The authors look at the problem of bad code in a new way. Packed with advice based on the authors' decades of experience in the computer security field, this concise and highly readable book explains why so much code today is filled with vulnerabilities, and tells readers what they must do to avoid writing code that can be exploited by attackers. Writing secure code isn't easy, and there are no quick fixes to bad code. To build code that repels attack, readers need to be vigilant through each stage of the entire code lifecycle: Architecture, Design, Implementation, Testing and Operations. Beyond the technical, Secure Coding sheds new light on the economic, psychological, and sheer practical reasons why security vulnerabilities are so ubiquitous today. It presents a new way of thinking about these vulnerabilities and ways that developers can compensate for the factors that have produced such unsecured software in the past.
STRENGTHEN SOFTWARE SECURITY BY HELPING DEVELOPERS AND SECURITY EXPERTS WORK TOGETHER Traditional approaches to securing software are inadequate. The solution: Bring software engineering and network security teams together in a new, holistic approach to protecting the entire enterprise. Now, four highly respected security experts explain why this “confluence” is so crucial, and show how to implement it in your organization. Writing for all software and security practitioners and leaders, they show how software can play a vital, active role in protecting your organization. You’ll learn how to construct software that actively safeguards sensitive data and business processes and contributes to intrusion detection/response in sophisticated new ways. The authors cover the entire development lifecycle, including project inception, design, implementation, testing, deployment, operation, and maintenance. They also provide a full chapter of advice specifically for Chief Information Security Officers and other enterprise security executives. Whatever your software security responsibilities, Enterprise Software Security delivers indispensable big-picture guidance–and specific, high-value recommendations you can apply right now. COVERAGE INCLUDES: • Overcoming common obstacles to collaboration between developers and IT security professionals • Helping programmers design, write, deploy, and operate more secure software • Helping network security engineers use application output more effectively • Organizing a software security team before you’ve even created requirements • Avoiding the unmanageable complexity and inherent flaws of layered security • Implementing positive software design practices and identifying security defects in existing designs • Teaming to improve code reviews, clarify attack scenarios associated with vulnerable code, and validate positive compliance • Moving beyond pentesting toward more comprehensive security testing • Integrating your new application with your existing security infrastructure • “Ruggedizing” DevOps by adding infosec to the relationship between development and operations • Protecting application security during maintenance
Like its popular predecessor, this critical edition is designed for "teaching the conflicts" surrounding Mark Twain7;s classic novel. It reprints the 1885 text of the first American edition (with a portfolio of illustrations) along with critical essays representing major critical and cultural controversies surrounding the work. The novel and essays are supported by distinctive editorial material 2; including introductions to critical conflict in literary studies, to Twain7;s life and work, and to each critical controversy highlighted in this edition 2; that helps students grapple not only with the novel7;s critical issues but also with cultural debates about literature itself. In addition to several new critical essays, the second edition includes an appendix on how to argue about the novel so that students may more effectively enter the critical conversation about its issues.
The Tang dynasty is often called China’s “golden age,” a period of commercial, religious, and cultural connections from Korea and Japan to the Persian Gulf, and a time of unsurpassed literary creativity. Mark Lewis captures a dynamic era in which the empire reached its greatest geographical extent under Chinese rule, painting and ceramic arts flourished, women played a major role both as rulers and in the economy, and China produced its finest lyric poets in Wang Wei, Li Bo, and Du Fu. The Chinese engaged in extensive trade on sea and land. Merchants from Inner Asia settled in the capital, while Chinese entrepreneurs set off for the wider world, the beginning of a global diaspora. The emergence of an economically and culturally dominant south that was controlled from a northern capital set a pattern for the rest of Chinese imperial history. Poems celebrated the glories of the capital, meditated on individual loneliness in its midst, and described heroic young men and beautiful women who filled city streets and bars. Despite the romantic aura attached to the Tang, it was not a time of unending peace. In 756, General An Lushan led a revolt that shook the country to its core, weakening the government to such a degree that by the early tenth century, regional warlordism gripped many areas, heralding the decline of the Great Tang.
