With an innocent and sometimes brutal child's view, Rolo recounts stories of a woman who battles poverty, depression, her abusive husband, and isolation through the long northern Minnesota winters, and of himself, her son, who struggles at school, wrestles with his Ojibwe identity, and copes with violence. But he also shows, with eloquence and compassion, his adult understanding of his mother's fight to live with dignity, not despair.
Drama. Native American Studies. "Mark Anthony Rolo's plays are a welcome addition to Native American theater. Rolo romps his way through stereotypes and romanticized notions of American Indians, while giving Native actors a rare chance to chew the scenery. From metatheatrical satire and farce to the poignant drama of The Way Down Story, this anthology enriches and extends the American Indian voice in drama"--Julie Pearson-Little Thunder.
Mark Anthony Rolo has a killer eye, a bleeding heart, and a blessed wit. This book nails the pain and fallout of the federal government's Native relocation program-a mid-century policy aimed at destroying Native American cultures and languages. The Wonder Bull is a wildly original (but not heartwarming) story. The characters inhabit a hell that Rolo makes worthy of respect." Louise Erdrich Author of Love Medicine I soaped myself up very good that night and I got to thinking long and hard about Oklahoma, about Willow having Indian ceremonies going on all the time. I was sure that Oklahoma was a place where that warm orange glow goes on nonstop. I wanted to be in that glow, be in that calmness, that softness forever. And as I pulled my crumpled hand open, rinsing away the soap between my fingers, I wondered what a real shaman was like. So begins the daring journey of Martin, a 40-something emotionally disabled Native American born and raised in Los Angeles, who seeks freedom from the grip of the harsh streets and the heavy hand of those who have controlled his life since he can remember. The Wonder Bull is that rare tale of magically stumbling onto a chance for acceptance in the midst of crushing chaos.
With an innocent and sometimes brutal child's view, Rolo recounts stories of a woman who battles poverty, depression, her abusive husband, and isolation through the long northern Minnesota winters, and of himself, her son, who struggles at school, wrestles with his Ojibwe identity, and copes with violence. But he also shows, with eloquence and compassion, his adult understanding of his mother's fight to live with dignity, not despair.
Some of the greatest writers in the history of the art-Hart Crane, Ernest Hemingway, Jerzy Kosinski, Sylvia Plath, Anne Sexton, and Virginia Woolf-all chose to silence themselves by suicide, leaving their families and friends with heartbreak and the world of literature with gaping holes. Their reasons for killing themselves, when known, were varied and, quite often, unreasonable. Some were plagued by depression or self-doubt, and others by frustration and helplessness in a world they could neither change nor tolerate. Profoundly moving and morbidly attractive, Final Drafts is a necessary historical record, biographical treatment, and psychological examination of the authors who left this "cruel world" by their own hands, either instantly or over long periods of relentless self-destructive behavor. It is also a devoted examination of references to suicide in literature, both by those who took their own lives and those who decided to live. Mark Seinfelt has selected many well-known (mostly fiction) writers, from those whose work dates to over a century ago-when the medical community was ill-equipped to deal with substance abuse and depression-to more recent writers such as Kosinski, Michael Dorris, and Eugene Izzi, who have left a puzzled literary community with a sad legacy. Seinfelt reveals that many authors contemplated ending their lives in their work; were obsessed with destroying themselves; were unable-in the case of the Holocaust-to live with the fact that their contemporaries had been killed; believed death to be a freedom from the horrors that forced them to create; and, sometimes, were simply unable to withstand rejection or criticism of their work. Other noted authors discussed in this volume include John Berryman, Ambrose Bierce, Harry Crosby, John Davidson, William Inge, Randall Jarrell, Arthur Koestler, T.E. Lawrence, Primo Levi, Jack London, Jay Anthony Lukas, Tom McHale, Yukio Mishima, Henry de Montherlant, Seth Morgan, George Sterling, Sara Teasdale, Ernst Toller, John Kennedy Toole, Sergey Yesenin, and many others.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.