Second year students of New Testament Greek need to review grammatical terminology and categories of syntax. Although reference Grammars have been published for researchers, they are cumbersome for this purpose. This handbook is written for these students. It provides concise descriptions for the major categories of New Testament syntax and is accompanied by a dictionary of grammatical terms and translation exercises.
Second year students of New Testament Greek need to review grammatical terminology and categories of syntax. Although reference Grammars have been published for researchers, they are cumbersome for this purpose. This handbook is written for these students. It provides concise descriptions for the major categories of New Testament syntax and is accompanied by a dictionary of grammatical terms and translation exercises.
By examining the landmark scandals of the post-war period, including more recent ones such as the Victoria Climbie Inquiry, this book reveals how scandals are generated, to what purposes they are used and whose interests they are made to serve.--
David Hockney (b. 1937) is one of the most significant artists exploring and pushing the boundaries of figurative art today. Hockney has been engaged with portraiture since his teenage years, when he painted Portrait of My Father (1955), and his self-portraits and depictions of family, lovers, and friends represent an intimate visual diary of the artist’s life. This beautifully illustrated book examines Hockney’s portraits in all media—painting, drawing, photography, and prints—and has been produced in close collaboration with the artist. Featured subjects include members of Hockney’s family and private circle, as well as portraits of such artists and cultural figures as Lucian Freud, Francesco Clemente, R. B. Kitaj, Helmet Newton, Lawrence Weschler, and W. H. Auden. The authors reveal how Hockney’s creative development and concerns about representation can be traced through his portrait work: from his battle with naturalism to his experimentation with and later rejection of photography, and from his recent camera lucida drawings to his return to painting from life. Featuring more than 250 works from the past fifty years, David Hockney Portraits illustrates not only the fascinating range of Hockney’s creative practice but also the unique and cyclical nature of his artistic concerns.
This book offers a comprehensive study of the Sicarii in Josephus's Judean War. Detailed rhetorical analyses are provided not only for the Masada narrative, where Josephus tells how the Sicarii famously committed suicide, but also for all other places in War where their activities are described or must be inferred from the context. The study shows how Josephus adopted the Sicarii in his narrative to develop and bring to a resolution several major themes in War. In a departure from the classical proposal that the Sicarii were an armed and fanatical off-shoot of the Zealots, this work concludes that from a historical perspective, "Sicarii" was a somewhat fluid term used to describe Jews of the Judean revolt who were associated with acts of violence against their own people for religious/political ends.
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