Arguing in favour of a critical return to the 'nation' as a category, this study provides the first sustained account of artwriting in the British context over the full extent of its development from the eighteenth century to the present day. Mark A. Cheetham asks whether 'English' traditions of artwriting have been judged inappropriately according to imported criteria-and demonstrates that 'English Art Theory' is not an oxymoron.
Did you know? Richard Burton claimed that he would rather have played rugby for Wales at Cardiff Arms Park than Hamlet at the Old Vic. Local rivalries between choirs in the 'land of song' used to be so fierce that fights would break out following singing competitions. Roald Dahl was an RAF fighter pilot during the Second World War, and a near-death crash landing inspired his first published work. The Little Book of Welsh Culture is a fast-paced, fact-filled journey through the cultural heritage of Wales, crammed full of myths, traditions and personalities. Experience the country's immense artistic legacy as never before, from the medieval legends surrounding King Arthur and The Mabinogion to its modern-day transformation into a thriving filming location for big-screen blockbusters. Discover the truth behind the ancient druidic rituals of the National Eisteddfod, separate the facts from the fiction that surround Dylan Thomas' infamous lifestyle, and learn how Wales successfully regenerated the Doctor Who franchise – and unearth some fascinating secrets and hidden gems along the way.
Dedicated to an articulation of the earth from broadly ecological perspectives, eco art is a vibrant subset of contemporary art that addresses the widespread public concern with rapid climate change and related environmental issues. In Landscape into Eco Art, Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet. An ambitious intervention into eco-criticism and the environmental humanities, this volume provides original ways to understand the issues and practices of eco art in the Anthropocene. Art historians, humanities scholars, and lay readers interested in contemporary art and the environment will find Cheetham’s work valuable and invigorating.
What actions should be punished? Should plea-bargaining be allowed? How should sentencing be determined? In this original, penetrating study, Mark Tunick explores not only why society punishes wrongdoing, but also how it implements punishment. Contending that the theory and practice of punishment are inherently linked, Tunick draws on a broad range of thinkers, from the radical criticisms of Nietzsche, Foucault, and some Marxist theorists through the sociological theories of Durkheim and Girard to various philosophical traditions and the "law and economics" movement. He defends punishment against its radical critics and offers a version of retribution, distinct from revenge, that holds that we punish not to deter or reform, but to mete out just deserts, vindicate right, and express society's righteous anger. Demonstrating first how this theory best accounts for how punishment is carried out, he then provides "immanent criticism" of certain features of our practice that don't accord with the retributive principle. Thought-provoking and deftly argued, Punishment will garner attention and spark debate among political theorists, philosophers, legal scholars, sociologists, and criminologists. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992. What actions should be punished? Should plea-bargaining be allowed? How should sentencing be determined? In this original, penetrating study, Mark Tunick explores not only why society punishes wrongdoing, but also how it implements punishment.
Written in riveting fashion by the coauthors of The Secret War Against the Jews, Mark Aarons and John Loftus's Unholy Trinity tells one of the darkest tales of World War II. After the war had ended, fearing a surge of Soviet growth, the Papacy entered into an espionage alliance with British and American intelligence agents. Subsuming justice to the nascent Cold War ideology, these three powers ferreted Nazi criminals out of Europe so that they could be used in the supposedly greater fight against Communism. The Vatica's Nazi smuggling network was penetrated by Prince Anton Turkul, the great Soviet double agent who turned the operations into a sting for his masters in the Kremlin. Unholy Trinity exposes Turkul's "Red Nazi" operation for the first time and shows how Kim Philby, the infamous British-Soviet double agent, and his network were nearly sacrificed to preserve Turkul's Vatican operation. Exploring the Vatican's role in aiding Nazi criminals to escape punishment for their crimes, this book, originally published in 1991, first revealed the Vatican-Swiss bank connection to Nazi gold and documented the hidden links to Western investors in Nazi Germany. Since its publication, major revelations about the role of Swiss banks have confirmed Unholy Trinity's expose of the flight of the Nazi's stolen treasures; the new introduction and new final chapters, written by Aarons and Loftus for this edition, bring the book completely up to date and show how the media have missed the vital Vatican connection in the Swiss-bank story. Among other things, the authors demonstrate that U.S. and British code-breakers were fully aware of the Holocaust as early as 1941 but lied to the Western press; that the code-breakers bugged the Swiss banks and then buried secrets of Nazi gold transfers to protect U.S. intelligence chief Allen Dulles; and that the Australian, British, and Canadian governments are still waging a campaign to keep their citizens ignorant about the Nazi war criminals living among them. Covering all these topics and more, Unholy Trinity is the definitive history of a series of profoundly disturbing cover-ups involving the Holy See, Allen Dulles, the Swiss banks, and the remnants of the Third Reich.
Protein NMR Spectroscopy, Second Edition combines a comprehensive theoretical treatment of NMR spectroscopy with an extensive exposition of the experimental techniques applicable to proteins and other biological macromolecules in solution. Beginning with simple theoretical models and experimental techniques, the book develops the complete repertoire of theoretical principles and experimental techniques necessary for understanding and implementing the most sophisticated NMR experiments. Important new techniques and applications of NMR spectroscopy have emerged since the first edition of this extremely successful book was published in 1996. This updated version includes new sections describing measurement and use of residual dipolar coupling constants for structure determination, TROSY and deuterium labeling for application to large macromolecules, and experimental techniques for characterizing conformational dynamics. In addition, the treatments of instrumentation and signal acquisition, field gradients, multidimensional spectroscopy, and structure calculation are updated and enhanced. The book is written as a graduate-level textbook and will be of interest to biochemists, chemists, biophysicists, and structural biologists who utilize NMR spectroscopy or wish to understand the latest developments in this field. - Provides an understanding of the theoretical principles important for biological NMR spectroscopy - Demonstrates how to implement, optimize and troubleshoot modern multi-dimensional NMR experiments - Allows for the capability of designing effective experimental protocols for investigations of protein structures and dynamics - Includes a comprehensive set of example NMR spectra of ubiquitin provides a reference for validation of experimental methods
Arguing in favour of a critical return to the 'nation' as a category, this study provides the first sustained account of artwriting in the British context over the full extent of its development from the eighteenth century to the present day. Mark A. Cheetham asks whether 'English' traditions of artwriting have been judged inappropriately according to imported criteria-and demonstrates that 'English Art Theory' is not an oxymoron.
Manipulated landscapes -- Beyond suspicion : why (not) landscape? -- Remote control : siting land art and eco art -- Contracted fields : "nature" in the art museum -- Bordering the ubiquitous : the art of local and global ecologies
This publication orginates from 'Who's afraid of purple, orange and green?', an exhibition curated by Jennifer Matotek, Director/Curator, and presented at Dunlop Art Gallery from April 25-June 20, 2014"--Colophon.
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