In Cursed in Virginia, Mark Nesbitt recounts tales of genuine maledictions intended to invoke evil and unease across the state the Old Dominion State. The pages will bring to life these stories, letting you decide whether the resulting tragedies were simply bad luck, coincidences…or something far more sinister.
Eerie tribute to the ghosts and ghouls of American Civil War soldiers. Riveting ghost stories from all the major engagements of the war including Manassas, Shiloh, Antietam, Fredericksburg, Chancellorsville, Vicksburg, Gettysburg, Chickamauga, Chattanooga, Petersburg, and Appomattox.
Hauntings lurk and spirits linger in the Keystone State Reader, beware! Turn these pages and enter the world of the paranormal, where ghosts and ghouls alike creep just out of sight. Authors Mark Nesbitt and Patty A. Wilson shine a light in the dark corners of Pennsylvania and scare those spirits out of hiding in this thrilling collection. From apparitions of fires and soldiers struggling in the cold at Valley Forge, to ghostly children stalking dormitories at Gettysburg College, these stories of strange occurrences are sure to send a chill up your spine. Around the campfire or tucked away on a dark and stormy night, this big book of ghost stories is a hauntingly good read.
The major facts of the Gettysburg campaign and battle are well known, but controversies about its outcome abound even today. No issue is more contested than that of the whereabouts of the dashing cavalryman, Maj. Gen. J. E. B. Stuart. Author Mark Nesbitt gives a detailed reconstruction of Stuart's actions during the campaign and presents the case that Stuart was not at fault for the loss: He was following orders to the best of his ability. The blame surrounding Stuart only surfaced after the war when, in an attempt to exonerate Lee, some veterans vilified Stuart unfairly. Unfortunately for the great cavalryman, that culpability has stuck. Nesbitt's findings challenge generations of Gettysburg historiography and are certain to fuel the controversy for years to come.
En route to battle, a Confederate soldier and a Union soldier both make daily entries in small, leather-bound diaries. Historian Mark Nesbitt places their writings into the context of the Civil War.
In Cursed in Pennsylvania, Mark Nesbitt and Patty A. Wilson recount tales of genuine maledictions intended to invoke evil and unease across the state the Keystone State. The pages will bring to life these stories, letting you decide whether the resulting tragedies were simply bad luck, coincidences…or something far more sinister.
Whether opening saloons, raising cattle, or promoting sporting events, George Lewis "Tex" Rickard (1870-1929) possessed a drive to be the best. After an early career as a cowboy and Texas sheriff, Rickard pioneered the largest ranch in South America, built a series of profitable saloons in the Klondike and Nevada gold rushes, and turned boxing into a million-dollar sport. As "the Father of Madison Square Garden," he promoted over 200 fights, including some of the most notable of the 20th century: the "Longest Fight," the "Great White Hope," fight, and the famous "Long Count" fight. Along the way, he rubbed shoulders with some of history's most renowned figures, including Teddy Roosevelt, Wyatt Earp, Bat Masterson, John Ringling, Jack Dempsey, and Gene Tunney. This detailed biography chronicles Rickard's colorful life and his critical role in the evolution of boxing from a minor sport to a modern spectacle.
African-Americans' analysis of, and interest in, foreign affairs represents a rich and dynamic legacy, and this work provides a cutting edge insight into this neglected aspect of US foreign affairs. In addition to extending the parameters of US foreign policy literature to include race and ethnicity, the book documents case-specific analyses of the evolutionary development of the African American foreign affairs network (AAFAN). Whilst the examination of race in regard to the construction of US foreign policy is significant, this book also provides a cross disciplinary approach which utilises historical and political science methods to paint a more realistic appraisal of US foreign policy. Including analysis of original archival evidence, this theoretically informed work seeks to transcend the standard mono-disciplinary approach which overestimates the separation between domestic and foreign affairs. The unique approach of this work will add an important dimension to a newly emerging field and will be of interest to scholars in ethnic and racial studies, American politics, US foreign policy and US history.
