The Practical Guide to Employment Law is a comprehensive desk manual for HR managers, legal counsel, and labor and employment attorneys. It covers federal employment laws in plain-English, giving readers the practical information necessary to apply the laws, as well as providing readers with essential court cases and tips for compliance in every chapter. The Practical Guide to Employment Law includes a compliance checklist section -- where readers can learn the various laws that apply to such topics as hiring, terminations, and benefits. It also includes a supervisory training section on several laws, including FMLA and ADA. The Practical Guide to Employment Law also includes a CD-ROM that contains reproducible pages that summarize key provisions of the major employment laws as well as quizzes on each of the laws to be administered to your staff for training purposes.
In the 1830s and 1840s, increasing numbers of Russians renounced the modernized, secularized, Westernized Russia created by Peter the Great in an effort to revive alternative lifestyles based on Orthodox spirituality and values. This effort found expression in a revival of monasticism that began in the era of Nicholas I and would last for the duration of the imperial period, brought to an end only by the cataclysm of revolution and repression of the new Bolshevik regime. Suppressed by the communists, Russian monasticism experienced another revival in the post-World War II era and again in the post-Soviet period, demonstrating that the impulse to renounce the contemporary world for the cloister is a central pattern of Russian religiosity. This book is the first comprehensive analysis of these monastic revivals, presenting a fundamentally new picture of religion in modern Russia. Scott Kenworthy's approach is that of a contextualized microhistory: an in-depth study of one monastic complex, framed within research on monasticism more broadly. The case study here is Russia's largest and most famous monastery, the Trinity-Sergius Lavra in Sergiev Posad, near Moscow. With the collapse of the Soviet Union, the Russian Orthodox Church is again experiencing a revival, and monasticism is playing a central role in this resurgence. In the search to recover the past, Russian Orthodox are turning to the nineteenth century revival as a normative model. Numerous Russians are once again renouncing the contemporary world--in this case, both the socialist past and the post-socialist capitalist present--and opting for a mode of life that represents a return to past values. Monasteries are again foci of popular piety as well as of important publishing activities, and their spirituality is regarded as the purest expression of Orthodox ideals. This book provides an essential basis for understanding Orthodoxy in its historical context and its contemporary manifestations.
This Palgrave Pivot provides the first ever comprehensive consideration of the part played by women in the workings and business of the English Parliament in the later Middle Ages. Breaking new ground, this book considers all aspects of women’s access to the highest court of medieval England. Women were active supplicants to the Crown in Parliament, and sometimes appeared there in person to prosecute cases or make political demands. It explores the positions of women of varying rank, from queens to peasants, vis-à-vis this male institution, where they very occasionally appeared in person but were more usually represented by written petitions. A full analysis of these petitions and of the official records of parliament reveals that there were a number of issues on which women consistently pressed for changes in the law and its administration, and where the Commons and the Crown either championed or refused to support reform. Such is the concentration of petitions on the subjects of dower and rape that these may justifiably be termed ‘women’s issues’ in the medieval Parliament.
In the years following World War II the health and well-being of the nation was of primary concern to the British government. The essays in this collection examine the relationship between health and stress in post-war Britain through a series of carefully connected case studies.
In fin-de-siècle and early revolutionary Russia, a group of self-educated workers produced a large body of poetry and prose in which they attempted to comprehend their rapidly changing world. Witnesses to wars and revolution, these men and women grappled on paper with the nature of civilization and the imperatives of ethical truth. In a strikingly original approach to Russian culture, Mark D. Steinberg listens to their words, which are little known today. The results of their literary creativity, he finds, were frequently not what the new Soviet order was expecting from its workers, despite its celebration of the notion of a proletarian art.Through insightful readings of a vast fund of lower-class writings, Steinberg shows that the authors focused above all on the uncertain nature and place of the self, the promise and dangers of modernity, and the qualities of the sacred in both their lives and their imaginations. Like their counterparts in the intelligentsia, these worker writers were ambivalent about Marxist ideology's celebration of the city and the factory and even about modern progress itself. Drawing on vast research, Steinberg demonstrates the texts' significance for an understanding of Russian popular mentalities, indeed for the very meaning, philosophically and morally, of these years of crisis and possibility at the end of the old order and the early years of the Soviet regime.
