Progression is a positive trait, as long as one keeps in touch with the past and has a staple backdrop to focus or fall back on. Although the Revised Expanded Third Edition contains all the wording and photographs that are reproduced in both the first edition, as well as this Revised and Expanded Second Edition, it comparatively represents a step into what was, for these latter two books, the future. The year 2019, in which I am writing this foreword, represents respectively 30 years and 20 years into the future since the publication of these two books, so I think this faithful reproduction of the Master Version by Q&I Publications is well timed. For some readers it might bring about nostalgia, for others it might be an eye-opener into a world that is not always truthfully represented, due to commercial or other reasons. For the teachers who I interviewed and have been embodied herein, I hope this Master Version will remain a testament into how they wished to be represented for time immemorial.
Robert Ashcroft is a sixty-three year old retired car salesman who has just moved with his wife, Veronica, from Southern California to South Carolina. He learns just a week before Thanksgiving that his thirty year old son, Paul, is gay. Paul is coming to visit for the holiday, and he is bringing along his boyfriend with him. Robert has one week to come to terms with his son’s sexuality and to prepare himself for the visit. Little Blue Whistle is an entertaining rollercoaster ride of dreams, memories, and subsequent insights into fathers, sons, and our brave new world.
Ever since the city was granted its fi rst major-league team, the Wolverines in 1881, Detroit baseball fans have packed the parks to loyally cheer for their favorite sluggers at the plate. Big Dan Brouthers helped the Detroit ball club win its first National League pennant with 12 home runs, 101 RBIs, and a league-leading 153 runs scored in 1887. Twenty years later, a rookie named Ty Cobb, at the start of a hall-of-fame career, led the league in batting and the Tigers to three successive American League pennants. Hank Greenberg, Rudy York, and Al Kaline joined the ranks of Motor City sluggers in the coming decades who thrilled fans with the long ball in pennant race after exciting pennant race. Written from the perspective of an old-time fan, Detroit Sluggers: The First 75 Years is a fun read for any Motor City baseball enthusiast.
Following the success of the earlier volume, The Baker Street Epilogue, we have another collection of previously unknown Holmes and Watson tales to excite the interests of readers across the globe - The Baker Street Archive. A decade before his death, Dr. Watson let it be known that with his passing he wished his nephew, Christopher Henry Watson MD, to be the executor of his will and guardian of all his personal and pecuniary affairs. One of the tasks he sanctioned was that his nephew should use his discretion in selecting for publication some of the three dozen or so cases involving Holmes and Watson which had not already seen the light of day. The six stories in this new volume are more overlooked gems. From the seemingly supernatural challenge of The Neckar Reawakening to the seasonal conundrum of The Yuletide Heist, there is, as ever, much to entertain and enthral us. As before, all of these tales are designed to contribute in some small part to the lasting memory of two extraordinary men who once occupied that setting we have come to know and love as 221B Baker Street. Once more, ‘The game is afoot!’
This book is the first comprehensive study of nineteenth-century Mormon architecture and city planning. Professor Hamilton examines the doctrine of Zion, which led to an elaborate hierarchy of building types - temples, tabernacles, meetinghouses, tithing offices, priesthood halls and domestic dwellings. His account, augmented by 135 original and historical photographs, provides a fascinating example of how religious teachings and practices are expressed in planned communities and architectural forms.
Classic film noir offers more than pesky private eyes and beautiful bad girls—it explores the quest for the not-so-attainable American dream. Winner of the CHOICE Outstanding Academic Title of the Choice ACRL Desperate young lovers on the lam (They Live by Night), a cynical con man making a fortune as a mentalist (Nightmare Alley), a penniless pregnant girl mistaken for a wealthy heiress (No Man of Her Own), a wounded veteran who has forgotten his own name (Somewhere in the Night)—this gallery of film noir characters challenges the stereotypes of the wise-cracking detective and the alluring femme fatale. Despite their differences, they all have something in common: a belief in self-reinvention. Nightmare Alley is a thorough examination of how film noir disputes this notion at the heart of the American Dream. Central to many of these films, Mark Osteen argues, is the story of an individual trying, by dint of hard work or, more often, illicit enterprises, to overcome his or her origins and achieve material success. In the wake of World War II, the noir genre tested the dream of upward mobility and the ideas of individualism, liberty, equality, and free enterprise that accompany it. Employing an impressive array of theoretical perspectives (including psychoanalysis, art history, feminism, and music theory) and combining close reading with original primary source research, Nightmare Alley proves both the diversity of classic noir and its potency. This provocative and wide-ranging study revises and refreshes our understanding of noir's characters, themes, and cultural significance.
