Informed, controversial, ranging from a melancholy study of rock and roll's descent into show business to a hilarious look at the spectacle that is the Jerry Lewis Telethon, these twenty essays offer an unusual and (ironically) entertaining study of American media by one of its foremost critics.
Argues that George Bush's victory in the 2004 election was the result of a pattern of fradulent practices ranging from vote suppression to illegal counting procedures and calls for election reform to prevent such abuses in the future.
In "Cruel and Unusual," Mark Crispin Miller exposes what he calls the Bush Republicans' contempt for democratic practice, their bullying religiosity, their reckless militarism, and their apocalyptic views of the economy and the planet.
For Republicans, the 2004 presidential election was little short of miraculous: Behind in the Electoral College tally in the days leading up to the election, behind even on the very afternoon of the vote, the Bush ticket staged a stunning comeback. The exit polls, usually so reliable, turned out to be wrong by an unprecedented 5 percent in the swing states. Conservatives argued-and the media agreed-that "moral values" had made the difference. In his new book renowned critic and political commentator Mark Crispin Miller argues that it wasn't moral values that swung the election-it was theft. While the greatest body of evidence comes from the key state of Ohio-where the Democratic staff of the House Judiciary Committee found an extraordinary onslaught of Republican-engineered vote suppression, election-day irregularities, old-fashioned intimidation tactics, and illegal counting procedures-similar practices (and occasionally worse ones) were applied in Florida, Oregon, Pennsylvania, New Mexico, Nevada, Arizona, and even New York. A huge array of anomalies, improper practices, and blatant violations of the law all, by a truly remarkable coincidence, happened to swing in the Bush ticket's favor. This pattern-not one overwhelming fraud but thousands of little ones-is, in Miller's view, the new Republican electoral strategy. This incendiary new book presents massive documentation that the election was stolen and describes the mind-set, among both the major parties and the media, that could permit it to happen again.
Six essays in media criticism show how the movies have come to exert an influence on every aspect of contemporary life from consumerism to military policy.
Now in paperback!When Mark Miller opened the doors of Santa Fe'¬?s Coyote Cafe in 1987, the face of American cuisine changed forever. Blending centuries-old culinary traditions with modern techniques, Miller pioneered the emerging Southwestern cuisine, earning accolades and thrilling diners at the Coyote with his robust, inspired cooking. Originally published in 1989, COYOTE CAFE was Miller'¬?s first cookbook, and it has since sold over 200,000 copies, making it one of the best-selling full-color cookbooks ever. Nearly 15 years later, with Southwestern influences entrenched in kitchens across the country, we'¬?re excited to make this landmark book available to a new generation of cooks in a paperback edition. Featuring over 150 recipes, COYOTE CAFE presents the bold, sumptuous creations that have become Southwestern classics. Mexican, Hispanic, and Native American influences inflect such imaginative dishes as Wild Morel Tamales, Lobster Enchiladas, and Yucatan Lamb. When you try the vibrant cuisine of COYOTE CAFE, you'¬?re experiencing one of America'¬?s most dynamic regional cuisines.,Ä¢ Over 200,000 copies sold in hardcover.,Ä¢ Includes an extensive section on choosing and preparing over 35 fresh and dried varieties of chiles, as well as an in-depth glossary of ingredients.
Informed, controversial, ranging from a melancholy study of rock and roll's descent into show business to a hilarious look at the spectacle that is the Jerry Lewis Telethon, these twenty essays offer an unusual and (ironically) entertaining study of American media by one of its foremost critics.
For Republicans, the 2004 presidential election was little short of miraculous: Behind in the Electoral College tally in the days leading up to the election, behind even on the very afternoon of the vote, the Bush ticket staged a stunning comeback. The exit polls, usually so reliable, turned out to be wrong by an unprecedented 5 percent in the swing states. Conservatives argued-and the media agreed-that "moral values" had made the difference. In his new book renowned critic and political commentator Mark Crispin Miller argues that it wasn't moral values that swung the election-it was theft. While the greatest body of evidence comes from the key state of Ohio-where the Democratic staff of the House Judiciary Committee found an extraordinary onslaught of Republican-engineered vote suppression, election-day irregularities, old-fashioned intimidation tactics, and illegal counting procedures-similar practices (and occasionally worse ones) were applied in Florida, Oregon, Pennsylvania, New Mexico, Nevada, Arizona, and even New York. A huge array of anomalies, improper practices, and blatant violations of the law all, by a truly remarkable coincidence, happened to swing in the Bush ticket's favor. This pattern-not one overwhelming fraud but thousands of little ones-is, in Miller's view, the new Republican electoral strategy. This incendiary new book presents massive documentation that the election was stolen and describes the mind-set, among both the major parties and the media, that could permit it to happen again.
