A simple retelling of five stories by Mark Twain, in which he pokes fun at newspapers, Victorian manners, obedience to one's parents, the British, and perceptions of reality.
Mark Twain's life--one of the richest and raciest America has known--is delightfully portrayed in this mosaic of words and more than 600 pictures that capture the career of one of America's most colorful personalities. The words are Twain's own, taken from his writings--not only the autobiography but also his letters, notebooks, newspaper reporting, sketches, travel pieces, and fiction. The illustrations provide the perfect counterpoint to Twain's text. Presented in the hundreds of photos, prints, drawings, cartoons, and paintings is Twain himself, from the apprentice in his printer's cap to the dying world-famous figure finishing his last voyage in a wheelchair. Mark Twain Himself: A Pictorial Biography will not only inform and entertain the casual reader but will provide a valuable resource to scholars and teachers of Twain as well.
You had better shove this in the stove," Mark Twain said at the top of an 1865 letter to his brother, "for I don't want any absurd 'literary remains' and 'unpublished letters of Mark Twain' published after I am planted." He was joking, of course. But when Mark Twain died in 1910, he left behind the largest collection of personal papers created by any nineteenth-century American author. Here, for the first time in book form, are twenty-four remarkable pieces by the American master—pieces that have been handpicked by Robert Hirst, general editor of the Mark Twain Project at the University of California, Berkeley. In "Jane Austen," Twain wonders if Austen's goal is to "make the reader detest her people up to the middle of the book and like them in the rest of the chapters." "The Privilege of the Grave" offers a powerful statement about the freedom of speech while "Happy Memories of the Dental Chair" will make you appreciate modern dentistry. In "Frank Fuller and My First New York Lecture" Twain plasters the city with ads to promote his talk at the Cooper Union (he is terrified no one will attend). Later that day, Twain encounters two men gazing at one of his ads. One man says to the other: "Who is Mark Twain?" The other responds: "God knows—I don't." Wickedly funny and disarmingly relevant, Who Is Mark Twain? shines a new light on one of America's most beloved literary icons—a man who was well ahead of his time.
The year 2010 marked the 100th anniversary of Mark Twain’s death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain’s works, UC Press published Autobiography of Mark Twain, Volume 1, the first of a projected three-volume edition of the complete, uncensored autobiography. The book became an immediate bestseller and was hailed as the capstone of the life’s work of America’s favorite author. This Reader’s Edition, a portable paperback in larger type, republishes the text of the hardcover Autobiography in a form that is convenient for the general reader, without the editorial explanatory notes. It includes a brief introduction describing the evolution of Mark Twain’s ideas about writing his autobiography, as well as a chronology of his life, brief family biographies, and an excerpt from the forthcoming Autobiography of Mark Twain, Volume 2—a controversial but characteristically humorous attack on Christian doctrine.
Revered as one of America’s greatest humorists and author of the “Great American Novel” (The Adventures of Huckleberry Finn), the words of Samuel Langhorne Clemens—more commonly known as Mark Twain—resonate as strongly today as they did when he wrote them more than a century ago. A close friend of Nikola Tesla and heralded by William Faulkner as “the father of American literature,” Twain’s wit, wisdom, and influence continues through the present day. Printer, typesetter, steamboat pilot, miner, reporter, journalist, author, inventor, humorist, investor, publisher, lecturer—Mark Twain was known as many things during his lifetime and has had at least as many titles thrust upon him since this death, but perhaps what he is best known for is being a source of good old-fashioned common sense. Whatever the topic—whether science and technology, life and love, history and culture, travel and exploration, civil rights and human rights, labor and politics, or ethics and religion—Twain had much to say and many ways to say it. Here, culled from his greatest novels, speeches, letters, conversations, and lectures is the best wisdom and advice—humorous, sardonic, and insightful as always.
Roughing It" was one of the several works written by Mark Twain in his lifetime and was published in 1872. This work is a powerful and revealing autobiography in which Twain narrates his journey through the American West, offering an intimate and profound view of his life and the conditions faced during this adventurous period. Over time, various biographies have been written and continue to be written about this iconic author and humorist, with increasing quality and scope. However, to understand the thoughts and character of a real person, there is nothing better than hearing the story with all its circumstances, mistakes, and successes told by the one who lived it firsthand. This is the purpose of Mark Twain's autobiography: to bring to the public the determined and visionary man who, through his perseverance and wit, became one of the most influential figures in American literature. This work is part of the "Voices of America" collection, which aims to highlight the life stories of important figures in American history, told by themselves.
