From discussions of climate change to the latest arguments around stem cell research, science has never been more topical and relevant to our everyday lives. Yet its intricacies are often hard for the general public to grasp. The key challenge for scientists and science communicators is to explain these scientific ideas and engage different groups with current debates. This long-overdue book explores how to successfully communicate complex and sometimes controversial scientific issues. Investigating the practices behind a range of traditional media and more interactive approaches, the book looks at how professional communicators interact with and present science communication in all its guises. It explores the historical background of science communication and examines how science continues to be referred to and used throughout popular culture, the media, and museums. Practical chapters explain key methods and give tips on overcoming communication issues and problems, whilst introducing the reader to a theoretical understanding of science communication. Written and edited by pioneering and experienced professionals in the field, this is an essential text for students and practitioners learning how to effectively communicate science.
This book examines the history of journalists and journalism in twentieth-century Ireland. While many media institutions have been subjected to historical scrutiny, the professional and organisational development of journalists, the changing practices of journalism, and the contribution of journalists and journalism to the evolution of modern Ireland have not. This book rectifies the deficit by mapping the development of journalism in Ireland from the late 1880s to today. Placing the experiences of journalists and the practice of journalism at the heart of its analysis, it examines, for the first time, the work of journalists within the ever-changing context of Irish society. Based on strong primary research - including the previously un-consulted journals and records produced by the many journalistic representative organisations that came and went over the decades - and written in an accessible and engaging style, The Fourth Estate will appeal to anyone interested in journalism, history, the media and the development of Ireland as a modern nation.
Since its emergence in the seventeenth century, science fiction has been a sustained, coherent and subversive check on the promises and pitfalls of science. In their turn, invention and discovery have forced fiction writers to confront the nature and limits of reality. Different Engines explores how this fascinating symbiosis shapes what we see, do, and dream. From Johannes Kepler's Somnium to Arthur C. Clarke's 2001, science fiction has emerged as a mode of thinking, complementary to the scientific method. Science fiction's field of interest is the gap between the new worlds uncovered by experimentation and exploration, and the fantastic worlds of the imagination. Its proponents find drama in the tension between the familiar and the unfamiliar. Its readers, many of them scientists and politicians, find inspiration in the contrast between the ordinary and the extraordinary. Brake and Hook's Different Engines is a unique, provocative and compelling account of science fiction as the arbiter of progress.
En route to battle, a Confederate soldier and a Union soldier both make daily entries in small, leather-bound diaries. Historian Mark Nesbitt places their writings into the context of the Civil War.
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