The essence of the matter -- The politics of Black friendship : Gadamer, Baldwin and the Black hermeneutic -- The Aardvark of history : Malcolm X, language and power -- Black aesthetic autonomy : Ralph Ellison, Amiri Baraka, and "literary Negro-ness" -- The revolutionary will not be hypnotized : Eldridge Cleaver and Black ideology -- Unrepeatable : Angela Y. Davis and Black critical theory -- Black aesthetic theory.
In this provocative new book, Mark Christian Thompson addresses the startling fact that many African American intellectuals in the 1930s sympathized with fascism, seeing in its ideology a means of envisioning new modes of African American political resistance. Thompson surveys the work and thought of several authors and asserts that their sometimes positive reaction to generic European fascism, and its transformation into black fascism, is crucial to any understanding of Depression-era African American literary culture. The book considers the high regard that "Back to Africa" advocate Marcus Garvey expressed for fascist dictators and explores the common ground he shared with George Schuyler and Claude McKay, writers with whom Garvey is generally thought to be at odds. Thompson reveals how fascism informed a rejection of Marxism by McKay--as well as by Arna Bontemps, whose Drums at Dusk depicts communism as antithetical to any black revolution. A similarly authoritarian stance is examined in the work of Zora Neale Hurston, where the striving for a fascist sovereignty presents itself as highly critical of Nazism while nonetheless sharing many of its tenets. The book concludes with an investigation of Richard Wright's The Outsider and its murderous protagonist, Cross Damon, who articulates fascist drives already present, if latent, in Native Son's Bigger Thomas. Unencumbered by the historical or biblical references of the earlier work, Damon personifies the essence of black fascism. Taking on a subject generally ignored or denied in African American cultural and literary studies, Black Fascisms seeks not only to question the prominence of the Left in the political thought of a generation of writers but to change how we view African American literature in general. Encompassing political theory, cultural studies, critical theory, and historicism, the book will challenge readers in numerous fields, providing a new model for thinking about the political and transnational in African American culture and shedding new light on our understanding of fascism between the wars.
Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory.
How does Martin Luther King, Jr., understand race philosophically and how did this understanding lead him to develop an ontological conception of racist police violence? In this important new work, Mark Christian Thompson attempts to answer these questions, examining ontology in Martin Luther King, Jr.'s philosophy. Specifically, the book reads King through 1920s German academic debates between Martin Heidegger, Rudolf Bultmann, Hans Jonas, Carl Schmitt, Eric Voegelin, Hannah Arendt, and others on Being, gnosticism, existentialism, political theology, and sovereignty. It further examines King's dissertation about Tillich, as well other key texts from his speculative writings, sermons, and speeches, positing King's understanding of divine love as a form of Heideggerian ontology articulated in beloved community. Tracking the presence of twentieth-century German philosophy and theology in his thought, the book situates King's ontology conceptually and socially in nonviolent protest. In so doing, The Critique of Nonviolence reads King's "Letter from a Birmingham Jail" (1963) with Walter Benjamin's "Critique of Violence" (1921) to reveal the depth of King's political-theological critique of police violence as the illegitimate appropriation of the racialized state of exception. As Thompson argues, it is in part through its appropriation of German philosophy and theology that King's ontology condemns the perpetual American state of racial exception that permits unlimited police violence against Black lives.
This unorthodox account of 1960s Black thought rigorously details the field’s debts to German critical theory and explores a forgotten tradition of Black singularity. Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century Black writers and thinkers, including the growing interest in German philosophy and critical theory. Mark Christian Thompson analyzes this shift in intellectual focus across the post-war decades, placing Black Power thought in a philosophical context. Prior to the 1960s, sociologically oriented thinkers such as W. E. B. Du Bois had understood Blackness as a singular set of socio-historical characteristics. In contrast, writers such as Amiri Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were drawn to notions of an African essence, an ontology of Black being. With these perspectives, literary language came to be seen as the primary social expression of Blackness. For this new way of thinking, the works of philosophers such as Adorno, Habermas, and Marcuse were a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of Black religious thought. Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of Blackness—a “Black aesthetic dimension” wherein aspirational models for Black liberation might emerge.
In this provocative new book, Mark Christian Thompson addresses the startling fact that many African American intellectuals in the 1930s sympathized with fascism, seeing in its ideology a means of envisioning new modes of African American political resistance. Thompson surveys the work and thought of several authors and asserts that their sometimes positive reaction to generic European fascism, and its transformation into black fascism, is crucial to any understanding of Depression-era African American literary culture. The book considers the high regard that "Back to Africa" advocate Marcus Garvey expressed for fascist dictators and explores the common ground he shared with George Schuyler and Claude McKay, writers with whom Garvey is generally thought to be at odds. Thompson reveals how fascism informed a rejection of Marxism by McKay--as well as by Arna Bontemps, whose Drums at Dusk depicts communism as antithetical to any black revolution. A similarly authoritarian stance is examined in the work of Zora Neale Hurston, where the striving for a fascist sovereignty presents itself as highly critical of Nazism while nonetheless sharing many of its tenets. The book concludes with an investigation of Richard Wright's The Outsider and its murderous protagonist, Cross Damon, who articulates fascist drives already present, if latent, in Native Son's Bigger Thomas. Unencumbered by the historical or biblical references of the earlier work, Damon personifies the essence of black fascism. Taking on a subject generally ignored or denied in African American cultural and literary studies, Black Fascisms seeks not only to question the prominence of the Left in the political thought of a generation of writers but to change how we view African American literature in general. Encompassing political theory, cultural studies, critical theory, and historicism, the book will challenge readers in numerous fields, providing a new model for thinking about the political and transnational in African American culture and shedding new light on our understanding of fascism between the wars.