A groundbreaking examination of Saul Alinsky's organizing work as it relates to race. Saul Alinsky is the most famous—even infamous—community organizer in American history. Almost single-handedly, he invented a new political form: community federations, which used the power of a neighborhood’s residents to define and fight for their own interests. Across a long and controversial career spanning more than three decades, Alinsky and his Industrial Areas Foundation organized Eastern European meatpackers in Chicago, Kansas City, Buffalo, and St. Paul; Mexican Americans in California and Arizona; white middle-class homeowners on the edge of Chicago’s South Side black ghetto; and African Americans in Rochester, Buffalo, Chicago, and other cities. Mark Santow focuses on Alinsky’s attempts to grapple with the biggest moral dilemma of his age: race. As Santow shows, Alinsky was one of the few activists of the period to take on issues of race on paper and in the streets, on both sides of the color line, in the halls of power, and at the grassroots, in Chicago and in Washington, DC. Alinsky’s ideas, actions, and organizations thus provide us with a unique and comprehensive viewpoint on the politics of race, poverty, and social geography in the United States in the decades after World War II. Through Alinsky’s organizing and writing, we can see how the metropolitan color line was constructed, contested, and maintained—on the street, at the national level, and among white and black alike. In doing so, Santow offers new insight into an epochal figure and the society he worked to change.
Jade’s prisoner laughed. “My name is John Smith,” he said. “I am visiting Miami Beach from Indianapolis, where I work in a factory that manufactures tools for the automotive industry. I am married to a woman named Frances, and I have three children. I go to church every Sunday, and listen to Chicago White Sox games on the radio.”
Jade took a step closer, his Smith and Wesson extended. “Are you sure?” he asked coolly. “That’s your story? That’s what you’re going to stick with?”
“My name is John Smith,” he repeated, with a smile that could not be tolerated.
“All right,” Oscar Jade readily agreed, and put a bullet through the top of his right foot.
Oscar Jade, a private detective in Miami Beach in 1942, is investigating the suicide of a friend…and he doesn’t believe it’s a suicide. As he investigates, the stakes soon escalate to life and death – for a great many people – and it soon becomes clear that the war is about to be fought right here – at home.
“Prepare to be taken on a journey to 1942 Miami Beach where the drinks are straight…and the anti-hero – the club-footed, hard-drinking, harder punching Oscar Jade – is the last man you’d want on your tail. Storm Maker is a nostalgic blast where monochrome images of Bogart and Bergman are conjured in the mind and the soundtrack crackles under the scratchy needle on an uneven gramophone.” - A P Bateman, Amazon #1 Best-Selling Author
An extra-terrestrial "invasion" of the suburban, middle-class community of Susqua Creek Acres, Pennsylvania places its human residents and visitors under sudden house-bound quarantine. Secrets get revealed, conflicts erupt and recede, long festering wounds are dressed, and friendships and relationships terminated or reinstated. Offering the rare opportunity for large ensemble casting, A Delightful Quarantine presents audiences with the interwoven stories of a mother reunited with the daughter she gave up for adoption thirty-two years earlier; a man with a secret that upends his marriage; a woman with fourteen cats, all invisible; a foiled house burglary that must wait three days for the police; a rekindled high school romance; two young couture-obsessed little girls "home alone" for the duration; and a brother who cannot honor his sick sister's greatest wish.
A guide to traveling in Miami and the Florida Keys that provides information on the region's historical landmarks, popular attractions, nightlife, restaurants, hotels, shops, and activities, with detailed maps and complete walking and driving tours.
