The selected early poems by Mark Doty including the complete texts of Turtle, Swan and Bethlehem in Broad Daylight for which Mr. Doty has contributed a new introduction.
Mark Doty's prose has been hailed as "tempered and tough, sorrowing and serene" (The New York Times Book Review) and "achingly beautiful" (The Boston Globe). In Still Life with Oysters and Lemon he offers a stunning exploration of our attachment to ordinary things-how we invest objects with human store, and why.
“His best work yet . . . astute, contemplative, and deeply moving.” —Washington Post Mark Doty’s poetry has long been celebrated for its risk and candor, an ability to find transcendent beauty even in the mundane and grievous, an unflinching eye that—as Philip Levine says—“looks away from nothing.” In the poems of Deep Lane the stakes are higher: there is more to lose than ever before, and there is more for us to gain. “Pure appetite,” he writes ironically early in the collection, “I wouldn’t know anything about that.” And the following poem answers: Down there the little star-nosed engine of desire at work all night, secretive: in the morning a new line running across the wet grass, near the surface, like a vein. Don’t you wish the road of excess led to the palace of wisdom, wouldn’t that be nice? Deep Lane is a book of descents: into the earth beneath the garden, into the dark substrata of a life. But these poems seek repair, finally, through the possibilities that sustain the speaker aboveground: gardens and animals, the pleasure of seeing, the world tuned by the word. Time and again, an image of immolation and sacrifice is undercut by the fierce fortitude of nature: nature that is not just a solace but a potent antidote and cure. Ranging from agony to rapture, from great depths to hard-won heights, these are poems of grace and nobility.
A Washington Post Book World Best Book of the Year Winner of the Israel Fishman-Stonewall Book Award for Nonfiction "Tender and amusing. . . . Doty brilliantly captures the qualities that make dogs endearing." -- The New Yorker When Mark Doty decides to adopt a dog as a companion for his dying partner, he brings home Beau, a large, malnourished golden retriever in need of loving care. Joining Arden, the black retriever, to complete their family, Beau bounds back into life. Before long, the two dogs become Doty's intimate companions, and eventually the very life force that keeps him from abandoning all hope during the darkest days. Dog Years is a poignant, intimate memoir interwoven with profound reflections on our feelings for animals and the lessons they teach us about living, love, and loss.
The year is 1989 and Mark Doty's life has reached a state of enviable equilibrium. His reputation as a poet of formidable talent is growing, he enjoys his work as a college professor and, perhaps most importantly, he is deeply in love with his partner of many years, Wally Roberts. The harmonious existence these two men share is shattered, however, when they learn that Wally has tested positive for the HIV virus. From diagnosis to the initial signs of deterioration to the heartbreaking hour when Wally is released from his body's ruined vessel, Heaven's Coastis an intimate chronicle of love, its hardships, and its innumerable gifts. We witness Doty's passage through the deepest phase of grief -- letting his lover go while keeping him firmly alive in memory and heart -- and, eventually beyond, to the slow reawakening of the possibilities of pleasure. Part memoir, part journal, part elegy for a life of rare communication and beauty, Heaven's Coast evinces the same stunning honesty, resplendent descriptive power and rapt attention to the physical landscape that has won Doty's poetry such attention and acclaim.
It sounds like a simple thing, to say what you see," Mark Doty begins. "But try to find words for the shades of a mottled sassafras leaf, or the reflectivity of a bay on an August morning, or the very beginnings of desire stirring in the gaze of someone looking right into your eyes . . ." Doty finds refuge in the sensory experience found in poems by Blake, Whitman, Bishop, and others. The Art of Description is an invaluable book by one of America's most revered writers and teachers.
Although founded in 1841, Dallas did not experience significant growth until 1873 when the Texas and Pacific (T&P) Railroad crossed the Houston and Texas Central Railroad (H&TC) near downtown. Securing these railroads led to a prolific building boom that has never fully ended, even during the Great Depression and subsequent world wars. Dallas's ability to sustain growth and development as a banking and commercial center led to the demolition of much of the early built environment, a trend that continues even today. Lost Dallas explores and documents those buildings, neighborhoods, and places that have been lost and even forgotten since the city's modest antebellum beginning.
