Mark Beechs 1998 predecessor, The A-Z of Names in Rock generated over 50 radio interviews, 15 articles, 7 features in nationals and two serializations. This extended and updated version covers more genres than just rock (e.g. pop, punk, indie, reggae, soul, country, blues, folk, jazz, heavy metal, grunge and rap artists and bands) and will appeal to music fans internationally, as well as being the must-buy book for pub quiz fans. With almost 3,000 entries, its a chance to discover why artists chose their names and which ones shouldnt have. An informative and often humorous read, the worlds leading expert on music names (BBC), Mark Beech, is guaranteed another best-seller.
This significant collection of essays examines the cultural, literary, philosophical and historical representation of beauty in British, Irish and American literature. Contributors use the works of Charles Dickens, T S Eliot, W H Auden and Stephen Spender among others to explore the role of beauty and its wider implications in art and society.
This book probes the intersection of the beautiful and the ugly, offering a systematic framework to understand, interpret, and evaluate how ugliness can contribute to beautiful art. Many great artworks include elements of ugliness: repugnant content, disproportionate forms, unresolved dissonance, and unintegrated parts. Mark William Roche’s authoritative monograph Beautiful Ugliness: Christianity, Modernity, and the Arts challenges current practices of the dominant aesthetic schools by exploring the role of ugliness in art and literature. Roche offers a comprehensive and unique framework that integrates philosophical and theological reflection, intellectual-historical analysis, and interpretations of a large number of works from the arts. The study is driven by the recognition that, though ugliness is usually understood as the opposite of beauty, ugliness nonetheless contributes significantly to the beauty of many artworks. Roche’s analysis unfolds in three parts. The first offers a refreshing conceptual analysis of ugliness in art. The second considers the history of ugliness in art and literature, with special attention to its role in Christian art and its central place in modern and contemporary art. The third synthesizes earlier material, offering a taxonomy of beautiful ugliness derived from Hegelian philosophical categories. Roche mesmerizes the reader with an extraordinary range of literary scholarship and expertise, with a particular focus on English, Latin, and German literature, and with a broad range of analyzed phenomena, including fine arts, architecture, and music. Including 63 color illustrations, Beautiful Ugliness will draw in readers from multiple disciplines as well as those from beyond the academy who wish to make sense of today’s complex art world.
Happiness. We all want it - but how can we get it? Author Mark Vernon has solved the problem by collecting the wisdom of the greatest minds in history and making their thinking on the things that matter most in life accessible and, above all, practical. Full of everday examples to make sometimes high-blown philosophy entertaining and relevant, this book shows you in just 30 steps how you can crack the secret to living The Good Life.
A ... narrative history of Jazz Age Monte Carlo, chronicling the city's rise from WWI's ashes to become one of the world's most storied, infamous playgrounds of the rich, only to be crushed under its own weight ten years later"--Provided by publisher.
The Titanic is one of the most famous maritime disasters of all time, but did the Titanic really sink on the morning of 15 April 1912? Titanic's older sister, the nearly identical Olympic, was involved in a serious accident in September 1911 - an accident that may have made her a liability to her owners the White Star Line. Since 1912 rumours of a conspiracy to switch the two sisters in an elaborate insurance scam has always loomed behind the tragic story of the Titanic. Could the White Star Line have really switched the Olympic with her near identical sister in a ruse to intentionally sink their mortally damaged flagship in April 1912, in order to cash in on the insurance policy? This book addresses some of these conspiracy theories and illustrates both the questionable anomalies and hard technical facts that will prove the swtich theory to be exactly what it is - a mere legend.
An essential read for the legions of Sherlockians about the globe. Sherlock Holmes is the world’s greatest-ever consulting detective. The huge popularity of Sir Arthur Conan Doyle’s fictional creation, and his sixty stories, made Sherlock one of the most famous characters of Victorian London. All evidence suggests Sherlock’s fan adoration has lasted almost one and a half centuries through many adaptations. There is Sherlock fan fiction in China, Sherlock manga in Japan, and tribute pop songs in Korea. Guinness World Records awarded Sherlock Holmes the title of most portrayed literary human character in film and television thanks to the popular Sherlock Holmes movies starring Robert Downey Jr., series like Elementary starring Lucy Liu, Sherlock starring Benedict Cumberbatch, and so many more. Sherlock’s enduring appeal shows that his detective talents are as compelling today as they were in the days of Conan Doyle. The Science of Sherlock gives you an in-depth look at the science behind the cases Sherlock cracked in those Ripper streets of old.
