The year 2010 marked the 100th anniversary of Mark Twain’s death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain’s works, UC Press published Autobiography of Mark Twain, Volume 1, the first of a projected three-volume edition of the complete, uncensored autobiography. The book became an immediate bestseller and was hailed as the capstone of the life’s work of America’s favorite author. This Reader’s Edition, a portable paperback in larger type, republishes the text of the hardcover Autobiography in a form that is convenient for the general reader, without the editorial explanatory notes. It includes a brief introduction describing the evolution of Mark Twain’s ideas about writing his autobiography, as well as a chronology of his life, brief family biographies, and an excerpt from the forthcoming Autobiography of Mark Twain, Volume 2—a controversial but characteristically humorous attack on Christian doctrine.
YOU don't know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain't no matter. That book was made by Mr. Mark Twain, and he told the truth, mainly. There was things which he stretched, but mainly he told the truth. That is nothing. I never seen anybody but lied one time or another, without it was Aunt Polly, or the widow, or maybe Mary. Aunt PollyTom's Aunt Polly, she isand Mary, and the Widow Douglas is all told about in that book, which is mostly a true book, with some stretchers, as I said before.
At once a romantic history of a mighty river, an autobiographical account of Twain's early steamboat days, and a storehouse of humorous anecdotes and sketches, here is the raw material from which Mark Twain wrote his finest novel, Adventures of Huckleberry Finn. Hannibal, Missouri, on the banks of the Mississippi River, was host to riverboat travelers from around the world, providing a vigorous and variable atmosphere for the young Samuel Clemens to absorb. Clemens became a riverboat pilot and even chose his pen name—Mark Twain—from a term boatmen would call out signifying water depth at two fathoms, meaning safe clearance for travel. It was from this background that Life on the Mississippi emerged. It is an epochal record of America’s growth, a stirring remembrance of her vanished past. And it earned for its author his first recognition as a serious writer. With an Introduction by Justin Kaplan and an Afterword by John Seelye
Based on Mark Twain's 1872 autobiographical novel, this made-for-cable film is presented in flashback form, as aged humorist Mark Twain (James Garner) is invited as the keynote speaker for the Bryn Mawr College graduation ceremonies of 1891. At first concerned that his reputation as a humorist will embarrass his daughter Susy (Jewel Staite), who is among the graduates, Twain decides to throw all caution to the winds by delivering an inspirational speech in which he recalls his own early days as a Missouri-bred greenhorn on the wild western frontier. Admitting that his recollections may stretch the truth a bit ("When I was younger, I could remember it, whether it happened or not"), Twain spins a tale of two brothers, Sam and Orion Clemens ("Sam Clemens" was of course, Twain's given name). Jealous over Orion's (Greg Spottiswood) appointment as secretary to the governor of the Nevada Territory, young Sam Clemens (Robin Dunne) insists on tagging along, but soon parts ways when he decides that nascent Carson City does not suit his desire for adventure. In search of fortune and his destiny, what ensues is an extended adventure which includes a rugged interlude digging for gold under the baleful eye of a brutal foreman (Eric Roberts); a wild card game during torrential rains; a bone-chilling winter; bandits and outlaws; along with an episode with Mr. Slade (Ned Beatty), a cruel man that's killed 26 men for petty reasons, and kept their ears as a "calling card". The cast also includes Jill Eikenberry as Twain's wife Livy and Adam Arkin as a "wild-eyed character" named Henry. Filmed in Calgary, the four-hour miniseries version of Mark Twain's Roughing It was presented by the Hallmark cable channel beginning March 16, 2002.
Rediscover the classic American tale or join Tom Sawyer's adventures on for the first time. A favorite among young readers and adults alike, Mark Twain's TheAdventures of Tom Sawyer, first published in 1876, is considered to one of the great novels about American adolescence along with its sequel Adventures of Huckleberry Finn. Tom Sawyer is a young orphan living with his half brother Sid at their Aunt Polly's house. A bad apple in school, he resists all efforts at correction, except when it comes to courting the lovely Becky Thatcher. Along with his buddy Huck Finn, Tom fools around, plays practical jokes and causes trouble--until the day when the two witness a murder. Many readers see The Adventures of Tom Sawyer as a children's book, however there are shades to this tale that even adults who return to the story may have missed. Complete and unabridged, this elegantly designed, clothbound edition features an elastic closure and a new introduction by Sarah Kerman. The Knickerbocker Classics bring together the essential works of classic authors from around the world in stunning editions to be collected and enjoyed.
The celebrated author of The Adventures of Tom Sawyer and Adventures of Huckleberry Finn mixes fact and fiction in a rousing travelogue that serves as “a portrait of the artist as a young adventurer.”* In 1861, young Mark Twain found himself adrift as a newcomer in the Wild West, working as a civil servant, silver prospector, mill worker, and finally a reporter and traveling lecturer. Roughing It is the hilarious record of those early years traveling from Nevada to California to Hawaii, as Twain tried his luck at anything and everything—and usually failed. Twain’s encounters with tarantulas and donkeys, vigilantes and volcanoes, even Brigham Young, the Mormon leader, come to life with his inimitable mixture of reporting, social satire, and rollicking tall tales. With an Introduction by Elizabeth Frank* And a New Afterword by Mark Dawidziak
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