Mark Doty’s poetry has long been celebrated for its risk and candour, an ability to find transcendent beauty even in the mundane and grievous, an unflinching eye that – as Philip Levine says – ‘looks away from nothing’. In the poems of Deep Lane the stakes are higher: there is more to lose than ever before, and there is more for us to gain. ‘Pure appetite,’ he writes ironically early in the collection, ‘I wouldn’t know anything about that.’ And the following poem answers: Down there the little star-nosed engine of desire at work all night, secretive: in the morning a new line running across the wet grass, near the surface, like a vein. Don’t you wish the road of excess led to the palace of wisdom, wouldn’t that be nice? Deep Lane is a book of descents: into the earth beneath the garden, into the dark substrata of a life. But these poems seek repair, finally, through the possibilities that sustain the speaker above ground: gardens and animals; the pleasure of seeing; the world tuned by the word. Time and again, an image of immolation and sacrifice is undercut by the fierce fortitude of nature: nature that is not just a solace but a potent antidote and cure. Ranging from agony to rapture, from great depths to hard-won heights, these are poems of grace and nobility.
Though five volumes of poetry and his award-winning memoir, Heaven's Coast, Mark Doty has produced one of the most important bodies of work in contemporary literature. In his powerful new autobiography, Firebird, Doty tells the story of a ten-year-old in a top hat, cane, and red chiffon scarf, interrupted while belting out Judy Garland's "Get Happy" by his alarmed mother at the bedroom door, exclaiming, "Son, you're a boy!" A self-confessed "chubby smart bookish sissy with glasses and a Southern accent," Mark Doty grew up on the move, the family following his father's engineering work across America--from Memphis to Tucson, Florida to California. With Doty's rebellious sister already heading down a road that will bring her more than the usual share of teenage troubles, and his parents bedazzled by their own isolate disappointments, Firebird presents us with a heroic little boy who has quite enough worries without discovering that his dawning sexuality is The Wrong One. Attracted not to baseball gloves or space travel but to textiles and opera, horror movies and free-form dance, he finds that his confusion and fear are shared by those around him as he tries to make his way into the world to the sound of Petula Clark singing "Downtown." A heartbreaking comedy of one family's dissolution through the corrosive powers of alcohol, sorrow, and thwarted desire, Firebird is also a wry evocation of childhood's pleasures and terrors, and a comic tour of suburban American life in the fifties and sixties. Lyrical and shattering at once, alive with vivid characters and a beauty of language and detail that are the hallmarks of Doty's miraculous prose, Firebird is unsparingly truthful and compassionate, a testament to how it is possible to save oneself through the transformative power of art.
The powerful and influential last poems of an unsung master, now again available, with a new introduction by National Book Award winner Mark Doty James L. White's The Salt Ecstasies—originally published in 1982, shortly after White's untimely death—has earned a reputation for its artful and explicit expression of love and desire. In this new edition, with an introduction by Mark Doty and previously unpublished works by White, his invaluable poetry is again available—clear, passionate, and hard-earned. The Salt Ecstasies is a new book in the Graywolf Poetry Re/View Series, edited by Doty, dedicated to bringing essential books of contemporary American poetry back into print.
Bernardo Bellotto's magnificent View of the Grand Canal provides a rich visual record of life in eighteenth-century Venice. This painting--one of the most popular in the Getty Museum--is so sweeping in its scope and so detailed that it requires repeated viewings to take in its portrait of daily life in Venice in the 1780s. This small book presents Bellotto's great painting in a series of beautiful details that allow the reader to examine the painting closely and enjoy the colorful and busy goings-on of Venetian life captured so unforgettably by Bellotto. The book jacket unfolds to become a small poster of the painting in its entirety. Accompanying these delightful images is a lyrical essay by noted American poet Mark Doty. Together, Bellotto's painting and Doty's prose make for an unforgettable encounter with the art and life of Venice.
