The Swedish design partnership Claesson Koivisto Rune was founded a little over ten years ago but has already received extraordinary recognition. Like Scandinavian masters before them, such as Aalto or Jacobsen, Claesson Koivisto Rune practise both architecture and design. In 2004 they were among the first Swedish architects to be selected for the international section of the Architecture Biennale in Venice. The architectural projects in this monograph include private houses and interiors from Europe to North and South America, as well as larger buildings like the Sfera Building Culture House in Kyoto, Japan. The furniture and other product designs presented here are manufactured by over 30 international companies. All photographs have been taken anew for this publication, which is a design object in itself, consisting of two books – separate volumes for architecture and design – with introductions by Paola Antonelli (MoMA) and Marcus Fairs (ICON Magazine).
The ‘Spanish’ influenza of 1918 was the deadliest pandemic in history, killing as many as 50 million people worldwide. Canadian federal public health officials tried to prevent the disease from entering the country by implementing a maritime quarantine, as had been their standard practice since the cholera epidemics of 1832. But the 1918 flu was a different type of disease. In spite of the best efforts of both federal and local officials, up to fifty thousand Canadians died. In The Last Plague, Mark Osborne Humphries examines how federal epidemic disease management strategies developed before the First World War, arguing that the deadliest epidemic in Canadian history ultimately challenged traditional ideas about disease and public health governance. Using federal, provincial, and municipal archival sources, newspapers, and newly discovered military records – as well as original epidemiological studies – Humphries' sweeping national study situates the flu within a larger social, political, and military context for the first time. His provocative conclusion is that the 1918 flu crisis had important long-term consequences at the national level, ushering in the ‘modern’ era of public health in Canada.
At the age of twelve, on hearing that Sir Ross Smith had broken the England-Australia aero record in a Vickers Vimy, Roly Alderson decided that he wanted to fly. Denied a secondary education, orphan Roly was an accomplished engineer by the time he arrived at Cambridge in his home-built car. He left with a degree, a racing Bentley and a pilot’s licence. Alderson had already logged several hundred hours when recruited by Imperial Airways in 1933. His skills were quickly recognized, and he was selected to fly Lord Willingdon, the Viceroy and Governor General of India, on his farewell tour of India. Alderson’s Holy Grail, nevertheless, was to ‘fly boats’, and it was not long before Roly had joined these venerated ranks on the new route to South Africa. while serving as a Captain on Imperial Airways’ prestigious New York-Bermuda service, Alderson reported a number of serious concerns regarding carburettor icing on his Short Empire flying boat Cavalier. His prescience was ignored, and on 21 January 1939, a day after penning a final warning, Cavalier was forced down into the empty wastes of the Atlantic. Due to Alderson’s consummate airmanship and the bravery of heroine passenger Edna Watson, ten of the thirteen souls on board survived. Their miraculous rescue by the tanker Esso Baytown, part of a huge international search and rescue effort, after eleven gruelling hours in cold shark-infested waters, dominated the world’s headlines. Alderson returned to duty on the long-distance flying boat routes to Singapore and Durban, but, following the German invasion of France in 1940, he was transferred to the treacherous West Africa run. After a brush with a U-boat off Sierra Leone, he was tasked with ferrying General de Gaulle back to the UK from Nigeria. After avoiding a suspected poisoning attempt at Freetown and Luftwaffe interception over the Bay of Biscay, the General personally thanked Alderson for his safe return. Later, in 1940 the British Government bought three huge Boeing flying boats to maintain the wartime transatlantic link, and Alderson was promoted to the roster for these. The hours in these behemoths were prodigious, routing via Portugal, West Africa, and Brazil, with the fear of enemy attack a constant and very real threat. Only V.I.P.s and vital mail were carried, although Alderson did once deliver President Roosevelt’s personal gift to Winston Churchill: a critical supply of Havana cigars! Adventure abounds in this remarkable story of a flying boat pilot and captain in both war and peace: racing Bentleys, landing on beaches, black-tie dinner with the Luftwaffe, landing on the Nile, flying across India, and espionage and intrigue in Lisbon.