In "Cruel and Unusual," Mark Crispin Miller exposes what he calls the Bush Republicans' contempt for democratic practice, their bullying religiosity, their reckless militarism, and their apocalyptic views of the economy and the planet.
“Without a doubt the best guide I have read to the new computer culture . . . witty and provocative . . . sane and thoughtful” (J. G. Ballard). “A lively compendium of dispatches from the far reaches of today’s computer savvy avant-garde”, Escape Velocity explores the dawn of the Information Age, and the high-tech subcultures that celebrated, critiqued, and gave birth to our wired world and a counterculture digital underground (The New York Times Book Review). Poised between technological rapture and social rupture, Escape Velocity poses the fundamental question of our time: Is technology liberating or enslaving us in the twenty-first century? Mark Dery takes us on an electrifying tour of the high-tech underground. Investigating the shadowy byways of cyberculture, we meet would-be cyborgs who believe the body is obsolete and dream of downloading their minds into computers, cyberhippies who boost their brainpower with smart drugs and mind machines, techno-primitives who sport “biomechanical” tattoos of computer circuitry, and cyberpunk roboticists whose dystopian contraptions duel to the death before howling crowds. “Re-prov[ing] Dery an astute and trustworthy patrolman of the cultural and social borderland between science fiction and non-fiction”, Escape Velocity stands alone as the first truly critical inquiry into cyberculture (Wired). Shifting the focus of our conversation about technology from the corridors of power to disparate voices on the cultural fringes, Dery wires it into the power politics and social issues of the moment. It is essential reading for everyone interested in computer culture and the shape of things to come.
A wide-ranging collection of essays on millennial American culture that “marshals a vast pop vocabulary with easy wit” (The New York Times Book Review). From the far left to the far right, on talk radio and the op-ed page, more and more Americans believe that the social fabric is unraveling. Celebrity worship and media frenzy, suicidal cultists and heavily armed secessionists: modern life seems to have become a “pyrotechnic insanitarium,” Mark Dery says, borrowing a turn-of-the-century name for Coney Island. Dery elucidates the meaning to our madness, deconstructing American culture from mainstream forces like Disney and Nike to fringe phenomena like the Unabomber and alien invaders. Our millennial angst, he argues, is a product of a pervasive cultural anxiety—a combination of the social and economic upheaval wrought by global capitalism and the paranoia fanned by media sensationalism. The Pyrotechnic Insanitarium is a theme-park ride through the extremes of American culture of which The Atlantic has written, “Mark Dery confirms once again what writers and thinkers as disparate as Nathanael West, Fyodor Dostoyevsky, Sigmund Freud, and Oliver Sacks have already shown us: the best place to explore the human condition is at its outer margins, its pathological extremes.” “Dery is the kind of critic who just might give conspiracy theory a good name.” —Wired
A new perspective on a beloved cultural icon, its place in our history, and its meaning in the American imagination This elegantly written appreciation of the Empire State Building opens up the building's richness and importance as an icon of America. The book leads us through the facts surrounding the skyscraper's conception and construction, then enters into a provocative theoretical discussion of its function as an icon, its representation in pictures, literature, and film, and the implications of its iconic status as New York's most important architectural monument to ambition and optimism. The Empire State Building literally cannot be seen in its totality, from any perspective. And paradoxically, this building of unmistakable solidity has been made invisible by familiarity and reproduction through imagery. Mark Kingwell encourages us to look beneath the strong physical presence of the building, to become aware of its evolving layers of meaning, and to see how the building lives within a unique imaginative space in the landscape of the American consciousness. He offers new ways of understanding the Empire State Building in all its complexity and surprising insights into its special role as an American icon.
