This book explores the business aspect of sports with an orientation to those topics that are most relevant to journalists, providing the foundation for understanding the various parts of the sports business. Moving beyond sports writing, this text offers a distinct perspective on professional, college, and international sports organizations – structure, governance, labor issues, and other business factors within the sports community. Written clearly and compellingly, The Business of Sports includes cases (historical, current, and hypothetical) to illustrate how business concerns play a role in the reporting of sports. New features for the second edition include: updates throughout, including disciplinary policies throughout the major sports leagues expanded discussion of intellectual property issues and merchandising new sections on ethical issues in sports, aimed at journalists. Offering critical insights on the business of sports, this text is a required resource for sports journalists and students in sports journalism.
In the small town of Amagansett, perched on Long Island's windswept coast, generations have followed the same calling as their forefathers, fishing the dangerous Atlantic waters. Little has changed in the three centuries since white settlers drove the Montaukett Indians from the land. But for Conrad Labarde, a second-generation Basque immigrant recently returned from the Second World War, and his fellow fisherman Rollo Kemp, this stability is shattered when a beautiful New York socialite turns up dead in their nets. On the face of it, her death was accidental, but deputy police chief Tom Hollis - an incomer from New York - is convinced the truth lies in the intricate histories and family secrets of Amagansett's inhabitants. Meanwhile the enigmatic Labarde is pursuing his own investigation.
After being born genetically altered, Willy spent his whole life on the outside of society, working harder to be the best scout in the United World Councils military. While deployed to scout a new world, he and his twin sister, Sydni, encounter humans with the same genetic alteration as Willy; they discover a plot by unscrupulous politicians to have them removed from their homeland. Willy and Sydni will stop at nothing to ensure their safety.
Unlike most screenwriting guides that generally analyze several aspects of screenwriting, Constructing Dialogue is devoted to a more analytical treatment of certain individual scenes and how those scenes were constructed to be the most highly dramatic vis á vis their dialogue. In the art of screenwriting, one cannot separate how the scene is constructed from how the dialogue is written. They are completely interwoven. Each chapter deals with how a particular screenwriter approached dialogue relative to that particular scene's construction. From Citizen Kane to The Fisher King the storylines have changed, but the techniques used to construct scene and dialogue have fundamentally remained the same. The author maintains that there are four optimum requirements that each scene needs in order to be successful: maintaining scenic integrity; advancing the storyline, developing character, and eliciting conflict and engaging emotionally. Comparing the original script and viewing the final movie, the student is able to see what exactly was being accomplished to make both the scene and the dialogue work effectively.
In your quest for respectability I think we can say you have been talking out of both corners of your mouth. One corner talks to your rich backers, the other to your street-fighters. 1931. Hans Litten is one of the most celebrated lawyers in Berlin, famed for his brilliant mind and the rhetorical flair with which he defends those fighting back against the rapidly growing Nazi movement. So, when he calls Herr Hitler as star witness in the trial of a band of murderous SA men, the politician feels the full force of Litten's intellect, wit and courage. It arouses in Hitler a feeling he can't abide or forget. Two years later, on the night of the Reichstag fire, Litten is arrested. He is held without trial, beaten, tortured, and threatened as 'an enemy of human society'. As Litten disappears into the Nazi system, his indomitable mother, Irmgard, confronts his captors and, at enormous personal risk, fights to secure his release. This riveting drama by the writer of The Man Who Crossed Hitler explores Irmgard's struggle, her son's resistance, and the heroic battle of the weak against the powerful, truth against lies and mothers against murderers. Taken At Midnight received its world premiere on 26 September 2014 at the Minerva Theatre, Chichester. This edition features an introduction by the author.
Though often defined as having opposite aims, means, and effects, modernism and modern propaganda developed at the same time and influenced each other in surprising ways. The professional propagandist emerged as one kind of information specialist, the modernist writer as another. Britain was particularly important to this double history. By secretly hiring well-known writers and intellectuals to write for the government and by exploiting their control of new global information systems, the British in World War I invented a new template for the manipulation of information that remains with us to this day. Making a persuasive case for the importance of understanding modernism in the context of the history of modern propaganda, Modernism, Media, and Propaganda also helps explain the origins of today's highly propagandized world. Modernism, Media, and Propaganda integrates new archival research with fresh interpretations of British fiction and film to provide a comprehensive cultural history of the relationship between modernism and propaganda in Britain during the first half of the twentieth century. From works by Joseph Conrad to propaganda films by Alfred Hitchcock and Orson Welles, Mark Wollaeger traces the transition from literary to cinematic propaganda while offering compelling close readings of major fiction by Virginia Woolf, Ford Madox Ford, and James Joyce.