Like its popular predecessor, this critical edition is designed for "teaching the conflicts" surrounding Mark Twain’s classic novel. It reprints the 1885 text of the first American edition (with a portfolio of illustrations) along with critical essays representing major critical and cultural controversies surrounding the work. The novel and essays are supported by distinctive editorial material — including introductions to critical conflict in literary studies, to Twain’s life and work, and to each critical controversy highlighted in this edition — that helps students grapple not only with the novel’s critical issues but also with cultural debates about literature itself. In addition to several new critical essays, the second edition includes an appendix on how to argue about the novel so that students may more effectively enter the critical conversation about its issues.
Worse things than gators lurk in the Louisiana swamp. . . . The author of The Faceless One fuses the twisted imagination of Fritz Leiber with the razor-sharp plotting of Joe Hill in this rollicking horror thriller. Appearances can be deceiving. Take Jimmy Kalmaku. Anyone passing him on the streets of Lake Nisqually, Washington, would merely see an elderly man. But Jimmy is actually a powerful Tlingit shaman, with a link to the god Raven and a résumé that includes saving the world. Or take his friend and roommate, George Watters. Another ordinary retiree, right? Wrong. Like Jimmy, George is more than he seems to be. He too has a link to the supernatural. He too has saved the world. Then there’s Professor Foxfire—also known as Deadlight Jack. Dressed in the garb of a stage magician, he seems a figure of magic and fun. But he isn’t fun at all. He isn’t even human. And his magic is of the darkest and bloodiest kind. When George’s grandson vanishes on a family vacation to the Louisiana bayou, George and Jimmy fly across the country to aid in the search. Once they arrive, family feuds and buried secrets bring George face-to-face with the ghosts of a forgotten past; Jimmy finds his powers wilting under the humid Southern sun; and deep in the swamp, Deadlight Jack prepares his long-awaited revenge. Advance praise for Deadlight Jack “Mark Onspaugh’s novel, Deadlight Jack, takes you on an incredible journey that slings you from the far Northwest to the bowels of the Louisiana bayous. And on this journey, with a masterful flare, Onspaugh brings nightmarish folklores to life. The story will haunt you, and the vibrant, unforgettable characters will take root in your heart and refuse to leave. A must read!”—Deborah LeBlanc, author of Voices “Onspaugh maintains an undercurrent of eldritch terror while keeping the plot buoyed by fast-paced action scenes. . . . A nicely chilling read for fans of otherworldly horror.”—Publishers Weekly Praise for Mark Onspaugh’s The Faceless One “A stunning debut . . . a chilling dark fantasy with an Alaskan shamanic backdrop . . . The beauty of this weird world is as profound as its terror. I could not turn these pages fast enough!”—Janet Fitch, author of White Oleander and Paint It Black “Onspaugh’s writing captures that same eye-popping strangeness I loved so much in the works of Charles Beaumont and Fritz Leiber. The Faceless One is classic horror from an author who has earned his stripes and knows how to scare you blind.”—Joe McKinney, Bram Stoker Award–winning author of Dead City and The Savage Dead
In 1976, the picturesque, agrarian Napa Valley was all but unknown to those who didn't live there. That changed dramatically when Steven Spurrier and Patricia Gallagher decided to host a tasting of American and French wines in Paris. When wines from Cali
This candid memoir recounts the author's nearly four years in the 3rd United States Infantry Regiment--a.k.a. "The Old Guard" or "Escort to the President"--from 2000 to 2004. Beginning with his grueling summertime infantry basic training at Fort Benning, Georgia, he depicts the day-to-day challenges and triumphs of life in the U.S. Army's oldest and most storied unit, from the 2001 Presidential Inauguration to the recovery efforts following the September 11 attacks.
