The career of Christopher Lee has stretched over half a century in every sort of film from comedy to horror and in such diverse roles as the Man With the Golden Gun, Frankenstein's monster, Fu Manchu and Sherlock Holmes. From Corridor of Mirrors in 1948 to Star Wars: Episode II-Attack of the Clones in 2002, this reference book covers 166 theatrical feature films: all production information, full cast and crew credits, a synopsis, and a critical analysis, with a detailed account of its making and commentary drawn from some thirty hours of interviews with Lee himself. Two appendices list Lee's television feature films and miniseries and his short films. The work concludes with an afterword by Christopher Lee himself. Photographs from the actor's private collection are included.
Once a luxury that only the elite could afford, fashion is now accessible to all. High street brands such as Zara, Topshop and H&M have put fashion within the reach of anyone, whilst massive media attention has turned designers such as Tom Ford, Alexander McQueen and Stella McCartney into brands in their own right. This new edition of the international best-seller Fashion Brands explores the popularization of fashion and explains how marketers and branding experts have turned clothes and accessories into objects of desire. Full of first hand interviews with key players, it analyses every aspect of fashion from a marketing perspective. With its finger firmly on the fashion pulse, it also looks at the impact of blogging and the rise of celebrity-endorsed products and fashion ranges. Snappy and journalistic, Fashion Brands exposes how the use of advertising, store design and the media has altered our fashion 'sense' - and reveals how a mere piece of clothing can be transfomed into something with mystical allure.
This book looks beyond fidelity to emphasize how each adaptation of D.H. Lawrence’s short stories functions as a creative response to a text, foregrounding the significance of its fluidity, transtextuality, and genre. The adaptations analysed range from the first to the most recent and draw attention to the fluidity of textual sources, the significance of generic conventions and space in film, the generic potentialities latent within Lawrence’s tales, and the evolving nature of adaptation. By engaging with recent advances in adaptation theory to discuss the evolving critical reception of the author’s work and the role of the reader, this book provides a fresh, forward-looking approach to Lawrence studies.
“This is the most scholarly, accessible, and exciting writing on Lee Miller to date.” ---Anthony Penrose, Lee Miller Archives Lee Miller (1907--1977) was one of the most remarkable photographic artists of the 20th century. She created Surrealist-inspired photographs of haunting originality, portraits of genius, and daring war photographs. This unprecedented book brings together all of Miller’s major vintage prints for the first time, including sensational works never before published, rare and revealing drawings, selections from Miller’s writings as a war correspondent for Vogue magazine, and an extraordinary collage from 1937. Miller performed with unique success on both sides of the camera. A renowned beauty, she began her career being photographed as a fashion and fine art model by such luminaries as Arnold Genthe and Edward Steichen, stunning examples of which are included in this book. Miller moved to Paris in 1928, determined to take up photography; there she became the apprentice, collaborator, and muse of Man Ray. In the 1930s and ’40s, Miller shot remarkable portraits of such iconic figures as Marlene Dietrich, Charlie Chaplin, Pablo Picasso, and Salvador Dalí. Turning her Surrealist eye to unexpected photographic subjects, she earned major commissions from American and European fashion magazines and also became a respected photo-journalist. Miller’s startling images of the Dachau concentration camp are among the most powerful records of the Holocaust. Published in conjunction with the centenary of Miller’s birth, this beautifully designed and produced book is an essential survey of this fascinating woman’s life and career.
This second volume of the acclaimed Cambridge Biography of D. H. Lawrence covers the years 1912–22, the period in which Lawrence forged his reputation as one of the greatest and most controversial writers of the twentieth century. During this period Lawrence produced the trio of novels with which he was to revolutionise English fiction over the next decade. It was a painful process: Sons and Lovers was crudely cut by its publisher; The Rainbow was destroyed by court order; and Women in Love took almost three years to find a publisher. This 1996 biography tells the writing life too, tracing the illuminating relations between man and manuscript, without confusing life and art. Drawing on previously unseen information from the Cambridge Editions of the Letters and Works, and original research, fresh light is shed on questions of Lawrence's sexuality, health, quarrels and friendships, which have been more often gossiped or theorised about than scrupulously examined.
