What made Mark Goddard kidnap a wooden Indian? Why was he arrested for carrying a Colt 45 in Boston? How did he deal with his infant daughter's disappearance? "Danger, danger Will Robinson" is a phrase Mark Goddard often heard in his role as Major Don West in the 1960's hit television series Lost in Space. During his real life, the phrase he should have heeded was "Danger, danger Mark Goddard." This memoir maps Goddard's roundtrip journey from a small town boy to a TV star and back again recounting humorous anecdotes about co-stars and celebrities like Billy Mumy, Peter Fonda, Buddy Hackett, and Jim Brown. This trip gets bumpy along the way, though, with two failed marriages and a career nosedive before Goddard has the realization that changes his life. Told with humor and candor, To Space and Back gives the reader a roller coaster ride equal to any side trip the Jupiter II took on its way to Alpha Centauri.
Mark Goddard, the author of To Space and Back, looks back fifty years to the three years he spent on Lost in Space. This book reveals the personal thoughts and memories of the author, Mark Goddard in relation to various aspects of the Jupiter 2, costuming and the cast. Thirty-one selected episodes of the series are written in a unique way by both the "real" Mark and his "reel" character, Don West. This book has been written especially with the loyal fans of Lost in Space in mind.
When I am all alone, I can convince myself that things will be okay. The truth is, sometimes it isn't. When I am alone, I can convince myself that I have compassion but I get uncomfortable with practicing it. It turns out, I am not as unselfish as I thought I was. When I am alone, I can convince myself that I can love everyone but then I realize I can not. When I am with my family, my limitations, fears and ego are revealed to me. Despite all that, I want to be with them if they will have me.
Winner of the Phi Alpha Theta Best Subsequent Book Award A Los Angeles Times Book Prize Finalist The captivating and definitive account of the Great Lisbon Earthquake--the most consequential natural disaster of modern times. On All Saints’ Day 1755, tremors from an earthquake measuring approximately 9.0 or perhaps higher on the magnitude scale swept furiously toward Lisbon, then one of the wealthiest cities in the world and the capital of a vast global empire. Within minutes, much of the city lay in ruins. A half hour later, a giant tsunami unleashed by the quake smashed into Portugal’s coastline and barreled up the Tagus River, carrying countless thousands out to sea. To complete Lisbon’s destruction, a hellacious firestorm then engulfed the city’s shattered remains, killing thousands more and incinerating much of what the earthquake and tsunami had spared. Drawing on a wealth of new sources, the latest scientific research, and a sophisticated grasp of European history, Mark Molesky gives us the gripping, authoritative account of the Great Lisbon Earthquake disaster and its impact on the Western world—including descriptions of the world’s first international relief effort, the rise of a brutal, yet modernizing, dictatorship in Portugal, and the effect of the catastrophe on the spirit and direction of the European Enlightenment.
An Introduction to Native North America provides a basic introduction to the Native peoples of North America, covering what are now the United States, northern Mexico, and Canada. In this updated and revised new edition, Mark Q. Sutton has expanded and improved the existing text, adding to the case studies, updating the text with the latest research, increasing the number of images, providing more coverage of the Arctic regions, and including new perspectives, particularly those of Native peoples. The book addresses the history of research, the European invasion, and the impact of Europeans on Native societies. A final chapter introduces contemporary Native Americans, discussing issues that affect them, including religion, health, and politics. The book retains a wealth of pedological features to aid and reinforce learning. Featuring case studies of many Native American groups, as well as some eighty-four maps and images, An Introduction to Native North America is an indispensable tool to those studying the history of North America and its Native peoples.
This insider's account, a penetrating view of science policy and politics during two presidencies, captures the euphoria that characterized the space program in the late seventies and early eighties and furnishes an invaluable perspective on the Challenger tragedy and the future of the United States in space. President Reagan's approval of $8 billion for the construction of a permanently manned orbiting space station climaxed one of the most important political and technological debates in the history of the U.S. program in space. In The Space Station the story of this debate is told by Hans mark, who had major roles in the development of the space shuttle from its beginnings in the sixties and who bore a primary responsibility for overseeing the space station project during the decisive years from 1981 to 1984. Mark's appointment to the post of deputy administrator of NASA capped a career devoted to the development and management of space technology—he served as director of NASA's Ames Research Center, then as under secretary and later secretary of the U.S. Air Force. Serving under both President Carter and President Reagan, mark is uniquely able to chronicle the intricate process by which the space shuttle became a reality and the space station an acknowledged goal of the American space effort. A scientist by training, Mark's account of his career in the space program is the story of a personal dream as well as the story of a vast public enterprise whose human side is only now being fully appreciated.
Once upon a time there were good American novels and bad ones, but none was thought of as a work of art. The Novel Art tells the story of how, beginning with Henry James, this began to change. Examining the late-nineteenth century movement to elevate the status of the novel, its sources, paradoxes, and reverberations into the twentieth century, Mark McGurl presents a more coherent and wide-ranging account of the development of American modernist fiction than ever before. Moving deftly from James to Stephen Crane, Edith Wharton, Gertrude Stein, William Faulkner, Dashiell Hammett, and Djuna Barnes among others, McGurl argues that what unifies this diverse group of ambitious writers is their agonized relation to a middling genre rarely included in discussions of the fine arts. He concludes that the new product, despite its authors' desire to distinguish it from popular forms, never quite forsook the intimacy the genre had long cultivated with the common reader. Indeed, the ''art novel'' sought status within the mass market, and among its prime strategies was a promotion of the mind as a source of value in an economy increasingly dependent on mental labor. McGurl also shows how modernism's obsessive interest in simple-mindedness revealed a continued concern with the masses even as it attempted to use this simplicity to produce a heightened sophistication of form. Masterfully argued and set in elegant prose, The Novel Art provides a rich new understanding of the fascinating road the American novel has taken from being an artless enterprise to an aesthetic one.
America's most inspiring politician pays tribute to men and woman who have exhibited composure, wisdom and intellect in the face of tough decisions. John McCain draws from experiences of both extraordinary people and people in extraordinary circumstances, culling lessons about the process and nature of judicious and effective decision-making. Acclaimed authors John McCain and Mark Salter describe the anatomy of great decisions in history by telling the remarkable stories of men and women who have exemplified composure, wisdom, and intellect in the face of life's toughest decisions. They identify six qualities typically represented in the best decisions: Awareness. Timing. Foresight. Confidence. Humility. Inspiration. These qualities are personified by the exceptional individuals in this book, each of whom made a hard call, including: Henry Ford's decision to sacrifice his company's competitive edge by reducing the work day and guaranteeing a minimum wage; Branch Rickey's decision to offer Jackie Robinson a contract to play for the Brooklyn Dodgers in the face of public opposition; Ellen Johnson-Sirleaf 's decision to return to wartorn Liberia after receiving an economics degree from Harvard; General Fred Weyand's decision to redeploy fifteen of his battalions despite resistance from senior American military commanders in Vietnam. Woven into these stories are John McCain's own views on the process and art of decision-making and examples of the hard calls we face in our lives. "When I assess a decision," McCain writes, "I want to know all I can about the character of the decision maker before I examine the properties of the decision, its outcome or how it was arrived at." Hard Call is a testament to the people whose choices serve as a beacon for us all.
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