Cupboard Love explores the fascinating stories behind familiar and no-so-familiar gastronomic terms. Who knew that the word pomegranate is related to the word grenade? Light-hearted and thoroughly researched, packed with linguistic lore and cultural trivia.
In this provocative new book, Mark Christian Thompson addresses the startling fact that many African American intellectuals in the 1930s sympathized with fascism, seeing in its ideology a means of envisioning new modes of African American political resistance. Thompson surveys the work and thought of several authors and asserts that their sometimes positive reaction to generic European fascism, and its transformation into black fascism, is crucial to any understanding of Depression-era African American literary culture. The book considers the high regard that "Back to Africa" advocate Marcus Garvey expressed for fascist dictators and explores the common ground he shared with George Schuyler and Claude McKay, writers with whom Garvey is generally thought to be at odds. Thompson reveals how fascism informed a rejection of Marxism by McKay--as well as by Arna Bontemps, whose Drums at Dusk depicts communism as antithetical to any black revolution. A similarly authoritarian stance is examined in the work of Zora Neale Hurston, where the striving for a fascist sovereignty presents itself as highly critical of Nazism while nonetheless sharing many of its tenets. The book concludes with an investigation of Richard Wright's The Outsider and its murderous protagonist, Cross Damon, who articulates fascist drives already present, if latent, in Native Son's Bigger Thomas. Unencumbered by the historical or biblical references of the earlier work, Damon personifies the essence of black fascism. Taking on a subject generally ignored or denied in African American cultural and literary studies, Black Fascisms seeks not only to question the prominence of the Left in the political thought of a generation of writers but to change how we view African American literature in general. Encompassing political theory, cultural studies, critical theory, and historicism, the book will challenge readers in numerous fields, providing a new model for thinking about the political and transnational in African American culture and shedding new light on our understanding of fascism between the wars.
An investigation into the politics of consumerism in East Germany during the years between the Berlin Blockade of 1948-49 and the building of the Berlin Wall in 1961, Dictatorship and Demand shows how the issue of consumption constituted a crucial battleground in the larger Cold War struggle. Based on research in recently opened East German state and party archives, this book depicts a regime caught between competing pressures. While East Germany's leaders followed a Soviet model, which fetishized productivity in heavy industry and prioritized the production of capital goods over consumer goods, they nevertheless had to contend with the growing allure of consumer abundance in West Germany. The usual difficulties associated with satisfying consumer demand in a socialist economy acquired a uniquely heightened political urgency, as millions of East Germans fled across the open border. A new vision of the East-West conflict emerges, one fought as much with washing machines, televisions, and high fashion as with political propaganda, espionage, and nuclear weapons. Dictatorship and Demand deepens our understanding of the Cold War.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
The definitive history of the world's most popular drug. Uncommon Grounds tells the story of coffee from its discovery on a hill in ancient Abyssinia to the advent of Starbucks. Mark Pendergrast reviews the dramatic changes in coffee culture over the past decade, from the disastrous "Coffee Crisis" that caused global prices to plummet to the rise of the Fair Trade movement and the "third-wave" of quality-obsessed coffee connoisseurs. As the scope of coffee culture continues to expand, Uncommon Grounds remains more than ever a brilliantly entertaining guide to the currents of one of the world's favorite beverages.
Alfred Hitchcock’s Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock’s Film, Mark William Padilla analyzes antecedents including: (1) the film’s source novel, D’entre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbach’s Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcock’s project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself.
This early work by Miles Mark Fisher is both expensive and hard to find in its first edition. It details the importance and meaning of slave songs in America. This fascinating work is thoroughly recommended for inclusion on the bookshelf of all with an interest in slave music and the political history of the United States. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Can you live your life by what The Twilight Zone has to teach you? Yes, and maybe you should. The proof is in this lighthearted collection of life lessons, ground rules, inspirational thoughts, and stirring reminders found in Rod Serling’s timeless fantasy series. Written by veteran TV critic, Mark Dawidziak, this unauthorized tribute is a celebration of the classic anthology show, but also, on another level, a kind of fifth-dimension self-help book, with each lesson supported by the morality tales told by Serling and his writers. The notion that “it’s never too late to reinvent yourself” soars through “The Last Flight,’’ in which a World War I flier who goes forward in time and gets the chance to trade cowardice for heroism. A visit from an angel blares out the wisdom of “follow your passion” in “A Passage for Trumpet.” The meaning of “divided we fall” is driven home with dramatic results when neighbors suspect neighbors of being invading aliens in “The Monsters Are Due on Maple Street.” The old maxim about never judging a book by its cover is given a tasty twist when an alien tome is translated in “To Serve Man.”
This is a complete reference work to the history of Batman big screen works, from the 1940s serials through the campy 1960s TV show and film, and up through the series of Warner Bros. summer blockbusters that climaxed with Christopher Nolan's 2012 film The Dark Knight Rises. Chapters on each Batman feature include extensive film and production credits, a production history, and a critical analysis of the movie relative to the storied history of the Batman character. The book also examines the Batman-related works and events that took place in the years between the character's film exploits.