A Dog's Tale and Selected Stories by Mark Twain Twain began his career writing light, humorous verse, but he became a chronicler of the vanities, hypocrisies, and murderous acts of mankind. At mid-career, he combined rich humor, sturdy narrative, and social criticism in Huckleberry Finn. He was a master of rendering colloquial speech and helped to create and popularize a distinctive American literature built on American themes and language.
Two or three persons having at different times intimated that if I would write an autobiography they would read it, when they got leisure, I yield at last to this frenzied public demand, and herewith tender my history: Ours is a noble old house, and stretches a long way back into antiquity. The earliest ancestor the Twains have any record of was a friend of the family by the name of Higgins. This was in the eleventh century, when our people were living in Aberdeen, county of Cork, England. Why it is that our long line has ever since borne the maternal name (except when one of them now and then took a playful refuge in an alias to avert foolishness), instead of Higgins, is a mystery which none of us has ever felt much desire to stir. It is a kind of vague, pretty romance, and we leave it alone. All the old families do that way. Arthour Twain was a man of considerable note—a solicitor on the highway in William Rufus' time. At about the age of thirty he went to one of those fine old English places of resort called Newgate, to see about something, and never returned again. While there he died suddenly. Augustus Twain, seems to have made something of a stir about the year 1160. He was as full of fun as he could be, and used to take his old sabre and sharpen it up, and get in a convenient place on a dark night, and stick it through people as they went by, to see them jump. He was a born humorist. But he got to going too far with it; and the first time he was found stripping one of these parties, the authorities removed one end of him, and put it up on a nice high place on Temple Bar, where it could contemplate the people and have a good time. He never liked any situation so much or stuck to it so long.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Novels The Adventures of Tom Sawyer Adventures of Huckleberry Finn The Gilded Age The Prince and the Pauper A Connecticut Yankee in King Arthur's Court The American Claimant Tom Sawyer Abroad Personal Recollections of Joan of Arc Pudd'nhead Wilson Tom Sawyer, Detective A Horse's Tale The Mysterious Stranger Novelettes A Double Barrelled Detective Story Those Extraordinary Twins The Recent Carnival of Crime in Connecticut The Stolen White Elephant The Man That Corrupted Hadleyburg Captain Stormfield's Visit to Heaven Short Story Collections The Celebrated Jumping Frog of Calaveras County and Other Sketches Mark Twain's (Burlesque) Autobiography and First Romance Sketches New and Old Merry Tales The £1,000,000 Bank Note and Other New Stories The $30,000 Bequest and Other Stories The Curious Republic of Gondour and Other Whimsical Sketches Alonzo Fitz, and Other Stories Mark Twain's Library of Humor Other Stories Essays, Satires & Articles How to Tell a Story, and Other Essays What Is Man? And Other Essays Editorial Wild Oats Letters from the Earth Concerning the Jews To My Missionary Critics Christian Science Queen Victoria's Jubilee Essays on Paul Bourget Essays on Copyrights Other Essays Travel Books The Innocents Abroad A Tramp Abroad Roughing It Old Times on the Mississippi Life on the Mississippi Following the Equator Some Rambling Notes of an Idle Excursion Down the Rhône The Lost Napoleon Mark Twain's Notebook The Complete Speeches The Complete Letters Autobiography Biographies Mark Twain: A Biography by Albert Bigelow Paine The Boys' Life of Mark Twain by Albert Bigelow Paine My Mark Twain by William Dean Howells Samuel Langhorne Clemens (1835-1910), better known by his pen name Mark Twain, was an American writer, humorist, entrepreneur, publisher, and lecturer.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: Novels The Adventures of Tom Sawyer Adventures of Huckleberry Finn The Gilded Age The Prince and the Pauper A Connecticut Yankee in King Arthur's Court The American Claimant Tom Sawyer Abroad Personal Recollections of Joan of Arc Pudd'nhead Wilson Tom Sawyer, Detective A Horse's Tale The Mysterious Stranger Novelettes A Double Barrelled Detective Story Those Extraordinary Twins The Recent Carnival of Crime in Connecticut The Stolen White Elephant The Man That Corrupted Hadleyburg Captain Stormfield's Visit to Heaven Short Story Collections The Celebrated Jumping Frog of Calaveras County and Other Sketches Mark Twain's (Burlesque) Autobiography and First Romance Sketches New and Old Merry Tales The £1,000,000 Bank Note and Other New Stories The $30,000 Bequest and Other Stories The Curious Republic of Gondour and Other Whimsical Sketches Alonzo Fitz, and Other Stories Mark Twain's Library of Humor Other Stories Essays, Satires & Articles How to Tell a Story, and Other Essays What Is Man? And Other Essays Editorial Wild Oats Letters from the Earth Concerning the Jews To the Person Sitting in Darkness To My Missionary Critics Christian Science Queen Victoria's Jubilee Essays on Paul Bourget The Czar's Soliloquy King Leopold's Soliloquy Adam's Soliloquy Essays on Copyrights Other Essays Travel Books The Innocents Abroad A Tramp Abroad Roughing It Old Times on the Mississippi Life on the Mississippi Following the Equator Some Rambling Notes of an Idle Excursion Down the Rhône The Lost Napoleon Mark Twain's Notebook The Complete Speeches The Complete Letters Autobiography Biographies... Samuel Langhorne Clemens (1835-1910), better known by his pen name Mark Twain, was an American writer, humorist, entrepreneur, publisher and lecturer.