Few of the many romantic figures of the nineties have weathered the changing schools of literary taste as well as Ernest Dowson, in whose verse there is found a timeless, ingratiating charm and enduring interest. This biography is only incidentally a critical appraisal of Dowson's achievements but attempts to give a more completely rounded picture of the man than we have had before it. The book is based on a great deal of new material, which clears up many misinterpretations of Dowson's personality. This consists of unpublished letters from various sources, including twelve from Oscar Wilde that have not been printed before and detailed information gleaned by the author in interviews and in correspondence with persons who knew the poet intimately. To modern readers versed in psychological explanations of behavior, Dowson's story unwinds in a foredoomed pattern: the talented child of neurotic parents, the maladjusted boy at Oxford, the discontented young man in London, his curious infatuation for the child Adelaide, the brief association with prominent literary leaders in the Rhymers' Club and on the short-lived Savoy, and then his mother's suicide, his homelessness, poverty, aimless wandering abroad, the escape in drinking, finally death. Yet with it all, the insatiable urge to weave out his dreams in facile words which now form a unique and permanent contribution to English poetry. From this book Dowson emerges as a tragically interesting figure. The biography gives as much of his story as probably will ever be known, and as such takes an important place among the lives of English poets.
“Charming” essays on literature and life by the British raconteur who “often finds poignancy or humor in the seemingly trivial” (Publishers Weekly). Does a neglected masterpiece by Jane Austen enshrine her first love affair? Who was Vita Sackville West’s real grandfather? What clues are there to the identity of “Walter,” doyen of Victorian pornographers? When and why did P.G. Wodehouse mutate from hack to genius? Was Oscar Wilde really down and out in Paris? Was Brideshead really Madresfield? These and other excursions into literary or social history have developed out of Mark Girouard’s spare time enthusiasms, as diversions from his main occupation as an architectural historian. In nine essays he calls attention to points that have not been noticed before, corrects fallacies that have gotten into general circulation, suggests, identifies, redates, refutes, or pours a little cold water on unjustified romanticisms. Three further essays sample another enthusiasm, his own family background, and introduce characters such as the dwarf who had to stand on a bench to address the South African Parliament, the colonial governor who fell in love with his niece, and the dowager duchess with whom he spent his childhood on the edge of the park at Chatsworth. “An architectural historian fascinated not merely by buildings but, still more, by the ways of life which they supported and by the people whom they served.” —The Telegraph
Alan Turing has long proved a subject of fascination, but following the centenary of his birth in 2012, the code-breaker, computer pioneer, mathematician (and much more) has become even more celebrated with much media coverage, and several meetings, conferences and books raising public awareness of Turing's life and work. This volume will bring together contributions from some of the leading experts on Alan Turing to create a comprehensive guide to Turing that will serve as a useful resource for researchers in the area as well as the increasingly interested general reader. The book will cover aspects of Turing's life and the wide range of his intellectual activities, including mathematics, code-breaking, computer science, logic, artificial intelligence and mathematical biology, as well as his subsequent influence.
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether ’music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) that give rise to multiple sites of identification. Arranged in the relatively distinct yet interweaving parts of ’Historical Perspectives’, ’Recent and Contemporary Production’ and ’Cultural Explorations’, its various chapters act to juxtapose the socio-historical distinctions between the major style categories most typically associated with music in Ireland - traditional, classical and popular - and to explore a range of dialectical relationships between these musical styles in matters pertaining to national and cultural identity. The book includes a number of chapters that examine various movements (and ’moments’) of traditional music revival from the late eighteenth century to the present day, as well as chapters that tease out various issues of national identity pertaining to individual composers/performers (art music, popular music) and their audiences. Many chapters in the volume consider mediating influences (infrastructural, technological, political) and/or social categories (class, gender, religion, ethnicity, race, age) in the interpretation of music production and consumption. Performers and composers discussed include U2, Raymond Deane, Afro-Celt Sound System, E.J. Moeran, Séamus Ennis, Kevin O’Connell, Stiff Little Fingers, Frederick May, Arnold
The fields of literature and law intersect in frequent, and often surprising ways. This clear and concise book offers an introduction to the area, covering the history, key thinkers and ideas as well as detailed and fascinating studies into areas such as evidence and truth, inheritance, sex, vigilantism and justice. Each chapter examines a number of familiar authors and texts including Shakespeare, Brecht, Austen, Dickens, Ishiguro, Beecher-Stowe, Atwood, Miller. The book also opens up the broader study of law as it relates to culture in such areas as film, television, and digital media and how they affect such issues as a right to privacy, copyright and creative reworking, and censorship. Mark Fortier offers a concise, systemic introduction to the law and legal system for the lay person, covering basic notions of justice and law (fundamental justice, natural law, positive law) and the legal system (common law vs civil law, case law, statute, constitutional law, private law [tort, contract, property], criminal law, equity, basic rules of evidence, stare decisis, the adversarial system) as well as a very handy glossary of legal terms. This is a fascinating guide to a very topical and increasingly relevant area of literary studies.
