...well documented and researched...Boxes is definitely a fascinating read and a must read for anyone who is at all curious about Howard Hughes’ life. brThis second edition of Boxes: The Secret Life of Howard Hughes continues the history-changing story of Eva McLelland and her reclusive life married to a mystery man she discovered was Howard Hughes.br Eva McLelland kept her secret for thirty-one stressful years as she lived a nomadic existence with a man who refused to unpack his belongings for fear he would be discovered and have to flee. Only her husband’s death finally released her to tell the story that had been burning inside her for decades.
Standing at the crossroads – the Mississippi crossroads of Robert Johnson and the devil’s infamous meeting – Mark Radcliffe found himself facing his own personal juncture. Aged sixty, he had just mourned the death of his father, only to be diagnosed with mouth and throat cancer. Together these events led Radcliffe to think about pivotal tracks in music and how the musicians who wrote and performed them had reached the crossroads that led to such epoch-changing music. Crossroads is a warm, intimate account of music and its power to transform our lives, as Radcliffe takes a personal journey through these key tracks.
“An engaging mix of humor and detailed critical analysis…great fun.” —Mojo From the award-winning author of Bring It On Home: Peter Grant, Led Zeppelin, and Beyond and Comfortably Numb: The Inside Story of Pink Floyd comes this deeply researched alphabetical biography of Queen and each of its dynamic members. Addressing the phenomenal success of the movie Bohemian Rhapsody, acclaimed music journalist Mark Blake builds on the legend of Queen and their enduring audience appeal. Providing a fresh, unparalleled take on Queen’s music, story, and legacy, Blake’s complete portrait covers not only the major hits and bestselling albums, but also the inside stories behind the music. Via a series of essays, interviews, and biographies, the author shares a wealth of lesser-known details—gained from over thirty years of original material—and explores what the songs of Queen say about their creators. “You want it all? There’s not much missing here.” —Classic Rock
Zaireeka is the anti-headphone and the anti-mp3. It purposely makes the two biggest developments in end-user music in the last 30 years irrelevant. Zaireeka is not mobile. It is not personal. It is not solitary, cannot be easily controlled, and can't easily be consumed in small doses. So another way to think of Zaireeka is as a one-off piece of technology that comes in a highly inconvenient dead-end format. The Flaming Lips' 1997 album Zaireeka is one of the most peculiar albums ever recorded, consisting of four CDs meant to be played simultaneously on four CD players. Approaching this powerful and complex art-rock masterpiece from multiple angles, Mark Richardson's prismatic study of Zaireeka mirrors the structure the work itself. Thoughts on communal listening and the "death of the album" are interspersed with the story of the Zaireeka's creation (with assistance from Wayne Coyne) and an in-depth analysis of the music, leading to a complete picture of a record that proved to be a watershed for both the band and adventurous music fans alike.
In this “highly entertaining snapshot of a wild-frontier moment in pop culture” (Rolling Stone), discover the wild and explosive true story of the early years of MTV directly from the original VJs. Nina Blackwood, Mark Goodman, Alan Hunter, and Martha Quinn (along with the late J. J. Jackson) had front-row seats to a cultural revolution—and the hijinks of pop music icons like Adam Ant, Cyndi Lauper, Madonna, and Duran Duran—as the first VJs on the fledgling network MTV. From partying with David Lee Roth to flying on Bob Dylan’s private jet, they were on a breakneck journey through a music revolution. Boing beyond the compelling behind the scenes tales of this unforgettable era, VJ is also a coming-of-age story about the 1980s, its excesses, controversies, and everything in between. “At last—the real inside story of the MTV explosion that rocked the world, in all its giddy excess, from the video pioneers who saw all the hair, drugs and guitars up close. VJ is the wild, hilarious, addictive tale of how one crazy moment changed pop culture forever” (Rob Sheffield, New York Times bestselling author).
Suddenly, popular music resembles an alien landscape. The great common ground of 45s, LPs, and even compact discs is rapidly falling by the wayside to be replaced by binary bits of sound. In the 21st century, radical advances in music technology threaten to overshadow the music itself. Indeed, today the generations divide over how they listen to the music, not what kinds of music they enjoy.Playback is the first book to place the staggering history of sound reproduction within its larger social and cultural context. Concisely told via a narrative arc that begins with Edison's cylinder and ends with digital music, this is a history that we have all directly experienced in one way or another. From the Victrola to the 78 to the 45 to the 33 1/3 to the 8track to the cassette to the compact disc to MP3 and beyond (not to mention everyone from Thomas Edison to Enrico Caruso to Dick Clark to Grandmaster Flash to Napster CEO Shawn Fanning), the story of Playback is also the story of music, and the music business, in the 20th century.