This original study examines the interrelationship between the construction of national identity and the transformation of political thought in Germany before the First World War. During the decade or so before the war, the German Empire was challlenged openly by both left and right for the first time since the 1870s. Paradoxically, however, this pre-war crisis of Germanys system of government occurred during a period of increasing nationalism, which created a solid cross-party basis of support for the Empire as a nation-state. This pioneering study argues that Wilhelmine debates about the reform of the German Empire can only be understood in the context of a broader discussion and comparison of European and American political regimes which took place in Germany after the turn of the century. In such contemporary debates about a German Sonderwag, France remained a principal point of reference because French-style parliamentarism had come to be viewed as the main alternative to German constitutionalism. By analysing Wilhelmine depictions of the Third Republic, Dr Hewitson revises accepted interpretations of German politics and nationalism.
The legend of Sleepy Hollow is one of the great tales of American folklore, supposedly stemming from Washington Irving's famous short story. But what if there was more to the ghostly fable than meets the eye? What if Irving's account was based on fact? And what if the Headless Horseman of Sleepy Hollow was not unique, but merely one of a strange line of malevolent spirits sighted across the world, bringing misfortune to all that witness them? Within this book you will find long-forgotten lore about the headless spirits that have plagued mankind for centuries, and perhaps even now seek ingress into our world. The Headless Horseman, and others like him, is at large in the dark places of the world, and should one encounter such a revenant, it is said that tragedy will surely follow...
Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory.
A fascinating and highly readable account of what it was like to be young and hip, growing up in East Germany in the 1950s and 1960s. Living on the frontline of the Cold War, young people were subject to a number of competing influences. For young men from the working class, in particular, a conflict developed between the culture they inherited from their parents and the new official culture taught in schools. Merging with street gangs, new youth cultures took shape, which challenged authority and provided an alternative vision of modernity. Taking their fashion cues, music and icons from the West, they rapidly came into conflict with a didactic and highly controlling party-state. Charting the clashes which occurred between teenage rebels and the authorities, the book explores what happened when gender, sexuality, Nazism, communism and rock 'n' roll collided during a period, which also saw the building of the Berlin Wall.
You can find the answers to these questions and more in People of New York. This book contains fascinating stories of the many different people who have made New York what it is today. Inside, you will find information about the first people of New York and the settlers who came later. You will learn about the many cultural groups found in New York. And, you'll find out more about New York's most famous residents. Heinemann State Studies takes an in-depth look at each state. The series provides information about the state's industry, climate, history, native peoples, and plants and animals. With the aid of maps, graphs, clear text, and more, this series is the essential resource for state studies. Inside each book you will find: maps to help you find your way around New York colorful photographs that let you experience the beauty of the state a glossary, index, and list of further resources to help you learn additional information about New York Book jacket.
The United States-one of the world's wealthiest and resource-richest nations-has multiple food-related problems: declining food quality due to industrialization of its production, obesity across all age groups, and a surprisingly large number of households suffering from food insecurity. These issues threaten to shorten the lives of many and significantly reduce the quality of life for millions of others. This book explores the root causes of food-related problems in the 20th and 21st centuries and explains why collective impact-the social form of working together for a common goal-needs to be employed to reach a successful resolution to hunger, obesity, and the challenges of the industrial food system. Authored by Mark Winne, a 45-year food activist, the book begins with background information about the evolution of the U.S. food movement since the 1960s that documents its incredible growth and variety of interests, organizations, and sectors. The subsequent sections demonstrate how these divergent interests have created a lack of unity and deterred real change and improvement. Through examples from specific cities and states as well as a discussion of group dynamics and coalition-building methods, readers come away with an understanding of a complicated topic and grasp the potential of a number of strategies for creating more cohesion within the food movement-and realizing meaningful improvements in our food system for current and future generations.
In his virtuosic new book noted cultural critic Mark Seltzer shows how suspense, as art form and form of life, depicts and shapes the social systems that organize our modern world. Modernity's predicament, Seltzer writes, is a society so hungry for reality that it cannot stop describing itself, and that makes for a world that continuously establishes itself by staging its own conditions. Employing the social theories of Georg Simmel, Erving Goffman, Niklas Luhmann, and Peter Sloterdijk, Seltzer shows how suspense novels, films, and performance art by Patricia Highsmith, Tom McCarthy, Cormac McCarthy, J. G. Ballard, Karl Ove Knausgaard, and others outline how we currently live and reveal the stress-points and mood-systems of the modern epoch. In its focus on social games, depictions of violent and explosive persons, along with its cast of artists, reporters, detectives, and others who observe and report and reenact, the suspense mode creates and recreates modern systems of action and autonomy, and defines the self-turned world's practices and aesthetics. By epitomizing a reflexive, self-legislating, and autonomous world, a suspense art with humans in the systems epoch provides the models and sets the rules for our modern, official world.