Contents Should we tell you the whole story? Of course, there is an inevitable tension in trying to work like this. For example, in Chapter 16 we talk about referential integrity. There are - sentially six different flavors of referential integrity but Access only s- ports four of them (they are the most important ones however, so you aren’t missing out on too much). The problem is this. Should we tell you about the other two? If we do, as an Access user you have every right to be annoyed that we are telling you about a feature you can’t use. On the other hand, the six different types that we describe are part of the re- tional world and this book is about that world – we are not trying to teach you how to use Access, we are simply using Access to illustrate the relational model. Ultimately we decided to risk your ire and to describe all of the features of the relational model as we see it, even if Access doesn’t support all of them. One advantage of this approach is that if you need to use a different database engine you will almost certainly find the extra information useful. Incidentally, this is not meant to imply that Access is somehow lacking as a relational database engine. The reason we chose it for the first book is that it is such a good example of a relational database tool.
This book is a comprehensive exploration of 90 years of film and television adaptations of the world’s best-selling novelist’s work. Drawing on extensive archival material, it offers new information regarding both the well-known and forgotten screen adaptations of Agatha Christie’s stories, including unmade and rare adaptations, some of which have been unseen for more than half a century. This history offers intriguing insights into the discussions and debates that surrounded many of these screen projects – something that is brought to life through previously unpublished correspondence from Christie herself and a new wide-ranging interview with her grandson, Mathew Prichard. Agatha Christie on Screen takes the reader on a journey from little known silent film adaptations, through to famous screen productions including 1974’s Murder on the Orient Express, as well as the television series of the Poirot and Miss Marple stories and, most recently, the BBC’s acclaimed version of And Then There Were None.
From quantum physics and genetics to psychology and the social sciences, from the development of atomic weapons to the growing mass media of film and radio, the early 20th century was a period of intense scientific and technological change. Modernism, Science, and Technology surveys the scientific contexts of writers from H.G. Wells and Gertrude Stein to James Joyce and Virginia Woolf and the ways in modernist writers responded to these paradigm shifts. Introducing key concepts from science studies and their implications for the study of modernist literature, the book includes chapters covering the physical sciences, mathematics, life sciences, social sciences and 'pseudosciences'. Including a timeline of key developments and guides to further reading, this is an essential guide to students and researchers studying the topic at all levels.
Crisis, breakdown, rejuvenation: this is the territory of poetry that Rudman takes readers into with this set of essays. Constructed as a series of character studies, the essays are rooted in autobiographical material with biographical counterpoints, tying the poets distinctly to places. Even as they are placed, however, they are displaced: Rudman's subjects, from D.H. Lawrence to Czeslaw Milosz to T. S. Eliot, are almost all exiles, either geographically or within themselves. This exile spins anger into energy, transmuting emotion into imagination the same way that Passaic Falls, known to William Carlos Williams, turns water into power. The mosaic style of the essays touches on nerve after nerve, avoiding the snags of academic jargon to ease towards an illuminating truth about the artists' shifting work and worlds. Some of the Samuels—Beckett and Fuller—were able to navigate these shifts, while others--Coleridge and Johnson--are shown to be less able to transmute their energy into motion.
Biographical sketches of the most famous Grand Prix and sports car racing builders: Sydney Allard, W. O. Bentley, A. C. Bertelli, Marc Birkigt, Ettore Bugatti, Colin Chapman, Louis Coatalen, Briggs Cunningham, Albert De Dion, Fred And August Duesenberg, Enzo Ferrari, Amédée Gordini, J. A. Grégoire, Donald Healey, Ernest Henry, Antoine Lago, Vincenzo Lancia, Albert Lory, The Maserati Brothers, Wilhelm Maybach, Laurence H. Pomeroy, Ferdinand Porsche, Georges Roesch, Harry C. Stutz, Rudolf Uhlenhaut, Gabriel Voisin. ... and of the most famous drivers: The Bentley Boys, The Bugatti Drivers, The Women ( Camille Du Gast, Gwenda Hawkes, Elisabeth Juneck, Dorothy Levitt, Denise Mccluggage Evelyn Mull, Kay Petre, Dorothy Turner, Sheila Van Damm, Elsie Wisdom) Ascari, Behra, Biondetti, Bira, Boillot, Bonetto, Bracco, Von Brauchitsch, Brilli-Peri, Caracciola, Castellotti, Chiron, Collins, Dreyfus, Jarrott, Eyston, Fagioli, Fangio, Farina, Fitch, Gonzales, Gregory, Von Hanstein, Hawthorn, Hill, Lang, Lautenschlager, Marimon, Moss, Musso, Nazzaro, Neubauer, Nuvolari, Parnell, De Portago, Resta, Rosemeyer, Schell, Seaman, Sommer, Taruffi, Trintignant, Varzi,Villoresi.
