In October of 1888, Albert Goodwill Spalding -- baseball star, sporting-goods magnate, promotional genius, serial fabulist -- departed Chicago on a trip that would take him and two baseball teams on a journey clear around the globe. Their mission, closely followed in the American and international press, had two (secret) goals: to fix the game in the American consciousness as the purest expression of the national spirit, and to seed markets for Spalding's products near and far. In the process, these first cultural ambassadors played before kings and queens, visited the Coliseum and the Eiffel Tower, and took pot shots with their baseballs at the great Sphinx in Egypt. This expedition to lands both exotic and familiar is chronicled with dash and wit in Mark Lamster's Spalding's World Tour, a book filled with larger-than-life characters often competing harder for love and money off the baseball diamond than for runs on it. Getting themselves into scrapes and narrowly escaping international incident all around the globe, these innocents abroad gave the world an early peek at the American century just around the corner. For anyone interested in the history of the game -- or the history of brand marketing -- Spalding's World Tour hits the sweet spot.
Although his popularity is eclipsed by Rembrandt today, Peter Paul Rubens was revered by his contemporaries as the greatest painter of his era, if not of all history. His undeniable artistic genius, bolstered by a modest disposition and a reputation as a man of tact and discretion, made him a favorite among monarchs and political leaders across Europe—and gave him the perfect cover for the clandestine activities that shaped the landscape of seventeenth-century politics. In Master of Shadows, Mark Lamster brilliantly recreates the culture, religious conflicts, and political intrigues of Rubens’s time, following the painter from Antwerp to London, Madrid, Paris, and Rome and providing an insightful exploration of Rubens’s art as well as the private passions that influenced it.
#EMPIREFILM is a written record of the first live tweeting of Andy Warhol's "Empire" on Feb. 19, 2011, at The Museum of Modern Art in New York City. Nothing is left out: in #EMPIREFILM we read every tweet made during the screening of this notoriously long film. A typical movie is about two hours; "Empire" consists of eight hours and five minutes of continuous slow motion footage of the Empire State Building in New York City, leaving the moviegoers/tweeters an apparent infinity to fill with observations of the obvious, banal trivia and the frivolous chatter of Manhattan's fabulously bored (punctuated with random tweets by the author). As the story toils on and the hours go by, a sense of the absurd descends upon the crowd as they wait for the famed, fleeting reflection of Warhol in the window. Will the ghost of the Prince of Pop Art ever appear? #EMPIREFILM is the latest work of literary appropriation by Mark Leach, author of the 17-million-word "Marienbad My Love," the world's longest novel. "What he [Leach] does is the artistic equivalent of running newspaper ads, magazine articles, and tampon covers through a shredder, pouring glue on it, then taking a piss on it and calling that art." - name withheld at request of the commentator
As baseball was becoming the national pastime, Kansas was settling into statehood, with hundreds of towns growing up with the game. The early history of baseball in Kansas, chronicled in this book, is the story of those towns and the ballparks they built, of the local fans and teams playing out the drama of the American dream in the heart of the country. Mark Eberle's history spans the years between the Civil War–era and the start of World War II, encapsulating a time when baseball was adopted by early settlers, then taken up by soldiers sent west, and finally by teams formed to express the identity of growing towns and the diverse communities of African Americans, Native Americans, and Hispanic Americans. As elsewhere in the country, these teams represented businesses, churches, schools, military units, and prisons. There were men's teams and women's, some segregated by race and others integrated, some for adults and others for youngsters. Among them we find famous barnstormers like the House of David, the soldiers of the Seventh Cavalry who played at Fort Wallace in the 1860s, and Babe Didrikson pitching the first inning of a 1934 game in Hays. Where some of these games took place, baseball is still played, and Kansas Baseball, 1858–1941 takes us to nine of them, some of the oldest in the country. These ballparks, still used for their original purpose, are living history, and in their stories Eberle captures a vibrant image of the state's past and a vision of many innings yet to be played—a storied history and promising future that readers will be tempted to visit with this book as an informative and congenial guide.
Interior Design Masters contains 300 biographical entries of people who have significantly impacted design. They are the people, historical and contemporary, that students and practitioners should know. Coverage starts in the late Renaissance, with a focus on the twentieth and twenty-first centuries. The book has five sections, with the entries alphabetical in each, so it can serve as a history textbook and a reference guide. The seventeeth- and eighteenth-century section covers figures from Thomas Chippendale to Horace Walpole. The nineteenth-century section includes William Morris and Candace Wheeler. The early twentieth-century section presents modernism’s design heroes, including Marcel Breuer, Eileen Gray, and Gilbert Rohde. The post-World War II designers range from Madeleine Castaing to Raymond Loewy. The final contemporary section includes Ron Arad and the Bouroullec brothers. These are the canonical figures who belong to any design history. The book also contains less well-known figures who deserve attention, such as Betty Joel, the British art deco furniture designer; Paul Veysseyre, the Frenchman active in China in the 1930s; and more recently Lanzavecchia-Wai, the Italian-Singaporean duo whose work ranges from health care to helicopters. Global in its coverage, the book is richly illustrated with over 600 black-and-white and color photographs.