Collects poems chosen by editor Mark Doty as the best of 2012, featuring 75 poets including Sherman Alexie, Rae Armantrout, Frank Bidart, and Henri Cole.
November 22, 1963, is a date that will forever live in the minds and hearts of those who were witness to or touched by the assassination of Pres. John F. Kennedy in Dealey Plaza. Surprisingly, the majority of sites associated with events surrounding that day still stand along the streets and in the neighborhoods of the greater DallasFort Worth region. From Fort Worths Hotel Texas to the Texas Theater and the Old Municipal Building in Dallas, John F. Kennedy Sites in DallasFort Worth explores and documents the buildings, neighborhoods, and places with a direct connection to the assassination and its figures, both major and minor, in one of the darkest chapters in American and Texan history.
“Anguished and unblinking . . . Accomplished poetry that will move those who have sorrowed—that is, everyone.” —Library Journal “The thin knife that severed your tumor,” writes Brooke Matson in these poems, “it cleaves me still.” What to do when a world is split—terribly, wholly—by grief? When the loss of the beloved undermines the most stable foundations, the most sacred spaces, of that world? What else but to interrogate the very fundamental principles themselves, all the knowns previously relied on: light, religion, physical matter, time? Often borrowing voices and perspectives from its scientific subjects, In Accelerated Silence investigates the multidimensional nature of grief and its blurring of boundaries—between what is present and what is absent, between what is real and imagined, between the promises of science and the mysteries of human knowing, and between the pain that never ends and the world that refuses to. The grieving and the seeking go on, Matson suggests, but there comes a day when we emerge, “now strong enough / to venture out of doors, thin // and swathed in a robe,” only to find it has continued “full and flourishing and larger than before.” Sensual and devastating, In Accelerated Silence—selected by Mark Doty as winner of the Jake Adam York Prize—creates an unforgettable portrait of loss full of urgency and heartache and philosophical daring. “Blends chemistry, astrophysics, light, and time with grief, mystery, resilience, and love into some truly gorgeous poems that you don’t have to be a scientist (or a poetry nerd) to love.” —Electric Literature
Edited this year by acclaimed poet and writer Mark Doty, the foremost annual anthology of contemporary American poetry returns. Mark Doty brings the vitality and imagination that illuminate his own work to his selections for the twenty-fifth volume in the Best American Poetry series. He has chosen poems of high moral earnestness and poems in a comic register; poems that tell stories and poems that test the boundaries of innovative composition. This landmark edition includes David Lehman’s keen look at American poetry in his foreword, Mark Doty’s gorgeous introduction, and notes from the poets revealing the germination of their work. Over the last twenty-five years, The Best American Poetry has become an annual rite of the poetry world, and this year’s anthology is a welcome and essential addition to the series. SHERMAN ALEXIE * KAREN LEONA ANDERSON * RAE ARMANTROUT * JULIANNA BAGGOTT * DAVID BAKER * RICK BAROTt REGINALD DWAYNE BETTS * FRANK BIDART * BRUCE BOND * STEPHANIE BROWN * ANNE CARSON * JENNIFER CHANG * JOSEPH CHAPMAN * HEATHER CHRISTLE * HENRI COLE * BILLY COLLINS * PETER COOLEY * EDUARDO C. CORRAL * ERICA DAWSON * STEPHEN DUNN * ELAINE EQUI * ROBERT GIBB * KATHLEEN GRABER * AMY GLYNN GREACEN * JAMES ALLEN HALL * TERRANCE HAYES * STEVEN HEIGHTON * BRENDA HILLMAN * JANE HIRSHFIELD * RICHARD HOWARD * MARIE HOWE * AMORAK HUEY * JENNY JOHNSON * LAWRENCE JOSEPH * FADY JOUDAH * JOY KATZ * JAMES KIMBRELL * NOELLE KOCOT * MAXINE KUMIN * SARAH LINDSAY * AMIT MAJMUDAR * DAVID MASON * KERRIN McCADDEN * HONOR MOORE * MICHAEL MORSE * CAROL MUSKE-DUKES * ANGELO NIKOLOPOULOS * MARY OLIVER * STEVE ORLEN * ALICIA OSTRIKER * ERIC PANKEY * LUCIA PERILLO * ROBERT PINSKY * DEAN RADER * SPENCER REECE * PAISLEY REKDAL * MARY RUEFLE * DON RUSS * KAY RYAN * MARY JO SALTER * LYNNE SHARON SCHWARTZ * FREDERICK SEIDEL * BRENDA SHAUGHNESSY * PETER JAY SHIPPY * TRACY K. SMITH * BRUCE SNIDER * MARK STRAND * LARISSA SZPORLUK * DANIEL TOBIN * NATASHA TRETHEWEY * SUSAN WHEELER * FRANZ WRIGHT * DAVID YEZZI * DEAN YOUNG * KEVIN YOUNG
