This book explores the impact of war and political crisis on the national identity of Jews, both in the multinational Habsburg monarchy and in the new nation-states that replaced it at the end of World War I. Jews enthusiastically supported the Austrian war effort because it allowed them to assert their Austrian loyalties and Jewish solidarity at the same time. They faced a grave crisis of identity when the multinational state collapsed and they lived in nation-states mostly uncomfortable with ethnic minorities. This book raises important questions about Jewish identity and about the general nature of ethnic and national identity.
Film is Like a Battleground: Sam Fuller's War Movies is the first book to focus on the genre that best defined the American director's career: the war film. It draws on previously unexplored archival materials, such as Fuller's Federal Bureau of Investigation files and WWII-era 16mm films, to explore the director's lifelong interest in making challenging, thought-provoking, and often politically dangerous movies about war. After establishing the roots of Fuller's cinematographic schooling in the trenches during World War II, including careful consideration of his 16mm footage of a Nazi camp at the end of that war, Film is Like a Battleground explores Fuller's first forays into hot war representation in Hollywood with the pioneering Korean conflict films The Steel Helmet (1951) and Fixed Bayonets (1951). This pair of films introduced Fuller to his first run-ins with the American political machine when they triggered both FBI and Department of Defense investigations into his political sympathies and affiliations. Fuller's cold war films Pickup on South Street (1953) and, though it veers into hot war territory, Hell and High Water (1954) are Fuller's responses to the political pressures he had now personally experienced and resented. A chapter on Fuller's representation of pre-American-invasion Vietnam in China Gate (1957) alongside his unrealized Vietnam war screenplay, The Rifle (ca. late 1960s), illustrates the degree to which Fuller's representation of war and nation shifted even as he continued to probe war's impossible contradictions. Film is Like a Battleground would be incomplete without a thorough exploration of the films depicting the war Fuller personally experienced and spent a lifetime contemplating, WWII. Verboten! (1959), Merrill's Marauder's (1962), and The Big Red One (1980) demonstrate Fuller's representation of a morally justifiable war. Fuller's 1959 CBS television pilot--Dogface--offers a glimpse at one of Fuller's failed attempts to bring his WWII story into American living rooms. The book concludes with a chapter about a documentary film made late in the director's life that returns Fuller to the actual site of the Nazi's Falkenau camp, at which he discusses his experiences there and that powerful, unforgettable footage he shot in the spring of 1945.
Jüdische Kulturgeschichte ist alles andere als ein festgelegtes Forschungsgebiet, sondern setzt sich aus vielen und immer neuen Fragestellungen zusammen: Da geht es um Philosophie, Religion, Geschichte, Literatur, Gesellschaft und Politik – und bei all dem um Würde und Ethik, um Zuschreibungen und Ausgrenzungen, um Machtstrukturen und um Verfolgung. Jüdische Geschichte, Lebensrealitäten und Identitätsbildungen spielen in der europäischen und globalen Geschichte eine wichtige Rolle. Mitunter fanden diese Themen in der Geisteswissenschaft nur wenig Beachtung, doch ist hier inzwischen einiges im Umbruch. Statt bekannten Wegen tun sich neue Horizonte auf! Durchblicke. Horizonte jüdischer Kulturgeschichte enthält die Beiträge des Symposiums zum zehnjährigen Bestehen des Zentrums für Jüdische Kulturgeschichte der Universität Salzburg. Diese setzen Akzente in etlichen Bereichen der Jüdischen Studien: in der kulturwissenschaftlichen Sicht auf Judentum, Christentum und Islam in der Spätantike, der jüdischen Geschichte und Literatur des 19. und 20. Jahrhunderts, der Sprachlosigkeit und des künstlerischen und literarischen Zeugnisses angesichts des Holocaust und nicht zuletzt der jiddischen Literatur und Kultur.
Women have been making art for centuries, yet their work has been seen as secondary or has gone unrecognized altogether. Women Making Art asks why this is so, and what it would take for us to realize the extent of women's extraordinary contribution to the arts. Marsha Meskimmon mobilizes contemporary feminist thinking to reconsider how and why women have made art. She examines work by a wide range of women artists from different cultures and historical periods, including Rebecca Horn, Rachel Whiteread, Shirin Neshat and Maya Lin, emphasizing the diversity of women's art and the importance of differences between women.
