This is the most complete, in-depth, sophisticated study of Spanish cinema available in any language."—Marvin D'Lugo, author of The Films of Carlos Saura
In Refiguring Spain, Marsha Kinder has gathered a collection of new essays that explore the central role played by film, television, newspapers, and art museums in redefining Spain's national/cultural identity and its position in the world economy during the post-Franco era. By emphasizing issues of historical recuperation, gender and sexuality, and the marketing of Spain's peaceful political transformation, the contributors demonstrate that Spanish cinema and other forms of Spanish media culture created new national stereotypes and strengthened the nation's place in the global market and on the global stage. These essays consider a diverse array of texts, ranging from recent films by Almodóvar, Saura, Erice, Miró, Bigas Luna, Gutiérrez Aragón, and Eloy de la Iglesia to media coverage of the 1993 elections. Francoist cinema and other popular media are examined in light of strategies used to redefine Spain's cultural identity. The importance of the documentary, the appropriation of Hollywood film, and the significance of gender and sexuality in Spanish cinema are also discussed, as is the discourse of the Spanish media star--whether involving film celebrities like Rita Hayworth and Antonio Banderas or historical figures such as Cervantes. The volume concludes with an investigation of larger issues of government policy in relation to film and media, including a discussion of the financing of Spanish cinema and an exploration of the political dynamics of regional television and art museums. Drawing on a wide range of critical discourses, including feminist, postcolonial, and queer theory, political economy, cultural history, and museum studies, Refiguring Spain is the first comprehensive anthology on Spanish cinema in the English language. Contributors. Peter Besas, Marvin D'Lugo, Selma Reuben Holo, Dona M. Kercher, Marsha Kinder, Jaume Martí-Olivella, Richard Maxwell, Hilary L. Neroni, Paul Julian Smith, Roland B. Tolentino, Stephen Tropiano, Kathleen M. Vernon, Iñaki Zabaleta
**** The series is cited in BCL3, Sheehy, and Walford, and Volume 6 is described in the April 1989 RandR Book News. This seventh volume of the Illustration Index covers the years 1987- 1991. It follows the patterns of scope, style, and arrangement set in volumes four through six. The depth of the indexing is attested to by the existence of some 19,000 individual subject headings, encompassing about 28,000 entries. Annotation copyright by Book News, Inc., Portland, OR
From the Roots explores one woman’s decision to find grace, hilarity, and ultimately joy, in the worst of circumstances. As a result of surviving childhood bone cancer twice, Marsha endures long-term side effects that include the amputation of her lower left leg, the loss of her bladder and kidneys, congestive heart failure, a kidney transplant, and scars galore. A rebel to the core, her defiance in the face of disease, doctors, establishment, insincere people, and anyone who would steal her joy or life force offers moments of profound depth and humor. In nearly every chapter, Marsha has her dukes up, ready to fight for her spirit. Rather than another tell all about a “girl who is sick and mad about it,” this book seeks real resolution and most importantly spiritual meaning to the overwhelming losses she is describing. The book is arranged in experimental triptychs, with poetry and prose cushioning each story. The triptychs include Spirit, Story, and Poem/Lists. The concept of three in one is woven throughout. The book is an elegant pursuit of life purpose living with loss—there are no pat answers, preachy messages, or “magical triumphant wake up calls.” Rather, there is a steady flow of an inner knowing that grace runs through Marsha’s life. She sees it, she acknowledges it, and she dances with it. From her early childhood diagnoses of Ewing sarcoma (still a cancer with a high death rate) to her adventures in her twenties traveling through Europe as an overly romantic amputee with a urostomy pouch; her thirties and early forties spent on dialysis as she watched other women grow careers and families; her marriage and subsequent divorce—and her hilarious chats with God about her sex life—this is an inspiring, juicy, laugh out loud, yet elegant story. Disappointment happens to all of us. Marsha decides that her right to joy and happiness outweighs the perception the world places on her about her purpose and her losses. This book is a timeless story of witnessing the unfolding of one’s spiritual petals, to see one reach unflinchingly for the sun, despite injuries to its roots, lack of watering, or damage to its leaves.
Includes ideas on incorporating content area reading in math, science and technology, social studies, language arts, physical education, art and music.