“A popular Government without popular information or the means of acquiring it, is but a Prologue to a Farce or a Tragedy or perhaps both.”--James Madison, 1822 Mark Lloyd has crafted a complex and powerful assessment of the relationship between communication and democracy in the United States. In Prologue to a Farce, he argues that citizens’ political capabilities depend on broad public access to media technologies, but that the U.S. communications environment has become unfairly dominated by corporate interests. Drawing on a wealth of historical sources, Lloyd demonstrates that despite the persistent hope that a new technology (from the telegraph to the Internet) will rise to serve the needs of the republic, none has solved the fundamental problems created by corporate domination. After examining failed alternatives to the strong publicly owned communications model, such as antitrust regulation, the public trustee rules of the Federal Communications Commission, and the underfunded public broadcasting service, Lloyd argues that we must re-create a modern version of the Founder’s communications environment, and offers concrete strategies aimed at empowering citizens.
For God, Country and Coca-Cola is the unauthorized history of the great American soft drink and the company that makes it. From its origins as a patent medicine in Reconstruction Atlanta through its rise as the dominant consumer beverage of the American century, the story of Coke is as unique, tasty, and effervescent as the drink itself. With vivid portraits of the entrepreneurs who founded the company -- and of the colorful cast of hustlers, swindlers, ad men, and con men who have made Coca-Cola the most recognized trademark in the world -- this is business history at its best: in fact, "The Real Thing.
This book discusses the impact of visuals on the study of history by examining visual culture and the future of print, providing an analysis of photography, film, television, and computer culture. The author shows how the visualization of history can become a driving social and cultural force for change.
Hollywood, Interrupted is a sometimes frightening, occasionally sad, and frequently hysterical odyssey into the darkest realms of showbiz pathology, the endless stream of meltdowns and flameouts, and the inexplicable behavior on the part of show business personalities. Charting celebrities from rehab to retox, to jails, cults, institutions, near-death experiences and the Democratic Party, Hollywood, Interrupted takes readers on a surreal field trip into the amoral belly of the entertainment industry. Each chapter — covering topics including warped Hollywood child-rearing, bad medicine, hypocritical political maneuvering and the complicit media — delivers a meticulously researched, interview-infused, attitude heavy dispatch which analyzes and deconstructs the myths created by the celebrities themselves. Celebrities somehow believe that it's their god-given right to inflict their pathology on the rest of us. Hollywood, Interrupted illustrates how these dysfunctional dilettantes are mad as hell... And we're not going to take it any more.
How has the mass media changed our experience of Election Day? This chronological account of Election Day in Philadelphia begins in the colonial era and traces the evolution of the democratic process through to the present day. Using a variety of sources, the book documents how Philadelphians have dramatically changed the ways in which they perform and discuss Election Day, and examines the significance of these changes, using them as a lens through which to understand differing conceptions of democratic life. Particular attention is paid to the day's status as a mass-mediated ritual, and the various forms of media - among them broadsides, newspapers, television, and the Internet - that have dominated public portrayals of the occasion.Well-researched and written, Celebrating Democracy is as much about the history of Election Day as it is about the history of American journalism and mass media.
Animation in Context is an illustrated introduction to cultural theory, contextual research and critical analysis. By making academic language more accessible, it empowers animators with the confidence and enthusiasm to engage with theory as a fun, integral, and applied part of the creative process. Interviews with contemporary industry professionals and academics, student case studies and a range of practical research exercises, combine to encourage a more versatile approach to animation practice – from creating storyboards to set designs and soundtracks; as well as developing virals, 3D zoetropes and projection mapping visuals. Mark Collington focuses on a core selection of theoretical approaches that shape animation narrative, supported by a broader set of shared theoretical principles from the worlds of art, design, film and media studies. This discussion is underpinned by cross-disciplinary thinking on a range of topics including genre, humour, montage and propaganda. These are applied to the analysis of a range of animated films and projects from Disney and Animé, to independent artist-filmmakers such as Wendy Tilby, Amanda Forbis and Jerzy Kucia. These ideas are also applied to other uses of animation such as advertising, sitcom, gaming and animated documentary.