The first edition of Dvoretsky's Endgame Manual was immediately recognized by novice and master alike as one of the best books ever published on the endgame. The second edition is revised and enlarged - now over 400 pages - covering all the most important concepts required for endgame mastery. "I am sure that those who study this work carefully will not only play the endgame better, but overall, their play will improve. One of the secrets of the Russian chess school is now before you, dear reader!" - From the Foreword to the First Edition by Grandmaster Artur Yusupov "Going through this book will certainly improve your endgame knowledge, but just as important, it will also greatly improve your ability to calculate variations... What really impresses me is the deep level of analysis in the book... All I can say is: This is a great book. I hope it will bring you as much pleasure as it has me." - From the Preface to the First Edition by International Grandmaster Jacob Aagaard Here's what they had to say about the First Edition: "Dvoretsky's Endgame Manual ... may well be the chess book of the year... [It] comes close to an ultimate one-volume manual on the endgame." - Lubomir Kavalek in his chess column of December 1, 2003 in the Washington Post. "Dvoretsky's Endgame Manual is quite simply a masterpiece of research and insight. It is a tremendous contribution to endgame literature, certainly the most important one in many years, and destined to be a classic of the literature (if it isn't already one). The famous trainer Mark Dvoretsky has put together a vast number of examples that he has not only collected, but analysed and tested with some of the world's strongest players. This is a particularly important book from the standpoint of clarifying, correcting, and extending the theory of endings. Most of all, Dvoretsky's analysis is staggering in its depth and accuracy." - John Watson, reviewing DEM at The Week In Chess 2003 Book of the Year - JeremySilman.com 2003 Book of the Year - Seagaard Chess Reviews: "This is an extraordinary good chess book. To call this the best book on endgames ever written seems to be an opinion shared by almost all reviewers and commentators. And I must say that I am not to disagree." - Erik Sobjerg
From the moment that Jimbo and his best friend Charlie bug the staff room and overhear two of their teachers speaking to each other in a secret language, they know that nothing is as it seems. But what does "spudvetch" mean, and why do Mr. Kidd's eyes flicker with fluroscent blue light when Charlie says it to him? Perhaps the teachers are bank robbers speaking in code; perhaps they're spies, or aliens. Whatever they are, Jimbo and Charlie know that there is a big adventure on its way: a nuclear-powered, one-hundred-tonne one, with reclining seats and a buffet car. And as it gains speed and begins to spin out of control, it can only end one way — with a BOOM!
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day.The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', in-depth discussions of writers, institutions, and texts that take the reader up close and. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century. The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular bring out trans-historical features that contribute to the notion of a national literature. The volume's time-range has the merit of identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to later writers. This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative that pursues key concepts (rather more than individual authorial careers). This holistic narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon and the development of tradition is through a discussion of the interrelation of major and minor figures, historical events and literary politics, literary theory and literary innovation.
This book offers an intimate portrait of early twentieth-century Harbin, a city in Manchuria where Russian colonialists, and later refugees from the Revolution, met with Chinese migrants. The deep social and intellectual fissures between the Russian and Chinese worlds were matched by a multitude of small efforts to cross the divide as the city underwent a wide range of social and political changes. Using surviving letters, archival photographs, and rare publications, this book also tells the personal story of a forgotten city resident, Baron Roger Budberg, a physician who, being neither Russian nor Chinese, nevertheless stood at the very centre of the cross-cultural divide in Harbin. The biography of an important city, fleshing out its place in the global history of East-West contacts and twentieth-century diasporas, this book is also the history of an individual life and an original experiment in historical writing.
The Soviet Union was one of the most secretive states that ever existed. Defended by a complex apparatus of rules and checks administered by the secret police, the Soviet state had seemingly unprecedented capabilities based on its near monopoly of productive capital, monolithic authority, and secretive decision making. But behind the scenes, Soviet secrecy was double-edged: it raised transaction costs, incentivized indecision, compromised the effectiveness of government officials, eroded citizens' trust in institutions and in each other, and led to a secretive society and an uninformed elite. The result is what this book calls the secrecy/capacity tradeoff: a bargain in which the Soviet state accepted the reduction of state capacity as the cost of ensuring its own survival. This book is the first comprehensive, analytical, multi-faceted history of Soviet secrecy in the English language. Harrison combines quantitative and qualitative evidence to evaluate the impact of secrecy on Soviet state capacity from the 1917 Bolshevik Revolution to the collapse of the Soviet Union in 1991. Based on multiple years of research in once-secret Soviet-era archives, this book addresses two gaps in history and social science: one the core role of secrecy in building and stabilizing the communist states of the twentieth century; the other the corrosive effects of secrecy on the capabilities of authoritarian states.