Excellent. Thought-provoking. A must-read' - Belfast Telegraph 'Fascinating' - Irish Times 'Mark Carruthers has done something remarkably clever and refreshing . . . A very important book' - Belfast News Letter 'The best political book of the year' - Alex Kane Ulster is an ambiguous and complex place. With six of its nine counties in Northern Ireland and three in the Republic of Ireland, it is perhaps most readily associated with the Troubles of the past four decades. It is also, however, a place with a rich literary, musical and sporting heritage. Its people represent a surprising mix of cultural identities, religious ideologies and political allegiances. There is no one settled Ulster identity but as this collection of conversations bears out, there are many areas where experiences and beliefs overlap - even though people come from very different backgrounds and traditions. In Alternative Ulsters, the broadcaster Mark Carruthers interviews a wide range of high-profile writers, actors, journalists and politicians, each of them with an enduring Ulster connection. He uses his finely tuned skills as an interviewer to draw each contributor into a personal reflection on identity. The stories and experiences that helped shape and influence each of the thirty-six interviewees are presented here in a series of colourful, lively, and at times deeply moving exchanges. Together, these conversations with those who know the place best explore Ulster in the twenty-first century, revealing a freshness of thought and a richness of culture that rarely make the headlines.
Association of Recorded Sound Collections Awards for Excellence Best Research in Recorded Jazz Music–Best History (tie) (2011) Wilbur C. Sweatman (1882-1961) is one of the most important, yet unheralded, African American musicians involved in the transition of ragtime into jazz in the early twentieth century. In That's Got 'Em!, Mark Berresford tracks this energetic pioneer over a seven-decade career. His talent transformed every genre of black music before the advent of rock and roll—“pickaninny” bands, minstrelsy, circus sideshows, vaudeville (both black and white), night clubs, and cabarets. Sweatman was the first African American musician to be offered a long-term recording contract, and he dazzled listeners with jazz clarinet solos before the Original Dixieland Jazz Band's so-called “first jazz records.” Sweatman toured the vaudeville circuit for over twenty years and presented African American music to white music lovers without resorting to the hitherto obligatory “plantation” costumes and blackface makeup. His bands were a fertile breeding ground of young jazz talent, featuring such future stars as Duke Ellington, Coleman Hawkins, and Jimmie Lunceford. Sweatman subsequently played pioneering roles in radio and recording production. His high profile and sterling reputation in both the black and white entertainment communities made him a natural choice for administering the estate of Scott Joplin and other notable black performers and composers. That's Got 'Em! is the first full-length biography of this pivotal figure in black popular culture, providing a compelling account of his life and times.
Since the first edition of the Handbook of Alternative Assets was published, significant events-from the popping of the technology bubble and massive accounting scandals to recessions and bear markets-have shifted the financial landscape. These changes have provided author Mark J. P. Anson with an excellent opportunity to examine alternative assets during a different part of the economic cycle than previously observed in the first edition. Fully revised and updated to reflect today's financial realities, the Handbook of Alternative Assets, Second Edition covers the five major classes of alternative assets-hedge funds, commodity and managed futures, private equity, credit derivatives, and corporate governance-and outlines the strategies you can use to efficiently incorporate these assets into any portfolio. Throughout the book, new chapters have been added, different data sources accessed, and new conclusions reached. Designed as both an introduction to the world of alternative assets and as a reference for the active investor, the Handbook of Alternative Assets, Second Edition will help you match alternative assets with your various investment goals.
The Definitive 4-in-1 Reference Guide to Alternative Assets Many books cover individual alternative asset classes, but noneoffers a comprehensive examination of the four major classes aspresented in the Handbook of Alternative Assets. This completehandbook merges data and strategies scattered in numerous volumesinto one handy guide for the serious investor. The four majorclasses discussed are: * Hedge funds * Commodity and managed futures * Private equity * Credit derivatives Organized by sections-one for each alternative asset class-theHandbook of Alternative Assets demonstrates the benefits and risksof each alternative asset and reveals how these asset classes canbe incorporated into a diversified portfolio. Through expert advice, the Handbook of Alternative Assets detailseach of four major alternative asset classes and breaks down theirquantitative statistical value as well. With this comprehensivehandbook on your desk, you'll begin to use alternative assetclasses to both hedge and expand any portfolio.
