Marshall Dodge and Bob Bryan began swapping funny Down East stories when they were students at Yale in the 1950s. Their fascination and appreciation for Maine and its people triggered the production of several “Bert and I” records, from which 14 stories were selected for the first edition of this book. Now, eleven more have been added for this expanded second edition. Dodge and Bryan were groundbreaking in their appreciation of the oral tradition and paved the way for contemporary storytelling icons like Garrison Keillor, Tim Sample, and Tom Bodett.
This handbook allows builders and contractors to estimate costs, establish budgets, or spot-check calculations on residential and light commercial construction with amazing precision. All the notable Marshall and Swift features are here, including extensive product and output-per-day information, overhead costs, profit margins, and 800 locations rate modifiers.
James Marshall's illuminating study of dispossession on the frontier begins with the autobiography of a pioneer who met repeated failure. Writing in his old age, Omar Morse (1824-1901) looked back on the successive loss of three homesteads in mid-nineteenth century Wisconsin and Minnesota. The frontier as Morse encountered it was a place of runaway land speculation, of high railroad freight rates, of mortgage foreclosures, and of political and economic chaos. Stoic and resilient in adversity, Morse nevertheless expressed the anger of those for whom the Jeffersonian ideal of an independent yeomanry proved to be a cruel illusion. Marshall moves from Morse's narrative to the historical record of the thousands of similarly dispossessed pioneers and to the legacy of their failure. Politically, their anger was expressed in a grassroots movement that led to formation of the Populist party in the 1880s and 1890s. Culturally, dispossession became a theme in their literature, exemplified in Mark Twain's and Charles Dudley Warner's The Gilded Age and in novels by such Realists as Edward Eggleston, Joseph Kirkland, and Hamlin Garland. Land Fever thus presents the underside of disappointment that has long been the great ignored reality of the splendid success myth of the American frontier.
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