Chosen Voices is the definitive survey of an often overlooked aspect of American Jewish history and ethnomusicology, and an insider's look at a profession that is also a vocation. Week after week, year after year, Jews turn to sacred singers for spiritual and emotional support. The job of the hazzan -- much more than the traditional "messenger to God" -- is deeply embedded in cultural, social, and religious symbolism, negotiated between the congregation and its chosen voices. Drawing on archival sources, interviews with cantors, and photographs, Slobin traces the development of the American cantorate from the nebulous beginnings of the hazzan as a recognizable figure through the heyday of the superstar sacred singer in the early twentieth century to a diverse portrait of today's cantorate, which now includes women as well as men. Slobin's focus on the current nature of the profession includes careful consideration of the sacred singer's part in creating and maintaining the worship service, the recent relationship between the rabbi and the hazzan within the synagogue, and the music that contemporary cantors sing. This first paperback edition features a new preface by the author. A thirty-five-minute cassette for use with Chosen Voices is available separately from the University of Illinois Press. Book jacket.
This is the first-ever historical study across all musical genres in any American metropolis. Detroit in the 1940s-60s was not just "the capital of the twentieth century" for industry and the war effort, but also for the quantity and extremely high quality of its musicians, from jazz to classical to ethnic. The author, a Detroiter from 1943, begins with a reflection of his early life with his family and others, then weaves through the music traffic of all the sectors of a dynamic and volatile city. Looking first at the crucial role of the public schools in fostering talent, Motor City Music surveys the neighborhoods of older European immigrants and of the later huge waves of black and white southerners who migrated to Detroit to serve the auto and defense industries. Jazz stars, polka band leaders, Jewish violinists, and figures like Lily Tomlin emerge in the spotlight. Shaping institutions, from the Ford Motor Company and the United Auto Workers through radio stations and Motown, all deployed music to bring together a city rent by relentless segregation, policing, and spasms of violence. The voices of Detroit's poets, writers, and artists round out the chorus.
Klezmer" is a Yiddish word for professional folk instrumentalist-the flutist, fiddler, and bass player that made brides weep and guests dance at weddings throughout Jewish eastern Europe before the culture was destroyed in the Holocaust, silenced under Stalin, and lost out to assimilation in America. Klezmer music is now experiencing a tremendous new spurt of interest worldwide with both Jews and non-Jews recreating this restless volatile, and vibrant musical culture. Firmly centered in the United States, klezmer has paradoxically moved back across the Atlantic as a distinctly "American" music, played throughout central and eastern Europe, as well as in many other parts of the world. Fiddler on the Move places klezmer music squarely within American music studies, cultural studies, and ethnomusicology. Neither a chronology nor a comprehensive survey, the book describes a variety of approaches and perspectives for coming to terms with the highly diverse array of activities found under the klezmer umbrella. Bringing to his subject the insights of an accomplished ethnomusicologist, Slobin addresses such questions as: How does klezmer overlap with, and differ from, the many other contemporary "heritage" musics based on an assumed connection with a group identity and links to a tradition? How do economics, artistic expression, and the evocation of the past interact in motivating klezmer performers and audiences? In what kinds of environment does klezmer flourish? How do stylistic features such as genre, form, and ornamentation help to define the technique, affect, and aesthetic of klezmer? Featuring a music CD with many of the archival and contemporary recordings discussed in the text, this fascinating study will interest scholars, students, musicians, and music lovers
This is the first account of the evolution of music at Wesleyan University, a campus known since the mid-nineteenth century for its musical life—first as the “Singing College of New England” and then, after 1960, as the home of a renowned undergraduate and graduate department that integrates world music studies with more traditional Western and experimental musical forms. Through excerpts from accounts in the campus newspaper over the earlier decades and eyewitness accounts by key figures in recent times, the book compactly surveys a wide range of musical formations, practices, repertoires, and events from the 1830s to the early 2000s. Vividly illustrated with both historical and contemporary images, Music at Wesleyan presents a portrait of the school that today blends educational innovation and cultural diversity with creative passion and intellectual rigor, and includes a foreword by Richard K. Winslow, the John Spencer Camp Professor of Music, Emeritus at Wesleyan University. A companion digital archive at http://wesscholar.wesleyan.edu/maw_audio/ features audio files of glee club, gamelan, jazz, experimental, African, Indian, and other performances.
This volume is an attempt to position klezmer within American music studies, cultural studies and ethnomusicology. It suggests how methods of research and angles of vision can help make sense of the activities found under the klezmer umbrella.
An excellent addition to . . . ethnomusicological studies of nontraditional music in America." -- Choice "A well-deserved look at the musical world of immigrant Jews, who, in finding and creating an expressive medium for self-identity, helped shape and give life to American popular culture." -- Ethnomusicology "Employing the tools of the ethnomusicologist and the social historian, Slobin has produced an important and highly readable account of the formation and function of a little-studied aspect of American popular culture." -- Journal of American Studies
This stimulating Very Short Introduction throws open the doors on a remarkably diverse musical genre, with a world-wide reach that goes far beyond America's shores to discuss folk music of every possible kind and in every corner of the globe.
