Acclaimed writers, family, friends, and more pay homage to the celebrated Southern author of The Prince of Tides and The Great Santini. New York Times–bestselling writer Pat Conroy (1945–2016) inspired a worldwide legion of devoted fans, but none are more loyal to him and more committed to sustaining his literary legacy than the many writers he nurtured over the course of his fifty-year career. In sharing their stories of Conroy, his fellow writers honor his memory and advance our shared understanding of his lasting impact on literary life in and well beyond the American South. Conroy’s fellowship drew from all walks of life. His relationships were complicated, and people and places he thought he’d left behind often circled back to him at crucial moments. The pantheon of contributors includes Rick Bragg, Kathleen Parker, Barbra Streisand, Janis Ian, Anthony Grooms, Mary Hood, Nikky Finney, Nathalie Dupree and Cynthia Graubart, Ron Rash, Sandra Brown, and Mary Alice Monroe; Conroy biographers Katherine Clark and Catherine Seltzer; his longtime friends; Pat’s students Sallie Ann Robinson and Valerie Sayers; members of the Conroy family; and many more. Each author in this collection shares a slightly different view of Conroy. Through their voices, a multifaceted portrait of him comes to life and sheds new light on who he was. Loosely following Conroy’s own chronology, the essays herewith wind through his river of a story, stopping at important ports of call. Cities he called home and longed to visit, along with each book he birthed, become characters that are as equally important as the people he touched along the way.
The first newspaperwomen were employed to attract female subscribers and advertising revenue. Once hired, they found themselves confined to a narrow range of specialties that catered to conventionally defined women's interests - home-making, fashion, and high society - and most were patronized by their male peers. But these women journalists did more than simply deliver female consumers to advertisers. Some of them eventually made names for themselves as commercial reporters or political and even war correspondents. By making news about women for women, they created a distinctly female culture within the newspaper, chronicling the increasing participation of women in public affairs. Women Who Made the News is the story of the women who helped raise Canadian women's collective awareness of each other and of their achievements in the period leading up to World War II.
Emigration from Scotland has always been very high. However, emigration from Scotland between the wars surpassed all records; more people emigrated than were born, leading to an overall population decline. Why was it so many people left? Marjory Harper, whose knowledge is grounded in a deep understanding of the local records, maps out the many factors which worked together to cause this massive diaspora. After an opening section where the author sets the Scottish experience within the context of the rest of the British Isles, the book then divides the country geographically, starting with the Highlands, then coastal Scotland, and the urban Lowland highlighting in turn the factors that particularly influenced each of these areas. Harper then discusses the organised religious and political movements that encouraged emigration. By interweaving personal stories with statistical evidence Harper brings to life the reality behind the dramatic historical migration.
The Scots have always been a restless people', says leading Scottish historian Marjory Harper 'but in the nineteenth century their restlessness exploded into a sustained surge of emigration that carried Scotland almost to the top of a European league table of emigrant exporting countries.' This is the first book to provide a comprehensive account of that 'Great Exodus'. In many ways it challenges the popular belief that the Scottish Diaspora were reluctant exiles. There were indeed those who went unwillingly through clearance, kidnapping or banishment. Orphans, and (frequently against their parents' wishes) children of destitute parents were exported into domestic service by well-meaning institutions. But there were also adventurers, many with fortunes to invest, who went full of hope - and many who left as a response to famine or destitution did so willingly, in the belief that they would improve their lot. There were temporary emigrants too, off for a season's railroad building or a stretch in the East India Company. ow were these people recruited? Where did they embark from, what was the voyage out like? Where did they go? And what happened when they got there? From the Highlands, Lowlands and islands to Canada, Australia, New Zealand, the Caribbean, Ceylon and India, Harper brings alive the experience of the Scottish emigrant. rawing and quoting from a vast range of contemporary letters, diaries, newspapers and magazines (some examples are attached), this rich, immensely detailed and hugely rewarding book tells the stories of emigrants from diverse backgrounds as well as looking at the wider context of restless mobility that has taken Scots to England and Europe from the middle ages on.
This book tells of Early Mormon History, Indian experiences, pioneering and colonizing, The Mountain Meadows Massacre, Willies Handcart Company, the United Order and missionary work. All of which touched John L. Blythe's life.
Shortlisted for Scottish History Book of the Year at the Saltire Society Literary Awards 2013Scotland No More? taps into the need we all share — to know who we are and where we come from. Scots have always been on the move, and from all quarters we are bombarded with evidence of interest in their historical comings and goings. Earlier eras have been well covered, but until now the story of Scotland's twentieth-century diaspora has remained largely untold. Scotland No More? considers the causes and consequences of the phenomenon, scrutinising the exodus and giving free rein to the voices of those at the heart of the story: the emigrants themselves.
Tears and weeping are, at once, human universals and socially-constrained phenomena. This volume explores the interface between those two viewpoints by examining medical literature, sermons, and lyric poetry of the 16th and 17th centuries to see how dominant paradigms regarded who could, who must, and who must not weep. These paradigms shifted in some cases radically, during these centuries. Without a clear understanding of how the Renaissance 'read' tears, it is difficult to avoid using our own preconceptions -- often quite different and very misleading. There are five chapters; one on medical and scientific material, two on sermons, and two on different types of lyric.
Clarifies for the first time what contemporary early childhood practitioners and leaders need to know in order to manage early childhood services in a professional way. The text explores leadership concepts in an integrated manner. Authors are from the University of South Australia, & the University of Melbourne.
We Are Charleston not only recounts the events of that terrible day but also offers a history lesson that reveals a deeper look at the suffering, triumph, and even the ongoing rage of the people who formed Mother Emanuel A.M.E. church and the wider denominational movement. On June 17, 2015, at 9:05 p.m., a young man with a handgun opened fire on a prayer meeting at the Mother Emanuel African Methodist Episcopal (AME) Church in Charleston, South Carolina, killing nine members of the congregation. The captured shooter, twenty-one-year-old Dylan Roof, a white supremacist, was charged with their murders. Two days after the shooting, while Roof’s court hearing was held on video conference, some of the families of his nine victims, one by one, appeared on the screen—forgiving the killer. The “Emanuel Nine” set a profound example for their families, their city, their nation, and indeed the world. In many ways, this church’s story is America’s story—the oldest A.M.E. church in the Deep South fighting for freedom and civil rights but also fighting for grace and understanding. Fighting to transcend bigotry, fraud, hatred, racism, poverty, and misery. The shootings in June 2015, opened up a deep wound of racism that still permeates Southern institutions and remains part of American society. We Are Charleston tells the story of a people, continually beaten down, who seem to continually triumph over the worst of adversity. Exploring the storied history of the A.M.E. Church may be a way of explaining the price and power of forgiveness, a way of revealing God’s mercy in the midst of tremendous pain. We Are Charleston may help us discover what can be right in a world that so often has gone wrong.
At the beginning of the Second World War, Marjorie and her brother are invited to live with an elderly, childless couple in their grand house near Winchester. Their mother, needing to earn her living remains in London. By chance, she finds herself working with the Belgian Resistance who are engaged in secret and dangerous work. Christmas arrives and there is a lull in the bombing, Marjorie, now 15 years old comes to stay with her mother who decides to throw a party for her Belgian proteges. Marjorie is invited to dance by a young Belgian officer and the attraction for both of them is instant. They spend a month together until Marjorie returns to school in Winchester. She wonders what will happen: will he write? Or was he just amusing himself with her? This atmospheric and touching story reveals the outcome of a tender relationship...
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