From the Introduction:It should always be with some misgivings that an editor presents to the public materials which an author has discarded. By returning the materials to his files, the author has voted against publication. By resurrecting them, the editor risks exposing the author to the adverse criticism which he wished to avoid. But, at the same time, the resurrection serves a valuable purpose by making available indispensable evidence to be used by those seeking to understand the creative process. It is because they serve such a purpose that the texts published in this volume have been salvaged from Mark Twain's files. Indeed, they are doubly valuable because they aid in dispelling a myth about his own creative process which Twain himself did much to establish. In several instances Twain gave the impression that for him plotting a novel was a rather simple affair. . . . But in actuality, as the texts published in this volume illustrate, he experienced much more trouble than this statement would suggest in delimiting his fictional world, establishing its nature, and maintaining control over the characters placed therin.
Born in Missouri under the name Samuel Langhorne Clemens, his penname, Mark Twain, was river-boat slang for 12 feet of water. Clemens adopted the name Mark Twain after he established his voice as a journalist. Under Mark Twain he wrote classic fiction satire titles The Adventures of Tom Sawyer and Huckleberry Finn on the nature of slavery and racism at the time. Mark Twain's style of writing was friendly and funny, deflating egos and lifting spirits of those around him. Here are some of his kindest quotes and quips of wisdom.
This Excellent Collection brings together Mark Twain's longer, major books and a fine selection of shorter pieces and Science-Fiction Books. This Books created and collected in Mark Twain's Most important Works illuminate the life and work of one of the most individual writers of the XX century - a man who elevated political writing to an art. Samuel Langhorne Clemens (November 30, 1835 – April 21, 1910), known by his pen name "Mark Twain", was an American writer, humorist, entrepreneur, publisher, and lecturer. He was lauded as the "greatest humorist the United States has produced," and William Faulkner called him "the father of American literature". His novels include The Adventures of Tom Sawyer (1876) and its sequel, the Adventures of Huckleberry Finn (1884), the latter often called "The Great American Novel". Twain was raised in Hannibal, Missouri, which later provided the setting for Tom Sawyer and Huckleberry Finn. He served an apprenticeship with a printer and then worked as a typesetter, contributing articles to the newspaper of his older brother Orion Clemens. He later became a riverboat pilot on the Mississippi River before heading west to join Orion in Nevada. He referred humorously to his lack of success at mining, turning to journalism for the Virginia City Territorial Enterprise.[5] His humorous story, "The Celebrated Jumping Frog of Calaveras County", was published in 1865, based on a story that he heard at Angels Hotel in Angels Camp, California, where he had spent some time as a miner. The short story brought international attention and was even translated into French.[6] His wit and satire, in prose and in speech, earned praise from critics and peers, and he was a friend to presidents, artists, industrialists, and European royalty. Twain earned a great deal of money from his writings and lectures, but he invested in ventures that lost most of it—such as the Paige Compositor, a mechanical typesetter that failed because of its complexity and imprecision. He filed for bankruptcy in the wake of these financial setbacks, but in time overcame his financial troubles with the help of Henry Huttleston Rogers. He eventually paid all his creditors in full, even though his bankruptcy relieved him of having to do so. Twain was born shortly after an appearance of Halley's Comet, and he predicted that he would "go out with it" as well; he died the day after the comet made its closest approach to the Earth. This Collection included: TOM SAWYER SERIES · The Adventures of Huckleberry Finn · The Adventures of Tom Sawyer · Tom Sawyer Abroad · Tom Sawyer, Detective · A Tramp Abroad ALONZO FITZ AND OTHER STORIES AUTOBIOGRAPHIES LETTERS ESSAYS AND NOVELS · A Connecticut Yankee in King Arthur's Court · In Defense of Harriet Shelley · A Double Barrelled Detective Story · Editorial Wild Oats · Essays on Paul Bourget · Eve's Diary · Extract From Adam's Diary · Extract from Captain Stormfield's Visit to Heaven · Extracts From Adam's Diary · The Facts Concerning the Recent Carnival of Crime in Connecticut · Fenimore Cooper's Literary Offences · Following the Equator a Journey around the World · The Gilded Age · Goldsmith's Friend Abroad Again · A Horse's Tale · How to Tell a Story and Other Essays · The Innocents Abroad · Is Shakespeare Dead? From my Autobiography · Life on the Mississippi BIOGRAPHIC ESSAYS
