Mark Antliff's Books

Cubism and Culture

By: Mark Antliff,Patricia Dee Leighten

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Cubism and Culture

By: Mark Antliff,Patricia Dee Leighten

This is a book whose great achievement is to bring out the importance of the Cubists in a history far bigger than the history of art." Christopher Green, Courtauld Institute of Art

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224

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New York : Thames & Hudson

Published Date

ISBN 10

0500203423

ISBN 13

9780500203422

Avant-Garde Fascism

The Mobilization of Myth, Art, and Culture in France, 1909–1939

By: Mark Antliff

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Avant-Garde Fascism

The Mobilization of Myth, Art, and Culture in France, 1909–1939

By: Mark Antliff

Investigating the central role that theories of the visual arts and creativity played in the development of fascism in France, Mark Antliff examines the aesthetic dimension of fascist myth-making within the history of the avant-garde. Between 1909 and 1939, a surprising array of modernists were implicated in this project, including such well-known figures as the symbolist painter Maurice Denis, the architects Le Corbusier and Auguste Perret, the sculptors Charles Despiau and Aristide Maillol, the “New Vision” photographer Germaine Krull, and the fauve Maurice Vlaminck. Antliff considers three French fascists: Georges Valois, Philippe Lamour, and Thierry Maulnier, demonstrating how they appropriated the avant-garde aesthetics of cubism, futurism, surrealism, and the so-called Retour à l’Ordre (“Return to Order”), and, in one instance, even defined the “dynamism” of fascist ideology in terms of Soviet filmmaker Sergei Eisenstein’s theory of montage. For these fascists, modern art was the mythic harbinger of a regenerative revolution that would overthrow existing governmental institutions, inaugurate an anticapitalist new order, and awaken the creative and artistic potential of the fascist “new man.” In formulating the nexus of fascist ideology, aesthetics, and violence, Valois, Lamour, and Maulnier drew primarily on the writings of the French political theorist Georges Sorel, whose concept of revolutionary myth proved central to fascist theories of cultural and national regeneration in France. Antliff analyzes the impact of Sorel’s theory of myth on Valois, Lamour, and Maulnier. Valois created the first fascist movement in France; Lamour, a follower of Valois, established the short-lived Parti Fasciste Révolutionnaire in 1928 before founding two fascist-oriented journals; Maulnier forged a theory of fascism under the auspices of the journals Combat and Insurgé.

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373

Publisher

Duke University Press

Published Date

ISBN 10

0822390477

ISBN 13

9780822390473

Bergson

By: Mark Sinclair

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Bergson

By: Mark Sinclair

Henri Bergson (1859-1941) was one of the most celebrated and influential philosophers of the twentieth century. He was awarded in 1928 the Nobel prize for literature for his philosophical work, and his controversial ideas about time, memory and life shaped generations of thinkers, writers and artists. In this clear and engaging introduction, Mark Sinclair examines the full range of Bergson's work. The book sheds new light on familiar aspects of Bergson’s thought, but also examines often ignored aspects of his work, such as his philosophy of art, his philosophy of technology and the relation of his philosophical doctrines to his political commitments. After an illuminating overview of his life and work, chapters are devoted to the following topics: the experience of time as duration the experience of freedom memory mind and body laughter and humour knowledge art and creativity the élan vital as a theory of biological life ethics, religion, war and modern technology With a final chapter on his legacy, Bergson is an outstanding guide to one of the great philosophers. Including chapter summaries, annotated further reading and a glossary, it is essential reading for those interested in metaphysics, time, free will, aesthetics, the philosophy of biology, continental philosophy and the role of European intellectuals in World War I.

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361

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Routledge

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ISBN 10

1315414910

ISBN 13

9781315414911

Anarchism and Art

Democracy in the Cracks and on the Margins

By: Mark Mattern

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Anarchism and Art

Democracy in the Cracks and on the Margins

By: Mark Mattern

Interprets popular art forms as exhibiting core anarchist values and presaging a more democratic world. Situated at the intersection of anarchist and democratic theory, Anarchism and Art focuses on four popular art formsDIY (Do It Yourself) punk music, poetry slam, graffiti and street art, and flash mobsfound in the cracks between dominant political, economic, and cultural institutions and on the margins of mainstream neoliberal society. Mark Mattern interprets these popular art forms in terms of core anarchist values of autonomy, equality, decentralized and horizontal forms of power, and direct action by common people, who refuse the terms offered them by neoliberalism while creating practical alternatives. As exemplars of central anarchist principles and commitments, such forms of popular art, he argues, prefigure deeper forms of democracy than those experienced by most people in todays liberal democracies. That is, they contain hints of future, more democratic possibilities, while modeling in the present the characteristics of those more democratic possibilities. Providing concrete evidence that progressive change is both desirable and possible, they also point the way forward.