Media Ethics: Cases and Moral Reasoning challenges readers to think analytically about ethical situations in mass communication through original case studies and commentaries about real-life media experiences. This text provides a comprehensive introduction to the theoretical principles of ethical philosophies, facilitating ethical awareness. It introduces the Potter Box, with its four dimensions of moral analysis, to provide a framework for exploring the steps in moral reasoning and analyzing the cases. Focusing on a wide spectrum of ethical issues faced by media practitioners, the cases in this Eleventh Edition include the most recent issues in journalism, broadcasting, advertising, public relations and entertainment. Cases touch on issues and places worldwide, from Al Jazeera to the Xinhua News Agency, from Nigerian "brown envelopes" to PR professional standards in South Africa. Racially divisive language comes up in different communication contexts, as does celebrity influence on culture. A core textbook for classes in media ethics, communication ethics, and ethics in journalism, public relations, and advertising. The companion website https://www.mediaethics11.com/ contains sample syllabi and lesson plans, PowerPoint presentations, and discussion and test questions.
What America looks like to the rest of the world Americans rarely used to think about the outside world. As the mightiest nation in history, the United States could do as it pleased. Now Americans have learned the hard way that what outsiders think matters. When terror struck last September 11, author Mark Hertsgaard was completing a trip around the world, gathering perceptions about America from people in fifteen countries. Whether sophisticated business leaders, starry-eyed teenagers, or Islamic fundamentalists, his subjects felt both admiring and uneasy about the United States, enchanted yet bewildered, appalled yet envious. This complex catalogue of impressions--good, bad, but never indifferent--is the departure point for a short, pointed essay in the tradition of Common Sense and The Fate of the Earth. How can the world's most open society be so proud of its founding ideals yet so inconsistent in applying them? So loved for its pop culture but so resented for its high-handedness? Exploring such paradoxes, Hertsgaard exposes uplifting and uncomfortable truths that force natives and outsiders alike to see America with fresh eyes. "Like it or not, America is the future," a European tells Hertsgaard. In a world growing more American by the day, The Eagle's Shadow is a major statement about and to the place everyone discusses but few understand.
Whether you're purchasing groceries with your Safeway "club card" or casting a vote on American Idol, that data is being collected. From Amazon to iTunes, cell phones to GPS devices, Google to TiVo-all of these products and services give us an expansive sense of choice, access, and participation. But, in an era now marked by large-scale NSA operations that secretly monitor our email exchanges and internet surfing, Mark Andrejevic shows how these new technologies are increasingly employed as modes of surveillance and control. Many contend that our proliferating interactive media empower individuals and democratize society. But, Andrejevic asks, at what cost? In iSpy, he reveals that these and other highly touted benefits are accompanied by hidden risks and potential threats that tend to be ignored by mainstream society. His book offers the first sustained critique of a concept that has been a talking point for twenty years, an up-to-the-minute survey of interactivity across multiple media platforms. It debunks the false promises of the digital revolution still touted by the popular media while seeking to rehabilitate, rather than simply write off, the potentially democratic uses of interactive media. Andrejevic opens up the world of digital rights management and the data trail each of us leaves-data about our locations, preferences, or life events that are already put to use in various economic, political, and social contexts. He notes that, while citizens are becoming increasingly transparent to private and public monitoring agencies, they themselves are unable to access the information gathered about them-or know whether it's even correct. (The watchmen, it seems, don't want to be watched.) He also considers the appropriation of consumer marketing for political campaigns in targeting voters, and also examines the implications of the Internet for the so-called War on Terror. In iSpy, Andrejevic poses real challenges for our digital future. Amazingly detailed, compellingly readable, it warns that we need to temper our enthusiasm for these technologies with a better understanding of the threats they pose-to be able to distinguish between interactivity as centralized control and as collaborative participation.
With Losing Our Democracy, Mark Green reveals how the far and religious right, a coalition of big business and, most shockingly, President Bush and his White House are in the process of undermining our democracy.
Volume 2 of a 2-volume work that uses 15 dramatic episodes in American history to show students how historians go about the business of interpreting the past. It discusses historical methods within the context of an historical narrative so that students may learn about American history at the same time as seeing how historians use a variety of evidence (diaries, letters, photographs and records) and methods to explain the past.
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