How does Martin Luther King, Jr., understand race philosophically and how did this understanding lead him to develop an ontological conception of racist police violence? In this important new work, Mark Christian Thompson attempts to answer these questions, examining ontology in Martin Luther King, Jr.'s philosophy. Specifically, the book reads King through 1920s German academic debates between Martin Heidegger, Rudolf Bultmann, Hans Jonas, Carl Schmitt, Eric Voegelin, Hannah Arendt, and others on Being, gnosticism, existentialism, political theology, and sovereignty. It further examines King's dissertation about Tillich, as well other key texts from his speculative writings, sermons, and speeches, positing King's understanding of divine love as a form of Heideggerian ontology articulated in beloved community. Tracking the presence of twentieth-century German philosophy and theology in his thought, the book situates King's ontology conceptually and socially in nonviolent protest. In so doing, The Critique of Nonviolence reads King's "Letter from a Birmingham Jail" (1963) with Walter Benjamin's "Critique of Violence" (1921) to reveal the depth of King's political-theological critique of police violence as the illegitimate appropriation of the racialized state of exception. As Thompson argues, it is in part through its appropriation of German philosophy and theology that King's ontology condemns the perpetual American state of racial exception that permits unlimited police violence against Black lives.
Kafka's Blues proves the startling thesis that many of Kafka's major works engage in a coherent, sustained meditation on racial transformation from white European into what Kafka refers to as the "Negro" (a term he used in English). Indeed, this book demonstrates that cultural assimilation and bodily transformation in Kafka's work are impossible without passage through a state of being "Negro." Kafka represents this passage in various ways—from reflections on New World slavery and black music to evolutionary theory, biblical allusion, and aesthetic primitivism—each grounded in a concept of writing that is linked to the perceived congenital musicality of the "Negro," and which is bound to his wider conception of aesthetic production. Mark Christian Thompson offers new close readings of canonical texts and undervalued letters and diary entries set in the context of the afterlife of New World slavery and in Czech and German popular culture.
Examines how African American jazz music was received in Germany both as a racial and cultural threat and as a partner in promoting the rise of Nazi totalitarian cultural politics. Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. This book synthesizes the ideological reception of jazz amongst a series of key German thinkers and cultural producers from the interwar era. It offers bold, sophisticated readings of their texts and of how they conceived of racial blackness. It is a major contribution to the field. Andrew Wright Hurley, author of The Return of Jazz: Joachim-Ernst Berendt and West German Cultural Change
Like the original Chicken Soup for the Christian Soul, this second volume celebrates wholesome, traditional values and principles. Themes of forgiveness, faith, hope, charity and love will lift readers' spirits and warm their hearts. --at home, at work and in the community.
This accessible introduction to the broad scope of Christian education focuses on its practice in the local church. Two leading experts argue that Christian education encompasses all of the intentional practices of the local church, including worship, mission, sacraments, and teaching. They explore Christian education not only as a field of study but as a vital congregational ministry, showing how congregations can engage in discipleship and formation for spiritual growth. The book features exercises and other pedagogical devices and includes reflection questions and suggestions for further reading.
Ecologies of Resonance in Christian Musicking Rexplores a diverse range of Christian musical activity through the conceptual lens of resonance, a concept rooted in the physical, vibrational, and sonic realm that carries with it an expansive ability to simultaneously describe personal, social, and spiritual realities. In this book, Mark Porter proposes that attention to patterns of back-and-forth interaction that exist in and alongside sonic activity can help to understand the dynamics of religious musicking in new ways and, at the same time, can provide a means for bringing diverse traditions into conversation. The book focuses on different questions arising out of human experience in the moment of worship. What happens if we take the entry point of a human being experiencing certain patterns of (more than) sonic interaction with the world around them as a focus for exploration? What different ecologies of interaction can be encountered? What kinds of patterns can be traced through different Christian worshiping environments? And how do these operate across multiple dimensions of experience? Chapters covering ascetic sounding, noisy congregations, and Internet live-streaming, among others, serve to highlight the diverse ecologies of resonance that surround Christian musicking, suggesting the potential to develop new perspectives on devotional musical activity that focus not primarily on compositions or theological ideals but on changing patterns of interaction across multiple dimensions between individuals, spaces, communities, and God.