Whether you love poetry or haven't read it since school, The Splash of Words will help you rediscover poetry’s power to startle, challenge and reframe your vision. Like throwing a pebble into water, a poem causes a ‘splash of words’ whose ripples can transform the way we see the world, ourselves and God. Through thirty selected poems, from the fourteenth century to the present day, Mark Oakley explores poetry’s power to stir our settled ways of viewing the world and faith, shift our perceptions and even transform who we are.
In his latest collection, Atlantis, Doty claims the mythical lost island as his own: a fading paradise whose memory he must keep alive at the same time that he is forced to renounce its hold on him. Atlantis recedes, just as the lives of those Doty loves continue to be extinguished by the devastation of AIDS. Set in the harbor village of Provincetown, whose charming, cluttered landscape Doty brings to life, the collection chronicles the illness and death of Doty's beloved partner, as well as many others whose worlds have been both ravaged and broadened by this disease. Doty's struggle is to reconcile with, and even to celebrate, the evanescence of our earthly connections - to those we love, to the shifting physical landscape, even to our strongest feelings - and to understand how we can love more at the very moment that we must consent to let go."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
From the 19th century to today, a guide through the historic Dallas, Texas, and its culture, parks, and sports. Don't let the drawl fool you—Dallas boasts a dynamic history full of explosive growth. The cityscape itself seems eager to measure up to the outsized personalities that forged the town's identity. A sixty-seven-and-a-half-foot-tall giraffe statue greets visitors to the Dallas Zoo, while guests exiting the Joule Hotel encounter the gaze of a thirty-foot eyeball. A colossal Pegasus glows above it all from its perch on top of the Magnolia Petroleum building. Subtler storylines also thread their way through the forest of glass and steel, from the jazz of Deep Ellum alleyways to the peaceful paths of the Katy Trail. Author Georgette Driscoll looks beyond the inscriptions for the events that shaped Dallas into the city it is today.
When it comes to increasing student motivation and success in writing, classroom talk is a powerful tool. More than simply providing assessment data for predetermined standards, talking with our students builds relationships and acommunitywhere students rely on one another-;not just their teacher-;for advice, affirmation, and support. Let's Talk: Managing One-on-One, Peer, and Small Group Conferences author Mark Overmeyer providesreal classroom examples and stories to help educators make conferences more manageable and meaningful.Organized by types of conferences, Let's Talk distinguishes between teacher-student talk-;which covers one-on-one, small-group, and whole-class conferences-;and student-student talk-;which includes one-on-one and group peer conferences. In addition to addressing the challenges and needsof teachers, coaches, principals, and staff developers in the elementary and middle level grades, Overmeyer also focuses onhow to work with English language learners.Throughout the book, Overmeyer describes how classroom talk benefits students in a variety of ways, from discovering their interests and backgrounds as writers to helping them develop the language to reflect on their writing progress.
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