In 1977 Steven Holl and William Stout created a grittier alternative to mainstream architectural publishing called Pamphlet Architecture. With Holl's Bridges, the landmark series was born, and for 30 years Pamphlet has served as soapbox and laboratory for such notable architects and theorists as Lebbeus Woods, Zaha Hadid, Lars Lerup, and Michael Sorkin. With its twenty-eighth installment, Pamphlet Architecture celebrates its thirtieth anniversary no less bold than when it began. Augmented Landscapes features a landscape architecture practice for the first time in Pamphlet history. London's Smout Allen presents five projects that respond to the way in which man has enlarged the landscape through architecture and infrastructure, manipulating and blurring perceptions of what is natural and what is artificial.
For 25 years the architects who make up Jersey Devil have been constructing their own designs while living on site in tents or Airstream trailers, making adjustments to their structures in response to problems encountered during the building process. Jersey Devil is a name that has been attached to work by Steve Badanes, John Ringel, Jim Adamson, or any combination of the above, plus many other people who have participated in their diverse projects. This loose-knit group of designer-builders has created projects that critique conventional practice, both the process of making architecture and the accepted definitions of architecture itself. Jersey Devil's architecture shows a concern for craft and detail, an attention to the expressiveness of the construction materials, and a strong environmental consciousness. Devil's Workshop contains complete project descriptions, photographs, drawings, and plans on more than a dozen projects, including the Snail House, the Silo House, the Hoagie House, and the Seaside Pavillion. Essays analyze Jersey Devil's work, providing an insight into the design-build process and its historical context, and discussing the formal qualities inherent in these projects.
Brothers Mark and Peter Anderson have been building things together since their boyhood days in Tacoma, Washington. Their work as architects, carpenters, builders, and general contractors encompasses the design and construction of residential, commercial, and public art projects. Anderson Anderson is noted for its highly customized work and its prefabricated systems for large-scale production. Informed by their experiences as carpenters and influenced by place and landscape—mud, clouds, and rain, in the case of the Pacific Northwest—the work of Mark and Peter Anderson highlights experimentation and adventure. Anderson Anderson: Architecture and Construction delves into the process of construction as a source of creative imagination and discovery—from the hands-on material process of making things, to the lessons learned from large-scale projects, to the development of new construction technologies. This book explores the simple beauty of their finished products as much as the process of getting there—the unglossed stories of young architects working, learning, traveling, and having fun. The book features over 25 projects in the Pacific Northwest, Hawaii, Alaska, Texas, and Japan.
We see so many mediocre office building designs that it is easy to forget just how complex and innovative a well-made one can be. Such is the case with the headquarters for the Belgian financial firm CNP (Compagnie Nationale a Portefeuille) in Charleroi, Belgium. Designed by the office of Belgian architect Philippe Samyn, the CNP Headquarters is a masterwork of ecologically oriented construction and refined aesthetics. In this monograph el-Khoury and Pasnik document the rich and dramatic architectural vocabulary of this project.
In the quarter century from San Francisco's devasting fire of 1906 to the beginning of the Great Depression, as automobiles exploded in popularity, new buildings had to be conceived and constructed to provide parking space and repair facilities. This book studies a number of the resulting public garages that featured facade designs based on historical architectural styles. Considering the garages' function, the facades exhibit a surprising grace and nobility. Through an analysis complemented by photographs (including sixty by noted architectural photographer Sharon Risedorph) and drawings, the author dissects the architectural and cultural factors that lie at the heart of this unexpected merit. Addressing the discrepancy between the buildings' beauty and the assumption that old garages are unsightly and disposable, the book examines them as cultural artifacts of the dawn of the Motor Age. The garage is presented as a new form of transportation depot, employing architectural symbolism to celebrate the ascendancy of the automobile over the train. Today, the surviving buildings are vulnerable to real estate development, in part because their quality is misunderstood. The book--a fresh perspective on the value of older utilitarian buildings--concludes with a call to preserve these structures and adapt them to compatible new uses.