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197

Publisher

SUNY Press

Published Date

ISBN 10

143845919X

ISBN 13

9781438459196

The Mind of Modernism

Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940

By: Mark S. Micale

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The Mind of Modernism

Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940

By: Mark S. Micale

This vanguard collection of original and in-depth essays explores the intricate interplay of the aesthetic and psychological domains during the late nineteenth and early twentieth centuries and considers the reasons why a common Modernist project took shape when and in the circumstances that it did. These changes occurred precisely when the distinctively modern disciplines of psychology, psychiatry, and psychoanalysis established their "scientific foundations and achieved the forms in which we largely know them today. This volume examines the dense web of connections joining the aesthetic and psychological realms in the modern era, charting historically the emergence of the ongoing modern discussion surrounding such issues as identity-formation, sexuality, and the unconscious. The contributors form a distinguished and diversified group of scholars, who write about a wide range of cultural fields, including philosophy, the novel and poetry, drama, dance, film and photography, as well as medicine, psychology, and the occult sciences.

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484

Publisher

Stanford University Press

Published Date

ISBN 10

0804747970

ISBN 13

9780804747974

Black Fascisms

African American Literature and Culture Between the Wars

By: Mark Christian Thompson

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Black Fascisms

African American Literature and Culture Between the Wars

By: Mark Christian Thompson

In this provocative new book, Mark Christian Thompson addresses the startling fact that many African American intellectuals in the 1930s sympathized with fascism, seeing in its ideology a means of envisioning new modes of African American political resistance. Thompson surveys the work and thought of several authors and asserts that their sometimes positive reaction to generic European fascism, and its transformation into black fascism, is crucial to any understanding of Depression-era African American literary culture. The book considers the high regard that "Back to Africa" advocate Marcus Garvey expressed for fascist dictators and explores the common ground he shared with George Schuyler and Claude McKay, writers with whom Garvey is generally thought to be at odds. Thompson reveals how fascism informed a rejection of Marxism by McKay--as well as by Arna Bontemps, whose Drums at Dusk depicts communism as antithetical to any black revolution. A similarly authoritarian stance is examined in the work of Zora Neale Hurston, where the striving for a fascist sovereignty presents itself as highly critical of Nazism while nonetheless sharing many of its tenets. The book concludes with an investigation of Richard Wright's The Outsider and its murderous protagonist, Cross Damon, who articulates fascist drives already present, if latent, in Native Son's Bigger Thomas. Unencumbered by the historical or biblical references of the earlier work, Damon personifies the essence of black fascism. Taking on a subject generally ignored or denied in African American cultural and literary studies, Black Fascisms seeks not only to question the prominence of the Left in the political thought of a generation of writers but to change how we view African American literature in general. Encompassing political theory, cultural studies, critical theory, and historicism, the book will challenge readers in numerous fields, providing a new model for thinking about the political and transnational in African American culture and shedding new light on our understanding of fascism between the wars.

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252

Publisher

University of Virginia Press

Published Date

ISBN 10

0813926718

ISBN 13

9780813926711

Avant-Garde Fascism

The Mobilization of Myth, Art, and Culture in France, 1909–1939

By: Mark Antliff

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Avant-Garde Fascism

The Mobilization of Myth, Art, and Culture in France, 1909–1939

By: Mark Antliff

An investigation of the central role that theories of the visual arts and creativity played in the development of fascism in France between 1909 and 1939.