THE THING NO ONE TELLS YOU ABOUT DYING IS JUST HOW MUCH FUN IT CAN BE. Alive, ad exec Amanda Feral worked hard to wring enjoyment out of her days. Now that she's a zombie, it's a different story. Turns out, Seattle is home to glamorous undead of every description, and Amanda, stylish and impeccably groomed even in the afterlife - is swigging cocktails and living large (so to speak) among its elite. But there are downsides. not being able to stomach anything except alcohol and human flesh, for instance. And the fact that someone is targeting Seattle's otherwordly inhabitants for their own sinister reasons. Preying on the undead is seriously uncool. The only option is for Amanda and her zombie BFF Wndy and gorgeous gay vampire pal Gil to unearth the culprit among the legions of Seattle's bloodsuckers, shapeshifters, reapers, succubi, and demons - before they all meet a fate a lot worse than death . . . 'Worth a read; priceless, really. Road Trip of the Living Dead can't come soon enough.' Urban Fantasy Land
Mark Sturdy traces the unlikely saga of Jarvis Cocker and his ever-changing band in meticulous detail, from schoolboy promise to semi-retirement. If Cocker's career was launched by a precocious session on John Peel's show, his stated ambition was always to be on Top Of The Pops... and despite his edgy lyrics and dour manner, he has often seemed more at home as media jester than serious pop performer. Illustrated and including a comprehensive discography.
In It's Only a Movie, the incomparable Mark Kermode takes us into the weird world of a life lived in widescreen. Join him as he gets lost in Russia on the trail of a low-budget horror flick, gasp as he's shot at in Hollywood while interviewing Bavarian director Werner Herzog, cheer as he gets thrown out of the Cannes film festival for heckling in very bad French, and cringe as he's handbagged by Helen Mirren at London's glitzy BAFTA Awards. Written with sardonic wit and wry good humour, this compelling cinematic memoir is genuinely 'inspired by real events'.
Sixties Britain provides a more nuanced and engaging history of Britain. This book analyses the main social, political, cultural and economic changes Britain undertook as well as focusing on the 'silent majority' who were just as important as the rebellious students, the residents if Soho and the icons of popular culture. Sixties Britain engages the reader without losing sight of the fact that the 1960s were a vibrant, fascinating and controversial time in British History.
Examining European art films of the 1950s and 1960s, Mark Betz argues that it istime for film analysis to move beyond prevailing New Wave historiography, mired in outdated notions of nationalism and dragged down by decades of auteurist criticism. Focusing on the cinemas of France and Italy, Betz reveals how the flowering of European art films in the postwar era is inseparable from the complex historical and political frameworks of the time.
The Disappearing Ninth Legion puts this mysterious Roman legion firmly back on the historic map. A great deal of fiction and conjecture has appeared in books, films, and on the internet, but this book draws on actual historical and up-to-date archaeological information to paint a picture of the real legion as it was, its development, expansion, structure, assignments under the Caesars and the Roman Empire, its supposed disappearance from York, then further evidence for its survival in Europe, the East, and possibly even China, as the mighty world of the Romans gradually fell apart. Was the legion simply broken up and re-assigned or do they still march the moorlands and streets of Eastern Britain, a lost ghostly army cursed and vanquished by the Druids and Celts? It's all here written and presented in an easy and non-technical way by one of Britain's best up-and-coming story tellers and presenters.
Whether rocketing to other worlds or galloping through time, science fiction television has often featured the best of the medium. The genre's broad appeal allows youngsters to enjoy fantastic premises and far out stories, while offering adults a sublime way to view the human experience in a dramatic perspective. From Alien Nation to World of Giants, this reference work provides comprehensive episode guides and cast and production credits for 62 science fiction series that were aired from 1959 through 1989. For each episode, a brief synopsis is given, along with the writer and director of the show and the guest cast. Using extensive research and interviews with writers, directors, actors, stuntmen and many of the show's creators, an essay about each of the shows is also provided, covering such issues as its genesis and its network and syndication histories.