Meskimmon asks why women artists were left out of the canon of German modernism, tracing the reasons to the construction of a unified (male) history of art that in effect denied women a voice. The book is an effort to reconceive the period's art history and the perspective of the Weimar woman artist.
Egyptian bronze statuary has proven particularly intractable to chronological investigations. This study exploits clues offered by bronze royal statuettes to make identifications or stylistic assignments. A fuller understanding of the artistic milieu and role of small royal bronze statuary results.
Stolen from her family by the Nazis, Nadia is a young girl who tries to make sense of her confusing memories and haunting dreams. Bit by bit she starts to uncover the truth—that the German family she grew up with, the woman who calls herself Nadia's mother, are not who they say they are. Beyond her privileged German childhood, Nadia unearths memories of a woman singing her a lullaby, while the taste of gingersnap cookies brings her back to a strangely familiar, yet unknown, past. Piece by piece, Nadia comes to realize who her real family was. But where are they now? What became of them? And what is her real name? This story of a Lebensborn girl—a child kidnapped for her "Aryan looks" by the Nazis in their frenzy to build a master race—reveals one child's fierce determination to uncover her past against incredible odds.
Nelson Rockefeller's Dilemma reveals the fascinating and influential political career of the four-time New York State governor and US vice president. Marsha E. Barrett's portrayal of this multi-faceted political player focuses on the eclipse of moderate Republicanism and the betrayal of deeply held principles for political power. Although never able to win his party's presidential nomination, Rockefeller's tenure as governor was notable for typically liberal policies: infrastructure projects, expanding the state's university system, and investing in local services and the social safety net. As the Civil Rights movement intensified in the early 1960s, Rockefeller envisioned a Republican Party recommitted to its Lincolnian heritage as a defender of Black equality. But the party's extreme right wing, encouraged by its successful outreach to segregationists before and after the nomination of Barry Goldwater, pushed the party to the right. With his national political ambitions fading by the late 1960s, Rockefeller began to tack right himself on social and racial issues, refusing to endorse efforts to address police brutality, accusing, without proof, Black welfare mothers of cheating the system, or introducing harsh drug laws that disproportionately incarcerated people of color. These betrayals of his own ideals did little to win him the support of the party faithful, and his vice presidency ended in humiliation, rather than the validation of moderate ideals. An in-depth, insightful, and timely political history, Nelson Rockefeller's Dilemma details how the standard-bearer of moderate Republicanism lost the battle for the soul of the Party of Lincoln, leading to mainlining of white-grievance populism for the post-civil rights era.
The Wilhelmine Empire?s opening decades (1870s - 1880s) were crucial transitional years in the development of German modernism, both politically and culturally. Here Marsha Morton argues that no artist represented the shift from tradition to unsettling innovation more compellingly than Max Klinger. The author examines Klinger?s early prints and drawings within the context of intellectual and material transformations in Wilhelmine society through an interdisciplinary approach that encompasses Darwinism, ethnography, dreams and hypnosis, the literary Romantic grotesque, criminology, and the urban experience. His work, in advance of Expressionism, revealed the psychological and biological underpinnings of modern rational man whose drives and passions undermined bourgeois constructions of material progress, social stability, and class status at a time when Germans were engaged in defining themselves following unification. This book is the first full-length study of Klinger in English and the first to consistently address his art using methodologies adopted from cultural history. With an emphasis on the popular illustrated media, Morton draws upon information from reviews and early books on the artist, writings by Klinger and his colleagues, and unpublished archival sources. The book is intended for an academic readership interested in European art history, social science, literature, and cultural studies.
Marsha Forchuk Skrypuch (author of Making Bombs for Hitler) crafts a story of ultimate compassion and sacrifice based on true events during WWII. The year is 1941. Krystia lives in a small Ukrainian village under the cruel -- sometimes violent -- occupation of the Soviets. So when the Nazis march into town to liberate them, many of Krystia's neighbors welcome the troops with celebrations, hoping for a better life.But conditions don't improve as expected. Krystia's friend Dolik and the other Jewish people in town warn that their new occupiers may only bring darker days.The worst begins to happen when the Nazis blame the Jews for murders they didn't commit. As the Nazis force Jews into a ghetto, Krystia does what she can to help Dolik and his family. But what they really need is a place to hide. Faced with unimaginable tyranny and cruelty, will Krystia risk everything to protect her friends and neighbors?