Imago Trinitatis contributes to the contemporary task of seeking to retrieve the central Christian symbol of the triune God. It interfaces the trinitarian theology of Catherine LaCugna and new anthropological models based on women's interpreted experience of relationality offered by feminist theologians, especially the vision of the post-patriarchal self of Catherine Keller, in order to delineate a theological conception of the human person as communion. By reinterpreting imago Dei as imago Trinitatis, Mark Medley offers a proposal towards claiming that a trinitarian-feminist theological anthropology understands human personhood as being formed and transformed in one's personal existence to God's personal existence as persons of communion.
Retail Intelligence & Network Planning" baut auf dem Erfolg des Vorgängerbandes "Intelligent GIS" auf, in dem Grundlagen und Anwendungen von GIS und Raummodellen für die strategische Planung ausführlich dargelegt wurden. "Retail Intelligence & Network Planning" konzentriert sich in erster Linie auf den breiten Einzelhandelssektor; die hier behandelten Beispiele stammen aus einer Vielzahl von Branchen. Die Autoren erläutern, wie wichtig Fallstudien für die moderne Standortforschung sind und behandeln eine breite Palette von Fragen zu Standort, Distribution und Management der Vertriebskanalproblematik, die für Einzelhandels- und Dienstleistungsunternehmen von großem Interesse sind.
This wide-ranging, two-volume encyclopedia of musicals old and new will captivate young fans—and prove invaluable to those contemplating staging a musical production. Written with high school students in mind, The World of Musicals: An Encyclopedia of Stage, Screen, and Song encompasses not only Broadway and film musicals, but also made-for-television musicals, a genre that has been largely ignored. The two volumes cover significant musicals in easily accessible entries that offer both useful information and fun facts. Each entry lists the work's writers, composers, directors, choreographers, and cast, and includes a song list, a synopsis, and descriptions of the original production and important revivals or remakes. Biographical entries share the stories of some of the brightest and most celebrated talents in the business. The encyclopedia will undoubtedly ignite and feed student interest in musical theatre. At the same time, it will prove a wonderful resource for teachers or community theatre directors charged with selecting and producing shows. In fact, anyone interested in theatre, film, television, or music will be fascinated by the work's tantalizing bits of historical and theatre trivia.
As the study of literature has extended to cultural contexts, critics have developed a language all their own. Yet, argues Mark Bauerlein, scholars of literature today are so unskilled in pertinent sociohistorical methods that they compensate by adopting cliches and catchphrases that serve as substitutes for information and logic. Thus by labeling a set of ideas an "ideology" they avoid specifying those ideas, or by saying that someone "essentializes" a concept they convey the air of decisive refutation. As long as a paper is generously sprinkled with the right words, clarification is deemed superfluous. Bauerlein contends that such usages only serve to signal political commitments, prove membership in subgroups, or appeal to editors and tenure committees, and that current textual practices are inadequate to the study of culture and politics they presume to undertake. His book discusses 23 commonly encountered terms—from "deconstruction" and "gender" to "problematize" and "rethink"—and offers a diagnosis of contemporary criticism through their analysis. He examines the motives behind their usage and the circumstances under which they arose and tells why they continue to flourish. A self-styled "handbook of counterdisciplinary usage," Literary Criticism: An Autopsy shows how the use of illogical, unsound, or inconsistent terms has brought about a breakdown in disciplinary focus. It is an insightful and entertaining work that challenges scholars to reconsider their choice of words—and to eliminate many from critical inquiry altogether.
The clash of modernity and an Amish buggy might be the first image that comes to one’s mind when imagining Lancaster, Pennsylvania, today. But in the early to mid-eighteenth century, Lancaster stood apart as an active and religiously diverse, ethnically complex, and bustling city. On the eve of the American Revolution, Lancaster’s population had risen to nearly three thousand inhabitants; it stood as a center of commerce, industry, and trade. While the German-speaking population—Anabaptists as well as German Lutherans, Moravians, and German Calvinists—made up the majority, about one-third were English-speaking Anglicans, Catholics, Presbyterians, Quakers, Calvinists, and other Christian groups. A small group of Jewish families also lived in Lancaster, though they had no synagogue. Carefully mining historical records and documents, from tax records to church membership rolls, Mark Häberlein confirms that religion in Lancaster was neither on the decline nor rapidly changing; rather, steady and deliberate growth marked a diverse religious population.