This is the standard design guide on schools architecture, providing vital information on school architecture. Mark Dudek views school building design as a particularly specialised field encompassing ever changing educational theories, the subtle spatial and psychological requirements of growing children and practical issues that are unique to these types of building. He explores the functional requirements of individual spaces, such as classrooms, and shows how their incorporation within a single institution area are a defining characteristic of the effective educational environment. Acoustics, impact damage, the functional differentiation of spaces such as classrooms, music rooms, craft activities and gymnasium, within a single institution are all dealt with. More esoteric factors such as the effects on behaviour of colour, light, surface texture and imagery are considered in addition to the more practical aspects of designing for comfort and health. Chapter 4 comprises 20 case studies which address those issues important in the creation of modern school settings. They are state of the art examples from all parts of the world. These examples include: Pokstown Down Primary, Bournemouth; Haute Vallee School, Jersey; Heinz-Galinski School, Berlin; Anne Frank School, Papendract, Netherlands; Seabird Island School, British Columbia and The Little Village Academy, Chicago.
Standing at the crossroads – the Mississippi crossroads of Robert Johnson and the devil’s infamous meeting – Mark Radcliffe found himself facing his own personal juncture. Aged sixty, he had just mourned the death of his father, only to be diagnosed with mouth and throat cancer. Together these events led Radcliffe to think about pivotal tracks in music and how the musicians who wrote and performed them had reached the crossroads that led to such epoch-changing music. Crossroads is a warm, intimate account of music and its power to transform our lives, as Radcliffe takes a personal journey through these key tracks.
Books about history using real life memories recorded specifically for the purpose are rare, Live, Work & Play is just such a book. Created from the hundreds of reminiscences of the residents of the town gathered by the WGC Heritage Trust and put into historical context by Prof Mark Clapson , one of the UK's leading social historians, the book offers a unique insight into the creation of the UK's second garden city. Timed to appear at the start of 2020, when Welwyn Garden City achieves its 100th year, the history of Sir Ebenezer Howard's final masterpiece, with all its imperfections, is laid out for all to read. Now thriving and at ease with itself WGC is an example of how to create homes for its community. Created as a Garden City in 1920, developed as a New Town from 1948 the lessons it offers are invaluable to both developers and governments alike.
Unlike most screenwriting guides that generally analyze several aspects of screenwriting, Constructing Dialogue is devoted to a more analytical treatment of certain individual scenes and how those scenes were constructed to be the most highly dramatic vis á vis their dialogue. In the art of screenwriting, one cannot separate how the scene is constructed from how the dialogue is written. They are completely interwoven. Each chapter deals with how a particular screenwriter approached dialogue relative to that particular scene's construction. From Citizen Kane to The Fisher King the storylines have changed, but the techniques used to construct scene and dialogue have fundamentally remained the same. The author maintains that there are four optimum requirements that each scene needs in order to be successful: maintaining scenic integrity; advancing the storyline, developing character, and eliciting conflict and engaging emotionally. Comparing the original script and viewing the final movie, the student is able to see what exactly was being accomplished to make both the scene and the dialogue work effectively.
Thin Ice explains what Thompson's hard-won data tell us about climate systems that have long perplexed the scientific community. Even more important, we learn what the equatorial ice reveals about global warming and the earth's probable future."--BOOK JACKET.
Architects are perhaps the most important people involved in shaping the built environment, so the ideas they receive in the course of their training are a major influence upon the buildings and cities of the future. Crinson and Lubbock present a bold new perspective on the evolution of the British architect from Wren to post-modernism and beyond, and provide the first general history of architectural education, making an important contribution to current debates. The Prince of Wales' views on modern architecture and the need for a change in the way architects are trained, has attracted enormous support from the public, resulting in architects and their training being under the spotlight more than ever. The drive to define and promote the architectural profession that began in the eighteenth century and reached its apogee in the 1960s has now begun to unravel. How has this happened? What relation does an architect's education have to the built environment? What lessons are there from the past? This book will be of interest to students, lecturers and all those interested in the debates around contemporary architecture.