Author Marsha Schweitzer built a career as a professional musician, arranger, arts administrator, and journalist that has spanned more than fifty years. During that time, through her many roles, she saw vast shifts in the landscape of the arts. The Arts from the Bottom Up presents a collection of articles, letters, essays, and notes Schweitzer wrote between 1978 and 2017 as she journeyed through the nooks and crannies of the arts. Working in three parts, she begins at the bottom, with the mundane day-to-day aspects of the arts, and moves up to the organizational and spiritual aspects. "Power Play" explores the artistic workplace, with emphasis on unions and labor relations. "In Service to the Art" considers the arts from a broader perspective, addressing issues of organizational structure, governance, finance, and administration. "Peregrinations of a Pensive Artist" deals with the nature and meaning of the underlying and overarching art that ties artists, organizations, and audiences together. Throughout, she seeks to help artists break out of the deep ruts of tradition and conformity and look at problems from new and different angles.
In this innovative synthesis of film history and cultural analysis, Marsha Kinder examines the films of such key directors as Buñuel, Saura, Erice, and Almodóvar, as well as works from the popular cinema and television, exploring how they manifest political and cultural tensions related to the production of Spanish national identity within a changing global context. Concentrated on the decades from the 1950s to the 1990s, Kinder's work is broadly historical but essentially conceptual, moving backward and forward in time, drawing examples from earlier films and from works of art and literature, and providing close readings of a wide range of texts. Her questioning and internationalizing of the "national cinema" concept and her application of contemporary critical theory—especially insights from feminism, Marxism, psychoanalysis, cultural studies, and discourse theory—distinguish Blood Cinema from previous film histories. The author also makes use of a variety of sources within Spain such as the commentaries on Spanish character and culture by Unamunov and others, the contemporary debate over the restructuring of Spanish television. Kinder's book moves Spanish cinema into the mainstream of film studies by demonstrating that a knowledge of its history alters and enriches our understanding of world cinema. The interactive CD-ROM is available from CINE-DISCS, 2021 Holly Hill Terrace, Los Angeles, CA 90068, (213) 876-7678.
Short-listed for the 2004 Rocky Mountain Book Award and for the 2003 Manitoba Young Readers' Choice Award and long-listed for the 2002 CBC Canada Reads People's Choice Book Kataryna Baliuk, a gifted fine arts student, is hoping to have a fresh start at Cawthra School for the Arts after a less-than-successful year at the neighbouring Catholic high school. But her hopes for a peaceful Grade 10 are shattered when she comes home from her first day at Cawthra and finds the RCMP interrogating her grandfather, Danylo Feschuk. Kat learns that Danylo is accused of being a policeman for the Nazis in World War II Ukraine, and what's worse, he is suspected of having participated in atrocities against civilians. When the story is exposed in the local newspaper, Kat and her family become the centre of a media storm. Her grades in school and her relationships with friends suffer. Her only support comes from her family and Ian, a classmate with whom she discovers she has more in common than just artistic promise.
Marsha Forchuk Skrypuch (author of Making Bombs for Hitler and Stolen Girl) delivers a gripping story about the bonds of friendship forged in the perils of war. In the grip of World War II, Maria has realized that her Nazi-occupied Ukrainian town is no longer safe. Though she and her family might survive, her friend Nathan, who is Jewish, is in grave danger. So Maria and Nathan flee -- into the heart of Hitler's Reich in Austria.There, they hope to hide in plain sight by blending in with other foreign workers. But their plans are disrupted when they are separated, sent to work in different towns.With no way to communicate with Nathan, how can Maria keep him safe? And will they be able to escape Hitler's web of destruction?
A companion to the award-winning books Stolen Child and Making Bombs for Hitler. Fourteen-year-old Luka works as an Ostarbeiter in Nazi-occupied Eastern Europe, alongside Lida from Making Bombs for Hitler. Desperate to escape the brutal conditions of the labour camp, he manages to get away by hiding in a truck under a pile of dead bodies. Once free, Luka joins a group of Ukrainian resistance fighters. Caught between advancing Nazis in the west and Soviet troops in the east, they mount guerilla raids, help POW escapees, and do all they can to make life hard for the Nazis and Soviets. After the war, Luka must decide whether to follow Lida to Canada -- or stay in Europe and search for his long-lost mother. Underground Soldier is a companion book to Stolen Child and Making Bombs for Hitler, and a perfect entry point into the series for new readers, as the books can be read in any order.