You want more scepticism at the very foundation of your work. Scepticism, the tonic of minds, the tonic of life, the agent of truth - the way of art and salvation." Joseph Conrad wrote these words to John Galsworthy in 1901, and this study argues that Conrad's skepticism forms the basis of his most important works, participating in a tradition of philosophical skepticism that extends from Descartes to the present. Conrad's epistemological and moral skepticism - expressed, forestalled, mitigated, and suppressed - provides the terms for the author's rethinking of the peculiar relation between philosophy and literary form in Conrad's writing and, more broadly, for reconsidering what it means to call any novel 'philosophical'. Among the issues freshly argued are Conrad's thematics of coercion, isolation, and betrayal; the complicated relations among author, narrator, and character; and the logic of Conradian romance, comedy, and tragedy. The author also offers a new way of conceptualizing the shape of Conrad's career, especially the 'decline' evidenced in the later fiction. The uniqueness of Conrad's multifarious literary and cultural inheritance makes it difficult to locate him securely in the dominant tradition of the British novel. A philosophical approach to Conrad, however, reveals links to other novelists - notably Hardy, Forster, and Woolf - all of whom share in the increasing philosophical burden of the modern novel by enacting the very philosophical issues that are discussed within their pages. Conrad's interest as a skeptic is heightened by the degree to which he resists the insights proffered by his own skepticism. The first chapter introduces the idea of the Conradian 'shelter', and the next two use Schopenhauer to show how the language of metaphysical speculation in Tales of Unrest and 'Heart of Darkness' spills over into a religious impulse that resists the disintegrating effect of Conrad's skepticism. The author then turns to Hume to model the authorial skepticism that in Lord Jim contests the continuing visionary strain of the earlier fiction and Descartes to analyze the ways in which Romantic vision is more stringently chastened by irony in Nostromo and The Secret Agent. The concluding chapter touches on several late novels before examining how competing models of political agency in Conrad's last great fiction of skepticism, Under Western Eyes, situate it somewhere between ideology critique and a mystified account of the exigencies of individual consciousness.
The long-delayed book of Sketches, contracted for five years before its release, was issued in 1875. "The Jumping Frog" is included in the volume, also the French translation which Madame Blanc (Th. Bentzon) had made for the Revue des deux mondes, with Mark Twain's retranslation back into English, a most astonishing performance in its literal rendition of the French idiom. He included a number of sketches originally published with the Frog, also a selection from the " Memoranda" and Buffalo Express contributions,” and he put in the story of Auntie Cord, with some matter which had never hitherto appeared. Among the new matter in the book were "Some Fables for Good Old Boys and Girls," in which certain wood creatures arc supposed to make a scientific excursion into a place at some time occupied by men. It is the most pretentious feature of the book, and in its way about as good as any.
The Business of Sports provides a comprehensive foundation of the economic, organizational, legal and political components of the sports industry. Geared for journalism, communication and business students, but also an excellent resource for those working in sports, this text introduces readers to the ever-increasing complexity of an industry that is in constant flux. Now in its third edition, the volume continues to offer a wealth of statistics and case studies, up to date with the newest developments in sports business and focused on cutting-edge issues and topics, including the many changes in international sports and the role of analytics in decision-making and tax rules that have a major effect on athletes and teams.
In the Australia of the 1960s, 70s and 80s, armed robbers were the top of the criminal food chain. Their dash and violence were celebrated, and men like Russell 'Mad Dog' Cox and Ray Denning were household names long before Underbelly established Melbourne's gangland thugs as celebrities. Cox and Denning were once Australian Public Enemies Number One and Two. Both were handsome, charismatic bandits who refused to bow to authority. Both were classified as 'intractable' in prison, and both escaped. Cox was the only man to escape from Katingal, Australia's only 'escape-proof' jail. Soon after he broke out, he tried to break in again and rescue his mates. Their story is one of violence and crime, but it is also about the unimaginable horrors that young boys faced when condemned to 'institutions' in the 1960s, and the terrible conditions in Australian jails in the 70s and 80s. These were the hells where a whole generation of armed robbers was forged. Mark Dapin brings his brilliant research skills and distinctive, powerful narrative style to a book that explores the life of these infamous yet respected public enemies and the criminal world they inhabited. From armed robberies, shootings and bashings to prison floggings and jail breaks, this is the gritty, page-turning reality behind the headlines.
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