A wordless picture book in which a girl sees a bicycle she wants to buy, works hard for a kindly neighbor to earn the money for it, then gets a pleasant surprise.
The author explains how to make a book with the help of a panda he has drawn--who has his own ideas about how to make a book. Includes a flap, a pull tab, and a pop-up image.
A lonely boy’s new pet grows into a rather large dilemma—and a Thanksgiving parade offers an uplifting solution—in this charming tale from the author of The Boy and the Airplane and The Girl and the Bicycle. When Leonard takes a shortcut through the park, he finds an egg and takes it home, where it hatches into a lizard (or so Leonard thinks). Leonard names his new pet Buster and takes him all around the city: on the subway, to the library, to a baseball game, and more. But Buster keeps growing and growing—and Leonard gets the sense that Buster is longing for something Leonard can’t provide. Before long, Buster becomes too big to keep, and Leonard realizes he needs to set Buster free. So Leonard comes up with an inventive plan, one that involves all the balloons Leonard can find and the annual Thanksgiving parade, in an imaginative plot twist that will spark readers’ imaginations—and touch their hearts.
Kindness needs no words in this soaring tale that is ideal for gift-giving. When a little boy’s prized toy airplane lands on a rooftop, he makes several rescue attempts before devising an unexpected solution. Rendered in sepia tones and exemplifying a touching message, this wordless story is gracefully open to interpretation, containing a seed of wisdom for every reader.
Sacred cows make the best hamburger." --Mark Twain Virtually every American, regardless of social status, eats fast food. Cartoonist Mark Pett's Lucky Cow strip embodies the spirit of America's love-hate affair with fast-food joints and the traits they have in common: * High turnover: Two Lucky Cow employees argue over who has seniority; the one who was hired at 9:30 that morning eventually wins. * Uniformity: A Lucky Cow employee boasts that a customer can visit any of the restaurant's franchises and they are all the same--right down to the lackluster customer service. * Cleanliness (or lack of it): People's shoes adhere to the sticky floors, and an employee's skin absorbs so much of the restaurant's grease that water rolls right off it. * Food quality: The response to a customer's query about the Lucky Cluck Chicken Nuggets being organic is met with, "Well, they're made from organs." To help ensure that Lucky Cow would feel authentic, cartoonist Mark Pett worked at McDonald's for a month, experiencing fast-food "culture" for himself and interviewing his coworkers about their lives in the business. So it really is "funny because it's true.
In the vein of Please Don't Eat Me and We Don't Eat Our Classmates, I Eat Poop. by Mark Pett is a heartwarming and hilarious picture book about friendship, fitting in, and accepting each other's differences. Dougie has a secret: he’s not a ground beetle. He’s a dung beetle, and he loves eating poop. Dougie knows he should be proud. Dung beetles help process waste and do other extraordinary things! But Dougie also knows that if anyone at school saw his lunch, he’d be an outcast. One day, the lunchroom bugs out over a classmate eating poop, and Dougie must make a choice. Can he stand up for his friend—and for his true self? I Eat Poop. is packed with important social emotional learning themes and is great for classroom or at home discussion. Read I Eat Poop. for conversations about: - Bullying and being kind - Standing up for your friends and speaking up for your beliefs - Being proud of your culture and heritage - Embracing diversity and accepting and celebrating differences The book also includes incredible, STEM-related facts about bugs.
Beatrice is so well-known for never making a mistake that she is greeted each morning by fans and reporters, but a near-error on the day of the school talent show could change everything."--Print
A hilarious and relatable read-aloud about a case of mistaken identity at bedtime. Where's Millie?! Every time a new nighttime task pops up, there's an animal in her place! It's time for Millie to eat her green beans. But Millie's not here--that's a hippo in her seat! Fine, if Millie won't eat her vegetables, it's time for a bath. No . . . Millie . . . here . . . just . . . a . . . tortoise . . . This fun, spare read-aloud is perfect for any kid who has ever tried to get out of something, and for any parent who has tried to get them back in.