Inspiring memoir of Colonel Harold H. Brown, one of the 930 original Tuskegee pilots, whose dramatic wartime exploits and postwar professional successes contribute to this extraordinary account. Keep Your Airspeed Up: The Story of a Tuskegee Airman is the memoir of an African American man who, through dedication to his goals and vision, overcame the despair of racial segregation to great heights, not only as a military aviator, but also as an educator and as an American citizen. Unlike other historical and autobiographical portrayals of Tuskegee airmen, Harold H. Brown’s memoir is told from its beginnings: not on the first day of combat, not on the first day of training, but at the very moment Brown realized he was meant to be a pilot. He revisits his childhood in Minneapolis where his fascination with planes pushed him to save up enough of his own money to take flying lessons. Brown also details his first trip to the South, where he was met with a level of segregation he had never before experienced and had never imagined possible. During the 1930s and 1940s, longstanding policies of racial discrimination were called into question as it became clear that America would likely be drawn into World War II. The military reluctantly allowed for the development of a flight-training program for a limited number of African Americans on a segregated base in Tuskegee, Alabama. The Tuskegee Airmen, as well as other African Americans in the armed forces, had the unique experience of fighting two wars at once: one against Hitler’s fascist regime overseas and one against racial segregation at home. Colonel Brown fought as a combat pilot with the 332nd Fighter Group during World War II, and was captured and imprisoned in Stalag VII A in Moosburg, Germany, where he was liberated by General George S. Patton on April 29, 1945. Upon returning home, Brown noted with acute disappointment that race relations in the United States hadn’t changed. It wasn’t until 1948 that the military desegregated, which many scholars argue would not have been possible without the exemplary performance of the Tuskegee Airmen.
Matriarchy, Patriarchy and Imperial Security in Africa will appeal to professionals and students of imperial and world history, international security and conflict resolution, development, globalization, and gender studies. The author argues that terrorism, piracy, acts of sabotage, and austerity budget mass protests will continue in Africa, Asia and the West until ordinary people around the world have positive answers to the Primordial Question: Will my family eat today and sleep peacefully through the night?
Faced with increased levels of international competition and mounting budget deficits some developed, Western economies have responded by introducing trade restrictions. This book uses a comparative analysis of eight leading industrial nations (including Japan, the United States, West Germany and Britain) to demonstrate that such policies are mistaken. Alternatives to trade restrictions, including subsidies for industries and labour-market policy instruments are also shown to have their drawbacks, and the book emphasises the need for countries to find and exploit policies which fulfil their own political and social needs but which are least injurious to their trading partners.
World War II may be over. But two sisters are far from safe. Inspired by true events, this is the latest gripping and powerful novel from the acclaimed author of Making Bombs for Hitler. Sisters Krystia and Maria have been through the worst -- or so they think. World War II ravaged their native Ukraine, but they both survived, and are now reunited in a displaced persons camp. Then another girl accuses the sisters of being Hitler Girls -- people who collaborated with the Nazis. Nothing could be further from the truth; during the horrors of the war, both sisters resisted the Nazis and everything they stood for. But the Soviets, who are now in charge, don't listen to the sisters' protests. Krystia and Maria are taken away and interrogated for crimes they never committed. Caught in a dangerous trap, the sisters must look to each other for strength and perseverance. Can they convince their captors that they're innocent -- or escape to safety before it's too late?
Ablaze with excitement, effervescent with creativity—late nineteenth-century Vienna was the ideal site for this analysis of the ways in which a sizable and significant group of Jews was assimilated into European society. After leaving homes in the Austrian and Hungarian provinces and migrating to the Austrian capital, the Jews underwent a variety of profound changes. The Jews of Vienna shows how they successfully transformed old, identifiably Jewish patterns of behavior into modern urban variations, without abandoning their ethnic identity in the process. Marsha L. Rozenblit describes the Jews' migration to Vienna, the occupational changes they experienced in the city, where and how they lived, the various means they used to achieve social integration, and the vibrant network of Jewish organizations they established. As they evolved new patterns of urban Jewish life, the Viennese immigrants also created ideologies which defined the place of the Jew in European society. Rozenblit shows how this urbanization led to social change while simultaneously providing the necessary demographic foundation for continued Jewish identity in modern Europe.
