In the wake of the catastrophic invasion that has leveled the Stoneholding, the last bastion of order in the world of Ahn Norvys, Kalaquinn Wright Pursues the mission entrusted to him. Freshly invested as High Bard, he sets forth across lands that lie under a dark cloud of uncertainty and strife, charged with the task of finding the lost Prince Starigan. This is but the first step in rekindling the Sacred Fire and restoring peace to a broken world. The task, however, will not be an easy one, for the Talamadh, the golden harp that binds together heaven and earth in sacred harmony, remains in the clutches of the tyrant Ferabek. After securing safe haven for the remnant folk of his clanholding, Kal and his companions venture into the lowlands of Arvon, a place of looming danger. Despite the adversities of a world sinking into the world sinking into the twilight of darkness and chaos, the young Holdsman keeps faith and its sustained by the loyalty of friends, the resources he begins to discover in himself, and unwavering hope. In his quest for the lost prince, moreover, Kal learns that royalty is to be found in unexpected quarters. By fate's caprice, Kal falls prey to his enemies. In the trial that befalls him, his mettle is tested, and he draws upon an inner strength that he has never known before. He also discovers that the Talamadh, with which Ardiel, once High King of Arvon, inaugurated the Great Harmony, though weak and faltering, still retains a vestige of its ancient potency. But will it be enough to stem the tide of chaos that floods over the Darkling Fields of Arvon? At the publisher's request, this title is sold without DRM (Digital Rights Management).
BOOK TWO OF THE PERILOUS QUEST FOR LYONESSE It is time for Simon Branthwaite to leave Sandarro, the city where he has lingered since reaching the fabled island of Roackall. Bidding a farewell to his new-found love, Princess Ilven, he sets out with Prince Avran to continue his quest for the lost realm of Lyonesse, heading toward the Stoney Mountains where many an adventure awaits them... The Lords of the Stoney Mountain is the second in Anthony Swithin's fantastical Lyonesse sequence, edited by Mark Sebanc. Find out more at https://theperilousquest.com/
Darkness looms over the ancient world of Ahn Norvys, and the Great Harmony of Ardiel lies rent asunder. Prince Starigan, heir to the throne, has been abducted and power has been usurped by a traitorous cabal In the mountainous highlands of Arvon is the small but ancient community the Stoneholding, which has held out against the gathering forces of the evil Ferabek. Here by tradition, from earliest times, the High Bard has resided as guardian of the Sacred Fire, as well as the golden harp called the Talamadh. But in his search for the lost prince, Ferabek has attacked the Stoneholding with his Black Scorpion Dragoons and razed it to the ground. Wilum, the aged High Bard was forced to flee for his life with a ragged band of survivors, including Kalaquinn Wright, the wheelwrights’s son. Kal, green in years and understanding, was torn from his pastoral life in a remote highland clanholding, and thrust out onto a broader stage in a journey of danger and escape, discovery and enlightenment. Now, as night covers Ahn Norvys, he must save what remains of the hallowed order of things and seek his destiny, a destiny that lies far beyond the Stoneholding. He must somehow find Prince Starigan and rekindle the Sacred Fire.
In this book, Mark P. Fusco offers a historical, philosophical and theological review and appraisal of current research into quantum, post-modern, atheistic, mathematical, and philosophical theories that engage our interpretation of Hans Urs von Balthasar and Ferdinand Ulrich’s accounts of Ur-Kenosis. This cross-disciplinary approach inspires a new speculative metaphysical theory based on the representation of being as a holo-somatic ontology. Holocryptic metaphysics gives us a novel interpretation of transubstantiation as it is founded on the findings of quantum mechanical theory. The quantum object and black hole’s properties present a new way to explain physical matter based on its holographic identity. This scientific theory for representing physical matter’s identity is recognized, for example, in the symmetry existing between a subatomic particle and its orbital shell, a single particle’s identity in relationship to its thermodynamic system, Hawking radiation, and black hole entropy. Further, the properties of quantum non-locality and teleportation signpost a new way to understand the Eternal Logos’ relationship to Jesus Christ and the Eucharist.
Reading the Bible in a way that is as old as Scripture itself, award-winning author Mark P. Shea takes us on a “fly-over” of the biblical story from Genesis to Revelation. He shows you how to explore the literal, allegorical, moral, and analogical sense of Scripture. Whether you have been studying Scripture for years, or are encountering it for the very first time,Making Senses Out of Scripture is an invaluable tool that it will help you see biblical revelation afresh, as Christians have done for 2000 years.