A pictorial history of the major WWII battle in which American Navy and Marine forces took the island of Iwo Jima from the Japanese Army. Just eight square miles in size, the Japanese island of Iwo Jima lies some 750 miles due south of Tokyo. Following a preparatory air and naval bombardment which lasted for many weeks, it was there, on the morning of Monday, 19 February 1945, that U.S. Marines launched Operation Detachment, their aim being the capture of the entire island and the three airfields that had been constructed on it. The Japanese defenders, however, were prepared. The enemy garrison had heavily fortified Iwo Jima with a network of bunkers, caves and dugouts, hidden artillery positions and more than ten miles of underground tunnels that proved difficult to locate and destroy. The following thirty-six days saw some of the bloodiest fighting of the Pacific campaign, resulting in more than 26,000 American casualties, including 6,800 dead. Of the 21,000 Japanese soldiers on Iwo Jima at the beginning of the assault, only 216 were taken prisoner during the battle. The capture of Iwo Jima, revealed here through a remarkable collection of archive images, was declared complete on the morning of 26 March 1945. The battle also resulted in one of the most iconic images to emerge from World War II—the raising of the American flag on the summit of Mount Suribachi. The Battle of Iwo Jima features images from the initial landings through the bitter fighting that followed for each yard of the island.
Many Indo-Malay martial arts are kept private, taught in secluded areas away from the public. These are arts of the older tradition, developed when combative knowledge was valued for its use in protecting the sanctity of life. This two-volume anthology brings together a great collection of writings by authors who dive into the deepest realms of Indo-Malay combatives. They offer readers a rare viewing of martial traditions that is usually hidden behind social shrouds of secrecy and a clannish quest to preserve individual tradition. A special presentation in this second volume are the writings of Dr. Kirstin Pauka forming three chapters on silat (silk) of West Sumatra. The lead chapter discusses silk history, styles, training methods, and its use in dance. In chapter 2, Dr. Pauka shows that the martial arts constitute the core of the movement repertoire of the Randai folk theatre. Her third piece reports on an extended silk artist-in-residence program in the Asian Theatre program at the University of Hawai'i. The next three chapters contains some academic coverage of kuntao-silat in the Indo-Malay traditions, garnished with technical sections illustrating the martial aspects of the arts. Mark Wiley details Silat Seni Gayong’s ethical foundation for self-defense and nine techniqes illustrating the art with the help of Master Shiekh Shamsuddin. My own chapter offers a glimpse of how cultural streams from India and China contributed over centuries to native Indonesian fighting arts to form hybrid systems. Examples were derived from personal observations of practitioners in the Willem Reeders lineage. The research shows the original intent and practices of any highly efficient combative art. Chris Parker’s insightful chapter discusses applications of specific movements, the rhythm that can be achieved when employing them, and the space they fill as being of crucial importance for defense. Pencak silat postures form the focus of this study. All who are serious about the history and practice of Indo-Malay fighting arts will enjoy this special anthology, volumes one and two. We are very fortunate to assemble the works of these highly qualified authors. We hope reading will provide information you seek. Although the availability of studying under a true silat mater is nearly impossible, the chapters here will certainly add direction and inspiration for practitioners.
This work clearly defines and catalogues the fifty historical hand-held weapons that were used in Okinawa Prefecture and the Ryukyu Islands from the dawn of its history. It show the stages of development and introduction of these weapons to the islands and how they affected the culture through the ages. The 'standard five' popular weapons of the modern era (bo, sai, tonfa, nunchaku & kama) are described in detail with many scale drawings, but surprisingly, it clearly shows the influence of bladed weapons, such as the curved sword. Firearms also made a huge contribution to Ryukyuan weapon development, so these are also introduced in their historical context. Most surprising is the contextual detail of the historic eras, such as the affects of the Satsuma Invasion of the Ryukyu Islands in 1609 & the dissolution of the monarchy in 1879. Contrary to popular myth, between these years Okinawans did not adopt farmers tools for self protection, for quite a different history is revealed herein.