You want more scepticism at the very foundation of your work. Scepticism, the tonic of minds, the tonic of life, the agent of truth - the way of art and salvation." Joseph Conrad wrote these words to John Galsworthy in 1901, and this study argues that Conrad's skepticism forms the basis of his most important works, participating in a tradition of philosophical skepticism that extends from Descartes to the present. Conrad's epistemological and moral skepticism - expressed, forestalled, mitigated, and suppressed - provides the terms for the author's rethinking of the peculiar relation between philosophy and literary form in Conrad's writing and, more broadly, for reconsidering what it means to call any novel 'philosophical'. Among the issues freshly argued are Conrad's thematics of coercion, isolation, and betrayal; the complicated relations among author, narrator, and character; and the logic of Conradian romance, comedy, and tragedy. The author also offers a new way of conceptualizing the shape of Conrad's career, especially the 'decline' evidenced in the later fiction. The uniqueness of Conrad's multifarious literary and cultural inheritance makes it difficult to locate him securely in the dominant tradition of the British novel. A philosophical approach to Conrad, however, reveals links to other novelists - notably Hardy, Forster, and Woolf - all of whom share in the increasing philosophical burden of the modern novel by enacting the very philosophical issues that are discussed within their pages. Conrad's interest as a skeptic is heightened by the degree to which he resists the insights proffered by his own skepticism. The first chapter introduces the idea of the Conradian 'shelter', and the next two use Schopenhauer to show how the language of metaphysical speculation in Tales of Unrest and 'Heart of Darkness' spills over into a religious impulse that resists the disintegrating effect of Conrad's skepticism. The author then turns to Hume to model the authorial skepticism that in Lord Jim contests the continuing visionary strain of the earlier fiction and Descartes to analyze the ways in which Romantic vision is more stringently chastened by irony in Nostromo and The Secret Agent. The concluding chapter touches on several late novels before examining how competing models of political agency in Conrad's last great fiction of skepticism, Under Western Eyes, situate it somewhere between ideology critique and a mystified account of the exigencies of individual consciousness.
The third novel published by Ramble House by Mark Hansom. It was written in 1935 and has all the hallmarks of Hansom's style, including the premature death of the villain.
Around 1939 the man who published seven novels under the pseudonym, Mark Hansom, wrote this impossible mystery. It is the third book under the Dancing Tuatara imprint to be published by Ramble House.
This textbook provides a comprehensive overview of the ways in which the law has impacted on how sport is played, administered and consumed. The author writes in a clear and engaging manner, tracing the origins and sources of this rapidly evolving subject and drawing examples from a wide range of professional and amateur sports to illustrate the important current debates and topics of interest. The book covers a wide-range of topics from participant and non-participant liability, fighting sports and their legality, and liability for stadium safety and disasters. The final section of the book takes in the very latest developments in mass-event sport and the growing but fundamental area of sports commercialisation. New to this Edition: - Fully updated and includes analyses of the Pechstein and Sharapova decisions - Includes details on the state aid rulings on financial support for Spanish and Dutch football clubs - The author includes a review of the Rio 2016 Olympics
“... This is a book for which lovers of the automobile have waited a long time: the most comprehensive text-and-picture history of the dual-purpose car since it came to life more than sixty years ago. As the authors of The Book of Sports Cars point out, “in the beginning they were all sports cars.” The automobile began its active life, whatever the intentions of its creators, as a new instrument of sport. Because the increasing demands of this sport imposed an ever-growing burden of technical development, the sports car and its achievements have never stopped forwarding the improvement of the everyday automobile. Here at last, evolved from years of painstaking research, is a record of what the world’s motorists owe to the dreams and the daring of the men and women of motor sport. In arranging the history of the outstanding marques by countries of origin, the authors have made it plain how first one nation, then another took the lead in developing the automobile as a sporting instrument and hence inevitably as a thing of greater common use and benefit. First Germany led the world, then France, then Great Britain and Italy and the United States. The Book of Sports Cars is a magnificent tribute to the glorious past and the exciting present, a fascinating record of the history that points to the challenging future. A book to be read for pleasure and profit, it will be an invaluable addition to the library of every enthusiast of motoring history...” (1959) - BRIGGS CUNNINGHAM
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