Jazz from Detroit explores the city’s pivotal role in shaping the course of modern and contemporary jazz. With more than two dozen in-depth profiles of remarkable Detroit-bred musicians, complemented by a generous selection of photographs, Mark Stryker makes Detroit jazz come alive as he draws out significant connections between the players, eras, styles, and Detroit’s distinctive history. Stryker’s story starts in the 1940s and ’50s, when the auto industry created a thriving black working and middle class in Detroit that supported a vibrant nightlife, and exceptional public school music programs and mentors in the community like pianist Barry Harris transformed the city into a jazz juggernaut. This golden age nurtured many legendary musicians—Hank, Thad, and Elvin Jones, Gerald Wilson, Milt Jackson, Yusef Lateef, Donald Byrd, Tommy Flanagan, Kenny Burrell, Ron Carter, Joe Henderson, and others. As the city’s fortunes change, Stryker turns his spotlight toward often overlooked but prescient musician-run cooperatives and self-determination groups of the 1960s and ’70s, such as the Strata Corporation and Tribe. In more recent decades, the city’s culture of mentorship, embodied by trumpeter and teacher Marcus Belgrave, ensured that Detroit continued to incubate world-class talent; Belgrave protégés like Geri Allen, Kenny Garrett, Robert Hurst, Regina Carter, Gerald Cleaver, and Karriem Riggins helped define contemporary jazz. The resilience of Detroit’s jazz tradition provides a powerful symbol of the city’s lasting cultural influence. Stryker’s 21 years as an arts reporter and critic at the Detroit Free Press are evident in his vivid storytelling and insightful criticism. Jazz from Detroit will appeal to jazz aficionados, casual fans, and anyone interested in the vibrant and complex history of cultural life in Detroit.
Distance from the Belsen Heap examines the experiences of hundreds of British and Canadian eyewitnesses to atrocity, including war artists, photographers, medical personnel, and chaplains.
President Abraham Lincoln is the most frequently portrayed American historical figure in the history of the film and television arts, appearing onscreen as a character in more than 250 productions since the birth of the motion picture medium. This work covers each film and television portrayal of Lincoln, providing essential cast, production and release information, and discussion of each work's historical accuracy and artistic merits. This updated edition provides commentary on all new screen works produced in recent years, including Steven Spielberg's award-winning 2012 film Lincoln starring Daniel Day-Lewis in the title role.
David Franks, a colonial businessman in Philadelphia, was one of the most important figures in American Jewish history in the eighteenth century. This extensively researched biography illuminates not only Franks's personal dealings, but also his business life. Franks was involved with Indian trade, ship design and building, manufacturing, international trade, land speculation, westward exploration, and military provisioning. This volume follows Franks from his beginnings in a prominent Jewish family to his trials for treason and his exile in the postrevolutionary period, offering a unique portrait of a forgotten American.
Discover the places in Indiana where tourists usually don't venture-- it's chock-full of oddball curiosities, ghostly places, local legends, crazy characters, cursed roads, and peculiar roadside attractions.
These stories were first written from late 2017-June 2018. It was while I was a freelance journalist with The People's World (PW). The amazing group of editors there helped flush out my voice with stories I knew needed to be read. While at PW I was humbled to see my stories time and time again be the most clicked/read stories of the week. Most of my stories had 1000's of hits a day for over 5 days in a row constantly. I always said, it is the combination of a good nose for a story and the great editing team I shared which was a winning combination. Oklahoman Mark Maxey is a Yuchi Indian, enrolled in the Muscogee Nation, and has studied radio/TV/film with an Art minor in college. He is a member of the National Writers Union, UAW Local 1981/AFL-CIO. He's worked as an administrative assistant, petroleum landman, barista, staff writer, paralegal, content producer and graphic designer. He spent six months as a National Data Team volunteer for the Bernie Sanders for President campaign.