A "smoothly written and fair-minded" (Wall Street Journal) biography of architect Philip Johnson -- a finalist for the National Book Critic's Circle Award. When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable and influential figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT&T Building in NYC, among many others in nearly every city in the country -- but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism -- the sleek, glass-and-steel architecture that now dominates our cities -- to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns. But Johnson was also a man of deep paradoxes: he was a Nazi sympathizer, a designer of synagogues, an enfant terrible into his old age, a populist, and a snob. His clients ranged from the Rockefellers to televangelists to Donald Trump. Award-winning architectural critic and biographer Mark Lamster's The Man in the Glass House lifts the veil on Johnson's controversial and endlessly contradictory life to tell the story of a charming yet deeply flawed man. A rollercoaster tale of the perils of wealth, privilege, and ambition, this book probes the dynamics of American culture that made him so powerful, and tells the story of the built environment in modern America.
In October of 1888, Albert Goodwill Spalding -- baseball star, sporting-goods magnate, promotional genius, serial fabulist -- departed Chicago on a trip that would take him and two baseball teams on a journey clear around the globe. Their mission, closely followed in the American and international press, had two (secret) goals: to fix the game in the American consciousness as the purest expression of the national spirit, and to seed markets for Spalding's products near and far. In the process, these first cultural ambassadors played before kings and queens, visited the Coliseum and the Eiffel Tower, and took pot shots with their baseballs at the great Sphinx in Egypt. This expedition to lands both exotic and familiar is chronicled with dash and wit in Mark Lamster's Spalding's World Tour, a book filled with larger-than-life characters often competing harder for love and money off the baseball diamond than for runs on it. Getting themselves into scrapes and narrowly escaping international incident all around the globe, these innocents abroad gave the world an early peek at the American century just around the corner. For anyone interested in the history of the game -- or the history of brand marketing -- Spalding's World Tour hits the sweet spot.
A "smoothly written and fair-minded" (Wall Street Journal) biography of architect Philip Johnson -- a finalist for the National Book Critic's Circle Award. When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable and influential figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT&T Building in NYC, among many others in nearly every city in the country -- but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism -- the sleek, glass-and-steel architecture that now dominates our cities -- to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns. But Johnson was also a man of deep paradoxes: he was a Nazi sympathizer, a designer of synagogues, an enfant terrible into his old age, a populist, and a snob. His clients ranged from the Rockefellers to televangelists to Donald Trump. Award-winning architectural critic and biographer Mark Lamster's The Man in the Glass House lifts the veil on Johnson's controversial and endlessly contradictory life to tell the story of a charming yet deeply flawed man. A rollercoaster tale of the perils of wealth, privilege, and ambition, this book probes the dynamics of American culture that made him so powerful, and tells the story of the built environment in modern America.
Although his popularity is eclipsed by Rembrandt today, Peter Paul Rubens was revered by his contemporaries as the greatest painter of his era, if not of all history. His undeniable artistic genius, bolstered by a modest disposition and a reputation as a man of tact and discretion, made him a favorite among monarchs and political leaders across Europe—and gave him the perfect cover for the clandestine activities that shaped the landscape of seventeenth-century politics. In Master of Shadows, Mark Lamster brilliantly recreates the culture, religious conflicts, and political intrigues of Rubens’s time, following the painter from Antwerp to London, Madrid, Paris, and Rome and providing an insightful exploration of Rubens’s art as well as the private passions that influenced it.
Der früh verstorbene US-amerikanische Künstler Mark Lombardi (1951–2000) produzierte visuelle Netzwerke und Diagramme, die die unsichtbaren Verknüpfungen zwischen politisch-ökonomischen Vorgängen, Korporationen und Individuen transparent machen. Dieses Notizbuch bildet nicht die bekannten feingliedrigen Zeichnungen und Netze ab, sondern zeigt Lombardis Recherchehilfsmittel und Denkstützen: seine Karteikarten. Der ehemalige Bibliothekar Lombardi, der für seine Akribie bekannt war, hat seine Informationen aus öffentlich zugänglichen Quellen mittels eines Karteikartensystem sortiert und archiviert, von denen einige hier abgedruckt sind. In ihrer persönlichen Einführung beschreibt Carolyn Christov-Bakargiev ihre persönlicheSicht auf dieses außergewöhnliche künstlerische Oeuvre, dessen Verbindungslinien sich der Faktenlage von Finanzskandalen, Terrorangriffen und Verbrechen unterordnen und Namen nennen. Carolyn Christov-Bakargiev (*1957) ist künstlerische Leiterin der dOCUMENTA (13). Sprache: Deutsch/Englisch
This title features facts, figures, stats and trivia on legions of record-breakers, record losers, actors, singers, sportsmen, historical figures, the famous and infamous, felons, inventors, rulers, heartthrobs, politicians and scientists called Mark.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.