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380

Publisher

Duke University Press

Published Date

ISBN 10

0822340348

ISBN 13

9780822340348

Inventing Bergson

Cultural Politics and the Parisian Avant-garde

By: Mark Antliff

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Inventing Bergson

Cultural Politics and the Parisian Avant-garde

By: Mark Antliff

At the turn of the century the philosophy of Henri Bergson captivated France, and Bergson's theories of intuition and elan vital influenced artistic and political notions of the supreme individual, the collective consciousness of a class or race, and the esprit of the nation itself. Here Mark Antliff demonstrates how various artists in prewar France positioned themselves and their art in this plurality of political discourse. By interrelating such movements as Futurism, Cubism, and Fauvism, he elucidates the pervasive impact of Bergson on Modernism in Europe, especially in terms of theories of organic form. Antliff defines the anarcho-individualism of Gino Severini as it relates to the anarcho-syndicalism of other Futurists, and contrasts both to the Puteaux Cubists, who embraced a leftist discourse of Celtic nationalism. All these groups, including the Rhythmists, an international group of Fauve painters, defined their Bergsonism in reaction to the campaign against Bergson launched by the royalist organization L'Action Francaise. Antliff shows that the organicism central to the Bergsonism of these leftist groups had a postwar legacy in fascist ideologies in France and Italy, and charts the transformation of an anticapitalist critique into the politics of reaction. Thus Antliff relates the Bergsonism of these movements to the larger political culture confronted by the Parisian avant-garde, exposing the volatile relation of art and culture to ideology in prewar France.

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237

Publisher

Princeton, N.J. : Princeton University Press

Published Date

ISBN 10

0691032025

ISBN 13

9780691032023

Clive Bell and the Making of Modernism

A Biography

By: Mark Hussey

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Clive Bell and the Making of Modernism

A Biography

By: Mark Hussey

Amusing, charming, stimulating, urbane' - THE TIMES 'Revelatory' - GUARDIAN 'Restores Clive Bell vividly to life' - Lucasta Miller ______________ Clive Bell is perhaps better known today for being a Bloomsbury socialite and the husband of artist Vanessa Bell, sister to Virginia Woolf. Yet Bell was a highly important figure in his own right: an internationally renowned art critic who defended daring new forms of expression at a time when Britain was closed off to all things foreign. His groundbreaking book Art brazenly subverted the narratives of art history and cemented his status as the great interpreter of modern art. Bell was also an ardent pacifist and a touchstone for the Wildean values of individual freedoms, and his is a story that leads us into an extraordinary world of intertwined lives, loves and sexualities. For decades, Bell has been an obscure figure, refracted through the wealth of writing on Bloomsbury, but here Mark Hussey brings him to the fore, drawing on personal letters, archives and Bell's own extensive writing. Complete with a cast of famous characters, including Lytton Strachey, T. S. Eliot, Katherine Mansfield, Pablo Picasso and Jean Cocteau, Clive Bell and the Making of Modernism is a fascinating portrait of a man who became one of the pioneering voices in art of his era. Reclaiming Bell's stature among the makers of modernism, Hussey has given us a biography to muse and marvel over – a snapshot of a time and of a man who revelled in and encouraged the shock of the new. 'A book of real substance written with style and panache, copious fresh information and many insights' - Julian Bell

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593

Publisher

Bloomsbury Publishing

Published Date

ISBN 10

1408894432

ISBN 13

9781408894439

Against Harmony

Progressive and Radical Buddhism in Modern Japan

By: James Mark Shields

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Against Harmony

Progressive and Radical Buddhism in Modern Japan

By: James Mark Shields

Against Harmony traces the history of progressive and radical experiments in Japanese Buddhist thought and practice, from the mid-Meiji period through the early Showa. Perhaps the two best representations of progressive Buddhism during this time were the New Buddhist Fellowship (1899-1915) and the Youth League for Revitalizing Buddhism (1931-1936), both non-sectarian, lay movements well-versed in both classical Buddhist texts and Western philosophy and religion. Their work effectively collapsed commonly held distinctions between religion, philosophy, ethics, politics, and economics. Unlike many others of their day, they did not regard the novel forces of modernization as problematic and disruptive, but as opportunities. James Mark Shields examines the intellectual genealogy and alternative visions of progressive and radical Buddhism in the decades leading up to the Pacific War. Exposing the variety in the conceptions and manifestations of progress, reform, and modernity in this period, he outlines their important implications for postwar and contemporary Buddhism in Japan and elsewhere.

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417

Publisher

Oxford University Press

Published Date

ISBN 10

0190664029

ISBN 13

9780190664022

Landscape into Eco Art

Articulations of Nature Since the ’60s

By: Mark Cheetham

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Landscape into Eco Art

Articulations of Nature Since the ’60s

By: Mark Cheetham

Dedicated to an articulation of the earth from broadly ecological perspectives, eco art is a vibrant subset of contemporary art that addresses the widespread public concern with rapid climate change and related environmental issues. In Landscape into Eco Art, Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet. An ambitious intervention into eco-criticism and the environmental humanities, this volume provides original ways to understand the issues and practices of eco art in the Anthropocene. Art historians, humanities scholars, and lay readers interested in contemporary art and the environment will find Cheetham’s work valuable and invigorating.

