Cryptic and potent languages, bizarre cults, mysteries that span the gulf between life and death, occult influences that reverberate through history like a dying echo, irresistible cosmic decay, forces of nightmare that distort reality itself, gateways to worlds where esoteric knowledge rots the future. Here is a collection of tales that forms a veritable Rosetta Stone for scholars of cosmic wonder and terror"--Page 4 of cover.
For decades, the Louisiana political scene has been a source of interest and intrigue for scholars and casual observers alike. In recent years, the state’s political, economic, and environmental challenges have drawn sustained attention from regional and national media. Observers have typically focused on Louisiana’s distinctive political culture, including jungle primaries, colorful candidates, and tolerance for scandal. However, recent shifts have eroded the state’s unique political character, aligning it with national political trends of partisan realignment, political polarization, and outside influence in state and local elections. The Party Is Over brings together top scholars, journalists, and policy analysts to investigate these recent shifts in institutions, politics, and policy and situate them in the context of national politics. Both accessible and thorough, the volume offers an informed and reliable foundation for those new to Louisiana’s political culture and for long-time observers seeking new insights into recent developments. Contributors recognize the challenges posed by the new politics and point toward opportunities to leverage the state’s cultural and economic strengths to build a better Louisiana.
Autumn Chill - Richard L. Tierney Inspired by the work of Edgar Allan Poe, H.P. Lovecraft, Donald Wandrei, Robert E. Howard and Frank Belknap Long, Tierney's poetry has been collected in Dreams and Damnations, The Doom Prophet and One Other, the Arkham House volume of Collected Poems, Nightmares and Visions, The Blob That Gobbled Abdul and Other Poems and Songs and Savage Menace and Other Poems of Horror. S.T. Joshi has described Tierney as "one of the leading weird poets of his generation." The Lemon in the Pool - Simon Kurt Unsworth "In the summer of 2009, I went on holiday with my family - the extended version. As well as my wife and son, Wendy and Ben, there were my parents, my sister and her husband, and my mother-in-law all sharing a villa in Moreira, Spain. "One of the delights of the holiday was having a private pool, and seeing Ben enjoy himself in the water, where over the course of seven days he learned to swim. Perhaps even more fun was seeing his joy when things started to appear in the pool on a daily basis - a tomato, a lemon, two courgettes, three green chillies. "I have no idea where they came from, but I suspect that children in a neighbouring villa were playing a joke on us and Ben loved it. It got to be one of the most exciting things about the holiday, waiting to see what would appear that day. After the appearance of the courgettes, my sister said, 'This'll find its way into one of Simon's stories,' and everyone laughed and someone (I think my mum) said, 'Even he couldn't write a story about this.' "Mum, if it was you that said that, this story is entirely your fault." Losenef Express - Mark Samuels About the story, Mark Samuels explains: "I think most fans of horror will recognise at once the late, great American author upon whom the central character of this tale is based (or, perhaps more accurately, filtered through my imagination). We never met, although I did once catch sight of him across a room at the 1988 World Fantasy Convention in London and, prompted by curiosity, took a hasty, half-obscured photograph. "A number of my friends knew him well, and I regret I myself never had the chance to do so. Sadly, I only discovered his brilliant work years after his untimely death." As Red as Red - Caitlín R. Kiernan "I don't know that 'As Red as Red' had any single source of inspiration," says Kiernan. "It coalesced from numerous experiences and accounts of the supernatural in Rhode Island. Also, I very much wanted to write a non-conventional vampire story which was also (and maybe more so) a werewolf story and a ghost story. "It's also true that I was just coming off having finished The Red Tree, and, in some ways, 'As Red as Red' is an extended footnote to that novel. I was still trying to get The Red Tree out of my system.