Four grown men, friends since childhood-a man of though, a man of leisure, an outlaw, and a cop-reunite in San Francisco for a weekend-long game of cards in the Palace Hotel's Enrico Caruso Suite. Every year they do this. It gives them a chance to catch up, to renew their friendships, to relive their glory days. To smoke, drink, laugh, and lose themselves and their cares for a couple of days. It also allows them to reaffirm, by unspoken consent, that the deadly secret they share has remained safe for another year. Thirty years earlier, there were five friends. Just out of high school, preparing for college, optimistic and energetic, they took a boat trip up a river. Then an outburst of drunken teenage savagery at a place called Shanghai Bend left four boys scrambling to cover their tracks. And a fifth, Bobby McCorkle, disappeared... For thirty years Bobby drifted aimlessly: through the firefights of Vietnam, across the United States and back a hundred times, and into every numbed recess of his conscience that heroin and alcohol could take him. He survived by his wits, but he lived by his trade: he became a gambler. In 1995 construction crews dig up a skeleton at Shanghai Bend. Now McCorkle must rejoin his old pals at the card table and confront their secret together. What does each man bring? How much does each know? And how far will each go to protect the secret? The game begins, the stakes go up. Will they be exposed? Will their lives be ruined? Bluff. Double bluff. Call. Before the weekend is over, these five men will find themselves playing for their lives.
Mr. Democrat tells the story of Jim Farley, Franklin D. Roosevelt's campaign manager. As party boss, Farley experienced unprecedented success in the New Deal years. And like his modern counterpart Karl Rove, Farley enjoyed unparalleled access and power. Unlike Rove, however, Farley was instrumental in the creation of an overwhelming new majority in American politics, as the emergence of the New Deal transformed the political landscape of its time. Mr. Democrat is timely and indispensable not just because Farley was a fascinating and unduly neglected figure, but also because an understanding of his career advances our knowledge of how and why he revolutionized the Democratic Party and American politics in the age of the New Deal. Daniel Scroop is Lecturer in American History, University of Liverpool School of History.
A concise yet comprehensive history of traditional Okinawan and Japanese karate, with biographies of the great karate masters This concise-yet-comprehensive history of traditional Okinawan and Japanese karate includes authoritative biographies of the great karate masters of the past and the philosophical issues they faced as karate changed and evolved. Bringing a fresh understanding to the study of the martial arts, Mark I. Cramer dispels many of the often-repeated martial-arts myths as he details the lineages of the modern styles of karate and describes the social, cultural, and political events that influenced them. While most books focus on a single style of karate or the biography of just one of the great teachers, this book offers a well-researched and detailed overview. By bringing all of this knowledge together in one volume, Cramer—an award-winning inductee into the USA Karate Federation’s Hall of Fame—fills a crucial gap.
Japanese woodblock prints "ukiyo-e", are one of the most popular Japanese art form. Covering topics such as the philosophy and the techniques at the basis of ukiyo-e, this book provides a detailed survey of the famous artists, along with over 100 pictures. Further than being an expert in Eastern Asia arts, Dr. Mark McGregor has been an avid collector of Ukiyo-e for more than 50 years, learning the methods and materials employed in Japanese printmaking. Mariko Ishida curated the work as a knowledgeable gallery owner specialized in Ukiyo-e. She provides advices to amateurs on how to collect, care for, view and, eventually, buy Japanese ukiyo-e prints.
Explores the efforts of the US and the EU to implement the WTO Basic Agreement on Telecommunications Services, and how these initiatives to open up local markets affect markets for international telecoms services. Naftel (a telecommunications lawyer) and Spiwak (a policy consultant) report that the telecoms trade war is close to getting out of hand and that there is a growing politicization of, and cynicism towards the regulatory process. Their contention is that many post- WTO regulatory initiatives ultimately harm consumers. The text is divided into sections on the analytical and legal framework, US and European efforts to promote competition, and case studies in regulatory cynicism. Distributed by ISBS. c. Book News Inc.
This is the thrilling story of USS Enterprise (CVN-65), the world's first nuclear-powered aircraft carrier. Her story spans 51 years (1961-2012) of active service from the brink of nuclear war during the Cuban Missile Crisis to the first global cruise by nuclear-powered ships, to the first strikes during the Vietnam War, battles against the Iranians and Iraqis in the 1980s and 1990s, a pivotal role during 9/11 and the Global War on Terrorism, and hunting pirates off the Horn of Africa. More than just an operational history of Enterprise, this book recounts the experiences of the men and women who served on board--the pilots who flew from the flight deck, the men who fought to save the ship during a fire in 1969, the sailors who brought retribution against Al-Qaeda terrorists--with detailed descriptions of sorties through flak-filled skies and harrowing escapes from capture behind enemy lines. This book is dedicated to the men and women who have served on board Big E, and to those who paid the ultimate price for freedom.
