We Are Charleston not only recounts the events of that terrible day but also offers a history lesson that reveals a deeper look at the suffering, triumph, and even the ongoing rage of the people who formed Mother Emanuel A.M.E. church and the wider denominational movement. On June 17, 2015, at 9:05 p.m., a young man with a handgun opened fire on a prayer meeting at the Mother Emanuel African Methodist Episcopal (AME) Church in Charleston, South Carolina, killing nine members of the congregation. The captured shooter, twenty-one-year-old Dylan Roof, a white supremacist, was charged with their murders. Two days after the shooting, while Roof’s court hearing was held on video conference, some of the families of his nine victims, one by one, appeared on the screen—forgiving the killer. The “Emanuel Nine” set a profound example for their families, their city, their nation, and indeed the world. In many ways, this church’s story is America’s story—the oldest A.M.E. church in the Deep South fighting for freedom and civil rights but also fighting for grace and understanding. Fighting to transcend bigotry, fraud, hatred, racism, poverty, and misery. The shootings in June 2015, opened up a deep wound of racism that still permeates Southern institutions and remains part of American society. We Are Charleston tells the story of a people, continually beaten down, who seem to continually triumph over the worst of adversity. Exploring the storied history of the A.M.E. Church may be a way of explaining the price and power of forgiveness, a way of revealing God’s mercy in the midst of tremendous pain. We Are Charleston may help us discover what can be right in a world that so often has gone wrong.
An inspiring assortment of new and "best of" works by South Carolina's poet laureate New and Selected Poems includes more than fifty poems from Marjory Wentworth's previous three collections, Noticing Eden, Despite Gravity, and The Endless Repetition of an Ordinary Miracle, plus twenty-eight new poems. This collection serves as a capstone to Wentworth's tenure as South Carolina poet laureate, a title she has held since 2003. Thematically Wentworth's poems invite us to view nature as a site of reflection and healing, to consider the power of familial bonds and friendships, and to broaden our awareness of human rights and social justice. Regional settings appear throughout, indicative of Wentworth's commitment to represent her adopted home state of South Carolina in her work. She skillfully employs a variety of forms, from prose poems to sonnets to elegies to list poems, making for a rich and interesting trek through this "best of" collection of her poems to date. This collection includes a foreword by the poet Carol Ann Davis, author of Psalm and Atlas Hour and assistant professor of English at Fairfield University.
A Newbery Medalist and a Caldecott Honoree offer a glorious, lyrical ode to poets who have sparked a sense of wonder. Out of gratitude for the poet’s art form, Newbery Award–winning author and poet Kwame Alexander, along with Chris Colderley and Marjory Wentworth, present original poems that pay homage to twenty famed poets who have made the authors’ hearts sing and their minds wonder. Stunning mixed-media images by Ekua Holmes, winner of a Caldecott Honor and a John Steptoe New Talent Illustrator Award, complete the celebration and invite the reader to listen, wonder, and perhaps even pick up a pen.
“Wow! This is the 19th book in the Quilters Club series. And I’ve loved every single one of them. I’m pleased to tell you this one is among my favorites, a mixture of Shakespeare, and old cases, and kids home from college (can you believe Aggie and N’yen are already in college?) …” —Marcy Birdweather, Marcy’s Musings “So, fair reader, if thou seeketh an escapade woven with the fabric of mystery, wherein the charm of quilting doth intertwine with the riddles of the unknown, then verily, this be the book to enrapture thy senses and enthrall thy soul.” —W. Shakespeare A Shakespeare-in-the-Park performance of A Midsummer Night’s Dream was going so well until the actor playing Puck dropped dead in Act 3 Scene 2. Maddy Madison and her Quilters Club pals – Cookie, Bootsie, and Lizzie – with the help of their junior members jump on the case when they suspect something more sinister than the heart attack listed on the coroner’s death certificate. After all, hadn’t Adolphus Everly Anderson given the audience two clues before dying? This puzzler that would have William Shakespeare rolling over in his grave – except for the keen sleuthing of the Quilters Club.
This text aims to clarify what contemporary early childhood practitioners and leaders need to know in order to manage early childhood services professionally. The text explores leadership concepts in an integrated manner and presents case studies and interviews with early childhood leaders.
We Are Charleston not only recounts the events of that terrible day but also offers a history lesson that reveals a deeper look at the suffering, triumph, and even the ongoing rage of the people who formed Mother Emanuel A.M.E. church and the wider denominational movement. On June 17, 2015, at 9:05 p.m., a young man with a handgun opened fire on a prayer meeting at the Mother Emanuel African Methodist Episcopal (AME) Church in Charleston, South Carolina, killing nine members of the congregation. The captured shooter, twenty-one-year-old Dylan Roof, a white supremacist, was charged with their murders. Two days after the shooting, while Roof’s court hearing was held on video conference, some of the families of his nine victims, one by one, appeared on the screen—forgiving the killer. The “Emanuel Nine” set a profound example for their families, their city, their nation, and indeed the world. In many ways, this church’s story is America’s story—the oldest A.M.E. church in the Deep South fighting for freedom and civil rights but also fighting for grace and understanding. Fighting to transcend bigotry, fraud, hatred, racism, poverty, and misery. The shootings in June 2015, opened up a deep wound of racism that still permeates Southern institutions and remains part of American society. We Are Charleston tells the story of a people, continually beaten down, who seem to continually triumph over the worst of adversity. Exploring the storied history of the A.M.E. Church may be a way of explaining the price and power of forgiveness, a way of revealing God’s mercy in the midst of tremendous pain. We Are Charleston may help us discover what can be right in a world that so often has gone wrong.