The American Claimant is an 1892 novel by American humorist and writer Mark Twain. Twain wrote the novel with the help of phonographic dictation, the first author (according to Twain himself) to do so.This was also (according to Twain) an attempt to write a book without mention of the weather, the first of its kind in fictitious literature. Indeed, all the weather is contained in an appendix, at the back of the book, which the reader is encouraged to turn to from time to time. *Plot* The American Claimant is a comedy of mistaken identities and multiple role switches. Its cast of characters include an American enamored of British hereditary aristocracy and a British earl entranced by American democracy.... Samuel Langhorne Clemens (November 30, 1835 - April 21, 1910), better known by his pen name Mark Twain, was an American writer, entrepreneur, publisher and lecturer. Among his novels are The Adventures of Tom Sawyer (1876) and its sequel,
Mark Twain's autobiography is a classic of American letters, to be ranked with the autobiographies of Benjamin Franklin and Henry Adams.... It has the marks of greatness in it--style, scope, imagination, laughter, tragedy."--From the Introduction by Charles Neider Mark Twain was a figure larger than fife: massive in talent, eruptive in temperament, unpredictable in his actions. He crafted stories of heroism, adventure, tragedy, and comedy that reflected the changing America of the time, and he tells his own story--which includes sixteen pages of photos--with the same flair he brought to his fiction. Writing this autobiography on his deathbed, Twain vowed to he "free and frank and unembarrassed" in the recounting of his life and his experiences. Twain was more than a match for the expanding America of riverboats, gold rushes, and the vast westward movement, which provided the material for his novels and which served to inspire this beloved and uniquely American autobiography.
Against the assault of laughter nothing can stand," Mark Twain once wrote. In this sixth volume in The Library of America's authoritative collection of his writings-the final volume of his fiction-America's greatest humorist emerges in a surprising range of roles: as the savvy satirist of The Gilded Age, the brilliant plotter of its inventive sequel, The American Claimant, and, in two Tom Sawyer novels, as the acknowledged master revisiting his best-loved characters. Also in this volume is the authoritative version of Twain's haunting last novel, No. 44, The Mysterious Stranger, left unpublished when he died. The Gilded Age (1873), a collaboration with Hartford neighbor Charles Dudley Warner, sends up an age when vast fortunes piled up amid thriving corruption and a city Twain knew well, Washington, D.C., full of would-be power brokers and humbug. The novel also gives us one of Twain's most enduring characters, Colonel Sellers, who returns in The American Claimant (1892), an encore performance that moves beyond the worldly satire of its predecessor into realms of sheer inventive mayhem. Tom Sawyer Abroad (1894) and Tom Sawyer, Detective (1896) extend the adventures of Huck and Tom. No. 44, The Mysterious Stranger (1908), an astonishing psychic adventure set in the gothic gloom of a medieval Austrian village, offers a powerful and uncanny exploration of the powers of the human mind. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
I went to Maui to stay a week and remained five. I had a jolly time. I would not have fooled away any of it writing letters under any consideration whatever." --Mark Twain So Samuel Langhorne Clemens made his excuse for late copy to the Sacramento Union, the newspaper that was underwriting his 1866 trip. If the young reporter's excuse makes perfect sense to you, join the thousands of Island lovers who have delighted in Twain's efforts when he finally did put pen to paper.
Irreverent, charming, eminently quotable, this handbook—an eccentric etiquette guide for the human race—contains sixty-nine aphorisms, anecdotes, whimsical suggestions, maxims, and cautionary tales from Mark Twain's private and published writings. It dispenses advice and reflections on family life and public manners; opinions on topics such as dress, health, food, and childrearing and safety; and more specialized tips, such as those for dealing with annoying salesmen and burglars. Culled from Twain's personal letters, autobiographical writings, speeches, novels, and sketches, these pieces are delightfully fresh, witty, startlingly relevant, and bursting with Twain's characteristic ebullience for life. They also remind us exactly how Mark Twain came to be the most distinctive and well-known American literary voice in the world. These texts, some of them new or out of print for decades, have been selected and meticulously prepared by the editors at the Mark Twain Project.