This is a fascinating overview of music's intriguing and enduring relationship with the dark side. Much of the music discussed in Gathering Of The Tribe deals with the special power of sound and tone. Frank Zappa may have said that ‘writing about music is like dancing about architecture,’ but this book explains how music can - or for a moment believed it could - move mountains. It is a matter of record that over the centuries composers and musicians have been consistently inspired by the occult. Few music lovers can fail to have been intrigued by the rumours of magick and mysticism that surround many of their favourite albums. In chapters that cover the different musical styles, from jazz through folk, rock, pop, noise and experimental forms, Gathering Of The Tribe sketches a fascinating overview of this provocative and enduring relationship with heavy conscious creation, offering en route a guide to the ultimate occult record collection, ranging from the Beatles to the Stones, Led Zeppelin to Nick Cave, Captain Beefheart to the Wu Tang Clan, Debussy to Throbbing Gristle, Charles Manson, Barbara the Gray Witch, Coven and more.
Over the years, The Fall have given me more pleasure than any other band and, when people ask me why I always say, 'they are always different, they are always the same' John Peel. The first ever authorised biography of this most inscrutable of bands! Together music writer Mick Middles and Fall leader Mark E. Smith have written an exhaustive biography of The Fall. Spanning their years on the fringe of the Manchester punk scene, three dozen albums, numerous tours, two successful stage plays and various spoken word events, this book is as strangely compelling as the band itself. Laced with Smith's distinctive brand of working class intellectualism and trenchant broadsides this is a meticulously researched story to thrill the famously disparate fans of The Fall who revel in a string of classic albums that fly in the face of all fashion, fads and musical trends. Mark E Smith remains famously true to his roots. Uncomfortable in art circles in London or, say, New York, he continues to live a full life in his native Salford, perfectly at home amongst the artisans in the string of local pubs. Just one more reason why Mark E Smith is a truly unique phenomenon with assured longevity. The book is the only authorised account of the enigma that is Mark E Smith. Author Mick Middles has been a close friend of Smith for over 25 years, and the book, written with Smith's complete approval and assistance, delves deep into the heart of that enigma.
This volume focuses on the way the entertainment industry's owned assets were used to help push the official narrative of the "Covid 19" Scamdemic, (which has been rightly described as "The Greatest Scam Ever Perpetuated Upon Mankind.") So many beloved musicians showed their true colours in helping to push the lies and bad science which paved the way for the tyranny and human enslavement that was always planned to be applied in its wake. This dynamic revealed beyond all doubt how the forces that have controlled the music industry for decades are intrinsically linked to those which devised the Scamdemic. There have been only a few honourable exceptions, and these names get a respectful roll call. These chapters are punctuated by a new feature - Sound Bites - an array of short stories concerning well-known music-makers which further reinforce the assertions made in previous volumes. The book ends on an inspirational note, revealing some spiritual and metaphysical truths that have been hidden from humanity for so long, but which, it turns out, a handful of visionary songwriters seem to have cryptically encoded into their songs.
A Time Magazine Best Book of 2011, Featuring Nirvana, Pearl Jam, Soundgarden, Alice In Chains, Mudhoney and more! Twenty years after the release of Nirvana’s landmark album Nevermind comes Everybody Loves Our Town: An Oral History of Grunge, the definitive word on the grunge era, straight from the mouths of those at the center of it all. In 1986, fledgling Seattle label C/Z Records released Deep Six, a compilation featuring a half-dozen local bands: Soundgarden, Green River, Melvins, Malfunkshun, the U-Men and Skin Yard. Though it sold miserably, the record made music history by documenting a burgeoning regional sound, the raw fusion of heavy metal and punk rock that we now know as grunge. But it wasn’t until five years later, with the seemingly overnight success of Nirvana’s “Smells Like Teen Spirit,” that grunge became a household word and Seattle ground zero for the nineties alternative-rock explosion. Everybody Loves Our Town captures the grunge era in the words of the musicians, producers, managers, record executives, video directors, photographers, journalists, publicists, club owners, roadies, scenesters and hangers-on who lived through it. The book tells the whole story: from the founding of the Deep Six bands to the worldwide success of grunge’s big four (Nirvana, Pearl Jam, Soundgarden and Alice in Chains); from the rise of Seattle’s cash-poor, hype-rich indie label Sub Pop to the major-label feeding frenzy that overtook the Pacific Northwest; from the simple joys of making noise at basement parties and tiny rock clubs to the tragic, lonely deaths of superstars Kurt Cobain and Layne Staley. Drawn from more than 250 new interviews—with members of Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Screaming Trees, Hole, Melvins, Mudhoney, Green River, Mother Love Bone, Temple of the Dog, Mad Season, L7, Babes in Toyland, 7 Year Bitch, TAD, the U-Men, Candlebox and many more—and featuring previously untold stories and never-before-published photographs, Everybody Loves Our Town is at once a moving, funny, lurid, and hugely insightful portrait of an extraordinary musical era.