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409

Publisher

Penn State Press

Published Date

ISBN 10

0271081406

ISBN 13

9780271081403

Modernism, Science, and Technology

By: Mark S. Morrisson

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Modernism, Science, and Technology

By: Mark S. Morrisson

From quantum physics and genetics to psychology and the social sciences, from the development of atomic weapons to the growing mass media of film and radio, the early 20th century was a period of intense scientific and technological change. Modernism, Science, and Technology surveys the scientific contexts of writers from H.G. Wells and Gertrude Stein to James Joyce and Virginia Woolf and the ways in modernist writers responded to these paradigm shifts. Introducing key concepts from science studies and their implications for the study of modernist literature, the book includes chapters covering the physical sciences, mathematics, life sciences, social sciences and 'pseudosciences'. Including a timeline of key developments and guides to further reading, this is an essential guide to students and researchers studying the topic at all levels.

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193

Publisher

Bloomsbury Publishing

Published Date

ISBN 10

1474233430

ISBN 13

9781474233439

Partnership Law

By: Mark Blackett-Ord,Sarah Haren KC

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Partnership Law

By: Mark Blackett-Ord,Sarah Haren KC

Provides the answers to all the questions that can arise on the formation, operation and dissolution of Partnerships, LPs and LLPs as well as the answers to all questions that can arise in disputes between partners, ex-partners and outsiders. Fully revised and updated this new edition will include coverage of: - The introduction of the Private Fund Limited Partnership (PFLP) in 2017 - Application of discrimination law in the context of partnerships/LLPs: Seldon v Clarkson, Wright and Jakes; Tiffin v Lester Aldridge LLP; Bates v van Winklehof - Interpretation of partnership agreements, what amount to partnership assets and how they should be valued, in the context of the retirement or buy-out of a former partner: Drake v Harvey; Ham v Ham; Ham v Bell - The role, if any, of the doctrine of repudiation in the context of partnerships (Golstein v Bishop) and LLPs (Flanagan v Liontrust Management LLP) - What nature of “business” may constitute a partnership (Bhatti v HMRC) - Impact of changes made to the insolvency regime (including the Insolvency Rules 2016) on insolvency of partnerships and LLPs

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1425

Publisher

Bloomsbury Publishing

Published Date

ISBN 10

1526508435

ISBN 13

9781526508430

Critical Buddhism

Engaging with Modern Japanese Buddhist Thought

By: James Mark Shields

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Critical Buddhism

Engaging with Modern Japanese Buddhist Thought

By: James Mark Shields

In the late 1980s and early 1990s, the relative calm world of Japanese Buddhist scholarship was thrown into chaos with the publication of several works by Buddhist scholars Hakamaya Noriaki and Matsumoto Shiro, dedicated to the promotion of something they called Critical Buddhism (hihan bukkyo). In their quest to re-establish a "true" - rational, ethical and humanist - form of East Asian Buddhism, the Critical Buddhists undertook a radical deconstruction of historical and contemporary East Asian Buddhism, particularly Zen. While their controversial work has received some attention in English-language scholarship, this is the first book-length treatment of Critical Buddhism as both a philosophical and religious movement, where the lines between scholarship and practice blur. Providing a critical and constructive analysis of Critical Buddhism, particularly the epistemological categories of critica and topica, this book examines contemporary theories of knowledge and ethics in order to situate Critical Buddhism within modern Japanese and Buddhist thought as well as in relation to current trends in contemporary Western thought.

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216

Publisher

Routledge

Published Date

ISBN 10

1317157605

ISBN 13

9781317157601

Charles Sheeler

Modernism, Precisionism and the Borders of Abstraction

By: Mark Rawlinson

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Charles Sheeler

Modernism, Precisionism and the Borders of Abstraction

By: Mark Rawlinson

Charles Sheeler was the stark poet of the machine age. Photographer of the Ford Motor Company and founder of the painting movement Precisionism, he is remembered as a promoter of - and apologist for - the industrialised capitalist ethic. This major new rethink of one of the key figures of American modernism argues that Sheeler's true relationship to progress was in fact highly negative, his 'precisionism' both skewed and imprecise. Covering the entire oeuvre from photography to painting and drawing attention to the inconsistencies, curiosities and 'puzzles' embedded in Sheeler's work, Rawlinson reveals a profound critique of the processes of rationalisation and the conditions of modernity. The book argues finally for a re-evaluation of Sheeler's often dismissed late work which, it suggests, may only be understood through a radical shift in our understanding of the work of this prominent figure.