Since his death in 2010, there has been continuing and growing interest in the life, vision, and thought of the late Spanish-Indian mystical theologian Raimon Panikkar. As well as offering both a personal affirmation and critique of Panikkar‘s thought from a Catholic and Protestant perspective, the work compares and contrasts him with a range of Western and Indian theologians, both Catholic and Protestant, and outlines the possibilities of learning from Panikkar in an ecumenical context.
If you are a Christian who is experiencing suffering—or who is weighed down by the suffering of someone you love—then this book is for you. It offers profound, biblical reflections that do not dodge the hard questions or try to minimize the sometimes overpowering reality of pain and loss. When the Stars Disappear is a gift to every Christian who is hoping for a reason to hope." — Timothy Larsen, McManis Professor of Christian Thought, Wheaton College When suffering overwhelms us, it is easy to despair and even doubt God's goodness. As the clouds of suffering roll in, we can lose sight of everything but our pain. In these moments, when the stars disappear, we must turn to Scripture to find assurance that God can and will carry us through. In this book, Mark Talbot recounts the suffering of some of the Bible's greatest saints. They show us what it means to remain faithful and hopeful through life's darkest times—and thus help us cling to God's sure promise that he will never leave us or forsake us but will be with us and sustain us until the storms subside and the stars reappear.
Mark R. McMinn is Professor of Psychology and Director of Integration in the Graduate Department of Clinical Psychology at George Fox University in Newberg, Oregon. He was previously on faculty at Wheaton College in Illinois, where he was the Rech Professor of Psychology from 1996 to 2006. Mark is a licensed psychologist in Illinois and is board certified by the American Board of Professional Psychology. He is Past-President of the APA's Psychology of Religion division. His other books include Sin and Grace in Christian Counseling (2008), Integrative Psychotherapy (coauthored with Clark D. Campbell, 2007), Finding Our Way Home (2005), Why Sin Matters (2004), Care for the Soul (coedited with Timothy R. Phillips, 2001), and Psychology, Theology, and Spirituality in Christian Counseling (1996). Mark and his wife, Lisa--a sociologist and author--live in rural Oregon. They have three grown daughters.
It's hard to be the only one. That single sentence from a teenage congregant sums up the conviction that motivated Christian Theology for a Secular Society. In these dying days of Christendom, the reality that most Western Christians face is living out their faith as a minority in the midst of a culture that is at every level--personal, institutional, and societal--secular in nature. While most living in Western societies still affirm belief in God and often other vaguely recognizable Christian beliefs, these affirmations frequently have little to do with how daily life is lived. The idea that the God best known to us in Jesus Christ is actually in charge of life is foreign. For most, Christianity simply does not form an overarching system of meaning that shapes life. Instead, life is lived largely without reference to God. And to live any other way is often hard. In this volume, Mark McKim sets out to do theology in this context. How does one explain the core historic Christian doctrines in a way that makes sense in a secular culture--and in a way that will gain a hearing? What does it mean to be the church in this new situation? Throughout, McKim asks the question, so what? as he relates Christian teachings to a secular society and to what is actually happening in the local church. McKim's goal is to enable the singing of the Lord's song in the new and strange land of a secular society.
Three leading Christian educators offer a survey of faith formation from various perspectives: biblical, theological, pastoral, practical, and global. They present a biblical theology of faith formation for individual and congregational life and show how faith can be formed through the life and mission of the local church through practices such as communal worship, Bible study, and mission. They also explore the faces of faith formation in multicultural and global contexts. The book includes practical exercises for those beginning in ministry and reflection questions.
In 2014, aerial photography revealed a structure that appeared to be in the shape of a basilica submerged beneath Lake Iznik, near the ancient city of Nicaea. Including excavation images and dig site maps, biblical scholar and archaeologist Mark Fairchild's work reveals what he argues is likely the location of the First Council of Nicaea.
How has the work of C. S. Lewis transformed the American religious landscape? With fresh research and analysis, this volume by noted historian Mark A. Noll considers the surprising reception of Lewis among Roman Catholic, mainline Protestant, and evangelical readers to see how early readings of the Oxford don shaped his later influence.
Common Places in Christian Theology invites readers to discover the rich and complex world of Christian theology. Sponsored by the journal Lutheran Quarterly and written by some of the finest contemporary Lutheran theologians, this collection of essays helps Christian teachers understand and explain the grammar and inner logic of faith. Exploring everything from scriptural authority to salvation and justification and the last things, these writers provide a unique and compelling introduction to Lutheran theology. As you receive the essentials of each topic, you will also consider contemporary concerns, whether in theology, or from the natural sciences, social sciences, political theories, or hermeneutics. Whether you are a seasoned preacher looking to sharpen your understanding of faith or a curious Christian seeking to better articulate your relationship with God, Common Places in Christian Theology will challenge and inspire you to think through your faith and share it with others.
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