Including detailed guidance to exploring the countryside and historic sites, this fully revised guide offers a complete picture of the beautiful island of Ireland, north and south. of color photos.
By attending to the multiple values signalled by beards in early modern England, this study elucidates how fetish objects are the vehicles through which phenomena forms and informs ideological systems of power. Providing detailed discussions of not only male beards but also beardless boys, female beards, and half-bearded hermaprodites, "Beard Fetish in Early Modern England: Sex, Gender, and Registers of Value" argues that attending to the Renaissance beard as a fetish object exposes the cultural production of meaning. Author Mark Albert Johnston mines a diverse cross-section of contemporary discourses - adult and children's drama, narrative verse and prose, popular ballads, epigrams and proverbs, historical accounts, pamphlet literature, diaries, letters, wills, court records and legal documents, medical and surgical manuals, lectures, sermons, almanacs, and calendars - in order to provide proof for his cultural claims. Johnston's evidence invokes some of the period's most famous voices - William Shakespeare, Ben Jonson, John Lyly, Phillip Stubbes, John Marston, George Chapman, Thomas Dekker, Thomas Middleton, and Samuel Pepys, for example - but Johnston also introduces us to an array of lesser-known Renaissance authors and playwrights whose works support the notion that the beard was a palimpsestic site of contested meaning at which complex values converge. Johnston's reading of fetish engages Marxist, Freudian, and anthropological theories of the phenomenon and proposes a synthesis among them that would simultaneously acknowledge their divergent emphases - sexual, economic, racial - while suggesting that the synthesis of diverse registers that fetish accomplishes facilitates its cultural and psychic naturalizing function.
Through a series of vivid case studies, Authors in Court charts the 300-year-long dance between authorship and copyright that has shaped each institution’s response to changing social norms of identity, privacy, and celebrity. “A literary historian by training, Rose is completely at home in the world of law, as well as the history of photography and art. This is the work of an interdisciplinary scholar at the height of his powers. The arguments are sophisticated and the elegant text is a work of real craftsmanship. It is superb.” —Lionel Bently, University of Cambridge “Authors in Court is well-written, erudite, informative, and engaging throughout. As the chapters go along, we see the way that personalities inflect the supposedly impartial law; we see the role of gender in authorial self-fashioning; we see some of the fault lines which produce litigation; and we get a nice history of the evolution of the fair use doctrine. This is a book that should at least be on reserve for any IP–related course. Going forward, no one writing about any of the cases Rose discusses can afford to ignore his contribution.” —Lewis Hyde, Kenyon College
A portrait of the contemporary music icon explores his enigmatic personality in light of the author's own fan obsession, tracing his rise as the front man of The Smiths in the 1980s through his solo career.
This critical examination of Maoriland literature argues against the former glib dismissals of the period and focuses instead on the era’s importance in the birth of a distinct New Zealand style of writing. By connecting the literature and other cultural forms of Maoriland to the larger realms of empire and contemporary criticism, this study explores the roots of the country’s modern feminism, progressive social legislation, and bicultural relations.
As a poet, philosopher, and cancer survivor, Mark Nepo has been breaking a path of spiritual inquiry for more than thirty years. In his new book, the #1 New York Times bestselling author explores how the soul works in the world. Called "one of the finest spiritual guides of our time," this beloved teacher explores what it means to become our truest self through the ongoing and timeless journey of awakening to the dynamic wholeness of life, which is messy and unpredictable. Nepo navigates some of the soul's deepest and most ancient questions, such as: What does it mean to inhabit the world? How do we stay vital and buoyant amid the storms of life? What is the secret to coming alive? Nepo affirms that not only is the soul's journey inevitable, it is essential to our survival. The human journey is how the force of life grows us, and no matter where we go we can't escape this foundational truth: What's in the way is the way. As Nepo writes, "The point of experience is not to escape life but to live it." Featured on Oprah's Super Soul Sunday program, Nepo's Seven Thousand Ways to Listen has inspired millions of people to redefine themselves in the face of life's challenges. Comforting, moving, and spiritually practical, The Endless Practice is filled with universal insights and stories woven with guidance and practice, which will bring the reader closer to living life to the fullest.
Socialism names a form of collective life that has never been fully realized; consequently, it is best understood as a goal to be imagined. So this study argues, and thereby uncovers an aesthetic impulse that animates some of the most consequential socialist writing, thought, and practice of the long nineteenth century. Imagining Socialism explores this tradition of radical activism, investigating the diverse ways that British socialists--from Robert Owen to the mid-century Christian Socialists to William Morris--marshalled the resources of the aesthetic in their efforts to surmount politics and develop non-governmental forms of collective life. Their ambitious attempts at social regeneration led some socialists to explore the liberatory possibilities afforded by cooperative labor, women's emancipation, political violence, and the power of the arts themselves. Imagining Socialism demonstrates that, far from being confined to the socialist revival of the fin de siècle, important socialist experiments with the emancipatory potential of the aesthetic in Britain may be found throughout the period it calls the socialist century--and may still inspire us today.