Krystia's family is hiding Jews from the invading Nazis, but the risks are immense. How much will she risk for her friends? A gripping story based on true events. During the Soviet occupation of Ukraine during World War II, some of Krystia's family are harrassed; others are arrested and killed. When the Nazis liberate the town, they are welcomed with open arms. Krystia's best friend Dolik isn't so sure. His family is Jewish and there are rumours that the Nazis might be even more brutal than the Soviets. Shortly after the Nazis arrive, they discover a mass grave of Soviet prisoners and blame the slaughter on the Jews. Soon, the Nazis establish ghettoes and begin public executions of Jews. Krystia can't bear to see her friends suffering and begins smuggling food into the ghetto. When rumours circulate that the ghetto will be evacuated and the Jews will be exterminated, Krystia must decide if she's willing to risk her own family's safety to save her friends.
This volume brings together, in an exciting and original way, the major themes of critical social theory and feminist theology. Marsha Aileen Hewitt shows how critical themes emerge in the works of Elisabeth Schussler Fiorenza, Mary Daly, and Rosemary Radford Ruether, and how their work provides a starting point for a feminist critical theory of religion.
With 43 illustrations of works by Louise Bourgeois, Frida Kahlo, Alice Neel, Cindy Sherman, and Jo Spence, among others, The Art of Reflection is the first sustained inquiry into the appropriation of self-portraiture by women painters, photographers, scultptors, and performance artists.
This companion novel to Skrypuch's Making Bombs for Hitler follows a boy who joins the underground Ukrainian resistance in the fight against Hitler. The Nazis took Luka from his home in Ukraine and forced him into a labor camp. Now, Luka has smuggled himself out -- even though he left behind his dearest friend, Lida. Someday, he vows, he'll find her again.But first, he must survive.Racing through the woods and mountains, Luka evades capture by both Nazis and Soviet agents. Though he finds some allies, he never knows who to trust. As Luka makes difficult choices in order to survive, desperate rescues and guerilla raids put him in the line of fire. Can he persevere long enough to find Lida again or make it back home where his father must be waiting for him?Marsha Forchuk Skrypuch, author of Making Bombs for Hitler, delivers another action-packed story, inspired by true events, of daring quests and the crucial decisions we make in the face of war.
Freud argued that religions originate in the unconscious needs, longings and fantasies of human minds. His work has served to highlight how any analysis of religion must explore mental life, both the cognitive and the unconscious. 'Freud on Religion' examines Freud's complex understanding of religious belief and practice. The book brings together contemporary psychoanalytic theory and case material from Freud's clinical practice to illustrate how the operations of the unconscious mind support various forms of religious belief, from mainstream to occult. 'Freud on Religion' offers a new way of understanding Freud's thinking and demonstrates how valuable psychoanalysis is for the study of religion.
For readers who were enthralled by Alan Gratz's PRISONER B-3087 comes a gripping novel about a lesser-known part of WWII. Lida thought she was safe. Her neighbors wearing the yellow star were all taken away, but Lida is not Jewish. She will be fine, won't she?But she cannot escape the horrors of World War II.Lida's parents are ripped away from her and she is separated from her beloved sister, Larissa. The Nazis take Lida to a brutal work camp, where she and other Ukrainian children are forced into backbreaking labor. Starving and terrified, Lida bonds with her fellow prisoners, but none of them know if they'll live to see tomorrow.When Lida and her friends are assigned to make bombs for the German army, Lida cannot stand the thought of helping the enemy. Then she has an idea. What if she sabotaged the bombs... and the Nazis? Can she do so without getting caught?And if she's freed, will she ever find her sister again?This pulse-pounding novel of survival, courage, and hope shows us a lesser-known piece of history -- and is sure to keep readers captivated until the last page.