Johns Assignment is a satire on the human condition. Surely we are more than just a complex collection of organic material that developed from the singularity explosion of infinitesimally small, infinitely hot, infinitely dense astronomical and physical properties some 13.7 billion years ago. Was there really nothing before this big bang? If there was nothing, are we only products of evolution possessing nothing greater than the whole of our organisms? These questions have fostered enlightened musing from some of our greatest thinkers in science and philosophy and have brought sound evidence to the answers of how but little empirical rationale for the why. This book is about the why. Man has a celestial spark within his character and an ever pressing need to survive and be more than himself, more than his base instincts, wavering between love and self sacrifice to narcissism and desperation. We are self-aware and wonder about the purpose of our existence while at the same time striving for principle and worth. Sometimes we fail and sometimes we succeed, but always we strive. Are the qualities of compassion, love, loyalty, integrity and sacrifice really just ethereal products of chemical reactions? Are faith, insight and miraculous occurrences creations of our wishful minds? Lastly, do our desires for a heavenly Father simply reflect our insecurities or are they sound manifestations of the eternal truth? John provides this comprehension and does so in a manner that is painful for all to accept, for it comes at the price of dissonance within our minds for our most cherished thoughts, our religious beliefs and our methods we use to daily operate our lives. I wondered how we would react if an angel presented himself and gave us these answers, while pointing out our absurdities, those which countless millions have adopted and died defending. Through a series of dialogues with seventeen of the worlds national civic and religious leaders, began through the orders of The Almighty and resulting in the continuation or devastation of the earth, John has an assignment for us all.
Crisis, breakdown, rejuvenation: this is the territory of poetry that Rudman takes readers into with this set of essays. Constructed as a series of character studies, the essays are rooted in autobiographical material with biographical counterpoints, tying the poets distinctly to places. Even as they are placed, however, they are displaced: Rudman's subjects, from D.H. Lawrence to Czeslaw Milosz to T. S. Eliot, are almost all exiles, either geographically or within themselves. This exile spins anger into energy, transmuting emotion into imagination the same way that Passaic Falls, known to William Carlos Williams, turns water into power. The mosaic style of the essays touches on nerve after nerve, avoiding the snags of academic jargon to ease towards an illuminating truth about the artists' shifting work and worlds. Some of the Samuels—Beckett and Fuller—were able to navigate these shifts, while others--Coleridge and Johnson--are shown to be less able to transmute their energy into motion.
Sixteen compelling tales of post-apocalyptic societies and dystopian worlds include stories by Stephen King, Ray Bradbury, Arthur C. Clarke, Philip K. Dick, Kurt Vonnegut, W. E. B. Du Bois, Harlan Ellison, and others.
This book proposes a fresh understanding of the literary composition of Luke-Acts. Picking up on the ancient practice of literary mimesis, the author argues that Luke’s two-part narrative is subtly but significantly modeled on the two-part narrative found in the books of Samuel-Kings and Chronicles. Specifically, Luke’s gospel presents Jesus as the promised, ultimate Davidide, while the Book of Acts presents the disciples of Jesus as the heirs of the kingdom of David. In addition to the proposal concerning the composition of Luke-Acts, the book offers compelling insights on the genre of Luke-Acts and the purpose of Acts.
Continuing a Gold Medallion Award-winning legacy, the completely revised Expositor's Bible Commentary puts world-class biblical scholarship in your hands. A staple for students, teachers, and pastors worldwide, The Expositor's Bible Commentary (EBC) offers comprehensive yet succinct commentary from scholars committed to the authority of the Holy Scriptures. The EBC uses the New International Version of the Bible, but the contributors work from the original Hebrew and Greek languages and refer to other translations when useful. Each section of the commentary includes: An introduction: background information, a short bibliography, and an outline An overview of Scripture to illuminate the big picture The complete NIV text Extensive commentary Notes on textual questions, key words, and concepts Reflections to give expanded thoughts on important issues The series features 56 contributors, who: Believe in the divine inspiration, complete trustworthiness, and full authority of the Bible Have demonstrated proficiency in the biblical book that is their specialty Are committed to the church and the pastoral dimension of biblical interpretation Represent geographical and denominational diversity Use a balanced and respectful approach toward marked differences of opinion Write from an evangelical viewpoint For insightful exposition, thoughtful discussion, and ease of use—look no further than The Expositor's Bible Commentary.
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