Explores the complex relationship between dance, work and labor in the 1930s. In this insightful new book, Mark Franko explores the many genres of theatrical dancing during the radical decade of the 1930s and their relationship to labor movements, including Fordist and unionist organizational structures, the administrative structures of the Federal Dance and Theatre Project, the International Ladies Garment Workers Union, and the Communist Party. Franko shows how the structures of labor organization were reproduced and acted out — but also profoundly reasoned through in corporeal terms — by choreography and performance of the proletarian mass dance, the chorus line of the Ziegfeld Follies and the reflexive backstage musical film, Martha Graham's modern dance, the revolutionary dance movement of the proletarian avant-garde, African-American "ethnic" opera-ballet, and Lincoln Kirstein's "American" ballet. The contributions of many important personalities of American theatrical, visual and literary culture are included in this study. Franko's focus extends from the direct impact of performances on audiences to the reviewing, reporting and photography of print journalism.
Retailers today are able to generate the critical customer information on traffic and conversion rates that turn from their traditional anecdotal reflections in Conversion Mark Ryski tells us all that we need to know to make that shift a reality. A true find for any retailer looking for dramatic improvements in business outcomes! Len Schlesinger President, Babson College former Vice Chairman and COO, Limited Brands A retail brand is built from the cumulative effects of its shoppers experiences over time, making learning from these experiences a strategic priority for retailers in order to drive business value. Converting customers into buyers is the first step in creating a sustained partnership that results in value for all. The strategies introduced in this book will help retailers of all sizes and categories convert their customers experiences into future buyers. Pat Conroy Vice Chairman, Deloitte LLP & Consumer Products Practice Leader Half the battle is finding the right things to measure for your business and industry. Ryski is right that conversion is a critical metric for retailers who care about revenue, profits, and growth. Thomas H. Davenport Presidents Distinguished Professor, Babson College & Author of Competing on Analytics and Analytics at Work
Join award-winning beer writer Mark Dredge on his search for the world's best beer adventures and experiences. This collection of over 150 unmissable beer experiences features the world's greatest beers, bars, breweries and events: it's the ultimate bucket list for every beer lover. Combining travel, city guides, food and history, The Beer Bucket List takes you around the globe, via traditional old British pubs, quirky Belgian bars, brilliant Bavarian brauhauses, spots to enjoy delicious food and beer, the hop gardens of New Zealand, Southeast Asia's buzzing streets, amazing beer festivals, unique beer styles, pioneering breweries and the best new craft brewers. This is any beer lover's must-read book about the most essential beer experiences on the planet.
Once upon a time there were good American novels and bad ones, but none was thought of as a work of art. The Novel Art tells the story of how, beginning with Henry James, this began to change. Examining the late-nineteenth century movement to elevate the status of the novel, its sources, paradoxes, and reverberations into the twentieth century, Mark McGurl presents a more coherent and wide-ranging account of the development of American modernist fiction than ever before. Moving deftly from James to Stephen Crane, Edith Wharton, Gertrude Stein, William Faulkner, Dashiell Hammett, and Djuna Barnes among others, McGurl argues that what unifies this diverse group of ambitious writers is their agonized relation to a middling genre rarely included in discussions of the fine arts. He concludes that the new product, despite its authors' desire to distinguish it from popular forms, never quite forsook the intimacy the genre had long cultivated with the common reader. Indeed, the ''art novel'' sought status within the mass market, and among its prime strategies was a promotion of the mind as a source of value in an economy increasingly dependent on mental labor. McGurl also shows how modernism's obsessive interest in simple-mindedness revealed a continued concern with the masses even as it attempted to use this simplicity to produce a heightened sophistication of form. Masterfully argued and set in elegant prose, The Novel Art provides a rich new understanding of the fascinating road the American novel has taken from being an artless enterprise to an aesthetic one.
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