Bottoms Up showcases the architecture and history of 70 Wisconsin breweries and bars. Beginning with inns and saloons, the book explores the rise of breweries, the effects of temperance and Prohibition, and attitudes about gender, ethnicity, and morality. It traces the development of the megabreweries, dominance of the giants, and the emergence of microbreweries. Contemporary photographs of unusual and distinctive bars of all eras, historic photos, postcards, advertisements, and breweriana help tell the story of how Wisconsin came to dominate brewing—and the place that bars and taverns hold in our social and cultural history.
Joan Mark offers an interpretive biography of Patrick Tracy Lowell Putnam (1904–53), who spent twenty-five years living among the Bambuti pygmies of the Ituri Forest in what is now Zaire. On the Epulu River he constructed Camp Putnam as a harmonious multiracial community. He modeled his camp on the “dude ranches” of the American West, taking in paying guests while running a medical clinic and occasionally offering legal aid to the local people, and assumed the role of intermediary between locals and visitors, including Colin M. Turnbull, author of the classic Forest People. Mark describes Putnam’s mercurial relations with family and with his African and American wives—and follows him to his sad and violent end. She places Patrick Putnam within the context of three different anthropological traditions and examines his contribution as an expert on pygmies.
Simon Episcopius (1583-1643), who began his theological career as the protégé of Jacobus Arminius, led the Arminians at the Synod of Dort and was instrumental in guaranteeing Arminianism's survival. This book breaks new ground by clearly showing how, in the process of working out the implications of the theological trajectories which Arminius established, Episcopius introduced significant changes in his master's theology. It begins by demonstrating changes between Episcopius' early theological works and Arminius' writings, and then even greater changes in his mature theological work, Institutiones Theologicæ. It defends the idea that Arminianism represented a pre-Calvinist movement within the Netherlands, which not only rejected Genevan predestination, but also intentionally moved away from Reformed Scholasticism. This book is useful for seminars in early Arminian theology and the Arminian controversy in the Netherlands.
The Classic American Short Story Megapack (Volume 1) assembles 34 of the greatest stories ever written by American authors -- including Nathaniel Hawthorne, Washington Irving, James Fenimore Cooper, Ambrose Bierce, Edgar Allan Poe, Bret Harte, Sherwood Anderson, Mark Twain, O. Henry, Jack London, and Stephen Crane. Includes multiple stories per author, their most famous short works, along with biographical notes. Complete contents: YOUNG GOODMAN BROWN, by Nathaniel Hawthorne THE CELESTIAL RAILROAD, by Nathaniel Hawthorne THE GREAT STONE FACE, by Nathaniel Hawthorne ETHAN BRAND, by Nathaniel Hawthorne RIP VAN WINKLE, by Washington Irving THE LEGEND OF SLEEPY HOLLOW, by Washington Irving AUTOBIOGRAPHY OF A POCKET-HANDKERCHIEF by James Fenimore Cooper THE DAMNED THING, by Ambrose Bierce AN OCCURRENCE AT OWL CREEK, by Ambrose Bierce THE FALL OF THE HOUSE OF USHER, by Edgar Allan Poe THE CASK OF AMONTILLADO, by Edgar Allan Poe THE PURLOINED LETTER, by Edgar Allan Poe THE PIT AND THE PENDULUM, by Edgar Allan Poe THE PREMATURE BURIAL, by Edgar Allan Poe THE MURDERS IN THE RUE MORGUE, by Edgar Allan Poe THE LUCK OF ROARING CAMP, by Bret Harte THE OUTCASTS OF POKER FLAT, by Bret Hartev HANDS, by Sherwood Anderson I’M A FOOL, by Sherwood Anderson THE MAN THAT CORRUPTED HADLEYBURG, by Mark Twain THE CELEBRATED JUMPING FROG OF CALAVERAS COUNTY, by Mark Twain THE GIFT OF THE MAGI, by O. Henry THE RANSOM OF RED CHIEF, by O. Henry THE COP AND THE ANTHEM, by O. Henry A RETRIEVED REFORMATION, by O. Henry THE DUPLICITY OF HARGRAVES, by O. Henry TO BUILD A FIRE, by Jack London AN ODYSSEY OF THE NORTH, by Jack London LOVE OF LIFE, by Jack London THE HEATHEN, by Jack London THE PEARLS OF PARLAY, by Jack London THE BRIDE COMES TO YELLOW SKY, by Stephen Crane THE MONSTER, by Stephen Crane THE BLUE HOTEL, by Stephen Crane And don't forget to search your favorite ebook store for Megapack to see the other great entries in this series -- covering science fiction, fantasy, horror, mysteries, westerns, children's literature, and much, much more!
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