The most authoritative illustrated book on flying reptiles available For 150 million years, the skies didn't belong to birds—they belonged to the pterosaurs. These flying reptiles, which include the pterodactyls, shared the world with the nonavian dinosaurs until their extinction 65 million years ago. Some pterosaurs, such as the giant azhdarchids, were the largest flying animals of all time, with wingspans exceeding thirty feet and standing heights comparable to modern giraffes. This richly illustrated book takes an unprecedented look at these astonishing creatures, presenting the latest findings on their anatomy, ecology, and extinction. Pterosaurs features some 200 stunning illustrations, including original paintings by Mark Witton and photos of rarely seen fossils. After decades of mystery, paleontologists have finally begun to understand how pterosaurs are related to other reptiles, how they functioned as living animals, and, despite dwarfing all other flying animals, how they managed to become airborne. Here you can explore the fossil evidence of pterosaur behavior and ecology, learn about the skeletal and soft-tissue anatomy of pterosaurs, and consider the newest theories about their cryptic origins. This one-of-a-kind book covers the discovery history, paleobiogeography, anatomy, and behaviors of more than 130 species of pterosaur, and also discusses their demise at the end of the Mesozoic. The most comprehensive book on pterosaurs ever published Features some 200 illustrations, including original paintings by the author Covers every known species and major group of pterosaurs Describes pterosaur anatomy, ecology, behaviors, diversity, and more Encourages further study with 500 references to primary pterosaur literature
From classics like King Kong, to beloved B-movies like The Beast from 20,000 Fathoms, to blockbusters like Jurassic Park, it's easy to see that filmmakers and audiences alike love to see dinosaurs on the screen. This comprehensive filmography, arranged alphabetically by title, contains entries that include basic facts (year of release, country of origin, studio, and running time), followed by a concise plot summary, the author's critical commentary, information on the production and the people behind it, and secrets of the often-ingenious special effects. Three useful appendices feature films with minor dinosaur content, planned but unfinished dinosaur movies, and the quasi-dinosaurs of Toho Studios. To be included, a movie must depict one or more representations of a "prehistoric reptile." Inaccurate portrayals are included, as long as the intent is to represent a real or fictional dinosaur. Not eligible are films featuring prehistoric mammals, prehistoric humans or humanoids, and beasts of mythology--unless, of course, the movie also has a dinosaur.
Whether rocketing to other worlds or galloping through time, science fiction television has often featured the best of the medium. The genre's broad appeal allows youngsters to enjoy fantastic premises and far out stories, while offering adults a sublime way to view the human experience in a dramatic perspective. From Alien Nation to World of Giants, this reference work provides comprehensive episode guides and cast and production credits for 62 science fiction series that were aired from 1959 through 1989. For each episode, a brief synopsis is given, along with the writer and director of the show and the guest cast. Using extensive research and interviews with writers, directors, actors, stuntmen and many of the show's creators, an essay about each of the shows is also provided, covering such issues as its genesis and its network and syndication histories.
• Includes all of Chamberlain's known wartime letters • Shows his transformation from college professor to major general • Original writings placed into context by historian Mark Nesbitt In July 1862 Joshua Chamberlain, a family man and respected professor at Bowdoin College in Maine, joined the fight to preserve the Union. His wartime service was exemplary; he is perhaps best remembered for his outstanding leadership at Gettysburg. At all times, however, he fought bravely and well, even at Petersburg in 1864 where he received the wound that was to torment him until his death in 1914. Throughout his time in the field, Chamberlain wrote letters of recommendation to his superiors, letters of condolence to the families of soldiers killed while under his command, and letters to his family at home. All are well written, revealing the professor's educated background and elegant prose. Nesbitt's notes set the scene, place Chamberlain's writings within the larger context of the war, and make clear the General's sterling character and his sacrifices for the country he loved.