Much of the professional literature has focused on what disciplinary literacy entails; this valuable contribution explores how it can be implemented in complex school settings." —Doug Buehl, Author of Developing Readers in the Academic Disciplines What happens when middle and high school teachers who know their content very well are told they should be teaching reading and writing too? Is there a bit of resistance? A decrease in self-efficacy? An overturning of curricula? In Disciplinary Literacy in Action, ReLeah Cossett Lent and Marsha Voigt show us a better way. In this sequel to ReLeah’s bestselling This Is Disciplinary Literacy, the authors provide educators with what they’ve wanted all along: a framework that keeps their subjects at the center and shows them how to pool strengths with colleagues in ongoing communities of professional learning (PL) around content-specific literacy. In each chapter, and with a blend of lively disciplinary literacy teaching ideas and razor-sharp insights on developing teacher efficacy and leadership, ReLeah and Marsha take educators through a powerful PL cycle they can replicate in their school. The authors know it works not just because the research says so, but also because they have spent years refining the model in schools, districts, and regions. With this book, you will be ready for Collaborative learning that preserves discipline-specific content yet keeps innovative daily practices of reading, writing, thinking, and doing at the forefront Planning by autonomous literacy leadership teams with administrative support Implementation augmented by peer and disciplinary literacy coaching Reflection that leads to ongoing collective problem solving In the end, it all comes back to how content teachers can best help students use literacy in all its forms to learn more deeply. With Disciplinary Literacy in Action, you have a proven framework for doing just that. This is the resource to lean on as you work to ensure all students use literacy as a tool to think, create, and communicate in any endeavor.
From Marsha M. Linehan--the developer of dialectical behavior therapy (DBT)--this comprehensive resource provides vital tools for implementing DBT skills training. The reproducible teaching notes, handouts, and worksheets used for over two decades by hundreds of thousands of practitioners have been significantly revised and expanded to reflect important research and clinical advances. The book gives complete instructions for orienting clients to DBT, plus teaching notes for the full range of mindfulness, interpersonal effectiveness, emotion regulation, and distress tolerance skills. Handouts and worksheets are not included in the book; purchasers get access to a webpage where they can download and print all the handouts and worksheets discussed, as well as the teaching notes. The companion volume is available separately: DBT Skills Training Handouts and Worksheets, Second Edition. New to This Edition *Handouts and worksheets (available online and in the companion volume) have been completely revised and dozens more added--more than 225 in all. *Each module has been expanded with additional skills. *Multiple alternative worksheets to tailor treatment to each client. *More extensive reproducible teaching notes (provided in the book and online), with numerous clinical examples. *Curricula for running skills training groups of different durations and with specific populations, such as adolescents and clients with substance use problems. *Linehan provides a concise overview of "How to Use This Book." See also DBT Skills Training Handouts and Worksheets, Second Edition, a spiral-bound 8 1/2" x 11" volume containing all of the handouts and worksheets and featuring brief introductions to each module written expressly for clients. Plus, Cognitive-Behavioral Treatment of Borderline Personality Disorder, the authoritative presentation of DBT. Also available: Linehan's instructive skills training DVDS for clients--Crisis Survival Skills: Part One and This One Moment.
The core of the treatment is the balance of acceptance and change strategies, both within each therapy interaction and over time. For problem solving with borderline personality disorder, the book provides specific strategies for contingency management, exposure, cognitive modification, and skills training. The last component is further elucidated in the companion Skills Training Manual, which programmatically details procedures and includes client handouts for step-by-step implementation. Finally, to enhance interpersonal communication, Dr. Linehan presents three case management sets: consultation to the patient, environmental intervention, and consultation to the therapist. Addressing the most stressful patient behaviors that clinicians encounter, the book includes a step-by-step outline for assessing suicide risk, managing suicide threats, and working with chronic suicidal behavior
Name an illness, medical condition, or disease and you will find quiltmaking associated with it. From Alzheimer's to Irritable Bowel Syndrome, Lou Gehrig's Disease to Crigler-Najjar Syndrome, and for nearly every form of cancer, millions of quilts have been made in support of personal well-being, health education, patient advocacy, memorialization of victims, and fundraising. In Quilts and Health, Marsha MacDowell, Clare Luz, and Beth Donaldson explore the long historical connection between textiles and health and its continued and ever growing importance in contemporary society. This lavishly illustrated book brings together hundreds of health-related quilts—with imagery from abstract patterns to depictions of fibromyalgia to an ovarian cancer diary—and the stories behind the art, as told by makers, recipients, healthcare professionals, and many others. This incredible book speaks to the healing power of quilts and quiltmaking and to the deep connections between art and health.
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