A fascinating glimpse into the creative process of a major contemporary sculptor, featuring many previously unseen works on paper American sculptor Martin Puryear (b. 1941) creates work that combines the clean elegance of minimalism and the simplicity of traditional materials. His stunning sculptures explore themes of identity, ethnicity, and history, and are rich with social and cultural commentary. Puryear, who is known for abstract, large-scale pieces in wood, stone, and bronze, has captured the attention of the art world for the past 30 years. Despite the apparent simplicity of his works, however, he engages in an extensive iterative process that has, until now, been unknown. Martin Puryear: Multiple Dimensions explores that process, featuring numerous drawings, prints, and small-scale sculptures that have never before been published. This catalogue is the first to examine Puryear's work across media, providing invaluable insight into his visual thinking, from sketches to working drawings and constructions for sculpture. Handsomely illustrated with nearly 120 color plates that demonstrate the evolution of Puryear's ideas between drawings, prints, and sculptures, this beautiful volume draws back the curtain on the methodology of this important and enigmatic artist.
The Davidsons assembled an extraordinary collection of American drawings dating from 1960 to the present, showcasing the continuing currency of realism and humanism. Featuring such artists as William Bailey, Jack Beal, William Beckman, Rackstraw Downes, Janet Fish, Alex Katz, Alfred Leslie, Michael Mazur, Alice Neel, and Philip Pearlstein, the collection has been given to the Art Institute of Chicago, which is exhibiting 125 of its finest examples. This beautiful volume includes biographies of the artists and an important critical essay by Ruth E. Fine. 126 colour illustrations
Romanian-born American artist Saul Steinberg (1914-1999) won international acclaim for his inventive, wry representations of the postwar age. His work appeared on the covers and interiors of the New Yorker for nearly six decades, and his drawings, collages, prints, paintings, and sculptures have been exhibited in galleries and museums around the world. With essays by cartoonist Chris Ware and curator Mark Pascale, this book traces Steinberg's imagery as it evolved over the full scope of his career, during which he refused to distinguish between high and low art. The 60 works included range from the witty black-ink takes on his newly adopted land of 1940s America to the watercolor paintings he made as a mature artist in the late 1980s"--
Every few years a book changes the way people think about a field. In psychology there is Daniel Goleman's Emotional Intelligence. In science, James Gleick's Chaos. In economics and finance, Burton Malkiel's A Random Walk Down Wall Street. And in business there is now Surfing the Edge of Chaos by Richard T. Pascale, Mark Millemann, and Linda Gioja. Surfing the Edge of Chaos is a brilliant, powerful, and practical book about the parallels between business and nature -- two fields that feature nonstop battles between the forces of tradition and the forces of transformation. It offers a bold new way of thinking about and responding to the personal and strategic challenges everyone in business faces these days. Pascale, Millemann, and Gioja argue that because every business is a living system (not just as metaphor but in reality), the four cornerstone principles of the life sciences are just as true for organizations as they are for species. These principles are: Equilibrium is death. Innovation usually takes place on the edge of chaos. Self-organization and emergence occur naturally. Organizations can only be disturbed, not directed. Using intriguing, in-depth case studies (Sears Roebuck, Monsanto, Royal Dutch Shell, the U.S. Army, British Petroleum, Hewlett Packard, Sun Microsystems), Surfing the Edge of Chaos shows that in business, as in nature, there are no permanent winners. There are just companies and species that either react to change and evolve, or get left behind and become extinct. Some examples: Parallels between Yellowstone National Park and Sears show why equilibrium is a dangerous place in both nature and business. How Monsanto used a "strange attractor" to move to the edge of chaos to alter its identity and transform its culture. The unlikely story of how the U.S. Army embraced the ideas of self-organization and emergence. Why the misapplication of linear logic (reengineering a business or attempting to eradicate predators in nature) will inevitably fail. The stories in Surfing the Edge of Chaos are of pioneering efforts that show how the principles of living systems produce bottom-line impact and profound transformational change. What's really striking about them, though, is their reality. They are about success and failure, breakthroughs and dead-ends. In short, they are like the business you are in and the challenges you face.