This Element is an overview of the Catholic conception of God and of philosophical problems regarding God that arose during its historical development. After summarizing key Catholic doctrines, the first section considers problems regarding God that arose because Catholicism originally drew on both Jewish and Greek conceptions of God. The second section turns to controversies regarding God as Trinitarian and incarnate, which arose in early church councils, with reference to how that conception developed during the Middle Ages. In the third section, the author considers problems regarding God's actions towards creatures, including creation, providence, predestination, and the nature of divine action in itself. Finally, the last section considers problems regarding how we relate to God. The Element focuses on tensions among different Catholic spiritualities, and on problems having to do with analogical language about God and human desire for God.
“To relish the feast that is Scripture, we need to use multiple models.” A Christian never gains all that Scripture offers by reading it with just one approach. Yet too often this is attempted—whether through an academic obsession with the historical-critical method or through a consumerist approach that seeks only the motivation of the moment. Mark Reasoner broadens the options for scriptural engagement by describing five models of Scripture: documents, stories, prayers, laws, and oracles. To illustrate each, he uses examples from throughout the history of interpretation. While he concedes that certain books of the Bible will naturally lend themselves to particular models, Reasoner shows how an appreciation for all five will enrich one’s scriptural insights while also bridging divides between the various branches of the Christian family. In addition to the five models, Reasoner surveys Catholic, Orthodox, and Protestant constructions of the biblical canon and addresses specific issues relevant to their respective interpretations of Scripture, including scriptural metanarratives, the use of the Bible in Christian worship, and the principle of sola Scriptura. Through it all, Reasoner remains unequivocally focused on his goal: “to help readers grow in their love for Scripture in ways that will help them plant this love in those to whom they minister.”
In this study, Mark McInroy argues that the 'spiritual senses' play a crucial yet previously unappreciated role in the theological aesthetics of Hans Urs von Balthasar. The doctrine of the spiritual senses typically claims that human beings can be made capable of perceiving non-corporeal, 'spiritual' realities. After a lengthy period of disuse, Balthasar recovers the doctrine in the mid-twentieth century and articulates it afresh in his theological aesthetics. At the heart of this project stands the task of perceiving the absolute beauty of the divine form through which God is revealed to human beings. Although extensive scholarly attention has focused on Balthasar's understanding of revelation, beauty, and form, what remains curiously under-studied is his model of the perceptual faculties through which one beholds the form that God reveals. McInroy claims that Balthasar draws upon the tradition of the spiritual senses in order to develop the means through which one perceives the 'splendour' of divine revelation. McInroy further argues that, in playing this role, the spiritual senses function as an indispensable component of Balthasar's unique, aesthetic resolution to the high-profile debates in modern Catholic theology between Neo-Scholastic theologians and their opponents. As a third option between Neo-Scholastic 'extrinsicism', which arguably insists on the authority of revelation to the point of disaffecting the human being, and 'immanentism', which reduces God's revelation to human categories in the name of relevance, McInroy proposes that Balthasar's model of spiritual perception allows one to be both delighted and astounded by the glory of God's revelation.
The Symbolism of Medieval Churches: An Introduction explores the ways in which the medieval church building and key features of it were used as symbols, particularly to represent different relationships within the Church and the virtues of the Christian life. This book introduces the reader to the definition, form, and use of medieval symbols, and the significance that they held and still hold for some people, exploring the context in which church symbolism developed, and examining the major influences that shaped it. Among the topics discussed are allegory, typology, moral interpretation, and anagogy. Further chapters also consider the work of key figures, including Hugh and Richard of St Victor and Abbot Suger at St-Denis. Finally, the book contrasts the Eastern world with the Western world, taking a look at the late Middle Ages and what happened to church symbolism once Aristotle had ousted Plato from the schools. Entering into the medieval mind and placing church symbolism in its context, The Symbolism of Medieval Churches will be of great interest to upper-level undergraduates, postgraduates, and scholars working on Architectural History, Medieval Art, Church History, and Medieval History more widely.
Today’s biblical scholars and dogmaticians are giving a significant amount of attention to the topic of theological exegesis. A resource turned to for guidance and insight in this discussion is the history of interpretation, and Karl Barth’s voice registers loudly as a helpful model for engaging Scripture and its subject matter. Most readers of Barth’s theological exegesis encounter him on the level of his New Testament exegesis. This is understandable from several different vantage points. Unfortunately, Barth’s theological exegesis of the Old Testament has not received the attention it deserves. This book seeks to fill this lacuna as it encounters Barth’s theological exegesis of Isaiah in the Church Dogmatics. From the Church’s inception, Isaiah has been understood as Christian Scripture. In the Church Dogmatics we find Barth reading Isaiah in multi-functional and multi-layered ways as he seeks to hear Isaiah as a living witness to God’s triune revelation of himself in Jesus Christ.
