New York City was the site of a remarkable cultural and artistic renaissance during the 1950s and '60s. In the first monograph to treat all five major poets of the New York School-John Ashbery, Barbara Guest, Kenneth Koch, Frank O'Hara, and James Schuyler-Mark Silverberg examines this rich period of cross-fertilization between the arts. Silverberg uses the term 'neo-avant-garde' to describe New York School Poetry, Pop Art, Conceptual Art, Happenings, and other movements intended to revive and revise the achievements of the historical avant-garde, while remaining keenly aware of the new problems facing avant-gardists in the age of late capitalism. Silverberg highlights the family resemblances among the New York School poets, identifying the aesthetic concerns and ideological assumptions they shared with one another and with artists from the visual and performing arts. A unique feature of the book is Silverberg's annotated catalogue of collaborative works by the five poets and other artists. To comprehend the coherence of the New York School, Silverberg demonstrates, one must understand their shared commitment to a reconceptualized idea of the avant-garde specific to the United States in the 1950s and '60s, when the adversary culture of the Beats was being appropriated and repackaged as popular culture. Silverberg's detailed analysis of the strategies the New York School poets used to confront the problem of appropriation tells us much about the politics of taste and gender during the period, and suggests new ways of understanding succeeding generations of artists and poets.
Painter Jack Seigel died penniless and forgotten. He comes alive again in Silverberg’s Believing the Line, this new book of poetry-and-art celebrating the paintings and drawings by Jack Siegel. Seigel was the quintessential single-minded artist: difficult, self-absorbed, and completely dedicated to his work. George Payerle has written that “Jack Siegel was a lonely man who drew a world of humanity, one moment at a time.” Mark Silverberg’s 65 poems, an image at a time, stand as poignant tribute to those Seigel moments.
Help your clients successfully integrate the angel and the rebel! Saints and Rogues: Conflicts and Convergence in Psychotherapy is a unique look at two extremes of human behavior and thoughtand how they meet within the psychotherapy experience. In this extensive resource, you will gain a greater understanding of human potential by exploring personalities where the line between conformity and divergence has been blurred. This book will help psychotherapists, pastoral and marriage and family counselors, and medical/nursing service providers guide patients and clients in turning negative actions and decisions into positive ones. In Saints and Rogues, you will find: an assessment of the life of Harry Stack Sullivan (1892-1949) called rogue therapist by his peers; today a hero for his influence on psychotherapy practice bullying in schoolthe creation of a prevention program used at the K-5 level designed to appeal to the empathy of the children who are bullied as well as the perpetrators an examination of historical, sociological, and psychoanalytic research about Italian Americans stereotyped as rogues during the twentieth century and in the media today interviews with individuals self-identified as third gender who live as neither men nor womenand their frequent encounters with spirituality and much more! Saints and Rogues: Conflicts and Convergence in Psychotherapy reevaluates the ethical ramifications of dual/duel relationships, revealing how a roguish character may be seen as saintly and vice versa. This book emphasizes the importance of seeing and treating one another with the same consideration as we would give ourselves. If knowledge is power, the readertherapist and layperson alikewill find strength in these pages to face their home, work, or school lives with more confidence and pride.
New York City was the site of a remarkable cultural and artistic renaissance during the 1950s and '60s. In the first monograph to treat all five major poets of the New York School-John Ashbery, Barbara Guest, Kenneth Koch, Frank O'Hara, and James Schuyler-Mark Silverberg examines this rich period of cross-fertilization between the arts. Silverberg uses the term 'neo-avant-garde' to describe New York School Poetry, Pop Art, Conceptual Art, Happenings, and other movements intended to revive and revise the achievements of the historical avant-garde, while remaining keenly aware of the new problems facing avant-gardists in the age of late capitalism. Silverberg highlights the family resemblances among the New York School poets, identifying the aesthetic concerns and ideological assumptions they shared with one another and with artists from the visual and performing arts. A unique feature of the book is Silverberg's annotated catalogue of collaborative works by the five poets and other artists. To comprehend the coherence of the New York School, Silverberg demonstrates, one must understand their shared commitment to a reconceptualized idea of the avant-garde specific to the United States in the 1950s and '60s, when the adversary culture of the Beats was being appropriated and repackaged as popular culture. Silverberg's detailed analysis of the strategies the New York School poets used to confront the problem of appropriation tells us much about the politics of taste and gender during the period, and suggests new ways of understanding succeeding generations of artists and poets.
Cyril Kornbluth is a legendary figure in science fiction. As a teenager in the years before World War II, he wrote prolifically and brilliantly under multiple pennames. After military service he developed a voice distinctive for its commanding intelligence, passion, and wit, displaying it in a string of novels and short stories including his award-winning "The Little Black Bag." His sudden death in 1958, at the early age of 35, marked the end of an era--it was a time when his chosen literary field was contemplating its potential demise. This comprehensive biography tells the story of this remarkable writer and his works for the first time.
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