their portrayals of criminal and judicial procedures and their use of found documents and legal forms as key plot devices. As gothic villains, from Walpole's Manfred to Godwin's Tyrrell to Stoker's Dracula, manipulate the law and legal system to expand their power, readers are confronted with a legal system that is not merely ineffective at stopping villains but actually enables them to inflict ever greater harm on their victims. By invoking actual laws like the Black Act in England or the Fugitive Slave Act in America, gothic novels connect the fantastic horrors that constitute their primary appeal with much more shocking examples of terror and injustice. Finally, the gothic novel's preoccupation with injustice is just one element of many that connects the genre to slave narratives and to the horrors of American slavery.
Finding a single assassin in a city of nine million is daunting.Finding five is a nightmare. Join the NYPD Red team in their most explosive case ever. The series from James Patterson and Marshall Karp has always been a must-read. But Karp’s latest, NYPD Red 7: The Murder Sorority, tops them all, making it a must-read-now! Lower Manhattan: A sniper’s bullet ends the life of a high-profile New Yorker. Five miles uptown, a second prominent victim has his throat slashed. And that’s only the beginning. A network of professional assassins is on the loose in New York City. Trained by the US military, they’re on their own now, with a new unit called Kappa Omega Delta. Killers On Demand. NYPD Red detectives Kylie MacDonald and Zach Jordan are called in to hunt them down, but these mercenaries are as gifted in the art of escape as they are in snuffing out lives. It’s the biggest professional challenge the Red team has ever faced, and before it’s over, both Kylie’s and Zach’s personal lives will change. Forever.
When Frankenstein appeared in 1818 it was well known that the medical profession lent silent support to the grave-robbing gangs who regulary sold the surgeons newly-buried bodies for dissection. This resurection trade led to the sensational Burke and Hare case, which revealed that the bodies of murder victims had been pased to the Edinburgh surgeon Dr Robert Knox with his connivance.
The NYPD's most elite task force must protect the city from a shadowy killer with a vendetta in this New York Times bestselling mystery. The richest of New York's rich gather at The Pierre's Cotillion Room to raise money for those less fortunate. A fatal blast rocks the room, stirring up horrifying memories of 9/11. Is the explosion an act of terrorism . . . or a homicide? A big-name female filmmaker is the next to die, in a desolate corner of New York City. Detectives Zach Jordan and Kylie MacDonald investigate. But the crimes keep escalating as a shadowy killer masterfully plays out his vendetta -- and threatens to take down NYPD Red in the bargain.
Historians of the English congregational hymn, focusing on its literary or theological aspects, have usually found the genre out of step with the rationalist era that produced it. This book takes a more balanced approach to the work of four writers and concludes that only eighteenth-century Britain, with its understanding of public verse, common truth, and the utility of poetry, could have invented the English hymn as we know it. The early hymns sought to inspire, teach, stir, and entertain congregations. The essential purpose shifted slightly in line with each poet's setting and in accord with the poetic thought of his day. For Isaac Watts's Independents, powerful traditional imagery was appropriate. Charles Wesley's enthusiasm proceeded from and served the spirit of the revival. John Newton's prophetic vision particularly suited the impoverished community at Olney. William Cowper's masterful handling of formal conventions and his idiosyncratic personal hymns reflect his poetic, rather than clerical, vocation. Despite such temporal variations, the great poetry by each man displays themes of general Christian relevance, suggesting common experience, showing normative features of the genre, and bearing a complex and intriguing relationship to secular literature.
On the opening night of New York's biggest Hollywood event, special task force NYPD Red is on high alert -- and they can't afford to make a single mistake. NYPD Red is a special task force charged with protecting the interests of Manhattan's wealthiest and most powerful citizens. When a world-famous movie producer is poisoned on the first day of a Manhattan film festival called Hollywood on the Hudson, they are the first ones called. Then an actor is killed on the set of a film. And a Molotov cocktail explodes at a movie premiere. Detective First Grade Zach Jordan and his new partner-and ex-girlfriend-Detective Kylie MacDonald are assigned to the case. The killer has every murder, every escape, planned down to the last detail-and he's scripted an explosive finale that will bring New York and Hollywood to its knees. With larger-than-life action, relentless speed, and white-knuckle twists, NYPD Red is a mega-blockbuster from "The Man Who Can't Miss." (Time).
Mary Wollstonecraft Shelley was an English novelist, short story writer, dramatist, essayist, biographer, and travel writer, best known for her Gothic novel Frankenstein: or, The Modern Prometheus (1818). She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin, and her mother was the philosopher and feminist Mary Wollstonecraft. After Wollstonecraft's death less than a month after her daughter Mary was born, Mary was raised by Godwin, who was able to provide his daughter with a rich, if informal, education, encouraging her to adhere to his own liberal political theories. When Mary was four, her father married a neighbour, with whom, as her stepmother, Mary came to have a troubled relationship.
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