WHAT THE WATER GIVES ME (Booksurge; October 2002; $20.99) is the culmination of a decade of artistic collaboration between poet Marjory Wentworth and artist Mary Edna Fraser. This book represents their powerful fusion of visual and verbal communication. Side by side, the poems and the monotypes present an innovative approach to human and environmental concerns.
A Newbery Medalist and a Caldecott Honoree offer a glorious, lyrical ode to poets who have sparked a sense of wonder. Out of gratitude for the poet’s art form, Newbery Award–winning author and poet Kwame Alexander, along with Chris Colderley and Marjory Wentworth, present original poems that pay homage to twenty famed poets who have made the authors’ hearts sing and their minds wonder. Stunning mixed-media images by Ekua Holmes, winner of a Caldecott Honor and a John Steptoe New Talent Illustrator Award, complete the celebration and invite the reader to listen, wonder, and perhaps even pick up a pen.
NEW YORK TIMES BESTSELLER! In this warm and moving anthology, a group of bestselling authors and writers pay tribute to legendary, larger-than-life New York Times bestselling author Dorothea Benton Frank and her literary legacy. Inspired by the title Dorothea Benton Frank planned for her next book—Reunion Beach—these close friends and colleagues channeled their creativity, admiration, and grief into stories and poems that celebrate this remarkable woman and her abiding love for the Lowcountry of her native South Carolina—a land of beauty, history, charm, and Gullah magic she so brilliantly brought to life in her acclaimed novels. From Elin Hilderbrand, #1 New York Times bestselling author, a sequel to Summer of ’69. From Adriana Trigiani, New York Times bestselling author, comes a heartwarming, humorous interview from the hereafter with Pat Conroy and Dorothea Benton Frank, two beloved icons of Southern literature. From Patti Callahan, bestselling author of Becoming Mrs. Lewis and Surviving Savannah, comes The Bridemaids, a story about a trip to the South Carolina beach. From Mary Alice Monroe, New York Times bestselling author, Mother and Child Reunion, a heartwarming story set under the warm South Carolina sun. Reunion Beach also features letters, short stories, poems, and essays from: Mary Norris, New York Times bestselling author and staff writer for The New Yorker Cassandra King Conroy, bestselling and award-winning author of Tell Me A Story Nathalie Dupree, James Beard Award-winning cookbook author Marjory Wentworth, former Poet Laureate of South Carolina Gervais Hagerty, author of In Polite Company Jacqueline Bouvier Lee, Peter Frank, Victoria Peluso, and William Frank Infused with Dorothea Benton Frank’s remarkable spirit, Reunion Beach is a literary homage and beautiful keepsake that keeps this dearly missed writer’s flame burning bright.
Acclaimed writers, family, friends, and more pay homage to the celebrated Southern author of The Prince of Tides and The Great Santini. New York Times–bestselling writer Pat Conroy (1945–2016) inspired a worldwide legion of devoted fans, but none are more loyal to him and more committed to sustaining his literary legacy than the many writers he nurtured over the course of his fifty-year career. In sharing their stories of Conroy, his fellow writers honor his memory and advance our shared understanding of his lasting impact on literary life in and well beyond the American South. Conroy’s fellowship drew from all walks of life. His relationships were complicated, and people and places he thought he’d left behind often circled back to him at crucial moments. The pantheon of contributors includes Rick Bragg, Kathleen Parker, Barbra Streisand, Janis Ian, Anthony Grooms, Mary Hood, Nikky Finney, Nathalie Dupree and Cynthia Graubart, Ron Rash, Sandra Brown, and Mary Alice Monroe; Conroy biographers Katherine Clark and Catherine Seltzer; his longtime friends; Pat’s students Sallie Ann Robinson and Valerie Sayers; members of the Conroy family; and many more. Each author in this collection shares a slightly different view of Conroy. Through their voices, a multifaceted portrait of him comes to life and sheds new light on who he was. Loosely following Conroy’s own chronology, the essays herewith wind through his river of a story, stopping at important ports of call. Cities he called home and longed to visit, along with each book he birthed, become characters that are as equally important as the people he touched along the way.
Juan Méndez has experienced human rights abuse first hand. As a result of his work with political prisoners in the late 1970s, the Argentinean military dictatorship arrested, tortured, and held him for more than a year. During that time, Amnesty International adopted him as a "Prisoner of Conscience." After his release, he moved to the United States and continued his lifelong fight for the rights of others, and the lessons he has gleaned over the decades can help us with our current struggles. Here, he sets forth an authoritative and incisive examination of torture, detention, exile, armed conflict, and genocide, whose urgency is even greater in the wake of America's recent disastrous policies. Méndez offers a new strategy for holding governments accountable for their actions, providing an essential blueprint for different human rights groups to be able to work together to effect change.
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