Fanciful stories of rags-to-riches are fascinating. Yet, when such is part & parcel of one's ancestry, it becomes real. Having known physical hardship in the back-to-backs of Birmingham, great-grandfather Allden determined never to be poor again. An inherent ability in mental arithmetic was to play a major role in the family Commission Agent business; but did the gamble pay off? The Industrial Revolution is never far away in Birmingham & the Black Country, where the Alldens played their part in firing up and arming the nation. Jockeying around was also a major pastime and a money earner for the boys. Complex family relationships also set the scene when it was better to keep Mum; but lose her they did. A fun-loving Step-Mum & private education stepped in, but did the Alldens find their middle-class roots again. From whence did they hail & why had they fallen? Ancestry is but a game of Snakes & Ladders, so did the Alldens win in the end? Also, is there more of the Allden in the author than he cares to admit?
What did people in Restoration England think the correct relationship between church state should be? And how did this thinking evolve? Based on the author's published essays, revised and updated with a new overarching introduction, this book explores the debates in Restoration England about "godly rule". The book assesses some of the crucial transitions in English history: how the late Reformation gave way to the early Enlightenment; how Royalism became Toryism and Puritanism became Whiggism; how the power of churchmen was challenged by virulent anticlericalism; how the verities of "divine right" theory revived and collapsed. Providing a distinctive account of English thought in the era between the two revolutions of the Stuart century, "Contesting the English Polity, 1660-1688" discusses the ideological foundations of emerging party politics, and the deep intellectual roots of competing visions for the commonwealth, placing the power of religion, and the taming of religion, squarely alongside constitutional battles within secular politics.
Drawing on politics, religion, law, literature, and philosophy, this interdisciplinary study is a sequel to Mark Fortier’s bookThe Culture of Equity in Early Modern England (Ashgate, 2006). The earlier volume traced the meanings and usage of equity in broad cultural terms (including but not limited to law) to position equity as a keyword of valuation, persuasion, and understanding; the present volume carries that work through the Restoration and eighteenth century in Britain and America. Fortier argues that equity continued to be a keyword, used and contested in many of the major social and political events of the period. Further, he argues that equity needs to be seen in this period largely outside the Aristotelian parameters that have generally been assumed in scholarship on equity.
Beyond the Average Divorce is a core text that introduces students and scholars to the research literature on divorce and changes which occurs in family structures. Rather than a simplistic, static view that emphasizes means and averages in looking at 'typical' family reactions to divorce, this text emphasizes variability, fluidity, and change over time in the predivorce, divorce, and postdivorce process. The book also presents a dynamic theoretical model of divorce and how it is experienced and reacted to by family members in the complex variety of family situations.
Originally published in 1994, this dictionary provides a unique 'who’s who' of the major figures in the world of British cartoons and caricatures. It was the first book to encompass the entire field from c.1730 when Hogarth published the first of his 'modern moral pictures' to 1980. In addition to describing the careers and achievements of the artists and the characteristics of their styles, more than 500 entries give details of their publications, their illustrations to books and periodicals, exhibitions of their work, public collections in which their work is represented and literature on or referring to them. More than 150 illustrations are included. This is a comprehensive reference work and will be of interest to social and political historians as well as cartoon and caricature enthusiasts.
New biography of one of the key figures in British history focusing on both his writing and legacy. Mark Nicholls is President and Librarian of St John's College, Cambridge.
Devoted to birds and wildlife since childhood, Mark’s early scientific research at Oxford, Aberdeen and the RSPB provided a solid background for his management, ambassadorial, and political lobbying activities which were to follow – and his larger than life, yet quietly humane personality has provided the final tools in his own, unique, nature conservationists’ toolbox. In this book, Mark mixes a great many stories from his professional life at the RSPB with personal anecdotes and passionate arguments on past and present issues in bird and nature conservation. He shows us something of the many scientists whose work paves the way for conservation action, places domestic conservation into an international context, takes us behind the scenes to glimpse the politicians who have worked with him, or against him, along the way. Mark leaves us armed with practical tips and a guiding philosophy to take wildlife conservation though the troubled years that lie ahead. A personal, philosophical and political history of 25 years of bird conservation, this book provides an instructive and amusing read for all those who would like a glimpse into the birds and wildlife conservation world – what the issues are, what must be done, how it can be done, and the challenges, highs and lows involved.