Fleetwood Mac have had a chart-topping career that spans over fifty years and includes some of the biggest-selling albums and greatest hits of the 20th and 21st centuries. But the band's story is one of enormous triumph and also unimaginable tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension and incredible highs and lows as Fleetwood Mac. Dreams is a must-read for casual Fleetwood Mac fans and die-hard devotees alike. In this unique collection of mini-biographies, observations and essays, Mark Blake explores all eras of the Fleetwood Mac story to explore what it is that has made them one of the most successful bands in history. Blake draws on his own exclusive interviews with Mick Fleetwood, Stevie Nicks, Lindsey Buckingham and the late Peter Green and Christine McVie, and addresses the complex human drama at the heart of the Fleetwood Mac story, including the complicated relationships between the band's main members, but he also dives deep into the towering discography that the band have built over the past half-century.
A definitive tome for both Who fans and newcomers alike’ ***** Q Magazine Pete Townshend was once asked how he prepared himself for The Who’s violent live performances. His answer? ‘Pretend you’re in a war.’ For a band as prone to furious infighting as it was notorious for acts of ‘auto-destructive art’ this could have served as a motto. Between 1964 and 1969 The Who released some of the most dramatic and confrontational music of the decade, including ‘I Can’t Explain’, ‘My Generation’ and ‘I Can See For Miles’. This was a body of work driven by bitter rivalry, black humour and dark childhood secrets, but it also held up a mirror to a society in transition. Now, acclaimed rock biographer Mark Blake goes in search of its inspiration to present a unique perspective on both The Who and the sixties. From their breakthrough as Mod figureheads to the rise and fall of psychedelia, he reveals how The Who, in their explorations of sex, drugs, spirituality and class, refracted the growing turbulence of the time. He also lays bare the colourful but crucial role played by their managers, Kit Lambert and Chris Stamp. And – in the uneasy alliance between art-school experimentation and working-class ambition – he locates the motor of the Swinging Sixties. As the decade closed, with The Who performing Tommy in front of 500,000 people at the Woodstock Festival, the ‘rock opera’ was born. In retrospect, it was the crowning achievement of a band who had already embraced pop art and the concept album; who had pioneered the power chord and the guitar smash; and who had embodied – more so than any of their peers – the guiding spirit of the age: war.
SECRETS OF THE WALL REVEALED! Imagine dusting off a beloved album, comfortable as an old pair of jeans, and one day discovering that it goes much deeper down the rabbit hole than you ever envisioned. The thematic intention of every note...The nuance behind every veiled reference...Until you finally recognize that hidden deep inside is a distinctly powerful message you never knew was there. It's like discovering buried treasure within the walls of your own backyard. Seen by some as merely as story about how someone disintegrates when they become isolated, or how we, as a society, disintegrate when isolated from one another, Roger Waters' semi-autobiographical rock opera about a burned out rock star who suffers a dark night of the soul while trying to examine his unhappiness - and along the way is haunted by his unhappy memories of his domineering mother, abusive schoolteacher and distant wife - is a deliberate gape down dark, uncomfortable corridors of the soul, searching for that wounded child within; a work that uses complex narrative structures to express typical Modernist concerns such as the shattering of consciousness and the decay of modern society. Brilliantly crafted into the album's message and production are elements of something bigger: a philosophy about the meaning of human existence that tread on the mental real estate owned by giants like Freud, Sartre, Camus, Kafka, Orwell and Kubrick, among others. Without being too obvious, some of these tiny, yet bare glimpses into existentialism are so deeply woven into the framework of The Wall that they remain mostly subliminal, yet there are few who listen to this work and don't feel it resonate within. The Wall, originally released in November of 1979, is a remarkable and thematically-rich canvas made powerful not only by how deeply it draws upon some very essential human struggles with anguish, abandonment and despair, but also the crafty way it ultimately reveals itself as a philosophical treatise about our interpersonal relationships with others. Think you know what Pink Floyd - The Wall is all about? What if I told you at the very least it's a lot more than you may have previously imagined. PRAISE FOR TEARING DOWN THE WALL "Smart, sharp, insightful and profound..." - Blake Morgan, President ECR Music Group "The most complete study of any album I've ever read. Tearing Down The Wall is absolutely forensic!" - Mike Yusi (UC Radio)
