A collection of stories offers portraits of such offbeat characters as a libidinous poet who learns the true meaning of harassment and the bowling alley proprietor whose artist daughter specializes in painting phalluses.
In 1948 Cleveland was America's sixth largest city; by 1969 it was the twelfth. For Easterners, Cleveland is where the Midwest begins; for Westerners, it is where the East begins. In the summer of 1948, fourteen-year-old David Zielinsky can look forward to a job at the docks. Anne O'Connor, at twelve, is the apple of her political boss father's eye. David and Anne will meet-and fall in love-four years later, and for the next twenty years this pair will be reluctant star-crossed lovers in a troubled and turbulent country. A natural-born storyteller, Mark Winegardner spins an epic tale of those twenty years, artfully weaving such real-life Clevelanders as Eliot Ness, Alan Freed, and Carl Stokes into the tapestry. His narrative gifts may bring the fiction of E. L. Doctorow to some readers' minds, but Winegardner is very much his own man, and his observations of Cleveland are laced with a loving skepticism. His masterful saga of this conflicted city is a novel that speaks a memorable truth.
THE MISSING YEARS FROM THE GREATEST CRIME SAGA OF ALL TIME Thirty-five years ago, Mario Puzo’s great American tale, The Godfather, was published, and popular culture was indelibly changed. Now, in The Godfather Returns, acclaimed novelist Mark Winegardner continues the story–the years not covered in Puzo’s bestselling book or in Francis Ford Coppola’s classic films. It is 1955. Michael Corleone has won a bloody victory in the war among New York’s crime families. Now he wants to consolidate his power, save his marriage, and take his family into legitimate businesses. To do so, he must confront his most dangerous adversary yet, Nick Geraci, a former boxer who worked his way through law school as a Corleone street enforcer, and who is every bit as deadly and cunning as Michael. Their personal cold war will run from 1955 to 1962, exerting immense influence on the lives of America’s most powerful criminals and their loved ones, including Tom Hagen, the Corleone Family’s lawyer and consigliere, who embarks on a political career in Nevada while trying to protect his brother; Francesca Corleone, daughter of Michael’s late brother Sonny, who is suddenly learning her family’s true history and faces a difficult choice; Don Louie Russo, head of the Chicago mob, who plays dumb but has wily ambitions for muscling in on the Corleones’ territory; Peter Clemenza, the stalwart Corleone underboss, who knows more Family secrets than almost anyone; Ambassador M. Corbett Shea, a former Prohibition-era bootlegger and business ally of the Corleones’, who wants to get his son elected to the presidency–and needs some help from his old friends; Johnny Fontane, the world’s greatest saloon singer, who ascends to new heights as a recording artist, cozying up to Washington’s power elite and maintaining a precarious relationship with notorious underworld figures; Kay Adams Corleone, who finally discovers the truth about her husband, Michael–and must decide what it means for their marriage and their children and Fredo Corleone, whose death has never been fully explained until now, and whose betrayal of the Family was part of a larger and more sinister chain of events. Sweeping from New York and Washington to Las Vegas and Cuba, The Godfather Returns is the spellbinding story of America’s criminal underworld at mid-century and its intersection with the political, legal, and entertainment empires. Mark Winegardner brings an original voice and vision to Mario Puzo’s mythic characters while creating several equally unforgettable characters of his own. The Godfather Returns stands on its own as a triumph–in a tale about what we love, yearn for, and sometimes have reason to fear . . . family.
The third and final installment in Mario Puzo's epic chronicle of the Corleone crime family—one of the most enduring lineages in American literature and cinema—achieves a stunning crescendo with a story that imagines the role of the Mafia in the assassination of a young, charismatic president. In The Godfather's Revenge—authorized by the Puzo Estate—Mark Winegardner moves the Corleone family onto the biggest stage of all: the intersection of organized crime and national politics. A subordinate to Michael Corleone, New Orleans underboss Carlo Tramonti is publicly humiliated when the US Attorney General—President Danny Shea's brother—has him arrested and deported to Colombia. Tramonti eventually returns, hell-bent on settling scores, and triggers a series of events destined to change the course of American history. Corleone, though haunted by the death of his brother Fredo, knows that this is no time for weakness—and so, with fearless consigliere Tom Hagen leading the way, a new path for the future is forged. As the dramatic twists of The Godfather's Revenge take the reader from Las Vegas to Miami to New Orleans, from the power alleys of Washington, DC, to the remote jungles of Colombia, the puppet master behind the curtain remains Michael Corleone, the tortured prodigal son who is determined to redefine his family's legacy and make his father—the original Godfather—proud.