No library's complete without the classics! This edition collects some of the most popular works of legendary humorist and novelist Mark Twain. Mark Twain wrote his greatest works more than one hundred years ago, but he's never far from the minds of Americans. Whether it's the new, complete, and uncensored version of his autobiography hitting bestseller lists or the removal of certain controversial language from one of his novels, his name and his legacy remain a topic of conversation--and undoubtedly will for years to come. There's no better time to appreciate his stories, or read them for the very first time. The Adventures of Tom Sawyer, The Prince and the Pauper, Adventures of Huckleberry Finn, A Connecticut Yankee in King Arthur's Court, and The Tragedy of Pudd'nhead Wilson are collected in this timeless and elegant book. Part of the Canterbury Classics series, Mark Twain features an introduction by a renowned Twain scholar that will enlighten new and familiar readers alike. This edition of Mark Twain is a treasure to enjoy forever--just like the writing of Twain himself!
Mark Twain Essays Mark Twain - Samuel Langhorne Clemens, better known as Mark Twain, is perhaps the most distinguished author of American Literature. Next to William Shakespeare, Clemens is arguably the most prominent writer the world has ever seen. In 1818, Jane Lampton found interest in a serious young lawyer named John Clemens. With the Lampton family in heavy debt and Jane only 15 years of age, she soon arried John. The family moved to Gainesboro, Tennessee where Jane gave birth to Orion Clemens. In the summer of 1827 the Clemenses relocated to Virginia where John purchased thousands of acres of land and opened a legal advice store.
Mark Twain’s complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author’s death, as he requested. Published to rave reviews, the Autobiography was hailed as the capstone of Twain’s career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor, ideas, and opinions. The eagerly-awaited Volume 2 delves deeper into Mark Twain’s life, uncovering the many roles he played in his private and public worlds. Filled with his characteristic blend of humor and ire, the narrative ranges effortlessly across the contemporary scene. He shares his views on writing and speaking, his preoccupation with money, and his contempt for the politics and politicians of his day. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Editors: Benjamin Griffin and Harriet E. Smith Associate Editors: Victor Fischer, Michael B. Frank, Sharon K. Goetz and Leslie Diane Myrick
This Library of America collection presents Twain's best-known works, including Adventures of Hucklebery Finn, together in one volume for the first time. Tom Sawyer “is simply a hymn,” said its author, “put into prose form to give it a worldly air,” a book where nostalgia is so strong that it dissolves the tensions and perplexities that assert themselves in the later works. Twain began Huckleberry Finn the same year Tom Sawyer was published, but he was unable to complete it for several more. It was during this period of uncertainty that Twain made a pilgrimage to the scenes of his childhood in Hannibal, Missouri, a trip that led eventually to Life on the Mississippi. The river in Twain’s descriptions is a bewitching mixture of beauty and power, seductive calms and treacherous shoals, pleasure and terror, an image of the societies it touches and transports. Each of these works is filled with comic and melodramatic adventure, with horseplay and poetic evocations of scenery, and with characters who have become central to American mythology—not only Tom Sawyer and Huck Finn, but also Roxy, the mulatto slave in Puddn’head Wilson, one of the most telling portraits of a woman in American fiction. With each book there is evidence of a growing bafflement and despair, until with Puddn’head Wilson, high jinks and games, far from disguising the terrible cost of slavery, become instead its macabre evidence. Through each of four works, too, runs the Mississippi, the river that T. S. Eliot, echoing Twain, was to call the “strong brown god.” For Twain, the river represented the complex and often contradictory possibilities in his own and his nation’s life. The Mississippi marks the place where civilization, moving west with its comforts and proprieties, discovers and contends with the rough realities, violence, chicaneries, and promise of freedom on the frontier. It is the place, too, where the currents Mark Twain learned to navigate as a pilot—an experience recounted in Life on the Mississippi—move inexorably into the Deep South, so that the innocence of joyful play and boyhood along its shores eventually confronts the grim reality of slavery. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Mark Twain explores the darker side of life in these lesser-known later writings dealing with personal tragedies, nightmarish world events, and a doubtful cosmic order. He views his own situation as that of a ship trapped in a fearsome Bermuda Triangle-like region, the Devil's Race-Track. He sees history as a treadmill of endlessly and monotonously repeated events. And he conceives of a universal food chain, a vast round of devourers who in their turn become victims, humankind and God included. The tone of these writings is lightened considerably by Mark Twain's sagely ironic humor and his warmth, which together balance his tough-mindedness. And even when he shows the human race caught in some vicious circle, he may be seen courageously seeking a way out and at times believing he has found it.
