Der Schleier ist zerrissen. Der träumende Cthulhu ist aus seinem äonenlangen Schlaf erwacht. Sein Erwachen kündet vom Eintreffen der Großen Alten, die sich die Welt untertan machen wollen. Ergibt sich die Menschheit ihrem Schicksal, oder setzt sie sich zur Wehr? Welche Schrecken brechen über uns herein? Was sagen die Anhänger Cthulhus zu seinem Erwachen? Alle erzählen hinter vorgehaltener Hand von dem unsäglichen Grauen, aber wir berichten, was passiert, wenn die Götter von den Sternen auf Erden wandeln. INHALT VORWORT – Erik R. Andara SARAH – Detlef Klewer DAS IST NICHT TOT, WAS EWIG LIEGT - M. H. Steinmetz DIE BRUT DES STERNENGÖTZEN – Azrael ap Cwanderay Die einzig wahre Geschichte über den Tod von Sherlock Holmes – Jürgen Höreth UNTERWEGS INS KIRSCHTAL – Torsten Scheib FRANKENSTEIN SQUAD – Thomas Williams IM PESTHAUCH – Tobias Bachmann DER MANN MEINER TRÄUME – Florian Krenn ASCHE ZU ASCHE – Markus Kastenholz HONIGSÜSSER FLUSS – Vincent Voss DAS ERWACHEN – Doris E. M. Bulenda Das ChamÄleon im Fluss der Zeit – Markus Heitkamp DEVILS OF C-DAY – Ralf Kor
How do we know what we know about the origins of the Christian religion? Neither its founder, nor the Apostles, nor Paul left any written accounts of their movement. The witnesses' testimonies were transmitted via successive generations of copyists and historians, with the oldest surviving fragments dating to the second and third centuries - that is, to well after Jesus' death. In this innovative and important book, Markus Vinzent interrogates standard interpretations of Christian origins handed down over the centuries. He scrutinizes - in reverse order - the earliest recorded sources from the sixth to the second century, showing how the works of Greek and Latin writers reveal a good deal more about their own times and preoccupations than they do about early Christianity. In so doing, the author boldly challenges understandings of one of the most momentous social and religious movements in history, as well as its reception over time and place.
Since its founding by Ignatius of Loyola in 1540, the Society of Jesus ("The Jesuits") has been intimately involved in the unfolding of the modern world. The young Jesuit order played a crucial role in the Counter Reformation, especially in Poland, southern Germany, and several other parts of Europe. The Jesuits were also participants in the establishment and spread of European empires, engaging in missionary activity in east and south Asia in the 16th and 17th centuries, and becoming central to the spreading of Christianity in the New World. At the same time, Jesuits often tangled with the Roman curia and the Pope, leading to the suppression of the Jesuits in 1773. After the subsequent restoration of the order in 1814, the Jesuits continued to be leaders in Catholic education and theology. In 2013 Jorge Bergoglio became the first Jesuit Pope, taking the name Pope Francis I. In this book, Markus Friedrich presents the first comprehensive account of the Jesuits from a non-Catholic perspective. Drawing on his expertise as a historian of the early modern world, Friedrich situates the Jesuit order within the wider perspective of European history. In particular, he places the Jesuits in the context of social, cultural, and imperial history, showing that the Jesuits were not monolithic but rather were very sensitive to local context and that the order's core texts, especially Ignatius's Spiritual Exercises, were templates to engage with, rather than instructions manuals to be followed slavishly"--
The postwar decades were not the “golden era” in which American Jews easily partook in the religious revival, liberal consensus, and suburban middle-class comfort. Rather it was a period marked by restlessness and insecurity born of the shock about the Holocaust and of the unprecedented opportunities in American society. American Jews responded to loss and opportunity by obsessively engaging with the East European past. The proliferation of religious texts on traditional spirituality, translations of Yiddish literature, historical essays , photographs and documents of shtetl culture, theatrical and musical events, culminating in the Broadway musical Fiddler on the Roof, illustrate the grip of this past on post-1945 American Jews. This study shows how American Jews reimagined their East European past to make it usable for their American present. By rewriting their East European history, they created a repertoire of images, stories, and ideas that have shaped American Jewry to this day.