Two thousand years ago, according to the Bible, a star rose low in the east and stopped high above Bethlehem. Was it a miracle, a sign from God to herald the birth of Christ? Was there a star at all, or was it simply added to the Bible to fulfill the Old Testament prophecy concerning the birth of the Messiah? Or was the Star of Bethlehem an actual astronomical event? For hundreds of years, astronomers as prominent as Johannes Kepler have sought an answer to this last baffling question. In The Star of Bethlehem, Mark Kidger brings all the tools of modern science, years of historical research, and an infectious spirit of inquiry to bear on the mystery. He sifts through an astonishing variety of ideas, evidence, and information--including Babylonian sky charts, medieval paintings, data from space probes, and even calculations about the speed of a camel--to present a graceful, original, and scientifically compelling account of what it may have been that illuminated the night skies two millennia ago. Kidger begins with the stories of early Christians, comparing Matthew's tale of the Star and the three Magi who followed it to Bethlehem with lesser-known accounts excluded from the Bible. Crucially, Kidger follows the latest biblical scholarship in placing Christ's birth between 7 and 5 B.C., which leads him to reject various phenomena that other scientists have proposed as the Star. In clear, colorful prose, he then leads us through the arguments for and against the remaining astronomical candidates. Could the Star have been Venus? What about a meteor or a rare type of meteor shower? Could it have been Halley's Comet, as featured in Giotto's famous painting of the Nativity? Or, as Kidger suspects, was the Star a combination of events--a nova recorded in ancient Chinese and Korean manuscripts preceded by a series of other events, including an unusual triple conjunction of planets? Originally published in 1999. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
New Jersey is even WEIRDER than we thought! From the authors of Weird N.J.—with more than 125,000 copies sold—comes a second amazing collection of the wonderful weirdness that fills every inch of the Garden State. One of the bestselling books ever to hit New Jersey was Mark Sceurman and Mark Moran’s Weird N.J. The book was such a phenomenon that it began a whole series of Weird state books, each one a bestseller. But the Marks, as they are called, always knew that there were more, bizarre stories lurking in their own home state. So back they went, camera and notebook in hand, to travel the highways and byways of New Jersey to chronicle more weirdly bizarre stories. And what did they find? How about the pathway of a doctor’s office paved with tombstones? Or a pumpkin-shaped house? Then there’s the Hub Cap Tree, the Birdsville Church (yes, a church for birds), and the bowling ball pyramid that graces one proud resident’s front lawn. Fun too are the haunted houses to visit, the ghosts to chat with, and the cursed roads to travel down. It’s all part of the long, strange trip known as Weird N.J.
The Hughes Court: From Progressivism to Pluralism, 1930 to 1941 describes the closing of one era in constitutional jurisprudence and the opening of another. This comprehensive study of the Supreme Court from 1930 to 1941 – when Charles Evans Hughes was Chief Justice – shows how nearly all justices, even the most conservative, accepted the broad premises of a Progressive theory of government and the Constitution. The Progressive view gradually increased its hold throughout the decade, but at its end, interest group pluralism began to influence the law. By 1941, constitutional and public law was discernibly different from what it had been in 1930, but there was no sharp or instantaneous Constitutional Revolution in 1937 despite claims to the contrary. This study supports its conclusions by examining the Court's work in constitutional law, administrative law, the law of justiciability, civil rights and civil liberties, and statutory interpretation.
The first history of the dramatic civil rights battles fought by the National Association for the Advancement of Colored People (NAACP) in the 1920s, struggles that paved the way for advances made in the 1950s and 1960s.