The first English-language book to document the men who emerged from the Soviet-era gulags to become Russia’s international criminal class. Mark Galeotti is the go-to expert on organized crime in Russia, consulted by governments and police around the world. Now, Western readers can explore the fascinating history of the vory v zakone, a criminal organization that has survived and thrived through Stalinism, the Cold War, the Afghan War, and the end of the Soviet experiment. The vory—as the Russian mafia is also known—was born early in the twentieth century, largely in the Gulags and criminal camps, where they developed their unique culture. Identified by their signature tattoos, members abided by the thieves’ code, a strict system that forbade all paid employment and cooperation with law enforcement and the state. Based on two decades of on-the-ground research, Galeotti’s captivating study details the vory’s journey to power from their early days to their adaptation to modern-day Russia’s free-wheeling oligarchy and global opportunities beyond.
The editors express their gratitude to the John M. Olin Foundation for its financial assistance and to the Harvard University Russian Research Center for the facilities and staff support that made this project possible. We wish to thank those who contributed their invaluable scholarly advice, including Vernon Aspaturian, Abram Bergson, Steven Blank, Walker Connor, Robert Conquest, Murray Feshbach, Erich Goldhagen, Richard Pipes, and Marc Raeff. We gratefully acknowledge the assistance of Barbara A. Anderson and Brian D. Silver with Soviet demographic data used throughout the volume. Susan Zayer and Karen Taylor-Brovkin provided able administrative help. For skillful technical assistance with the manuscript we are indebted to Jane Prokop, Elizabeth Taylor, and Alison Koff. Catherine Reed, Susan Gardos-Bleich, Christine Porto, and Alex Sich helped generously in diverse ways. Finally, the editors profited at every stage from the congenial working atmosphere and the encouragement of colleagues at the Russian Research Center too numerous to mention. To all of them goes our deep appreciation.
The Fifth Edition of a Modern Masterpiece When it appeared in 2003, the first edition of Dvoretsky’s Endgame Manual was immediately recognized by novice and master alike as one of the best books ever published on the endgame. The enlarged and revised fifth edition is better than ever! Here is what Vladimir Kramnik, the 14th World Champion, had to say in his foreword to the fifth edition: “I consider Dvoretsky’s Endgame Manual an absolute must for every chess professional, and no less important even for a club player... I always recommend this book... I consider it to be one of the very best chess books published in recent times and I am very pleased with the new enhanced edition...” German grandmaster Karsten Müller, widely recognized as one of the best endgame theoreticians in the world today, has carefully updated the fifth edition with the help of American grandmaster Alex Fishbein. The incredible instructional value of the exercises has been preserved, and the blue text used in the first four editions has been replaced with text with a light grey background. Here’s what they had to say about the first edition: “Dvoretsky’s Endgame Manual ... may well be the chess book of the year ... [It] comes close to an ultimate one-volume manual on the endgame.” – Lubomir Kavalek in his chess column of December 1, 2003 in the Washington Post “Dvoretsky’s Endgame Manual is quite simply a masterpiece of research and insight ... Most of all, Dvoretsky's analysis is staggering in its depth and accuracy.” – John Watson at The Week In Chess. 2003 Book of the Year – JeremySilman.com 2003 Book of the Year – Seagaard Chess Reviews
The geography of Russia -- vast, unwieldy, exposed -- and her tragic history of foreign invasion have created an overriding sense of military vulnerability amongst her leaders that, after the horrors of the Second World War, amounted almost to paranoia. This important study of the years since Brezhnev shows how this obsession with national security have been at the core of Russian thinking right through the reforms of the Gorbachev era and the eventual collapse of the USSR, and continues to dominate the turbulent politics of post-Soviet Russia today.