Covering a diverse range of figures and issues from Jonathan Swift's pornographic poetry to Oscar Wilde's famous cello-shaped coat this book collapses Irish studies into the critical perspective of disability studies: linking 'Irishness' and 'disability' together allows the emergence of a new critical perspective, an Irish disability studies.
He follows the twists and turns of this story from Niebuhr's Christian realist positions of the 1940s, through Protestant participation in the complex social movements of the 1950s and 1960s, to the emergence of various liberation theologies - African American, feminist, Latin American, and others - that used C&C as a central arena of debate in the 1970s and 1980s.
This comprehensive and practical book focuses on the core concepts of Intellectual Property. Its innovative pedagogy engages students with problems drawn from actual cases and provides them with introductions to cases and contextual summaries in the notes. Patent: Up to date Federal Circuit and Supreme Court case law, including: • Nautilus, Alice, Teva, Williamson, and Lexmark • Detailed substantive comments following the principal cases • More statistics and charts, particularly relating to USPTO decision-making and PTAB inter partes review • Enhanced Patent Reform Perspectives (i.e., America Invents Act) Copyright: • Expanded coverage of contemporary developments in copyright law, with 13 new cases; • Broader coverage of recent developments gives adopters greater flexibility in choosing materials within that structure. Trademark: • Updated to reflect recent Supreme Court decisions • New materials on bars to registration, functionality, expressive use, and remedies
Amusing, charming, stimulating, urbane' - THE TIMES 'Revelatory' - GUARDIAN 'Restores Clive Bell vividly to life' - Lucasta Miller ______________ Clive Bell is perhaps better known today for being a Bloomsbury socialite and the husband of artist Vanessa Bell, sister to Virginia Woolf. Yet Bell was a highly important figure in his own right: an internationally renowned art critic who defended daring new forms of expression at a time when Britain was closed off to all things foreign. His groundbreaking book Art brazenly subverted the narratives of art history and cemented his status as the great interpreter of modern art. Bell was also an ardent pacifist and a touchstone for the Wildean values of individual freedoms, and his is a story that leads us into an extraordinary world of intertwined lives, loves and sexualities. For decades, Bell has been an obscure figure, refracted through the wealth of writing on Bloomsbury, but here Mark Hussey brings him to the fore, drawing on personal letters, archives and Bell's own extensive writing. Complete with a cast of famous characters, including Lytton Strachey, T. S. Eliot, Katherine Mansfield, Pablo Picasso and Jean Cocteau, Clive Bell and the Making of Modernism is a fascinating portrait of a man who became one of the pioneering voices in art of his era. Reclaiming Bell's stature among the makers of modernism, Hussey has given us a biography to muse and marvel over – a snapshot of a time and of a man who revelled in and encouraged the shock of the new. 'A book of real substance written with style and panache, copious fresh information and many insights' - Julian Bell
An “incisive and original” history of the 19th-century Irish secret society that instigated America’s first labor wars in Pennsylvania Coal Country (Peter Quinn, author of Looking for Jimmy). A secret society of Irish peasant assassins, the Molly Maguires reemerged in Pennsylvania’s hard-coal region, organizing strikes, murdering mine bosses, and fighting the Civil War draft. Their shadowy twelve-year battle with coal companies marked the beginning of class warfare in America. But little has been written about the origins of this struggle or the peculiar rites, traditions, and culture of the Mollies. The Sons of Molly Maguire delves into the lost world of peasant Ireland to uncover the links between the folk justice of the Mollies and the folk drama of the Mummers—a group known in America today for their annual New Year’s parade in Philadelphia. The historic link not only explains much about Ireland’s Mollies—why the killers wore women’s clothing, why they struck around holidays—but also sheds new light on the Mollies’ re-emergence in Pennsylvania. When the Irish arrived in the anthracite coal region, they brought along their ethnic, religious, and political conflicts. Just before the Civil War, a secret society emerged, as did an especially political form of Mummery. Resurrected amid wartime strikes and conscription, the American Mollies would become a bastion of labor activism.
Focusing on Oscar Browning and Elizabeth Hughes, this book examines the history of teacher training at Cambridge University, and studies the educational ideals and international influence Browning, Hughes, and the university had.
Brew your own clones of Magic Hat #9, Ithaca Brown, Moose Drool, Samuel Adams Boston Ale, and 196 more commercial beers! Revised, improved, and expanded, this second edition of CloneBrews contains 50 brand-new recipes, updated mashing guidelines, and a food pairing feature that recommends the best fare to match every beer. With basic brewing equipment and a bit of know-how, you can duplicate all of your favorite lagers and ales from home.
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