When Gregory Marks is tricked into marrying a psychotic criminal addicted to methamphetamine and Prada shoes, only friendship, a gun and antidepressants can help him survive. Out from Under is one of those rare books that swings between despair and chaotic, comedic triumph. Two foreclosures, utter financial ruin, two career changes, being punked into marriage, a car-theft ring, two criminal brothers-in-law and a pair of teacup Chihuahuas drive Greg to the brink of self-destruction and, eventually, to a better life. Ultimately a story of triumph! Out From Under provides a true-to-life account of courage and humility, strength and vulnerability, humor and personal responsibility that are required ingredients to not only survive, but thrive and prevail over a challenge-filled past, chaos-laden present, and a treatable mental illness.
Everyone is looking for power. Political campaigns play to the power of fear and hope; advertising agencies rely on the power of appetite, both wielding power by the means of words. But churches have something different and better. Churches have the gospel. Though we live in the world, we must not wage war like the world, or fight with its weapons. On the contrary, we have divine power to demolish strongholds. The gospel consists merely of words, but those words have the unexpected and underestimated power to create new life, to justify, to prepare a bride, to give the foretaste of glory. Christian conversion depends upon the underestimated power of the gospel. Authors Jonathan Leeman, R. Albert Mohler Jr., Thabiti Anyabwile, David Platt, Kevin DeYoung, Mark Dever, C.J. Mahaney, Matt Chandler, John Piper, and J. Ligon Duncan III call readers to herald a common refrain: Do not underestimate the gospel, and do not underestimate the God of this gospel.
Led by series editors David Platt, Daniel L. Akin, and Tony Merida, this series affirms that the Bible is a Christ-centered book, containing a unified story of redemptive history of which Jesus is the hero. It’s presented as sermons, divided into chapters that conclude with a "Reflect & Discuss" section, making this series ideal for small group study, personal devotion, and even sermon preparation.
The philosophy of language is not an isolated philosophical discipline of merely technical interest to other philosophers. Rather, as Mark Platts shows, the philosophy of language can help to solve traditional problems in other areas of philosophy, such as metaphysics, epistemology, and ethics. Ways of Meaning provides a clear, comprehensive introduction to such issues at the forefront of philosophy. Assuming only minimum knowledge of elementary formal logic, the book shows how taking truth as the central notion in the theory of meaning can clarify the relations between language, reality, and knowledge, and thus illuminate the nature of each. This second edition of the book contains a new chapter on the notions of natural-kind words and natural kinds. Unlike other discussions of the subject, this one places the semantic issues involved in the context of questions about the relations between knowing subjects and known objects. The author has also added a bibliography of further readings published since the first edition appeared in 1979.
Now in its third edition and featuring a new foreword by New York Times best-selling author David Platt, pastor Mark Dever’s classic book is not an instruction manual for church growth. Rather, it is a wise pastor’s recommendation for how to assess the health of a church using nine crucial qualities often neglected by many of today’s congregations. Church leaders and church members alike will resonate with the principles outlined here, breathing new life and health into the church at large. In this newly revised edition, fresh arguments have been added (for example on expositional preaching, about the nature of the gospel, on complementarianism), illustrations have been updated, appendices have been changed, and cover has been improved.
On 30th May 1984 Joe Fagan made football history – he became the first English manager to win the Treble. After just one season as coach he had led Liverpool to victory in the League Cup, the League Championship and finally the European Cup, beating AS Roma on home soil after a gripping penalty shootout. It was an unprecedented triumph, the culmination of a twenty-five year career at the very heart of the Liverpool machine, and the end of a golden age. Unassuming, down-to-earth, and never one to court publicity, little is known about Joe Fagan – a man who played a pivotal part in Liverpool’s domination of the game in the Sixties, Seventies and Eighties, but whose achievements were later obscured by disaster. A Scouser born and bred, he joined the Anfield coaching staff in 1958, after a playing career at Manchester City and years learning his craft in the lower leagues. At the time Liverpool were in the stranglehold of Second Division mediocrity – but then, a year later, Bill Shankly arrived, and everything changed. With a knack for nurturing the talents of precocious youngsters, Fagan quickly became part of Shankly’s trusted inner circle. Indeed, not only was Fagan one of the original members of the fabled Boot Room, he is widely credited with its creation. Under Bob Paisley Fagan was appointed second-in-command. So when Paisley stepped down, the reluctant Fagan was the obvious and only choice to succeed him – and what followed surpassed the dreams of even the most success-spoilt Kopites. However, just one year after Liverpool’s European triumph in Rome, the death of 39 fans at the Heysel Stadium in Brussels saw the club’s glittering record tarnished by tragedy, and English football exiled from Europe. Fagan announced his retirement just hours later – and stepped back into the anonymity he craved. Now, drawing for the first time on Joe Fagan’s own diaries, as well as a raft of new interviews with players, colleagues and contemporaries, this biography celebrates the record of one of football’s least celebrated greats, and reveals the inner workings of Liverpool’s golden age.
On 30 May 1984 Joe Fagan made football history – he became the first English manager to win the Treble. It was an unprecedented triumph, the culmination of a twenty-seven year career at the very heart of the Liverpool machine, and the end of a golden age. Never one to court publicity, Joe’s pivotal role in Liverpool’s domination of the game in the Sixties, Seventies and Eighties is little known outside the walls of Anfield. A Scouser born and bred, he joined the coaching staff in 1958, after a playing career at Manchester City and years learning his craft in the lower leagues. At the time Liverpool were in the stranglehold of Second Division mediocrity – but then, a year later, Bill Shankly arrived, and everything changed. With a knack for nurturing the talents of precocious youngsters, Joe quickly became part of Shankly’s trusted inner circle. Indeed, not only was he one of the original members of the fabled Bootroom, he is widely credited with its creation. Under Bob Paisley he was appointed second-in-command and when Paisley stepped down, the reluctant Joe was the obvious and only choice to succeed him – what followed surpassed the dreams of even the most success-spoiled Kopites. However, just one year after Liverpool’s European triumph in Rome, the death of 39 fans at Heysel Stadium in Brussels saw the club’s glittering record tarnished by tragedy, and English football exiled from Europe. With news of his retirement leaked just hours before, a shattered Joe stepped back into the anonymity he craved. Now, drawing for the first time on Joe Fagan’s own diaries, as well as a raft of new interviews with players, colleagues and contemporaries, this biography celebrates the record of one of football’s least celebrated greats, and reveals the inner workings of Liverpool’s golden age.
The first collection of Mark Rothko's writings, which range the entire span of his career While the collected writings of many major 20th-century artists, including Barnett Newman, Robert Motherwell, and Ad Reinhardt, have been published, Mark Rothko's writings have only recently come to light, beginning with the critically acclaimed The Artist's Reality: Philosophies of Art. Rothko's other written works have yet to be brought together into a major publication. Writings on Art fills this significant void; it includes some 90 documents--including short essays, letters, statements, and lectures--written by Rothko over the course of his career. The texts are fully annotated, and a chronology of the artist's life and work is also included. This provocative compilation of both published and unpublished writings from 1934--69 reveals a number of things about Rothko: the importance of writing for an artist who many believed had renounced the written word; the meaning of transmission and transition that he experienced as an art teacher at the Brooklyn Jewish Center Academy; his deep concern for meditation and spirituality; and his private relationships with contemporary artists (including Newman, Motherwell, and Clyfford Still) as well as journalists and curators. As was revealed in Rothko's The Artist's Reality, what emerges from this collection is a more detailed picture of a sophisticated, deeply knowledgeable, and philosophical artist who was also a passionate and articulate writer.
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