Tells of the story of how Italians integrated into America in the 1950s in part through the music of such singers as Enrico Caruso, Frank Sinatra, Dean Martin, Perry Como, and others.
Is social enterprise yet another example of the expansion of the market into all areas of life and society, in this case the marketization of poverty? Or does it offer genuine hope as part of a solution to some of the challenges facing contemporary society, and as an example of an economy of mutuality? Framing this question theologically, does it offer the potential of "faithful economic practice"? The Promise of Social Enterprise makes the case that how we answer this depends on the language we use to describe--and perform--social enterprise. Arguing for the need to move beyond the narrow and reductionistic logic of mainstream economics, the economic nature of the language of gift and mutuality is explored. Drawing on the theological framework of Pope Benedict XVI and the work of John Barclay on Paul's understanding of the social implications of the Christ-gift, this book considers the contribution that a theology of gift, with its incongruity and mutuality, makes to the theory and practice of social enterprise.
From classics like King Kong, to beloved B-movies like The Beast from 20,000 Fathoms, to blockbusters like Jurassic Park, it's easy to see that filmmakers and audiences alike love to see dinosaurs on the screen. This comprehensive filmography, arranged alphabetically by title, contains entries that include basic facts (year of release, country of origin, studio, and running time), followed by a concise plot summary, the author's critical commentary, information on the production and the people behind it, and secrets of the often-ingenious special effects. Three useful appendices feature films with minor dinosaur content, planned but unfinished dinosaur movies, and the quasi-dinosaurs of Toho Studios. To be included, a movie must depict one or more representations of a "prehistoric reptile." Inaccurate portrayals are included, as long as the intent is to represent a real or fictional dinosaur. Not eligible are films featuring prehistoric mammals, prehistoric humans or humanoids, and beasts of mythology--unless, of course, the movie also has a dinosaur.
Edgerton became a city in 1853. It was named after a modest railroad engineer, Benjamin Hyde Edgerton, who warned people to "wait until after I'm dead, because I might do something in the meantime to discredit the name." In the 1880s, Edgerton was the Wisconsin birthplace of Pauline Pottery, still sought by antique collectors. For more than 100 years, Edgerton was the Midwest king of tobacco. The hometown of Rascal: A Memoir of a Better Era author Sterling North, Edgerton is now a city of festivals, including Tobacco Days, Chilimania, and the Edgerton Book and Film Festival.
In Imaging Reality: The Faber Book of Documentary, Oscar-winning documentary-maker Kevin Macdonald ( One Day in September, Touching the Void) and leading broadcaster/historian Mark Cousins ( The Story of Film) offer an expanded, revised edition of their 'definitive, inspirational' ( Independent) compendium on the roots and history of the documentary film. Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War.
British cartoonists and caricaturists are renowned worldwide. Originally published in 2000, this indispensable handbook offers a unique ‘who’s who’ of all the major artists working in Britain in the twentieth century and contains nearly 500 entries. Extensively illustrated, the book provides information on the work of artists such as Steve Bell, Gerald Scarfe, Posy Simmonds, Ronald Searle, Trog, mac and Larry as well as such past masters as David Low, Vicky, H. M. Bateman, Illingworth, Heath Robinson and more. The dictionary concentrates primarily on political cartoonists, caricaturists and joke or ‘gag’ cartoonists, actively working for the main Fleet Street national dailies and weeklies from 1900 to 1995. Each entry is cross-referenced and provides a concise biographical outline with an account of the artist’s style, influences and preferred medium. Where relevant the entry includes suggestions for further reading and notes solo exhibitions, books illustrated and works held in public collections. The Dictionary of Twentieth-Century British Cartoonists and Caricaturists offers an insight into the lives of satirical artists working during a century that provoked cartoonists and caricaturists to a pitch of comic and artistic invention that has rarely been matched.