The Fourth Edition of a Modern Classic When you are serious about improving your endgame skills, it is time for Dvoretsky's Endgame Manual. Perhaps the best known and most respected instructor of world class chessplayers, Mark Dvoretsky has produced a comprehensive work on the endgame that will reward players of all strengths. For those ready to immerse themselves in endgame theory, there may be no better manual available today. But, even if you do not play at master level, the book has been designed to help your endgame too. Basic theories and "must-know" concepts are highlighted in blue. You may skip the more complex analysis, focus on the text in blue, and still improve your endgame technique. When it appeared in 2003, the first edition of Dvoretsky's Endgame Manual was immediately recognized by novice and master alike as one of the best books ever published on the endgame. The enlarged and revised Fourth Edition is better than ever! "I am sure that those who study this work carefully will not only play the endgame better, but overall, their play will improve. One of the secrets of the Russian chess school is now before you, dear reader!" - From the Foreword to the First Edition by Grandmaster Artur Yusupov "Going through this book will certainly improve your endgame knowledge, but just as important, it will also greatly improve your ability to calculate variations... What really impresses me is the deep level of analysis in the book... All I can say is: This is a great book. I hope it will bring you as much pleasure as it has me." - From the Preface to the First Edition by International Grandmaster Jacob Aagaard Here's what they had to say about the First Edition: "Dvoretsky's Endgame Manual ... may well be the chess book of the year... [It] comes close to an ultimate one-volume manual on the endgame." - Lubomir Kavalek in his chess column of December 1, 2003 in the Washington Post.
This text offers a critical study of postmodernism in Russian literature. It takes some of the central issues of the critical debate to develop a conception of postmodern poetics as a dialogue with chaos and places Russian literature in the context of an enriched postmodernism.
A detailed account of the first check of Japanese naval expansion in the Pacific. The Battle of the Coral Sea is unique in the annals of naval history. It is the first battle in which enemy fleets never came within sight of one another. Instead, aircraft launched from carrier decks were sent out to attack the enemy with bombs and torpedoes. In May of 1942, the Japanese fleet moved on Port Moresby, the last Allied base between Australia and Japan. Forced to respond, the Americans sent two aircraft carriers to protect the base. In the ensuing battle, one American carrier was destroyed and the other severely damaged. However, the Japanese also lost a carrier and decided to withdraw. Although bloody, it proved to be an important strategic victory for the Allies as the Japanese were forced to attempt future attacks on Port Moresby over land. Using updated research and numerous period photographs, retired USN Commander Mark O Stille tells the story of this important and unique battle in the Pacific War.
This book studies the made-to-order genre of socialist-realist fiction that was produced at the direction of the Main Political Directorate of the Soviet Army and Navy (MPD) as a part of the war for men's minds waged by the Soviet State. The first chapter is a history of the genre, tracing it from its roots in the Revolution to the dissolution of the MDP in 1991. Topics examined in the book include the attitude toward Germans following World War II; the retirement of the World War II generation; military wives; Dear John letters; life at remote posts; the military as a socializing institution; the use of lethal force by sentries; attitudes toward field training exercises, heroism, and initiative; legitimacy of command; and the reception of Afghan vets.
Der früh verstorbene US-amerikanische Künstler Mark Lombardi (1951–2000) produzierte visuelle Netzwerke und Diagramme, die die unsichtbaren Verknüpfungen zwischen politisch-ökonomischen Vorgängen, Korporationen und Individuen transparent machen. Dieses Notizbuch bildet nicht die bekannten feingliedrigen Zeichnungen und Netze ab, sondern zeigt Lombardis Recherchehilfsmittel und Denkstützen: seine Karteikarten. Der ehemalige Bibliothekar Lombardi, der für seine Akribie bekannt war, hat seine Informationen aus öffentlich zugänglichen Quellen mittels eines Karteikartensystem sortiert und archiviert, von denen einige hier abgedruckt sind. In ihrer persönlichen Einführung beschreibt Carolyn Christov-Bakargiev ihre persönlicheSicht auf dieses außergewöhnliche künstlerische Oeuvre, dessen Verbindungslinien sich der Faktenlage von Finanzskandalen, Terrorangriffen und Verbrechen unterordnen und Namen nennen. Carolyn Christov-Bakargiev (*1957) ist künstlerische Leiterin der dOCUMENTA (13). Sprache: Deutsch/Englisch
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