Taking to heart Thomas Heywood’s claim that plays “persuade men to humanity and good life, instruct them in civility and good manners, showing them the fruits of honesty, and the end of villainy,” Mark Bayer’s captivating new study argues that the early modern London theatre was an important community institution whose influence extended far beyond its economic, religious, educational, and entertainment contributions. Bayer concentrates not on the theatres where Shakespeare’s plays were performed but on two important amphitheatres, the Fortune and the Red Bull, that offer a more nuanced picture of the Jacobean playgoing industry. By looking at these playhouses, the plays they staged, their audiences, and the communities they served, he explores the local dimensions of playgoing. Focusing primarily on plays and theatres from 1599 to 1625, Bayer suggests that playhouses became intimately engaged with those living and working in their surrounding neighborhoods. They contributed to local commerce and charitable endeavors, offered a convivial gathering place where current social and political issues were sifted, and helped to define and articulate the shared values of their audiences. Bayer uses the concept of social capital, inherent in the connections formed among individuals in various communities, to construct a sociology of the theatre from below—from the particular communities it served—rather than from the broader perspectives imposed from above by church and state. By transacting social capital, whether progressive or hostile, the large public amphitheatres created new and unique groups that, over the course of millions of visits to the playhouses in the Jacobean era, contributed to a broad range of social practices integral to the daily lives of playgoers. In lively and convincing prose that illuminates the significant reciprocal relationships between different playhouses and their playgoers, Bayer shows that theatres could inform and benefit London society and the communities geographically closest to them.
This volume introduces an important concept which hitherto has not gotten the recognition it deserves. The concept simul, the idea of a both-and in theology, is primarily associated with the Lutheran understanding of justification. The formula simul iustus et peccator is a shorthand for the nucleus and heart of the Reformation. But the concept, which implies a tension or even a paradox, appears to play a significant role in other areas of theological reflection. This volume highlights a number of areas in which this idea historically has played an important role, as well as its potential in the contemporary conversation. The aim of the work is to provide an informed and readable introduction to the simul concept in various areas of systematical theology and Biblical exegesis.
In the latest installment of the greatest love story ever told, Glenn's mother, freshly unearthed from beneath the bricks, moves in with him and Henry. Without giving too much away, Glenn's mommy issues come to the surface as she critiques his art, replaces his wardrobe, scrubs their dungeon, and recalls his childhood. Glenn tries to sell his signature to a UPS driver, takes a punch, and has some daydreaming adventures with a plunger. Henry, "a loud guy with a good work ethic," shows his darker side and indifference to a fan as he drinks black coffee and bonds with Glenn over their distaste for their own bands; two men who suffer best alone together. Additional pin up art by Andy Belanger, Katie Skelly, and Tom Scioli. Darkest and best issue yet.
This study Bible is a must-have to help us see Jesus Christ throughout the whole Bible." —biblereviewguys.com The ESV Gospel Transformation Study Bible is designed to help readers see Christ in all of Scripture, and grace for all of life. It features book introductions, gospel-centered study notes, and a series of all-new articles—written by a team of over 50 pastors and scholars. This content explains passage-by-passage how God's redemptive purposes culminate in the gospel and apply to the lives of believers today. Readers will be challenged to see how the message of the gospel transforms sinners from the inside out.
The authors examine the artist's oeuvre and trace his development from goldsmith-jeweller to glassmaker. They also identify the key phases of his work in relation to the evolution of his technique.
In this significant book Mark C. Mattes critically evaluates the role of justification in the theologies of five leading Protestant thinkers -- Eberhard Jungel, Wolfhart Pannenberg, Jurgen Moltmann, Robert W. Jenson, and Oswald Bayer -- pointing out their respective strengths and weaknesses and showing how each matches up with Luther's own views. Offering both an excellent review of recent trends in Christian theology and a powerful analysis of these trends, Mattes points readers to the various ways in which the doctrine of justification has been applied today. Despite the greatness of their thought, Jungel, Pannenberg, and Moltmann each accommodate the doctrine of justification to goals aligned with secular modernity. Both Jenson and Bayer, on the other hand, construe the doctrine of justification in a nonaccommodating way, thus challenging the secularity of the modern academy. In the end, Mattes argues that Bayer's position is to be preferred as closest to Luther's own, and he shows why it offers the greatest potential for confronting current attempts at self-justification before God.
Mark Mattes' hope is not only to secure believers' consciences in Christ but also to reclaim theological and social turf which mainline Protestants have too quickly ceded to various secular agendas. The collected essays engage the reality of believers' death and resurrection in Christ, and how that bears upon the life of faith while also attending to a wide range of relevant theological topics such as scriptural authority, apologetics, a critique of contemporary mainline Protestant and Evangelical Catholic ethics, a critique of Lutheran-Reformed ecumenism, and the church's mission and outreach. The collection concludes with several sermons based on Old Testament lessons seeking to show how the theology embedded in the essays can be used for proclamation.
Many contemporary theologians seek to retrieve the concept of beauty as a way for people to encounter God. This groundbreaking book argues that while Martin Luther's view of beauty has often been ignored or underappreciated, it has much to contribute to that quest. Mark Mattes, one of today's leading Lutheran theologians, analyzes Luther's theological aesthetics and discusses its implications for music, art, and the contemplative life. Mattes shows that for Luther, the cross is the lens through which the beauty of God is refracted into the world.
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