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271

Publisher

Routledge

Published Date

ISBN 10

1000213471

ISBN 13

9781000213478

Artwriting, Nation, and Cosmopolitanism in Britain

The 'Englishness' of English Art Theory Since the Eighteenth Century

By: Mark Arthur Cheetham

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Artwriting, Nation, and Cosmopolitanism in Britain

The 'Englishness' of English Art Theory Since the Eighteenth Century

By: Mark Arthur Cheetham

Arguing in favour of a critical return to the 'nation' as a category, this study provides the first sustained account of artwriting in the British context over the full extent of its development from the eighteenth century to the present day. Mark A. Cheetham asks whether 'English' traditions of artwriting have been judged inappropriately according to imported criteria-and demonstrates that 'English Art Theory' is not an oxymoron.

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212

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409420736

ISBN 13

9781409420736

With Freedom in Our Ears

Histories of Jewish Anarchism

By: Anna Elena Torres,Kenyon Zimmer

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With Freedom in Our Ears

Histories of Jewish Anarchism

By: Anna Elena Torres,Kenyon Zimmer

Jewish anarchism has long been marginalized in histories of anarchist thought and action. Anna Elena Torres and Kenyon Zimmer edit a collection of essays which recovers many aspects of this erased tradition. Contributors bring to light the presence and persistence of Jewish anarchism throughout histories of radical labor, women’s studies, political theory, multilingual literature, and ethnic studies. These essays reveal an ongoing engagement with non-Jewish radical cultures, including the translation practices of the Jewish anarchist press. Jewish anarchists drew from a matrix of secular, cultural, and religious influences, inventing new anarchist forms that ranged from mystical individualism to militantly atheist revolutionary cells. With Freedom in Our Ears brings together more than a dozen scholars and translators to write the first collaborative history of international, multilingual, and transdisciplinary Jewish anarchism.

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Page Count

425

Publisher

University of Illinois Press

Published Date

ISBN 10

0252054288

ISBN 13

9780252054280

Mark Lombardi

(dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 071)

By: Mark Lombardi

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Mark Lombardi

(dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 071)

By: Mark Lombardi

Der früh verstorbene US-amerikanische Künstler Mark Lombardi (1951–2000) produzierte visuelle Netzwerke und Diagramme, die die unsichtbaren Verknüpfungen zwischen politisch-ökonomischen Vorgängen, Korporationen und Individuen transparent machen. Dieses Notizbuch bildet nicht die bekannten feingliedrigen Zeichnungen und Netze ab, sondern zeigt Lombardis Recherchehilfsmittel und Denkstützen: seine Karteikarten. Der ehemalige Bibliothekar Lombardi, der für seine Akribie bekannt war, hat seine Informationen aus öffentlich zugänglichen Quellen mittels eines Karteikartensystem sortiert und archiviert, von denen einige hier abgedruckt sind. In ihrer persönlichen Einführung beschreibt Carolyn Christov-Bakargiev ihre persönlicheSicht auf dieses außergewöhnliche künstlerische Oeuvre, dessen Verbindungslinien sich der Faktenlage von Finanzskandalen, Terrorangriffen und Verbrechen unterordnen und Namen nennen. Carolyn Christov-Bakargiev (*1957) ist künstlerische Leiterin der dOCUMENTA (13). Sprache: Deutsch/Englisch

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Hatje Cantz Verlag

Published Date

ISBN 10

3775731008

ISBN 13

9783775731003

Mark

Before the Curtain / Avant Le Rideau

By: Mark

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Mark

Before the Curtain / Avant Le Rideau

By: Mark

In Montréal, 10th July 2009, mark (a collective of five artists who live in Berlin, Bremen, and Vienna, known for conducting investigations into banal, seemingly common, everyday events) went to a photo studio to take a photograph of themselves by recording the photographer's directions. They then transcribed the recording and rearranged it into a poem. The same text is also the subject matter of this book.

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