The first volume in Mark Nesbitt's popular book series. A combination of history and mystery, this volume focuses on the early ghost-lore of Gettysburg. Included are the timeless stories of the woman in white, the surgeons of Old Dorm, the ghosts of Devil's Den, the Blue Boy, and other infamous spectres who wander the Gettysburg battlefield. This volume in the "Ghosts of Gettysburg" book series was first released in October 1991. Mr. Nesbitt started collecting ghost stories from Gettysburg in the early 1960s. In the 1970s, he worked as a Park Ranger at Gettysburg National Military Park and was assigned to live in some of the historic houses on the Park. His collection of ghost stories grew. As long as visitors to the Gettysburg area continue to share their "ghostly" experiences, Mr. Nesbitt will continue to add to his "Ghosts of Gettysburg" book series.
The first book to examine the role of Canada’s newspapers in perpetuating the myth of Native inferiority. Seeing Red is a groundbreaking study of how Canadian English-language newspapers have portrayed Aboriginal peoples from 1869 to the present day. It assesses a wide range of publications on topics that include the sale of Rupert’s Land, the signing of Treaty 3, the North-West Rebellion and Louis Riel, the death of Pauline Johnson, the outing of Grey Owl, the discussions surrounding Bill C-31, the “Bended Elbow” standoff at Kenora, Ontario, and the Oka Crisis. The authors uncover overwhelming evidence that the colonial imaginary not only thrives, but dominates depictions of Aboriginal peoples in mainstream newspapers. The colonial constructs ingrained in the news media perpetuate an imagined Native inferiority that contributes significantly to the marginalization of Indigenous people in Canada. That such imagery persists to this day suggests strongly that our country lives in denial, failing to live up to its cultural mosaic boosterism.
Celebrated accounts of lawless towns that relied on the extra-legal justice of armed citizens and hired gunmen are part of the enduring cultural legacy of the American West. This work presents a case study of law and legal culture in Lincoln County, Nebraska, during the nineteenth century. It also examines legal institutions on the Great Plains.
In 2002, the UK introduced a criminal competition law into the UK legal system for the first time since the 18th century. Using a range of analytical lenses, Mark Furse re-appraises this law ten years on, and provides an extensive analysis of its features. This invigorating work details the policy arguments behind the introduction of the law, and examines Ð through consideration of the successful prosecutions in the US Ð the extent to which the law in practice may be considered to have succeeded or failed in the UK. The role of the US as global antitrust policeman is also considered. The book concludes with a consideration of the difficulties facing the UK in choosing to pursue a criminal route within the current civil framework. Including full discussions of relevant literature relating to the criminalisation of cartels, and the use of personal sanctions against cartelists, this book will appeal to postgraduates and advanced undergraduate students of competition law, competition law practitioners in the UK, EU and US, as well as competition law enforcement personnel.