By close engagement with both traditional and contemporary approaches to ancient Christian literature, Latin Christian Writers in Late Antiquity and their Texts seeks to delineate a historiographical problem, at the same time rendering patristics as part of the subject-matter of a new literary history. After preliminary essays marking out the field, the volume is organized in three sections by authors, forms of discourse, and disciplines. Released from the theological discipline of patristics, the writings of the church fathers have in recent decades become the common property of students of early Christianity, late antiquity and the classical tradition. In principle, they are now no more (nor less) than sources, documents and literary texts like others from their period and milieux. Yet when replaced in the longer history of Western textual and literary practices, the collective literary oeuvre of Latin clerics, monks and ascetic freelances of the Later Roman Empire may still seem to occupy a place of decisive, if not canonical importance. How does one now account for the abiding formativeness of Latin Christian writing of the fourth and fifth centuries CE? What demands does such writing lay on a modern history of literature? These are the questions asked here, in view of a new literary history of patristic texts.
Focusing on the famous Medieval commentator Nicolas of Lyra and the anonymous Middle English biblical adaptation of the Gospel of John, the Cursor Mundi, this book examines the development of the analytical tools of biblical literary criticism showing how late Medieval commentators negotiated the paradoxical interdependence of the literal and spiritual senses, as transmitted by traditional and inherited vocabularies, through a focus on narrative structure. Mark Hazard combines an enlightening account of the actual practice of professional commentators, the history of Gospel interpretation and cultural history to reveal that remarkable shift in the treatment of the Bible that modern scholars would regard as having laid the groundwork for the historical-critical methods in biblical research. As such this book sheds light not only on the 14th century practice of biblical interpretation, but will also be of value to those currenlty engaged in reading and writing about the bible.
In Learning the Language of Scripture, Mark Randall James develops a pragmatically-inflected approach to the theological interpretation of scripture that draws on Origen’s recently discovered Homilies on the Psalms.
In the tradition of C.S. Lewis's Chronicles of Narnia and J.R.R. Tolkien's Lord of the Rings comes the Talamadh trilogy, a fantasy of epic proportions. Set in a mythical time, this novel describes a struggle between good and evil in Circadian Middle Earth.
Although free enterprise and free economies now proliferate around the globe, the idea of business as a holy vocation is one that has received little attention. Few business figures have depicted their professions in this light, as few have seen how their roles might bridge the divide between the economic and theological realms. François Michelin is an exception. Years of experience with the Michelin group—the company famous for introducing the radial tire that revolutionized the car industry—have convinced Michelin that the entrepreneur produces great moral and material good as he or she fulfills the myriad responsibilities of the job. In this illuminating series of interviews, Michelin explains his belief that the work of a business leader closely reflects God's creative act. And Why Not: Morality and Business argues convincingly for the valuation of a profound theological dimension of business life and advocates for a greater appreciation of men and women in business, on whose efforts the health of a nation stands.
BOOK ONE OF THE PERILOUS QUEST FOR LYONESSE In the year of Our Lord 1403, as England smoulders with suppressed rebellion, young Simon Branthwaite sets sail across the Atlantic in search of the lost realm of Lyonesse. His quest will take him to Rockall, a land wreathed in legend; a land of weird beasts and wondrous happenings, of great beauties and terrible dangers. And there begin adventures stranger than the wildest of Simon's imaginings; adventures that will change the course of his life and reshape that land for ever... Princes of Sandastre is the first in Anthony Swithin's fantastical Lyonesse sequence, edited by Mark Sebanc. Find out more at https://theperilousquest.com/
BOOK TWO OF THE PERILOUS QUEST FOR LYONESSE It is time for Simon Branthwaite to leave Sandarro, the city where he has lingered since reaching the fabled island of Roackall. Bidding a farewell to his new-found love, Princess Ilven, he sets out with Prince Avran to continue his quest for the lost realm of Lyonesse, heading toward the Stoney Mountains where many an adventure awaits them... The Lords of the Stoney Mountain is the second in Anthony Swithin's fantastical Lyonesse sequence, edited by Mark Sebanc. Find out more at https://theperilousquest.com/
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