A revelatory reassessment of one of the most influential American artists of the 20th century Charles White (1918–1979) is best known for bold, large-scale paintings and drawings of African Americans, meticulously executed works that depict human relationships and socioeconomic struggles with a remarkable sensitivity. This comprehensive study offers a much-needed reexamination of the artist’s career and legacy. With handsome reproductions of White’s finest paintings, drawings, and prints, the volume introduces his work to contemporary audiences, reclaims his place in the art-historical narrative, and stresses the continuing relevance of his insistent dedication to producing positive social change through art. Tracing White’s career from his emergence in Chicago to his mature practice as an artist, activist, and educator in New York and Los Angeles, leading experts provide insights into White’s creative process, his work as a photographer, his political activism and interest in history, the relationship between his art and his teaching, and the importance of feminism in his work. A preface by Kerry James Marshall addresses White’s significance as a mentor to an entire generation of practitioners and underlines the importance of this largely overlooked artist.
The worlds population is expected to reach 9 billion by 2050. Climate change, population, and income growth will drive food demand in the coming decades. Baseline scenarios show food prices for maize, rice, and wheat would significantly increase between 2005 and 2050, and the number of people at risk of hunger in the developing world would grow from 881 million in 2005 to more than a billion people by 2050. Food Security in a World of Natural Resource Scarcity: The Role of Agricultural Technologies examines which current and potential strategies offer solutions to fight hunger. The type and effectiveness of agricultural technologies are highly debated, and the debates are often polarized. Technology options are many, but transparent evidence-based information has been inconclusive or scarce. This book endeavors to respond to the challenge of growing food sustainably without degrading our natural resource base. The authors use a groundbreaking modeling approach that combines comprehensive process-based modeling of agricultural technologies with sophisticated global food demand, supply, and trade modeling. This approach assesses the yield and food impact through 2050 of a broad range of agricultural technologies under varying assumptions of climate change for the three key staple crops: maize, rice, and wheat. Geared toward policymakers in ministries of agriculture and national agricultural research institutes, as well as multilateral development banks and the private sector, Food Security in a World of Natural Resource Scarcity provides guidance on various technology strategies and which to pursue as competition grows for land, water, and energy across productive sectors and even increasingly across borders. The book is an important tool for targeting investment decisions today and going forward.
Published in conjunction with an exhibition of the same title organized by and presented at the Art Institute of Chicago from November 19, 2011, to February 26, 2012"--T.p. verso.
Otherworldly, provocative, and strange, Awake in the Dream World channels the looming, historical grimness of the classic fairy tale, illuminating the dichotomy between the real and imagined through the context of fantasy, and bringing to life a macabre ensemble of folkloric characters. Awake in the Dream World is a mid-career retrospective of artist and author Audrey Niffenegger (The Time Traveler's Wife, bestselling novel turned feature film), reflecting her talent for cultivating a captivating narrative exclusively through pictures and her own confrontations with life, mortality, and magic. Niffenegger's fantastical body of work is reminiscent of renowned pen and ink predecessors such as Edward Gorey, Aubrey Beardsley, Egon Schiele, Edward Dulac, and Horst Janssen, but with a brutally honest and unapologetically strange female perspective that touches upon the universal trials of life-death and decay, love, jealousy, redemption, and the inevitability of change. Her works on paper, lithographs, and aquatints reflect the often surreal narratives of her artist's books. Through self-portraiture, Niffenegger reveals her own self-assurance and whimsy alongside anxiety and loneliness, probing darker corners of the human heart and mind, often exploring the hopeless struggle with what Shakespeare called "this bloody tyrant, Time." Essays by Audrey Niffenegger, National Museum of Women in the Arts Curator of Book Arts Krystyna Wasserman, and Art Institute of Chicago Curator and School of the Art Institute Professor Mark Pascale explore the artist's influences and work. Published in conjunction with the June 21-November 10, 2013 exhibition at the National Museum of Women in the Arts.
Marking the artist's first major publication in his 30-year-plus career, Mel Kendrick: Wood Blocks Water Drawings presents a collection of the American artist's wood block prints and water drawings. Produced over a period from the early 1990s to the present day, Kendrick's prints explore bold yet complex arrangements, all the while introducing the subtle grain of the wood, signifying the organic quality of the artist's creative process. These large-scale prints, typically measuring 3 x 2 metres in size, are largely informed by the artist's ongoing sculptural practice, in both spatial engagement and process. Kendrick's work is discussed within the book through texts that investigate the relationship that the works hold with both architectural and artistic influencers, as well as with his well established sculptural practice, through which he has a storied history of using wood, bronze, rubber, paper and cast concrete. 130 Illustrations
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