One of The Hollywood Reporter’s 100 Greatest Film Books of All Time • A National Book Critics Circle finalist • One of People's top 10 books of 2021 • An instant New York Times bestseller • Named a best book of the year by NPR and Time A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges—some of the worst largely unknown until now—by the acclaimed author of Pictures at a Revolution and Five Came Back Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May that was the talk of the country. Next he directed four consecutive hit plays, won back-to-back Tonys, ushered in a new era of Hollywood moviemaking with Who's Afraid of Virginia Woolf?, and followed it with The Graduate, which won him an Oscar and became the third-highest-grossing movie ever. At thirty-five, he lived in a three-story Central Park West penthouse, drove a Rolls-Royce, collected Arabian horses, and counted Jacqueline Kennedy, Elizabeth Taylor, Leonard Bernstein, and Richard Avedon as friends. Where he arrived is even more astonishing given where he had begun: born Igor Peschkowsky to a Jewish couple in Berlin in 1931, he was sent along with his younger brother to America on a ship in 1939. The young immigrant boy caught very few breaks. He was bullied and ostracized--an allergic reaction had rendered him permanently hairless--and his father died when he was just twelve, leaving his mother alone and overwhelmed. The gulf between these two sets of facts explains a great deal about Nichols's transformation from lonely outsider to the center of more than one cultural universe--the acute powers of observation that first made him famous; the nourishment he drew from his creative partnerships, most enduringly with May; his unquenchable drive; his hunger for security and status; and the depressions and self-medications that brought him to terrible lows. It would take decades for him to come to grips with his demons. In an incomparable portrait that follows Nichols from Berlin to New York to Chicago to Hollywood, Mark Harris explores, with brilliantly vivid detail and insight, the life, work, struggle, and passion of an artist and man in constant motion. Among the 250 people Harris interviewed: Elaine May, Meryl Streep, Stephen Sondheim, Robert Redford, Glenn Close, Tom Hanks, Candice Bergen, Emma Thompson, Annette Bening, Natalie Portman, Julia Roberts, Lorne Michaels, and Gloria Steinem. Mark Harris gives an intimate and evenhanded accounting of success and failure alike; the portrait is not always flattering, but its ultimate impact is to present the full story of one of the most richly interesting, complicated, and consequential figures the worlds of theater and motion pictures have ever seen. It is a triumph of the biographer's art.
A bold new history of the global class war A thrilling and vivid work of history, Class War weaves together literature and politics to chart the making and unmaking of social class through revolutionary combat. In a narrative that spans the globe and more than two centuries of history, Mark Steven traces the history of class war from the Haitian Revolution to Black Lives Matter. Surveying the literature of revolution, from the poetry of Shelley and Byron to the novels of Émile Zola and Jack London, exploring the writings of Frantz Fanon, Che Guevara, and Assata Shakur, Class War reveals the interplay between military action and the politics of class, showing how solidarity flourishes in times of conflict. Written with verve and ranging across diverse historical settings, Class War traverses industrial battles, guerrilla insurgencies, and anticolonial resistance, as well as large-scale combat operations waged against capitalism's regimes and its interstate system. In our age of economic crisis, ecological catastrophe, and planetary unrest, Steven tells the stories of those whose actions will help guide future militants toward a revolutionary horizon.
The Singularity—the looming point of no return when Artificial Intelligence surpasses human cognitive abilities, with consequences no one can foresee, and only a handful of people understand. Rusty Mullins, ex-Secret Service, has never heard of the Singularity. He only knows that after the deadly challenges of his last job for security firm Prime Protection, he swore he'd stop risking his life on assignments. Then his good friend Ted Lewison, head of Prime Protection, asks him back for a routine mission guarding Chinese scientist Dr. Lisa Li and her seven-year-old nephew, Peter, and Mullins agrees. The conference on AI bringing Dr. Li to Washington, DC, is barely under way when a team of assassins storms the room. The carnage is great but Mullins saves Dr. Li and Peter while the attackers kill the two other AI experts, along with Lewison. His widow begs Mullins to uncover the power behind the group claiming credit for the assassinations. Is "Double H" homegrown, or part of a larger international conspiracy? Enter eccentric tech billionaire Robert Brentwood who requests Mullins continue to guard Dr. Li and Peter. Brentwood seeks the Singularity and believes Dr. Li holds the key. Mullins agrees in exchange for running his investigation through Brentwood's extraordinary computer resources. The quest leads him on an unexpected path from Naval Intelligence and the Oval Office to a secret research lab in the North Carolina mountains. No one can be trusted—the race for the Singularity is a global winner-takes-all contest. Yet, terrifyingly, a machine with capacity exceeding human intelligence can outstrip all controls while possessing no moral or ethical brakes. As the AI stakeholders go all out, Mullins must face his own singularity—the point of no return—when not just he but his family and Dr. Li's will become casualties in what amounts to war.
Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory.
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