Mark Textor presents a critical study of the work of one of the most important thinkers of the 19th century. How is the mental distinct from the physical? What must awareness of seeing, hearing, etc. be like to be infallible? What does the unity of a conscious mental life consist in? Textor shows how Brentano helps us to answer these questions
Since Greek antiquity, the ‘barbarian’ captivates the Western imaginary and operates as the antipode against which self-proclaimed civilized groups define themselves. Therefore, the study of the cultural history of barbarism is a simultaneous exploration of the shifting contours of European identity. This two-volume co-authored study explores the history of the concept ‘barbarism’ from the 18th century to the present and illuminates its foundational role in modern European and Western identity. It constitutes an original comparative, interdisciplinary exploration of the concept’s modern European and Western history, with emphasis on the role of literature in the concept’s shifting functions. Critically responding to the contemporary popularity of the term ‘barbarian' in political rhetoric and the media, and its violent, exclusionary workings, the study contributes to a historically grounded understanding of this figure’s past and contemporary uses. It combines overviews with detailed analyses of representative works of literature, art, film, philosophy, political and cultural theory, in which “barbarism” figures prominently.
Interfaces between dissimilar materials are met everywhere in microelectronics and microsystems. In order to ensure faultless operation of these highly sophisticated structures, it is mandatory to have fundamental understanding of materials and their interactions in the system. In this difficult task, the “traditional” method of trial and error is not feasible anymore; it takes too much time and repeated efforts. In Interfacial Compatibility in Microelectronics, an alternative approach is introduced. In this revised method four fundamental disciplines are combined: i) thermodynamics of materials ii) reaction kinetics iii) theory of microstructures and iv) stress and strain analysis. The advantages of the method are illustrated in Interfacial Compatibility in Microelectronics which includes: solutions to several common reliability issues in microsystem technology, methods to understand and predict failure mechanisms at interfaces between dissimilar materials and an approach to DFR based on deep understanding in materials science, rather than on the use of mechanistic tools, such as FMEA. Interfacial Compatibility in Microelectronics provides a clear and methodical resource for graduates and postgraduates alike.
This book explores the formative correlations and inventive transmissions of Anglophone Arab representations ranging from early 20th century Mahjar writings to contemporary transnational Palestinian resistance art. Tracing multiple beginnings and seminal intertexts, the comparative study of dissonant truth-making presents critical readings in which the notion of cross-cultural translation gets displaced and strategic unreliability, representational opacity, or matters of act advance to essential qualities of the discussed works' aesthetic devices and ethical concerns. Questioning conventional interpretive approaches, Markus Schmitz shows what Anglophone Arab studies are and what they can become from a radically decentered relational point of view. Among the writers and artists discussed are such diverse figures as Rabih Alameddine, William Blatty, Kahlil Gibran, Ihab Hassan, Jabra Ibrahim Jabra, Emily Jacir, Walid Raad, Ameen Rihani, Edward Said, Larissa Sansour, and Raja Shehadeh.
Mark Textor presents a critical study of the work of one of the most important thinkers of the 19th century. How is the mental distinct from the physical? What must awareness of seeing, hearing, etc. be like to be infallible? What does the unity of a conscious mental life consist in? Textor shows how Brentano helps us to answer these questions
Textor reveals the roots of analytic philosophy in a great age of Austro-German philosophy in the late 19th and early 20th centuries. He introduces Brentano, Mach, and other key figures, and traces the development of the landmark ideas that there can be 'psychology without a soul', and that metaphysics lies beyond the limits of knowledge.
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