The bloody victory of the Corleone Family was not complete,' begins the final chapter of Mario Puzo's The Godfather, 'until a year of delicate manuevering established Michael Corleone as the most powerful Family chief in the United States.'THE GODFATHER: THE LOST YEARS takes place in the years 1955-65, but it is built upon the story of that 'year of delicate political manuevering' - and how, in winning the battle of that year, Michael Corleone set the stage to lose the war: the war to make the Family legitimate, the war to keep the Corleones supremely in power, the war to stay true to his father's wishes, the war to give not just his Family but his family a safe and happy life. THE GODFATHER: THE LOST YEARS is not just a sequel. The title refers to the arc of the plot: the nexus of ambitious, audacious decisions that Michael implements, their ultimate failure, and, after the Family's literal and figurative years in the wilderness (of Las Vegas), Michael Corleone's literal, physical return to New York, and his attempts to regain control there.
The average major league player currently earns more than half a million dollars a season. But, only 25 players make the big team's roster. The 26th Man details the season-long journey of Steve Fireovid of the Triple A Indianapolis Indians, as he deals with the realities and the heartbreak of playing a kid's games well into his thirties.
A memoir of a cross-country road trip, the tourist experience, and the cultural touchstones that bring Americans together: “A great story” (Publishers Weekly). As a boy in Ohio, Mark Winegardner spent the formative summers of his wonder years touring the States with his family in a succession of recreational vehicles. Much later, only months before his wedding, he undertakes another transcontinental odyssey—this time without benefit of license-plate games with his sister or parental warnings to get his feet out of the car window. He arms himself with only the bare essentials: a Styrofoam cooler; a Hawaiian shirt; enough cash for gas, blue plate specials, and the occasional knickknack; a buddy; and the buddy’s ailing ’68 Chevy Impala. Determined to extract full value from every scenic overlook, these two set out to discover America. They visit Xanadu, Foam House of Tomorrow, in Gatlinburg, Tennessee; and Truth or Consequences, New Mexico, the only community named after a game show. They play the Easter Island Hole at Magic Carpet Golf in Tucson. They marvel at the fourteen peacocks strolling Graceland’s lawn and at the vastness of the prairie states, “where no one speaks French or pays to park.” They collect 3-D glasses. They eat Devil Dogs. They take the amazing Miracle Photo. They discover themselves. Most amazing of all, they discover an unbroken chain of Elvis tapestries, Elvis ashtrays, Elvis T-shirt wearers, and Elvis imitators that unites this land as surely as Route 66 divides it.
Based on actual events during the turbulent, postwar baseball days of 1946, this captivating, darkly comic novel tells of a group of American players who, frustrated by their treatment at the hands of the major league owners, begin defecting to a Mexican baseball league.
In the final installment of the saga of the Corleone crime family, New Orleans under-boss Carlo Tramonti is deported to Colombia and turns dangerously vengeful, triggering a series of events that change the course of American history.
El tercer y ultimo capitulo de la cronica epica de Mario Puzo sobre la familia Corleone--uno de los linajes mas solidos de la literatura y el cine norteamericano--logra un extraordinario crescendo con una historia en la que nos describe el papel de la mafia en el asesinato de un joven y carismatico presidente. El Padrino: La Venganza, autorizada por Mario Puzo, situa a la familia Corleone en un escenario excepcional: la interseccion del crimen organizado con la politica nacional. Un subordinado de Michael Corleone, Carlo Tramonti, el sottocapo de Nueva Orleans, es humillado publicamente cuando el fiscal general del Estado ordena su arresto y lo deporta a Colombia. Tramonti regresara resuelto a saldar las cuentas pendientes y ello desencadenara una serie de acontecimientos que cambiaran el curso de la historia norteamericana. Michael Corleone, obsesionado por la muerte de su hermano Fredo, sabe que no es el momento de flaquear. El hijo prodigo torturado esta decidido a redefinir el legado de la familia.