Biomateriomics is the holistic study of biological material systems. While such systems are undoubtedly complex, we frequently encounter similar components -- universal building blocks and hierarchical structure motifs -- which result in a diverse set of functionalities. Similar to the way music or language arises from a limited set of music notes and words, we exploit the relationships between form and function in a meaningful way by recognizing the similarities between Beethoven and bone, or Shakespeare and silk. Through the investigation of material properties, examining fundamental links between processes, structures, and properties at multiple scales and their interactions, materiomics explains system functionality from the level of building blocks. Biomateriomics specifically focuses the analysis of the role of materials in the context of biological processes, the transfer of biological material principles towards biomimetic and bioinspired applications, and the study of interfaces between living and non-living systems. The challenges of biological materials are vast, but the convergence of biology, mathematics and engineering as well as computational and experimental techniques have resulted in the toolset necessary to describe complex material systems, from nano to macro. Applying biomateriomics can unlock Nature’s secret to high performance materials such as spider silk, bone, and nacre, and elucidate the progression and diagnosis or the treatment of diseases. Similarly, it contributes to develop a de novo understanding of biological material processes and to the potential of exploiting novel concepts in innovation, material synthesis and design.
This book examines Thomas De Quincey's notion of the unconscious in the light of modern cognitive science and nineteenth-century science. It challenges Freudian theories as the default methodology in order to understand De Quincey's oeuvre and the unconscious in literature more generally.
Oxygen uptake for metabolic energy demand and the elimination of the resulting carbon dioxide is one of the essential processes in all higher life forms; in the case of animals, everything from protozoans to insects and vertebrates including humans.� Respiratory Biology of Animals provides a contemporary and truly integrative approach to the topic, adopting a strong evolutionary theme. It covers aerobic metabolism at all levels, from gas exchange organs such as skin, gills, and lungs to mitochondria - the site of cellular respiration. The book also describes the functional morphology and physiology of the circulatory system, which often contains gas-carrying pigments and is important for pH regulation in the organism. A final section describes the evolution of animal respiratory systems. Throughout the book, examples are selected from the entire breadth of the animal kingdom, identifying common themes that transcend taxonomy. Respiratory Biology of Animals is an accessible supplementary text suitable for both senior undergraduate and graduate students taking courses in respiratory biology, comparative animal physiology, and environmental physiology. It is also of relevance and use to the many professional academics requiring a concise but authoritative overview of the topic.
Political interest is the strongest predictor of 'good citizenship', yet hardly anything is known about it. For the first time in over three decades, here is a study explaining what political interest is, where it comes from, and why it matters. Providing the most thorough description available of political interest in four Western democracies this study analyzes large household panel data sets rarely used in political science to explain how interest develops in people's lives. In an accessible manner, the book's analytical approach pushes applied social scientists to consider how panel data can be used to better understand political behavior. It does so in a way that doesn't gloss over complexities, and explains them in straightforward language. Advanced statistical methods are presented informally, accompanied by graphical illustrations that require no prior knowledge to understand the methods used.
Based on the analysis of Hamburg’s marine insurance premiums for more than 120 years, this book shows that the premiums’ long-term decline has been a consequence of both the restoration of security on the high seas after 1815 and the elimination of piracy around 1830.