Two prominent city residents have been murdered, and Barrie knew both of them. But does she know their killer? The police have connected both victims to her mother's hair salon, and the obvious focus has become Barrie's mom and the other stylists, all of whom happen to be convicted killers who met in prison vocational school. Amidst intriguing people whom she can't quite trust, and forced into living with the mother she can't forgive, Barrie tries to ignore the uproar by immersing herself in her writing. But when she shares a troubling suspicion with the homicide detective, she suddenly finds herself pulled deeper into a situation that's growing more frightening every day.
A comprehensive guide to the photographs, paintings, drawings and diagrams appearing in top periodicals from 1977 through 1981. A very useful index... Highly recommended for libraries with picture files and for those with general periodical collections. --ARBA
An index of photos and illustrations in US magazines, arranged alphabetically by category. Publications were selected for their richness of illustration and for the availability of back issues in libraries. Ads are excluded. Each illustration within each journal article is treated separately. This eighth volume is entirely new and covers the years 1992-1996, encompassing some 28,000 entries. It follows the patterns of style and arrangement of previous volumes. Annotation copyrighted by Book News, Inc., Portland, OR
This is a must-have, research-based guide for all schools serving culturally diverse elementary and middle grade students and their communities. It's filled with fun, practical, highly effective strategies for raising awareness and engaging all families in their children's education — a sure path toward increased student success! Get detailed examples and step-by-step guidelines for implementing successful... Multicultural Family Nights Workshops for Parents Curriculum Connections Much of the reproducible material is also provided in Spanish - giving educators an even broader reach!
This publication accompanies the exhibition "Nancy Mitchnick: Uncalibrated" at the Museum of Contemporary Art Detroit, on view from May 6 through August 28, 2016. Curated by: Jens Hoffmann, Susanne Feld Hilberry Senior Curator at Large
Landlord Colors: On Art, Economy, and Materiality reconsiders periods of economic and social collapse through the lens of artistic innovations and material-driven narratives. It examines five art scenes generated during heightened periods of upheaval: America’s Detroit from the 1967 rebellion to the present; the cultural climate of the Italian avant-garde during the 1960s-1980s; authoritarian-ruled South Korea of the 1970s; Cuba since the collapse of the Soviet Union in the 1990s to the present; and contemporary Greece since the financial crisis of 2009. Featuring more than sixty artists, Landlord Colors is a landmark exhibition, publication, and public art and performance series. While the project unearths microhistories and vernaculars specific to place, it also examines a powerful global dialogue communicated through materiality. Landlord Colors discovers textured and unexpected relationships between these artists whose investigations share themes of ingenuity, resourcefulness, and resistance." -- Cranbrook Art Museum website
In Refiguring Spain, Marsha Kinder has gathered a collection of new essays that explore the central role played by film, television, newspapers, and art museums in redefining Spain's national/cultural identity and its position in the world economy during the post-Franco era. By emphasizing issues of historical recuperation, gender and sexuality, and the marketing of Spain's peaceful political transformation, the contributors demonstrate that Spanish cinema and other forms of Spanish media culture created new national stereotypes and strengthened the nation's place in the global market and on the global stage. These essays consider a diverse array of texts, ranging from recent films by Almodóvar, Saura, Erice, Miró, Bigas Luna, Gutiérrez Aragón, and Eloy de la Iglesia to media coverage of the 1993 elections. Francoist cinema and other popular media are examined in light of strategies used to redefine Spain's cultural identity. The importance of the documentary, the appropriation of Hollywood film, and the significance of gender and sexuality in Spanish cinema are also discussed, as is the discourse of the Spanish media star--whether involving film celebrities like Rita Hayworth and Antonio Banderas or historical figures such as Cervantes. The volume concludes with an investigation of larger issues of government policy in relation to film and media, including a discussion of the financing of Spanish cinema and an exploration of the political dynamics of regional television and art museums. Drawing on a wide range of critical discourses, including feminist, postcolonial, and queer theory, political economy, cultural history, and museum studies, Refiguring Spain is the first comprehensive anthology on Spanish cinema in the English language. Contributors. Peter Besas, Marvin D'Lugo, Selma Reuben Holo, Dona M. Kercher, Marsha Kinder, Jaume Martí-Olivella, Richard Maxwell, Hilary L. Neroni, Paul Julian Smith, Roland B. Tolentino, Stephen Tropiano, Kathleen M. Vernon, Iñaki Zabaleta
Gracie the pig has a part in a movie with with Tilda Swinetune, the champion swim racer and movie star, but she is upset when she realizes she is just a stunt double--however a small change in the script makes her able to do that and also fulfill her dream with a part of her own.
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