An account of the realities of professional baseball describes what it is like for talented players who pursue their dreams of fame and fortune in the big leagues, but find themselves stuck in the minor leagues
The third and final installment in Mario Puzo's epic chronicle of the Corleone crime family—one of the most enduring lineages in American literature and cinema—achieves a stunning crescendo with a story that imagines the role of the Mafia in the assassination of a young, charismatic president. In The Godfather's Revenge—authorized by the Puzo Estate—Mark Winegardner moves the Corleone family onto the biggest stage of all: the intersection of organized crime and national politics. A subordinate to Michael Corleone, New Orleans underboss Carlo Tramonti is publicly humiliated when the US Attorney General—President Danny Shea's brother—has him arrested and deported to Colombia. Tramonti eventually returns, hell-bent on settling scores, and triggers a series of events destined to change the course of American history. Corleone, though haunted by the death of his brother Fredo, knows that this is no time for weakness—and so, with fearless consigliere Tom Hagen leading the way, a new path for the future is forged. As the dramatic twists of The Godfather's Revenge take the reader from Las Vegas to Miami to New Orleans, from the power alleys of Washington, DC, to the remote jungles of Colombia, the puppet master behind the curtain remains Michael Corleone, the tortured prodigal son who is determined to redefine his family's legacy and make his father—the original Godfather—proud.
A memoir of a cross-country road trip, the tourist experience, and the cultural touchstones that bring Americans together: “A great story” (Publishers Weekly). As a boy in Ohio, Mark Winegardner spent the formative summers of his wonder years touring the States with his family in a succession of recreational vehicles. Much later, only months before his wedding, he undertakes another transcontinental odyssey—this time without benefit of license-plate games with his sister or parental warnings to get his feet out of the car window. He arms himself with only the bare essentials: a Styrofoam cooler; a Hawaiian shirt; enough cash for gas, blue plate specials, and the occasional knickknack; a buddy; and the buddy’s ailing ’68 Chevy Impala. Determined to extract full value from every scenic overlook, these two set out to discover America. They visit Xanadu, Foam House of Tomorrow, in Gatlinburg, Tennessee; and Truth or Consequences, New Mexico, the only community named after a game show. They play the Easter Island Hole at Magic Carpet Golf in Tucson. They marvel at the fourteen peacocks strolling Graceland’s lawn and at the vastness of the prairie states, “where no one speaks French or pays to park.” They collect 3-D glasses. They eat Devil Dogs. They take the amazing Miracle Photo. They discover themselves. Most amazing of all, they discover an unbroken chain of Elvis tapestries, Elvis ashtrays, Elvis T-shirt wearers, and Elvis imitators that unites this land as surely as Route 66 divides it.