This highly original work considers the rhetoric of political actors and commentators who identify digital media as the means to a new era of politics and democracy. Placing this rhetoric in a historical and intellectual context, it provides a compelling explanation of the reinvention and thematic recurrence of democratic discourse. The author investigates the populist sources of rhetoric used by digital politics enthusiasts as outsiders inaugurating new eras of democracy with digital media, such as Barack Obama and Julian Assange, and explores the generations of rhetorical and political history behind them. The book places their rhetoric in the context of the permanent tensions between insiders and outsiders, between the political class and the populace, which are inherent to representative democracy. Through a theoretical and conceptual research that is historically grounded and comparative, it offers rhetorical analysis of candidates for the 2016 presidential election and discusses digital democracy, particularly discussing their origins in American populism and their influence on other countries through Americanization. Uniquely, it offers a sceptical assessment of epochal claims and a historical-rhetorical account of two of the defining figures of twentieth-century politics to date, and reveals how modern rhetoric is grounded in an older form of anti-politics and mobilises tropes that are as old as representative democracy itself.
Historians have long considered the Battle of Monmouth one of the most complicated engagements of the American Revolution. Fought on Sunday, June 28, 1778, Monmouth was critical to the success of the Revolution. It also marked a decisive turning point in the military career of George Washington. Without the victory at Monmouth Courthouse, Washington's critics might well have marshaled the political strength to replace him as the American commander-in-chief. Authors Mark Edward Lender and Garry Wheeler Stone argue that in political terms, the Battle of Monmouth constituted a pivotal moment in the War for Independence. Viewing the political and military aspects of the campaign as inextricably entwined, this book offers a fresh perspective on Washington’s role in it. Drawing on a wide range of historical sources—many never before used, including archaeological evidence—Lender and Stone disentangle the true story of Monmouth and provide the most complete and accurate account of the battle, including both American and British perspectives. In the course of their account it becomes evident that criticism of Washington’s performance in command was considerably broader and deeper than previously acknowledged. In light of long-standing practical and ideological questions about his vision for the Continental Army and his ability to win the war, the outcome at Monmouth—a hard-fought tactical draw—was politically insufficient for Washington. Lender and Stone show how the general’s partisans, determined that the battle for public opinion would be won in his favor, engineered a propaganda victory for their chief that involved the spectacular court-martial of Major General Charles Lee, the second-ranking officer of the Continental Army. Replete with poignant anecdotes, folkloric incidents, and stories of heroism and combat brutality; filled with behind-the-scenes action and intrigue; and teeming with characters from all walks of life, Fatal Sunday gives us the definitive view of the fateful Battle of Monmouth.
New York City was the site of a remarkable cultural and artistic renaissance during the 1950s and '60s. In the first monograph to treat all five major poets of the New York School-John Ashbery, Barbara Guest, Kenneth Koch, Frank O'Hara, and James Schuyler-Mark Silverberg examines this rich period of cross-fertilization between the arts. Silverberg uses the term 'neo-avant-garde' to describe New York School Poetry, Pop Art, Conceptual Art, Happenings, and other movements intended to revive and revise the achievements of the historical avant-garde, while remaining keenly aware of the new problems facing avant-gardists in the age of late capitalism. Silverberg highlights the family resemblances among the New York School poets, identifying the aesthetic concerns and ideological assumptions they shared with one another and with artists from the visual and performing arts. A unique feature of the book is Silverberg's annotated catalogue of collaborative works by the five poets and other artists. To comprehend the coherence of the New York School, Silverberg demonstrates, one must understand their shared commitment to a reconceptualized idea of the avant-garde specific to the United States in the 1950s and '60s, when the adversary culture of the Beats was being appropriated and repackaged as popular culture. Silverberg's detailed analysis of the strategies the New York School poets used to confront the problem of appropriation tells us much about the politics of taste and gender during the period, and suggests new ways of understanding succeeding generations of artists and poets.
Arguing in favour of a critical return to the 'nation' as a category, this study provides the first sustained account of artwriting in the British context over the full extent of its development from the eighteenth century to the present day. Mark A. Cheetham asks whether 'English' traditions of artwriting have been judged inappropriately according to imported criteria-and demonstrates that 'English Art Theory' is not an oxymoron.
Mark Zuehlke is an expert at narrating the history of life on the battlefield for the Canadian army during World War II. In Terrible Victory, he provides a soldiers-eye-view account of Canada's bloody liberation of western Holland. Readers are there as soldiers fight in the muddy quagmire, enduring a battle that lasted three weeks and in which 6,000 soldiers perished. Terrible Victory is a powerful story of courage, survival, and skill.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.