Chosen Voices is the definitive survey of an often overlooked aspect of American Jewish history and ethnomusicology, and an insider's look at a profession that is also a vocation.Week after week, year after year, Jews turn to sacred singers for spiritual and emotional support. The job of the hazzan--much more than the traditional ""messenger to God""--is deeply embedded in cultural, social, and religious symbolism, negotiated between the congregation and its chosen voices. Drawing on archival sources, interviews with cantors, and photographs, Slobin traces the development of the American cantorate from the nebulous beginnings of the hazzan as a recognizable figure through the heyday of the superstar sacred singer in the early twentieth century to a diverse portrait of today's cantorate, which now includes women as well as men. Slobin's focus on the current nature of the profession includes careful consideration of the sacred singer's part in creating and maintaining the worship service, the recent relationship between the rabbi and the hazzan within the synagogue, and the music that contemporary cantors sing. This first paperback edition features a new preface by the author. A thirty-five-minute cassette for use with Chosen Voices is available separately from the University of Illinois Press.
An excellent addition to . . . ethnomusicological studies of nontraditional music in America." -- Choice "A well-deserved look at the musical world of immigrant Jews, who, in finding and creating an expressive medium for self-identity, helped shape and give life to American popular culture." -- Ethnomusicology "Employing the tools of the ethnomusicologist and the social historian, Slobin has produced an important and highly readable account of the formation and function of a little-studied aspect of American popular culture." -- Journal of American Studies
Klezmer" is a Yiddish word for professional folk instrumentalist-the flutist, fiddler, and bass player that made brides weep and guests dance at weddings throughout Jewish eastern Europe before the culture was destroyed in the Holocaust, silenced under Stalin, and lost out to assimilation in America. Klezmer music is now experiencing a tremendous new spurt of interest worldwide with both Jews and non-Jews recreating this restless volatile, and vibrant musical culture. Firmly centered in the United States, klezmer has paradoxically moved back across the Atlantic as a distinctly "American" music, played throughout central and eastern Europe, as well as in many other parts of the world. Fiddler on the Move places klezmer music squarely within American music studies, cultural studies, and ethnomusicology. Neither a chronology nor a comprehensive survey, the book describes a variety of approaches and perspectives for coming to terms with the highly diverse array of activities found under the klezmer umbrella. Bringing to his subject the insights of an accomplished ethnomusicologist, Slobin addresses such questions as: How does klezmer overlap with, and differ from, the many other contemporary "heritage" musics based on an assumed connection with a group identity and links to a tradition? How do economics, artistic expression, and the evocation of the past interact in motivating klezmer performers and audiences? In what kinds of environment does klezmer flourish? How do stylistic features such as genre, form, and ornamentation help to define the technique, affect, and aesthetic of klezmer? Featuring a music CD with many of the archival and contemporary recordings discussed in the text, this fascinating study will interest scholars, students, musicians, and music lovers
Very Short Introductions: Brilliant, Sharp, Inspiring From the simplest bacteria to humans, all living things are composed of cells of one type or another, all of which have fundamentally the same chemistry. This chemistry must provide mechanisms that allow cells to interact with the external world, a means to power the cell, machinery to carry out varied processes within the cell, a structure within which everything runs, and also governance through a web of interlocking chemical reactions. Biochemistry is the study of those reactions, the molecules that are created, manipulated, and destroyed as a result of them, and the massive macromolecules (such as DNA, cytoskeletons, proteins and carbohydrates) that form the chemical machinery and structures on which these biochemical reactions take place. It didn't take long for an understanding of the chemistry of life to turn into a desire to manipulate it. Drugs and therapies all aim to modify biochemical processes for good or ill: Penicillin, derived from mould, stops bacteria making their cell walls. Aspirin, with its origins in willow bark, inhibits enzymes involved in inflammatory responses. A few nanograms of botulinum toxin (botox), can kill by preventing the release of neurotransmitters from the ends of nerves and so leads to paralysis and death, or give a wrinkle free forehead (if administered in very tiny quantities).This Very Short Introduction discusses the key concepts of biochemistry, as well as the historical figures in the field and the molecules they studied, before considering the current science and innovations in the field, and the interaction between biochemistry, biotechnology, and synthetic biology. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Climate Change: A Very Short Introduction examines the science, the history and the politics of climate change. Drawing on the latest science from the recent IPCC reports, this VSI examines the potential catastrophic impacts of climate change in the future. Global awareness of climate change has grown very rapidly, as shown by the wide support for campaigners like Greta Thunberg and groups like Extinction Rebellion, and the declaration by many governments that we are now in a climate emergency. It is a threat that forces us to examine the whole basis of modern society. This VSI explores the geopolitical, economic, technological, and social solutions to climate change, and argues for new modes of thinking in tackling the climate crisis"-- Provided by publisher.
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