The third volume of Recent Advances in Otolaryngology brings clinicians and trainees fully up to date with the latest developments in the rapidly changing field of otolaryngology. Nineteen chapters present new concepts, surgical advances and imaging modalities in each of the subspecialties of otolaryngology. Each chapter begins with a brief summary of the topic, followed by all the recent advances and comprehensive references. A complete chapter is dedicated to geriatric otolaryngology, an emerging subspecialty. Written by an internationally-recognised author and editor team from the US and Europe, this comprehensive manual includes more than 270 images, illustrations and tables. The annual publication cycle of this series ensures the content is current, topical and highly relevant to clinicians and trainees. Key points New volume bringing clinicians up to date with recent advances in otolaryngology Covers all subspecialties of otolaryngology Experienced author and editor team from the US and Europe Includes more than 270 images, illustrations and tables Annual publication cycle ensures current and topical content
Inhaltsangabe:Abstract: As the idea of Japan as a leader in management styles and the mythos 'collectivism' as a key to high quality performance and productivity is still in mind of German managers, this work tries to compare actual leadership styles of Japanese and German managers on the level of cultural dimensions. In the study the sample consisted of 119 persons in middle management positions (82 male and 37 female), 60 persons with work experience in Japan and 59 without experience. Participants were asked to complete a questionnaire regarding 52 leadership characteristics (e.g. the ability to assert oneself, to cooperate or to delegate) within five cultural dimensions. Participants then rated the importance of this characteristic for the specific category. Findings of the study showed significant differences in experienced and estimated management styles between the countries as well as significances regarding management traits of the german culture after working in Japan. Inhaltsverzeichnis:Table of Contents: CHAPTER ONE9 1.1INTRODUCTION9 1.2STATEMENT OF THE PROBLEM11 1.3RESEARCH QUESTION14 CHAPTER TWO15 2.1INTERNATIONAL MANAGEMENT AND ITS CULTURAL CONTEXT15 2.1.1Culture15 2.1.2Cross-cultural Communication22 2.2.2Cross-cultural Management25 2.2.3Significance for Organization29 2.3SUCCESS FACTORS OF INTERNATIONAL BUSINESS31 2.4CULTURALLY COMPARATIVE MANAGEMENT RESEARCH35 2.4.1Management-oriented Cultural Research36 2.4.2Cultural Dimensions according to Hofstede40 2.4.2.1Dimension of power distance41 2.4.2.2Dimension of collectivism versus individualism43 2.4.2.3Dimension of masculinity versus femininity44 2.4.2.4Dimension of uncertainty avoidance46 2.4.3The Dimension of the Confucian Dynamic47 2.4.4Further Dimensions of Culture51 2.4.4.1Basic dimensions of culture according to Adler52 2.4.4.2Dimensions of culture according to Trompenaars54 2.5THE SOCIO-CULTURAL BACKGROUND OF JAPANESE MANAGERS57 2.5.1Japanese Confucianism58 2.5.2Corporate collectivism: The uchi mentality60 2.5.3Consensus and participation in management63 2.6THE PRESENT RELATIONSHIP BETWEEN GERMANY AND JAPAN63 2.6.1General and political relationships63 2.6.2The Economic Relationships65 2.6.2.1Relationships to the European Union (EU)65 2.6.2.2Foreign Trade between Germany and Japan66 2.6.2.3Special Features67 2.6.3Cultural Contacts69 2.7LEADERSHIP STYLES70 2.7.1Definition and aspects of leadership70 2.7.2Differencies in the leadership [...]
When his beloved only daughter goes missing, millionaire entrepreneur Walter van Dam calls in a team of experts - including free-climbers, a geologist, a parapsychologist, even a medium - to find her . . . for Anna-Lena has disappeared somewhere within a mysterious cave system under the old house the family abandoned years ago. But the rescuers are not the only people on her trail - and there are dangers in the underground labyrinth that no one could ever have foreseen. In a gigantic cavern the team come across a number of strange doors, three of them marked with enigmatic symbols. Anna-Lena must be behind one of them - but time is running out and they need to choose, quickly. Anna-Lena is no longer the only person at risk. The team knew their mission would be perilous - but how do you defeat your own demons? Trapped in their own nightmares, their only hope of escape is DOOR X, which leads to a threatening vision of the future . . . DOORS: THREE DOORS, THREE DIFFERENT ADVENTURES. WHICH DOOR WILL YOU CHOOSE?