This volume provides authoritative texts of Twain’s unpublished writings, both fictional and factual, about the people and places of his home town, Hannibal, Missouri. A significant part of only one of them, "Jane Lampton Clemens," has been published; it was inserted unjustifiably in Twain's Authobiography . Written soon after the death of Clemens's mother on 27October 1890, it arranges and assesses a son's recollections of a vibrant personality important in shaping his life. At the start the author turns to the time when he, a six-year-old, knelt with his mother by the bed on which his dead brother lay—a harassing experience that understandably seared the boy's memory. The sketch moves on to a host of details about antebellum Hannibal, its society and its attitudes toward slavery, and to vivid memories about the child, his mother, and his father in the 1840's and 1850's. The movement from a single remembered episode to a series of loosely associated recollections was a typical performance in Clemens's "autobiography" and his fiction.
Jumping frogs, high society, San Francisco's Emperor Norton and the stray dogs that followed on his heels--nothing escaped Mark Twain's scrutiny or his acerbic wit. Bernard Taper has gathered together a heady selection of newspaper articles, correspondence, poetry, and short stories that are humorous--sometimes exasperating and controversial--but always engaging. Edward Jump, a contemporary of Twain's, offers through his lively illustrations a visual drum roll to Twain's cantankerous prose. From earthquakes, scandals, and tantalizing bonanzas to elegant ladies blowing their noses in "exquisitely modulated tones," Mark Twain has left us a vision of San Francisco that is at once fascinating and hilariously familiar.
Mark Twain's letters for 1874 and 1875 encompass one of his most productive and rewarding periods as author, husband and father, and man of property. He completed the writing of The Adventures of Tom Sawyer, published the major collection Sketches, New and Old, became a leading contributor to the Atlantic Monthly, and turned The Gilded Age, the novel he had previously coauthored with Charles Dudley Warner, into one of the most popular comedies of the nineteenth-century American stage. His personal life also was gratifying, unmarred by the family tragedies that had darkened the earlier years of the decade. He and his wife welcomed a second healthy daughter and moved into the showplace home in Hartford, Connecticut, that they occupied happily for the next sixteen years. All of these accomplishments and events are vividly captured, in Mark Twain's inimitable language and with his unmatched humor, in letters to family and friends, among them some of the leading writers of the day. The comprehensive editorial annotation supplies the historical and social context that helps make these letters as fresh and immediate to a modern audience as they were to their original readers. This volume is the sixth in the only complete edition of Mark Twain's letters ever attempted. The 348 letters it contains, many of them never before published, have been meticulously transcribed, either from the original manuscripts (when extant) or from the most reliable sources now available. They have been thoroughly annotated and indexed and are supplemented by genealogical charts, contemporary notices of Mark Twain and his works, and photographs of him, his family, and his friends. Mark Twain's letters for 1874 and 1875 encompass one of his most productive and rewarding periods as author, husband and father, and man of property. He completed the writing of The Adventures of Tom Sawyer, published the major collection Sketch
Here is young Sam Clemens—in the world, getting famous, making love—in 155 magnificently edited letters that trace his remarkable self-transformation from a footloose, irreverent West Coast journalist to a popular lecturer and author of The Jumping Frog, soon to be a national and international celebrity. And on the move he was—from San Francisco to New York, to St. Louis, and then to Paris, Naples, Rome, Athens, Constantinople, Yalta, and the Holy Land; back to New York and on to Washington; back to San Francisco and Virginia City; and on to lecturing in Ohio, Michigan, Pennsylvania, and New York. Resplendent with wit, love of life, ambition, and literary craft, this new volume in the wonderful Bancroft Library edition of Mark Twain's Letters will delight and inform both scholars and general readers. This volume has been supported by the National Endowment for the Humanities, the Mark Twain Foundation, Jane Newhall, and The Friends of The Bancroft Library.
For years, many of Twain’s philosophical, religious, and historical fantasies concerning the nature and condition of humanity remained unpublished. Thirty-six of these writings make their first appearance here.
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