The execution of King Charles I is one of the well-known facts of British history, and an often-quoted snippet from our past. He lost the civil war and his head. But there is more to Charles than the civil war and his death. To fully appreciate the momentous events that marked the twenty-four years of his reign, and what followed, it’s important to understand the man who was at their epicenter. Both during his lifetime, and in the centuries since, opinion of Charles is often polarized; he is either Royal Martyr or Man of Blood. Amidst these extremes, what is frequently overshadowed is the man himself. Propaganda still clouds his personality, as do the events of his last seven years of life. The first half of his life has not been explored in detail. As a sickly second son of the first King of Great Britain, these years shed light on the development of Charles’s character. Key elements of his final days also remain lost to us, such as certain identification of his executioners. Investigating new evidence, an entirely new candidate is proposed. Persistent myths surrounding his health and supposed unwillingness to compromise are also addressed. There are many biographies, but this most intimate work draws upon fresh viewpoints and contemporary letters, some never before used. Penetrating the veil of monarchy and getting to the heart of the man through his relationships, the reader is brought closer than ever to the real Charles Stewart. A brave, principled and dutiful man, he was politically flawed and lacked the ruthlessness needed to steer his three kingdoms beyond the crossroads at which they arrived. Above all, he is a character who shares much in common with us all. "This is the story of the spare who became the heir: what shaped him - and what became of him. Mark Turnbull helps us understand Charles the king as Charles the man" - Leanda de Lisle
Of all the great British rock bands to emerge from the 1960s, none had a stronger sense of place than the Kinks. Often described as the archetypal English band, they were above all a quintessentially working-class band with a deep attachment to London, particularly the patch of suburban North London where most of the members grew up. In this illuminating study, Mark Doyle examines the relationship between the Kinks and their city, from their early songs of teenage rebellion to their later album-length works of social criticism, providing a unique perspective on the way in which the band responded to the shifting nature of working-class life. Along the way, he finds fascinating and sometimes surprising connections with figures as diverse as Edmund Burke, John Clare, Charles Dickens, and the Covent Garden Community Association. More than just a book about the Kinks, this is a book about a city, a nation, and a social class undergoing a series of profound, sometimes troubling changes—and about a group of young men who found a way to describe, lament, and occasionally even celebrate those changes through song.
The first step in making your ideas a reality SketchUp offers a vast array of tools that help you get your building, woodworking, and design plans out of your head and into a real model. Even if you’ve never dabbled in the software, SketchUp All-in-One For Dummies makes it easy to get started as quickly as the ideas pop into your head! Providing real-world insight from top SketchUp insiders, these six-books-in-one teach you how to tackle the basics of the program and apply those skills to real-world projects. You’ll discover the basics of modeling as they apply to either free or paid versions of SketchUp before diving into creating models to use for making objects, constructing buildings, or redesigning interiors. Navigate the SketchUp product mix Get familiar with the basics of modeling View and share your models Make your architecture, interior design, and woodworking dreams a reality You have tons of great ideas—and now you can harness this powerful software to bring them to life.
Beatson, Matthews & Elliot's Administrative Law' combines extracts from key cases, articles and other sources with detailed commentary. Aimed at undergraduates studying administrative law, it provides comprehensive coverage of the subject.
Little attention has been paid to the development of Australian private law throughout the first half of the twentieth century. Using the law of tort as an example, Mark Lunney argues that Australian contributions to common law development need to be viewed in the context of the British race patriotism that characterised the intellectual and cultural milieu of Australian legal practitioners. Using not only primary legal materials but also newspapers and other secondary sources, he traces Australian developments to what Australian lawyers viewed as British common law. The interaction between formal legal doctrine and the wider Australian contexts in which that doctrine applied provided considerable opportunities for nuanced innovation in both the legal rules themselves and in their application. This book will be of interest to both lawyers and historians keen to see how notions of Australian identity have contributed to the development of an Australian law.
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