DIRTY LITTLE SECRETS… Sex, drugs, rock stars, divas, d-bags and previously untold stories about some of the biggest acts in music and the crazy things that have happened behind the scenes. What happens when someone gets murdered in your hotel while you’re on tour? How do you get backstage at a big rock concert? How much drugs were people in the music business really doing in the 70’s and 80’s? Which superstar artist rented out a whole supermarket after hours? Rock legend has it that one newly-minted superstar’s career was killed by a single shot — an sniper’s bullet fired through the lens of a camera and broadcast to an eagerly awaiting public through the magic of music video and the television channel that had become the most powerful pop culture engine in modern history. Finally, the truth can be told about what really happened… and the story is pretty hilarious. From Mark Yoshimoto Nemcoff, author of the acclaimed bestseller Where’s My F*cking Latte? (And Other Stories About Being an Assistant in Hollywood) - featured on TV’s hit ACCESS HOLLYWOOD and E! Entertainment’s SECRET SOCIETIES OF HOLLYWOOD - comes a revealing look at the sometimes shocking, but always entertaining world of popular music, rock stars and the music business as told by the people who have lived it. SPINNING THE RECORD will take you behind-the-scenes in a world few get to see up close and personal like this. If you’ve always wanted a backstage pass, now’s your chance to hear about what really happens when the lights go down. Published as a series of blind items -- No names are named and all sources kept confidential -- but can you guess who’s who?
Can a song change a nation? In 1964, Marvin Gaye, record producer William “Mickey” Stevenson, and Motown songwriter Ivy Jo Hunter wrote “Dancing in the Street.” The song was recorded at Motown’s Hitsville USA Studio by Martha and the Vandellas, with lead singer Martha Reeves arranging her own vocals. Released on July 31, the song was supposed to be an upbeat dance recording—a precursor to disco, and a song about the joyousness of dance. But events overtook it, and the song became one of the icons of American pop culture. The Beatles had landed in the U.S. in early 1964. By the summer, the sixties were in full swing. The summer of 1964 was the Mississippi Freedom Summer, the Berkeley Free Speech Movement, the beginning of the Vietnam War, the passage of the Civil Rights Act, and the lead-up to a dramatic election. As the country grew more radicalized in those few months, “Dancing in the Street” gained currency as an activist anthem. The song took on new meanings, multiple meanings, for many different groups that were all changing as the country changed. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.
The records discussed in GATHERING OF THE TRIBE: ACID explore the key aspects of the acid experience, these being principally the way in which psychedelic drugs intensify sensory impressions (sound and vision); the ability to experience different dimensions simultaneously and mystical dimensions where the individual feels unified with the cosmos. This music also explores aspects of the infamous ‘bad trip’ or the ‘terror that was wrong’, where positive feelings are replaced by paranoia, depression, anxiety and disturbing flashbacks, the ‘other side of anguish’. About the series: GATHERING OF THE TRIBE is an on-going series about the mysterious power of sound and tone, with each book devoted to reviewing records that reveal divine and cosmic laws, voyages to other worlds or use sound as a tool for transformation. While highly selective, the series offers a practical guide to the ultimate occult record collection. Rare album sleeves complement each review.
In April 1967, the Bee Gees launched themselves onto the international music scene with the release of ‘New York Mining Disaster 1941’. Whilst that haunting classic would be the first of many hits, the Bee Gees consisting of brothers Barry, Robin and Maurice Gibb had been releasing records since 1963. As extraordinary as it sounds, with more than ten years of performing and four years of recording behind them, the Gibb twins, Robin and Maurice, were just seventeen while elder brother Barry was only twenty. In an incredible career the Bee Gees would go on to sell over 200 million records, making them among the best\-selling music artists of all time, they would be inducted into the Rock and Roll Hall of Fame, the Australian Recording Industry’s Hall of Fame, and the Songwriters Hall of Fame, and receive lifetime achievement awards from the British Phonographic Industry, the American Music Awards, World Music Awards and the Grammys. According to Billboard magazine the Bee Gees are one of top three most successful bands in their charts’ history. Few musical groups have provided the soundtrack to our lives like the Bee Gees, and it all started in the fascinating decade that was the 1960s
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