This book explores how states and traits of anxiety are reflected in the style and structure of certain works by three key figures of modern Scandinavian literature: August Strindberg, Inger Christensen, Karl Ove Knausgård. On the basis of particular literary analyses, it develops a literary phenomenology of anxiety as well as a hermeneutical theory of anxiety that considers the ways in which anxiety has been represented in various genres of modern Scandinavian literature from the last three centuries. Whereas the former uncovers the ways in which anxiety is reflected in literary form and style, the latter interprets the relationship between author, text, and reader as well as the effects of genre. As Strindberg’s works capture the tensions between existential indeterminism and naturalistic determinism and make way for negative aesthetic pleasure, poetry such as Christensen’s challenges scientistic and psychiatric conceptions of anxiety and instigates a change in how humans conduct themselves in relation to the experience of anxiety. Finally, Knausgård’s autofictive work gives voice to the socially anxious self of late modernity and incites moments of self-intensification and reorganizes the fragile self of contemporary society. In this way, it becomes clear that literature is an outstanding archive of representations and transformations in the cultural history of anxiety. Literature is an aesthetic medium of expression and reflection that represents anxiety in a number of ways that may enrich our understanding of anxiety today. This work thus contributes to cultural and literary scholarship that contests the subjugation of anxiety to a scientific world view and aims to expose the imaginative and creative dimensions of anxiety that are often ignored in contemporary public discourse and policy.
This report arises out of the Working Group set up by The Watt Committee on Energy to examine the issues relating to domestic use and affordable warmth. With contributions from both academia and industry, and also calling on the expertise of others deeply involved in the subject, this book provides the reader with an authoritative coverage of providing affordable warmth to those living on low means or in inadequate premises.
Visionary Dreariness: Readings in Romanticism’s Quotidian Sublime undertakes a reconceptualization of the theoretical and experiential framework of the Romantic sublime by shifting the focus from Burke’s and Kant’s prescriptions of natural vastness and grandeur to the narrower but no less wondrous spaces, objects and experiences of everyday life. This shift is defined as a descent from mountaintops to an encounter, in William Blake’s terms, with 'a World in a Grain of Sand.' The purpose of this book is to sift the literature of the Romantic everyday, both prose and poetry, canonical and noncanonical, for such grains. In order to define the inherently amorphous and subsumptive sphere called 'everyday life,' the author draws upon two main theoretical threads: the first, based on the phenomenological poetics of Gaston Bachelard, serves to elucidate the depth and diversity of everyday household space; the second, comprising the work of Henri Lefebvre and Michel de Certeau, defines the generative potential, what de Certeau glosses as the 'everyday creativity,' of some of the most basic human activities such as walking, reading and washing, to name but a few. The role of the everyday in Romantic literature has in recent years received greater scholarly attention, particularly from critics dissatisfied with the perpetuation of what Karina Williamson characterizes as a 'debased Romanticism which rules there is a category of experience and expression which is poetic and all the rest is ordinary and inadmissible.' The present study serves to map the intersections of these categories of experience and expression—the sublime and the quotidian—and thereby to challenge our assumptions about the aesthetic value of the everyday not only in the Romantic period but also in our own.
How games are built on the foundations of rules, and how rules—of which there are only five kinds—really work. Board games to sports, digital games to party games, gambling to role-playing games. They all share one thing in common: rules. Indeed, rules are the one and only thing game scholars agree is central to games. But what, in fact, are rules? In The Rule Book, Jaakko Stenros and Markus Montola explore how different kinds of rules work as building blocks of games. Rules are constraints placed on us while we play, carving a limited possibility space for us. They also inject meaning into our play: without rules there is no queen in chess, no ball in Pong, and no hole in one in golf. Stenros and Montola discuss how rules constitute games through five foundational types: the explicit statements listed in the official rules, the private limitations and goals players place on themselves, the social and cultural norms that guide gameplay, the external regulation the surrounding society places on playing, and the material embodiments of rules. Depending on the game, rules can be formal, internal, social, external, or material. By considering the similarities and differences of wildly different games and rules within a shared theoretical framework, The Rule Book renders all games more legible.
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