THE MISSING YEARS FROM THE GREATEST CRIME SAGA OF ALL TIME Thirty-five years ago, Mario Puzo’s great American tale, The Godfather, was published, and popular culture was indelibly changed. Now, in The Godfather Returns, acclaimed novelist Mark Winegardner continues the story–the years not covered in Puzo’s bestselling book or in Francis Ford Coppola’s classic films. It is 1955. Michael Corleone has won a bloody victory in the war among New York’s crime families. Now he wants to consolidate his power, save his marriage, and take his family into legitimate businesses. To do so, he must confront his most dangerous adversary yet, Nick Geraci, a former boxer who worked his way through law school as a Corleone street enforcer, and who is every bit as deadly and cunning as Michael. Their personal cold war will run from 1955 to 1962, exerting immense influence on the lives of America’s most powerful criminals and their loved ones, including Tom Hagen, the Corleone Family’s lawyer and consigliere, who embarks on a political career in Nevada while trying to protect his brother; Francesca Corleone, daughter of Michael’s late brother Sonny, who is suddenly learning her family’s true history and faces a difficult choice; Don Louie Russo, head of the Chicago mob, who plays dumb but has wily ambitions for muscling in on the Corleones’ territory; Peter Clemenza, the stalwart Corleone underboss, who knows more Family secrets than almost anyone; Ambassador M. Corbett Shea, a former Prohibition-era bootlegger and business ally of the Corleones’, who wants to get his son elected to the presidency–and needs some help from his old friends; Johnny Fontane, the world’s greatest saloon singer, who ascends to new heights as a recording artist, cozying up to Washington’s power elite and maintaining a precarious relationship with notorious underworld figures; Kay Adams Corleone, who finally discovers the truth about her husband, Michael–and must decide what it means for their marriage and their children and Fredo Corleone, whose death has never been fully explained until now, and whose betrayal of the Family was part of a larger and more sinister chain of events. Sweeping from New York and Washington to Las Vegas and Cuba, The Godfather Returns is the spellbinding story of America’s criminal underworld at mid-century and its intersection with the political, legal, and entertainment empires. Mark Winegardner brings an original voice and vision to Mario Puzo’s mythic characters while creating several equally unforgettable characters of his own. The Godfather Returns stands on its own as a triumph–in a tale about what we love, yearn for, and sometimes have reason to fear . . . family.
Now in a fully revised and updated third edition, this essential textbook introduces the fundamentals of sport finance and sound financial management in the sport industry. It is still the only textbook to explain every aspect of finance from the perspective of the sport management practitioner, explaining key concepts and showing how to apply them in practice in the context of sport. The text begins by covering finance basics and the tools and techniques of financial quantification, using industry examples to apply the principles of financial management to sport. It then goes further, to show how financial management works specifically in the sport industry. Discussions include interpreting financial statements, debt and equity financing, capital budgeting, facility financing, economic impact, risk and return, time value of money, and more. The final part of the book examines financial management in four sectors of the industry: public sector sport, collegiate athletics, professional sport, and international sport. It provides an in-depth analysis of the mechanics of financial management within each of these sport sectors. Useful features, such as sidebars, concept checks, practice problems, case analysis and case questions will help students engage more deeply with financial techniques and encourage problem-solving skills. This new edition includes a completely new chapter on international sport, reflecting the globalized nature of the modern sport industry, as well expanded coverage of current issues such as digital media finance, recent legal cases affecting collegiate sport, and the central importance of collective bargaining. Financial Management in the Sport Industry is an essential textbook for any undergraduate or postgraduate course in sport finance, and an invaluable supplement to any course in sport business or sport management. It is also an important reference for all sport management practitioners looking to improve their understanding of finance. The book is accompanied by updated and expanded ancillary materials, including an instructor’s manual, PowerPoint slides, and an image bank.
By the mid-1850s, the railroad craze had hit central Ohio. Pioneer railroads that were to evolve into portions of the Baltimore and Ohio, New York Central, and Pennsylvania Railroads connected the state capital, Columbus, with the canals, Lake Erie, and the Ohio River. The region was crisscrossed by numerous other lines by 1880; Columbus became the main hub while other railroad centers included Circleville, Delaware, Mansfield, Mount Vernon, Newark, and Zanesville. Hundreds of depots were built throughout central Ohio to serve railroad passengers and to handle baggage, mail, and freight. Depots became the center of commerce and activity at communitiesbig and small. With the discontinuance of passenger trains across the Buckeye State, many depots disappeared from tracksidemany simply demolished, others relocated for non-railroad uses. Railroad Depots of Central Ohio offers a pictorial history of selected depots, centering around Columbus and Franklin County, using old postcards and vintage photographs.
A collection of stories offers portraits of such offbeat characters as a libidinous poet who learns the true meaning of harassment and the bowling alley proprietor whose artist daughter specializes in painting phalluses.
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