Between 1914 and 1918, many Irish Catholics in Canada found themselves in a vulnerable position. Not only was the Great War slaughtering millions, but tension and violence was mounting in Ireland over the question of independence from Britain and Home Rule. For Canada’s Irish Catholics, thwarting Prussian militarism was a way to prove that small nations, like Ireland, could be free from larger occupying countries. Yet, even as tens of thousands of Irish Catholic men and women rallied to the call to arms and supported government efforts to win the war, many Canadians still doubted their loyalty to the Empire. Retracing the struggles of Irish Catholics as they fought Canada’s enemies in Europe while defending themselves against charges of disloyalty at home, The Imperial Irish explores the development and fraying of interfaith and intercultural relationships between Irish Catholics, French Canadian Catholics, and non-Catholics throughout the course of the Great War. Mark McGowan contrasts Irish Canadian Catholics' beliefs with the neutrality of Pope Benedict XV, the supposed pro-Austrian sympathies of many immigrants from central Europe, Irish republicans inciting rebellion in Ireland, and the perceived indifference to the war by French Canadian Catholics, and argues that, for the most part, Irish Catholics in Canada demonstrated strong support for the imperial war effort by recruiting in large numbers. He further investigates their religious lives within the Canadian Expeditionary Force, the spiritual resources available to them, and church and lay leaders’ negotiation of the sensitive political developments in Ireland that coincided with the war effort. Grounded in research from dozens of archives as well as census data and personnel records, The Imperial Irish explores stirring conflicts that threatened to irreparably divide Canada along religious and linguistic lines.
Extensively revised throughout and including a brand-new chapter, Rebel Life chronicles the life of labour organizer, revolutionary, anarchist and labour spy Robert Gosden. This new edition includes new information about Gosden’s career that has come to light since the first edition was published in 1999. Canada’s west coast was rife with upheaval in the second and third decades of the twentieth century. At the centre of the turmoil is Robert Gosden, migrant labourer turned radical activist–turned police spy. In 1913, he publicly recommends assassinating Premier Richard McBride to resolve the miners’ strike. By 1919, he is urging Prime Minister Robert Borden to “disappear” key labour radicals to quelch rising discontent. What happened? Rebel Life plumbs the enigma that was Gosden, but is much more: it is an introduction to BC labour history. With its archival photograph and sidebars rich with historical arcana, and a chapter outlining the research that unearthed Gosden’s story, Rebel Life is a rich resource for instructors, students, and trade unionists, and an ideal introduction to the historian’s craft.
This is the first book to investigate the social, political, cultural, artistic and economic forces which created conditions for the rise, success and decline of mime and physical theatre in the United Kingdom, from the 1970s to 2000. Unpicking the various routes through which mime and physical theatre emerged into wider prominence, this book outlines key thematic strands within this history of practice. The book blends historical description and refl ective analysis. It aims to juxtapose the various histories at play within this field, giving critical attention to the voices of the artists, funders and venue managers who were there at the time, particularly recognising the diversity of practitioners and the network of relationships that supported their work. Drawing upon over 40 original interviews, including, amongst others: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick, the book offers unique testimonies and memories from key figures active during these three decades. This wide-ranging account of the history, social context, key moments and practical methods gives an unparalleled chronicle of one of the UK’s most vital and pioneering forms of theatre. From undergraduate students to established scholars, this is a comprehensive account for anyone studying contemporary theatre, theatre history, mime, physical theatre and the structures that support the performing arts in the United Kingdom.
The Swedish design partnership Claesson Koivisto Rune was founded 1995 but has already received extraordinary recognition. Like Scandinavian masters before them, such as Aalto or Jacobsen, Claesson Koivisto Rune practice both architecture and design. In 2004 they were among the first Swedish architects to be selected for the international section of the Architecture Biennale in Venice. The architectural projects in this monograph include private houses and interiors from Europe to North and South America, as well as larger buildings like the Sfera Building Culture House in Kyoto, Japan. The furniture and other product designs presented here are manufactured by over 30 international companies.
The Swedish design partnership Claesson Koivisto Rune was founded a little over ten years ago but has already received extraordinary recognition. Like Scandinavian masters before them, such as Aalto or Jacobsen, Claesson Koivisto Rune practise both architecture and design. In 2004 they were among the first Swedish architects to be selected for the international section of the Architecture Biennale in Venice. The architectural projects in this monograph include private houses and interiors from Europe to North and South America, as well as larger buildings like the Sfera Building Culture House in Kyoto, Japan. The furniture and other product designs presented here are manufactured by over 30 international companies. All photographs have been taken anew for this publication, which is a design object in itself, consisting of two books – separate volumes for architecture and design – with introductions by Paola Antonelli (MoMA) and Marcus Fairs (ICON Magazine).
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